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Hopkins Studies in Modernism

Illuminates how the power of light shaped early twentieth-century art, culture, and poetry.

Asciuto N: Brilliant Modernism

Brilliant Modernism

Cultures of Light and Modernist Poetry

In this unique collection of essays, published writers offer an intimate view of how their work has been informed, shaped and transformed by their literary, political, philosophical or personal influences. Providing models of the critical commentaries that all students of creative writing must write, each essay from contemporary authors of fiction, creative non-fiction, poetry, scripts and digital writing demonstrates how what writers write is determined by what they have read, and what they read is then determined by what they are writing. As writers reflect on their process of moving from sources of inspiration to a finished and original piece of writing, they reveal their anxieties, passions, discoveries and motivations, offering fascinating insights into the imagination's journey. Introductory chapters explore why writers reflect on their own work, and place this practice in wider contexts, offering theoretical frameworks for understanding process, influence, and inspiration. As illuminating for aspiring writers as it is for students reflecting on their research and process as part of writing courses, Creative Writing and the Critical Commentary will change the way writers talk about and engage with other texts.

Reflection, Influence, Process

Creative Writing and the Critical Commentary

'A beautiful and immensely powerful book about love, grief and finding a way to be in a forever altered world' Julia Samuel 'The Flower Bearers goes to some dark places, but there is joy, too . . . simultaneously a love story, a portrait of sisterhood and a visceral depiction of violence, loss and emotional devastation' Guardian On September 24, 2021, Rachel Eliza Griffiths married her husband, the novelist Salman Rushdie. On the same day, hundreds of miles away, her closest friend, Kamilah Aisha Moon, who was expected to speak at the wedding, died suddenly. Eleven months later, as Rachel Eliza was learning to exist without her, a brutal attack nearly killed her husband. As trauma compounded trauma, Rachel Eliza realized that to survive her heartbreak, she would need to mourn not only her friend, but the woman she had been on her wedding day. And so Rachel Eliza chronicles her seventeen years of friendship with Aisha. From the moment they met in a college library, she knew she had found a soul sister. Their life together was filled with music: they danced to records in their apartments and skipped from one sticky jazz bar to another. Sitting side-by-side at poetry circles, reading Toni Morrison and Alice Walker, marching through Harlem protesting lost Black lives, Rachel Eliza drew inspiration and strength from her friend. Together they learnt to embrace themselves, as writers, artists, and Black women. Rachel Eliza interweaves this love story with another, that of her relationship with Rushdie, of the challenges they have faced and the depth of their connection. Celebrating the ways that these two extraordinary people have transformed her life, she reflects on the beauty and pain that come with opening oneself fully to love.

The Flower Bearers

Very Short Introductions

100 years after Proust's death, In Search of Lost Time remains one of the greatest works in World Literature. At 3,000 pages, it can be intimidating to some. This short volume invites first-time readers and veterans alike to view the novel in a new way. Marcel Proust (1871-1922) was arguably France's best-known literary writer. He was the author of stories, essays, translations, and a 3,000-page novel, In Search of Lost Time (1913-27). This book is a brief guide to Proust's magnum opus in which Joshua Landy invites the reader to view the novel as a single quest--a quest for purpose, enchantment, identity, connection, and belonging--through the novel's fascinating treatments of memory, society, art, same-sex desire, knowledge, self-understanding, self-fashioning, and the unconscious mind. Landy also shows why the questions Proust raises are important and exciting for all of us: how we can feel at home in the world; how we can find genuine connection with other human beings; how we can find enchantment in a world without God; how art can transform our lives; whether an artist's life can shed light on their work; what we can know about the world, other people, and ourselves; when not knowing is better than knowing; how sexual orientation affects questions of connection and identity; who we are, deep down; what memory tells us about our inner world; why it might be good to think of our life as a story; how we can feel like a single, unified person when we are torn apart by change and competing desires. Finally, Landy suggests why it's worthwhile to read the novel itself-how the long, difficult, but joyous experience of making it through 3,000 pages of prose can be transformative for our minds and souls.

100 years after Proust's death, In Search of Lost Time remains one of the greatest works in World Literature. At 3,000 pages, it can be intimidating to some. This short volume invites first-time readers and veterans alike to view the novel in a new way.

Marcel Proust (1871-1922) was arguably France's best-known literary writer. He was the author of stories, essays, translations, and a 3,000-page novel, In Search of Lost Time (1913-27).

This book is a brief guide to Proust's magnum opus in which Joshua Landy invites the reader to view the novel as a single quest--a quest for purpose, enchantment, identity, connection, and belonging--through the novel's fascinating treatments of memory, society, art, same-sex desire, knowledge, self-understanding, self-fashioning, and the unconscious mind. 

Landy also shows why the questions Proust raises are important and exciting for all of us: how we can feel at home in the world; how we can find genuine connection with other human beings; how we can find enchantment in a world without God; how art can transform our lives; whether an artist's life can shed light on their work; what we can know about the world, other people, and ourselves; when not knowing is better than knowing; how sexual orientation affects questions of connection and identity; who we are, deep down; what memory tells us about our inner world; why it might be good to think of our life as a story; how we can feel like a single, unified person when we are torn apart by change and competing desires. Finally, Landy suggests why it's worthwhile to read the novel itself-how the long, difficult, but joyous experience of making it through 3,000 pages of prose can be transformative for our minds and souls.

A Very Short Introduction

Marcel Proust

Environmental Cultures

Developing an innovative model for climate change mitigation and adaptation, this book translates feminist theory into practice, bringing together climate justice and community engagement to demonstrate how we can gradually change the world as the world changes us.

Feminist Practice for Climate Change

How to Weather Together

Oxford World's Classics

Doctor Faustus

Routledge Classics

Published shortly after the fall of Communism in Eastern Europe and the dissolution of the Soviet regime, Specters of Marx is one of Derrida's most interesting and prophetic books. Whilst many in the West heralded the triumph of liberal democracy and "the end of history", Derrida takes several steps back to argue that whilst Communism may have disappeared in much of the world, the questions posed by Marx continue to haunt us.In his customary provocative style, he asks some uncomfortable questions: after the fall of Communism, can we preserve Marx's legacy of radicalism? How do we continue his philosophy of responsibility? Uncannily anticipating many of the challenges facing us today, Derrida argues that the capitalist system is plagued by a multitude of ills, including aggression, trade wars, debt, the exploitation of migrant labour and ethnic conflict.This Routledge Classics edition is a translation of the revised French edition and includes a debate between Derrida and Étienne Balibar on Marx and Marxism, published here in English for the first time. It also includes new corrections and additions to the text and footnotes made by Derrida after the book's initial publication in French.Translated by Peggy Kamuf and with a new Foreword by Peter Salmon, this Routledge Classics edition retains the original Editors' Introduction by Bernd Magnus and Stephen Cullenberg.

The State of the Debt, the Work of Mourning and the New International

Specters of Marx

The Novel Experience introduces new approaches to the study of narrative fiction, for scholars, critics, teachers, and readers. At the heart of this concise book is a conception of experience that is influenced by the musings of third-century Buddhist thinker Nāgārjuna on the fictionality of truth and the emptiness of reality. Combining this insight with Nietzsche's method of intellectual genealogy and William James's transformation of emotion into "pure experience," Helmut Müller-Sievers proposes a way to talk about the experience of reading a novel that suspends the rush to judgment and ever-new "turn" in modes of interpretation. In its meditative corporeality, it is also beyond the grasp of any AI.For Müller-Sievers, every experience is novel and every novel is an experience. He explicates this parallelism through philosophical works that privilege experience over knowledge (without denying the importance of understanding). Interspersing analyses of Nāgārjuna, Nietzsche, and James with personal essays about the lived experience of reading works like Ralph Ellison's Invisible Man and Heinrich von Kleist's The Marquise of O, The Novel Experience shows that reading about experiences in novels has a transformative effect on the reader's understanding of what it is to experience. Teachers and readers should attend to these changes, acknowledging their singularity while creating a community within which they can abide.

Reading Fiction with Nagarjuna, Nietzsche, and William James

The Novel Experience

How to Get More Out of Reading

Look Closer

*THE INSTANT SUNDAY TIMES BESTSELLER* *A BBC RADIO 2 BOOK CLUB PICK* 'An impressive debut with real psychological depth' THE GUARDIAN 'Richly imagined and politically driven' THE I PAPER 'In a class of its own' THE DAILY MAIL 'It now holds a standard for fantasy standalones' GRIMDARK MAGAZINE 'An epic world of literomancy and magical dynasty' SFX 'Tao's prose gleams with poetic precision' PUBLISHERS WEEKLY 'Full of page-turning suspense' KIRKUS 'An intricate study of court politics' LIBRARY JOURNAL 'This dark fantasy stands out among the plethora of romantasy' BOOKLIST 'Vicious, gorgeous, and fiercely haunting' CHLOE GONG 'Sublime' AMELIE WEN ZHAO 'Enthralling' ANDREA STEWART 'Astounding' CHELSEA ABDULLAH 'Lyrical' K. X. SONG 'Devastating' KRITIKA H. RAO 'Fantasy at its best' VAISHNAVI PATEL TO KILL A MONSTER, SHE MUST BECOME ONE . . . As the emperor lays dying, the once-great Azalea Dynasty plunges towards civil war. While its princes plot for power, a more hidden war - to become the next empress - occupies the imperial court. Wei Yin - peasant girl turned concubine to the cruel Prince Terren - has already endured unimaginable suffering. Ripped from her family, she has no title, no allies, and no escape. But she does have a secret . . . In the shadows of the palace, surrounded by enemies, she is learning a skill forbidden to women. Because when words are weapons and poetry holds an ancient magic, the fate of a girl - and a nation - can both be rewritten. All she has to do is compose the perfect poem - a tale so powerful, it can kill any man, even the next emperor. The epic political arena of The Poppy War by R.F. Kuang meets the intimate tragedy and luscious language of The Song of Achilles by Madeline Miller in this sensational debut novel by visionary new talent Shen Tao, unmissable for die-hard genre fans as well as readers of literary fiction looking to make their first foray into fantasy.

The instant Sunday Times bestseller and BBC Radio 2 Book Club pick perfect for fans of R.F. Kuang and Madeline Miller

The Poet Empress

In Shakespeare, memory, and modern Irish literature, Nicholas Taylor-Collins charts the ways that the modern Irish nation is underwritten by Irish writers whose own cultural agency is improved by their engagement with William Shakespeare. Through a wide-ranging theoretical approach, Taylor-Collins privileges forms of intertextual memory that avoid the obvious quotation or explicit reference: this innovating proposal for a 'dismemorial' intertextuality allows readers to read both Shakespeare and the Irish writers with renewed understanding of their craft. In the Introduction, Taylor-Collins establishes the grounds for comparison: both early modern England and modern/contemporary Ireland deploy a commemorative practice reliant on the theatre as a locus. Thereafter Taylor-Collins proceeds to examine the Shakespeare-Ireland connection through ghosts, bodies, and the land. In the first section, an exploration of Hamlet's hauntology enhances readings of J. M. Synge's Playboy of the Western World, James Joyce's Ulysses, and John Banville's Ghosts. The second section explores first how antitheatrical corporal economies in Coriolanus and Ben Jonson's satires re-emerge in Beckett's Three Novels, before moving on to Caithleen in Edna O'Brien's The Country Girls Trilogy as she borrows from 'hysterical' forebears in Othello, The Taming of the Shrew, and The Winter's Tale. The final section explores W. B. Yeats's infatuation with the surface of the land via King Lear and As You Like It, before finishing with Seamus Heaney's rootedness in the land via Hamlet's jumping into Ophelia's grave. For scholars and students of Shakespeare and modern/contemporary Irish literature alike, this book will also appeal to continental theorists.

Shakespeare, Memory, and Modern Irish Literature

Bloomsbury Writer's Guides and Anthologies

Offering guidance on writing poetry, nonfiction, and fiction alongside an extensive anthology of models, Environmental and Nature Writing is a complete introduction to the art and craft of writing about the environment in a wide range of styles. Now fully revised and updated throughout, this second edition features: a whole new chapter on place-based activities; a more international look at the genre with a completely revised anthology; and a greater focus on climate justice and sustainable transformation. With discussion questions, writing prompts and new extended experiential activities throughout, Environmental and Nature Writing covers such topics as: · The history of writing about the environment from the ancient world to contemporary works · Image, description and metaphor · Environmental journalism, poetry, and fiction · Researching, revising and publishing · Styles of nature writing, from discovery to memoir to polemic With the craft guide and anthology now wholly conversant to give an in-depth look at the various ways to write about the environment, the book also includes inspiring examples of work by Ross Gay, Maximiliane Donicht, Nick Neely, Camille T. Dungy, Amy Nezhukumatathil, John Hausdoerffer among many others!

A Writer's Guide and Anthology

Environmental and Nature Writing

"A poet renowned for her "wit and complexity" (Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date Aren't we all shape-shifters? Is any animal, vegetable, or mineral-even a commonplace object-what it seems to be at any given moment? Who isn't juggling constant transformations, conflicting roles, changing loyalties, loves, perceptions, and selves, all while being pummeled by shifting devotions, emotions, and obsessions? Do even the dead continue to evolve in surprising ways? Reveling in these questions, Gerstler's latest protean poetry collection includes loose sonnets, shapely praise of Mae West, the lament of an actor who can't shed his costume, dramatic monologues, whiffs of gender slippage, a love lyric to the bride of Frankenstein, a lullaby for adults, and a ten-minute play"--

A poet renowned for her “wit and complexity”&nbsp;(Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date Aren’t we all shape-shifters? Is any animal, vegetable, or mineral—even a commonplace object—what it seems to be at any given moment? Who isn’t juggling constant transformations, conflicting roles, changing loyalties, loves, perceptions, and selves, all while being pummeled by shifting devotions, emotions, and obsessions? Do even the dead continue to evolve in surprising ways? Reveling in these questions, Gerstler’s latest protean poetry collection includes loose sonnets, shapely praise of Mae West, the lament of an actor who can’t shed his costume, dramatic monologues, whiffs of gender slippage, a love lyric to the bride of Frankenstein, and a ten-minute play.

Is This My Final Form?

Brilliant Modernism

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