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Ferrante Louis: Borgata: Autumn of
Empire

Borgata: Autumn of Empire

A History of the American Mafia

Mother, Ghost, Mango Seed

Mr Sidhu’s Post Office

&nbsp;Three best friends. One five-star hotel. Will it be the holiday of a lifetime?

<div>Imogen is going on an expenses-paid holiday with her best friends. What could possibly go wrong? Imogen isn’t used to five-star hotels.&nbsp;&nbsp;She’s used to juggling the pressures of her job with raising a four-year-old single-handedly and trying to keep smiling throughout. &nbsp; So, when her friend wins a VIP trip to Barcelona’s most fashionable new hotel, it’s her chance to finally relax.&nbsp; &nbsp; But Imogen knows better than most that life doesn’t always go according to plan and things start to go awry before they’ve even set foot on the plane. &nbsp; The big question is: what is really motivating the mysterious, handsome man who’s always in the right place at the wrong time? 'Funny, sexy and moving - a hilarious holiday romp with a heart. I loved it' SOPHIE KINSELLA</div>

'Funny, sexy and moving - a hilarious holiday romp with a heart. I loved it' SOPHIE KINSELLA

The Time of Our Lives

The Spanner in the Works

Woods and Andrews on Liquor Licensing Laws

Where slaves became drag queens - and changed the world

The House of Swann

Cultivating Black Intellectualism and Economic Growth

Historically Black Colleges and Universities

The Man with Many Names

Bloomsbury Studies in Modern Architecture

Robin Boyd was Australia's foremost architectural writer and critic from the late 1940s until his death in 1971. He was also a talented architect, designing houses, apartments, commercial and university buildings, as well as exhibits to represent Australia overseas. This book situates his architecture and writings within the context of post-WWII global architectural discourse and production. A voice from the margins, yet one intimately engaged with contemporary US and European architecture, Boyd's geographic impartiality also drew architectures from Australia and Japan into global dialogue. He also had a local mission: to build an architecture culture and discourse for his own country. But his acuity in design criticism, widely admired at the time, has been overlooked by subsequent historiography. This book will fill that gap - placing Boyd's work and writing into an international context for the first time. The book is structured into three parts: Dwelling; Discourse and Australia. The first, Dwelling, focuses on Boyd's development of his theoretical ideas based on the laboratory of the single-family house. The second, Discourse, outlines Boyd's fight to find a voice for Australian architecture and create a local pedigree for modernism and finally the third, Australia, focuses on Boyd's commitment to a broader national project and the shaping of Australian identity.

Robin Boyd was Australia’s foremost architectural writer and critic from the late 1940s until his death in 1971. He was also a talented architect, designing houses, apartments, commercial and university buildings, as well as exhibits to represent Australia overseas. 

This book situates his architecture and writings within the context of post-WWII global architectural discourse and production. A voice from the margins, yet one intimately engaged with contemporary US and European architecture, Boyd’s geographic impartiality also drew architectures from Australia and Japan into global dialogue. He also had a local mission: to build an architecture culture and discourse for his own country. But his acuity in design criticism, widely admired at the time, has been overlooked by subsequent historiography. This book will fill that gap - placing Boyd's work and writing into an international context for the first time.
     
The book is structured into three parts: Dwelling; Discourse and Australia. The first, Dwelling, focuses on Boyd’s development of his theoretical ideas based on the laboratory of the single-family house. The second, Discourse, outlines Boyd’s fight to find a voice for Australian architecture and create a local pedigree for modernism and finally the third, Australia, focuses on Boyd’s commitment to a broader national project and the shaping of Australian identity.

Australian Architect, International Critic

Robin Boyd

The 2nd edition of Murder, Medicine and Motherhood presents a fresh examination of the case of Kathleen Folbigg and a critical evaluation of the process that led to her exoneration in 2023. 

In 2011, the 2nd edition of this influential work argued that Kathleen Folbigg was wrongly convicted of killing her 4 children. The book attracted scholarly and public attention and led to medical and legal reviews of the Folbigg children's deaths. 

Two subsequent inquiries examined Folbigg's convictions. In 2019, Commissioner Blanch concluded that Folbigg's guilt was "even more certain" than it had been at trial. His report provoked an unprecedented response from the Australian Academy of Science, highlighting a rift between the legal and scientific establishments over how medical evidence should be managed. A petition signed by Nobel prize winners and others demanded a further review. The 2nd inquiry, completed in 2023, adopted a markedly different approach to scientific and behavioural evidence. Commissioner Bathurst ultimately reached the "firm view" that "reasonable doubt exists as to Folbigg's guilt." 

This new edition extends the examination of the legal process, medical evidence, and normative expectations of motherhood. It evaluates law's fact-finding processes and the legal system's adherence to the principles of proof beyond a reasonable doubt, and raises concerns about how legal actors work with scientific uncertainty and assess women's credibility and demeanour.

The 2nd edition of Murder, Medicine and Motherhood presents a fresh examination of the case of Kathleen Folbigg and a critical evaluation of the process that led to her exoneration in 2023. 

In 2011, the 2nd edition of this influential work argued that Kathleen Folbigg was wrongly convicted of killing her 4 children. The book attracted scholarly and public attention and led to medical and legal reviews of the Folbigg children’s deaths. 

Two subsequent inquiries examined Folbigg’s convictions. In 2019, Commissioner Blanch concluded that Folbigg’s guilt was “even more certain” than it had been at trial. His report provoked an unprecedented response from the Australian Academy of Science, highlighting a rift between the legal and scientific establishments over how medical evidence should be managed. A petition signed by Nobel prize winners and others demanded a further review. The 2nd inquiry, completed in 2023, adopted a markedly different approach to scientific and behavioural evidence. Commissioner Bathurst ultimately reached the “firm view” that “reasonable doubt exists as to Folbigg’s guilt.” 

This new edition extends the examination of the legal process, medical evidence, and normative expectations of motherhood. It evaluates law’s fact-finding processes and the legal system’s adherence to the principles of proof beyond a reasonable doubt, and raises concerns about how legal actors work with scientific uncertainty and assess women’s credibility and demeanour.

The Wrongful Convictions of Kathleen Folbigg

Murder, Medicine and Motherhood

A skin-crawling debut that peels back the veil from the institution of marriage and exposes the rot underneath. For fans of NIGHTBITCH and OUR WIVES UNDER THE SEA.

A skin-crawling debut that peels back the veil from the institution of marriage and exposes the rot underneath. For fans of NIGHTBITCH and OUR WIVES UNDER THE SEA.

Death Do Us

True West

Borgata: Autumn of Empire

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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