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100 life-affirming poems and remedies for anyone searching for love, meaning, belonging, purpose and hope in their everyday lives.

Piercy Joseph: 100 Poems to Live By

100 Poems to Live By

Poetic Remedies for Every Occasion

"There was no shortage of great Russian prose written during the twentieth century, much of it inevitably representing a period of revolution, war, penal servitude, and political collapse; but the distinction and prestige of poetry never waned in Russia, a country in which poetry has been regarded as the premier source of creative inventiveness and psychological and emotional truth. Despite the huge challenges posed by the Soviet system, poetry found a route to talk about the interior life and explore individual consciousness, and through linguistic means to present a different, defamiliarized take on the world. And the form has flourished in the post-Soviet era. In this new anthology, editors Andrew Kahn and Mark Lipovetsky aim to demonstrate that poetry in the twentieth and twenty-first century is the jewel in the crown of Russian literature. Out of each of the thirty-four works here included a personal view of the world emerges, but this collection as a whole conveys a bigger picture about a Russian poetic tradition that is both national and international, playful and existential, historical and contemporary. Each poem is reproduced in the original Russian and presented in translation. An explanatory essay introduces each poet and offers a close reading of the poem, with specific consideration of form, language, and questions of translation. The introduction provides an overview of the Russian tradition and explores how the history of its poetry is also an image of this complex and fascinating country. Andrew Kahn and Mark Lipovetsky aim to demonstrate that Russian poetry has been unstintingly responsive and illuminatingly vital even at the darkest historical times. Whatever the context, whether one of Socialist Realism or Glasnost', and whatever the mode of publication, whether official or clandestine in samizdat, Russian poetry has exhibited a remarkable resourcefulness"--

A Critical Anthology of Modern Russian Poetry

All the World on a Page

Savor the changing seasons with this beautifully illustrated collection of classic haiku

Japanese Poems for the Four Seasons

Haiku

In Ecstasy, Alex Dimitrov embraces a life on the edge in New York and the finely wrought poetry that can come out of it. He explores sex, drugs, parties, pleasure, and God in the 2020s, and looks back to a coming-of-age in the 1990s that still informs who his generation is and will be. His unabashed and drivingly musical poems are a call against repression, a rebuke of cultural norms and shame, and a celebration of human authenticity - even if to live under such philosophies is dangerous. In 'Today I Love Being Alive', we find the poet naked in his kitchen, eating a banana and obsessed with a new lover, declaring 'I don''t care about being remembered. / I care about . . . Strong men. Beautiful sentences. Italian leather'; in 'Poppers', he stands lightheaded in the bathroom at a bar, 'thinking of what to do / with the rest of my life', and issuing a warning to himself and us: 'Poetry / is not a self-help book.' Dimitrov is an iconographer of contemporary life, able to pin profound and timeless meaning to a fleeting encounter in the street. Ecstasy also engages with the poet's Christian upbringing, interrogating faith as both an enemy and valve of catharsis, and a bedfellow of what this book celebrates and courts: profound human ecstasy. ''Dimitrov is that rarest of creatures, a true poet and a truly contemporary poet. Thank god he''s here'' Michael Cunningham, author of The Hours

Ecstasy

In a wide range of lyrically rich poems, award-winning poet Jonathan Fink interrogates the perpetual mysteries and resonances at the convergence of national identity, historical influence, and personal experience. In Don’t Do It—We Love You, My Heart, Jonathan Fink interweaves a welcome range of poetic styles including expansive, narrative poems, shorter, lyrical poems, and intricate one-sentence poems that are sustained over multiple pages to deliver his most intimate collection to date. Charting changing national and personal landscapes, Fink’s writing explores such diverse subjects as growing up in West Texas at the conclusion of the Cold War; ekphrastic poems about the paintings of Goya, Leonardo da Vinci, and the Isabella Stewart Gardner Museum art theft; the intuitive language he shares with his infant daughter on a quiet evening before she falls asleep; and the famous story of a suicide prevented on the George Washington Bridge—the jumper stayed by the man who tells him, “Don’t do it–we love you, my heart.” The imperative, urgent compassion conveyed in the stranger’s command thrums through all the poems in this collection, compelling the reader outward to deeper connections and lived empathy.

In a wide range of lyrically rich poems, award-winning poet Jonathan Fink interrogates the perpetual mysteries and resonances at the convergence of national identity, historical influence, and personal experience. In Don’t Do It—We Love You, My Heart, Jonathan Fink interweaves a welcome range of poetic styles including expansive, narrative poems, shorter, lyrical poems, and intricate one-sentence poems that are sustained over multiple pages to deliver his most intimate collection to date. Charting changing national and personal landscapes, Fink’s writing explores such diverse subjects as growing up in West Texas at the conclusion of the Cold War; ekphrastic poems about the paintings of Goya, Leonardo da Vinci, and the Isabella Stewart Gardner Museum art theft; the intuitive language he shares with his infant daughter on a quiet evening before she falls asleep; and the famous story of a suicide prevented on the George Washington Bridge—the jumper stayed by the man who tells him, “Don’t do it–we love you, my heart.” The imperative, urgent compassion conveyed in the stranger’s command thrums through all the poems in this collection, compelling the reader outward to deeper connections and lived empathy.

Don't Do It, We Love You, My Heart

A Poem for Every Day and Night of the Year

An inspiring anthology to keep you company for every day and night of the Spring.

An inspiring anthology to keep you company for every day and night of the Spring.

A Poem for Every Spring Day

Poems for Happiness

Oxford World's Classics

The New Negro

Little Histories

<div>A vital guide to poetry from ancient times to the present &nbsp; Poetry is language made special, so that it will be remembered and valued. It does not always work – over the centuries countless thousands of poems have been forgotten. This Little History is about some that have not. &nbsp; John Carey tells the stories behind the world’s greatest poems, from the oldest surviving one written nearly 4,000 years ago to those being written today. Carey looks at poets whose works shape our view of the world – such as Shakespeare, Whitman and Yeats – and more recent poets like Sylvia Plath, Seamus Heaney, and Marianne Moore who have started to question what makes a poem ‘great’ in the first place. &nbsp; Little Histories – Inspiring Guides for Curious Minds </div>

A Little History of Poetry

Gedichte | Von einem der wichtigsten Schweizer Schriftsteller des 20. Jahrhunderts | Taschenbuchausgabe zehn Jahre nach Erscheinen der Werkausgabe

Rauchsignale. Kindergedichte. Kirchberger Idyllen

A collection of poetry from the Second World War, published in association with Imperial War Museums

Poems from the Second World War

The Forward Book of Poetry 2026

SEDUCTIVE, SINISTER, GLAMOROUS, HORRIFIC: this collection brings together the best poems inspired by the undead, from Goethe and Byron to Emily Dickinson and Ishmael Reed A nest of vampires literal and metaphorical, this poetry collection ranges across centuries and languages to bring readers a bevy of dark delights. The undead have long provided the perfect vessel for humanity's fears and desires--from spine-tingling chills to sinister sexiness, vampires are the ultimate representation of the most frightening and alluring parts of ourselves. They've inspired poems that tell stories, proffer warnings, and imagine life from inside the eternal night, by authors like J.W. Goethe, Lord Byron, Emily Dickinson, Charles Baudelaire, Anna Laetitia Barbauld, Delmira Agustini, and Ishmael Reed, brought together with many more in this one-of-a-kind collection. With an introduction by Claire Kohda, author of Woman, Eating. Contents include: <ul><li>CHILLING TALES: poems by Gottfried August Burger, Johann Wolfgang von Goethe, Robert Southey, Anne Bannerman ("The Dark Ladie"), John Stagg ("The Vampyre"), Lord Byron, Samuel Taylor Coleridge, Alfred Lord Tennyson, Rafael Campo</li><li> DIRE WARNINGS: poems by Heinrich August Ossenfelder ("The Vampire"), John Keats, Henry Thomas Liddell ("The Vampire Bride"), James Clerk Maxwell, Charles Baudelaire, Christina Rossetti, Madison Julius Cawein, Rudyard Kipling, Conrad Aiken, Edna St Vincent Millay ("The Witch-Wife"), James Weldon Johnson</li><li> THE VAMPIRE WITHIN: poems by Anna Laetitia Barbauld, Emily Brontë ("Ah! Why, Because the Dazzling Sun"), Emily Dickinson ("A Death blow is a Life blow to Some [816]"), Walter Pater, Delmira Agustini, William Butler Yeats ("Oil and Blood"), Ishmael Reed ("I Am a Cowboy in the Boat of Ra"), Dorothy Barresi ("Pocket Vampire"), John Yau</li></ul>

Selected Vampiric Verses

White Teeth, Red Blood

100 Poems to Live By

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