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An exploration of the ways dress and dressed appearance have been used to express identity.

Dress as Biography

Notes on Contributors Introduction: Dress as Biography, Martin Pel (Royal Pavilion &amp; Museums, Brighton &amp; Hove, UK) 1. Death, Dress, and Memorialising in the Tomb of Robert Dudley, Martin Pel (Royal Pavilion &amp; Museums, Brighton &amp; Hove, UK) 2. Elisabeth Vigée Le Brun: Fashioning and Painting the Self, Ingrid E. Mida (Toronto Metropolitan University, Canada) 3. The Londonderry Russian Topaz, Geoffrey Munn (Jewellery expert and historian, UK) 4. Reading the Damage: Biography through the Eyes of a Dress Conservator, Zenzie Tinker (Conservator, UK) 5. Creating Biographies: from Childhood Stories to Family Tales, Aude Campbell Le Guennec (Glasgow School of Art, UK) 6. Miss Augusta Roddis Dresses Up, Jane Bradbury (Dress historian, USA) 7. Pearl Binder, 1904-1990: A Biography of an Individualist Dresser, Lou Taylor (University of Brighton, UK) 8. 'All of Me': Billie Holiday, Carol Tulloch (University of the Arts, London, UK) 9. Charles and Ray Eames: their Everyday as Read through Dress, Alison Moloney (Fashion Curator, UK) 10. The Sartorial Biographer: Using Material Culture to Reveal Identities, Beatrice Behlen (Senior Curator, Fashion and Decorative Arts, Museum of London, UK) Notes List of Illustrations Bibliography Index

Emotion, Evolution, and Expression

In a Sentimental Mood

This book is about something special that we all desire - love. And it is also a book about what keeps us apart - the desire to be seen but being unwilling to do what needs to be done to see. This book will change your life. It wull give you all the wings you need to fly again.

His friends called him V. He used to feel intimidated by the fashion world but he got over it. He designed his first Louis Vuitton collection in three hours. He cared more about pageantry than clothes. He wasn’t precious about his ideas. He sometimes made work and added the meaning later. He contradicted himself all the time but he saw no problem with that. Fashion for him was one big art project, and also kind of a joke. He believed in God. He believed in logos. He thought insisting on novelty in fashion was farcical; a critique meant to keep people like him out. Some nights when he couldn’t sleep he wondered how people would remember him once he was gone. Virgil Abloh, who died unexpectedly in 2021 at age 41, defied categorization. Born in Rockford, Illinois to Ghanaian immigrants, he learned to sew as child, studied civil engineering in college and then architecture in graduate school. He entered the world of fashion sideways, without formal training, upsetting the status quo first with the stratospheric success of Off-White and then with his appointment as Artistic Director of menswear at Louis Vuitton. He pierced the divisions between pop culture and couture, fashion, music, and design, and was as influenced by Marcel Duchamp and Mies van der Rohe, Albert Murray, Rammellzee, Drake, DJ Benji B, Kylie Jenner, and Bella Hadid, as by the storied histories of high fashion houses. He was fascinated by the commodification of culture and the dialectic between appropriation and reappropriation, between ‘high’ and ‘low’. He admired the ready-made and the imitative for the way in which they force you to think carefully about the context in which they were created. He felt originality was a sham, and saw clearly the way Fashion, with a capital F, depends on the policing of who is allowed the mantle of ‘genius’. The establishment bridled at his approach even as they celebrated his work. He, in turn, understood that people wanted him to be a symbol, to fit an idea of the Black Designer, but he refused any kind of easy definition. Here, in Work in Progress, is a blueprint for a way to live, a conversation between friends, a challenge to any idea of black and white thinking. A portrait of an iconoclast, WORK IN PROGRESS takes us inside the mind of one of the most visionary and transformational designers of our time.

335876 TBA

The Story of Fashion

The Story of the Hermès Birkin

The Story of the Chanel Suit

The Lost Voices of Pompeii

A History of New York City from 1933 to 1945

Gotham at War

Football in a State of Emergency

Injury Time

Ethnographies of a Global Value

How Transparency Works

The Social Justice: A Reader is the first book that comprehensively covers various conceptions of justice, both distributive (response to crime) and distributive justice principles (fair distributions of rewards and burdens).

The Social Justice: A Reader is the first book that comprehensively covers various conceptions of justice, both distributive (response to crime) and distributive justice principles (fair distributions of rewards and burdens).

A Reader

Social Justice

Exploring the County that Made the Modern World

Lancashire

The Hidden History of the Weight Loss and Wellness Industries--And the Lies They Sold Us

Maintenance Phase

Tactics, Practices, Market Forces

Marginal Fashion Publishing

Dress as Biography

Inhalt

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

Inhalt

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

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