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An inspiring anthology of some of the best Black British writing centred around the experiences of the Windrush generation, featuring new writing from Bernardine Evaristo, Margaret Busby and Mike Philips

In June 1948 the SS Empire Windrush docked in Tilbury, carrying with it the hopes and dreams of hundreds of young men and women from the Caribbean. It was both a point of departure and a historic transformation, a moment which influenced generations of writers and artists and produced much poetry, prose, fiction, journalism and influential essays. In this groundbreaking collection, journalist and writer Onyekachi Wambu collates some of the best and most significant writing from the 75 years following the arrival of Empire Windrush. Featuring a preface by Margaret Busby, and new writing from Bernardine Evaristo, Mike Philips and Dan Hicks, Empire Windrush conjures a unique journey through the British past, present and future, via the prism of the Black imagination.

Wambu Onyekachi: Empire Windrush / B

Empire Windrush

Reflections on 75 Years & More of the Black British Experience

William Travilla is one of the best costume designers of all time and Marilyn Monroe his most famous client. Marilyn's Style focuses on the striking dresses that Travilla designed for Marilyn, from his early work on the thriller Don't Bother to Knock and the gorgeous pink dress in which Marilyn sang 'Diamonds Are a Girl's Best Friend' to the legendary white dress from The Seven Year Itch, which arguably contributed to the collapse of Marilyn's marriage to Joe DiMaggio. Featuring Travilla's original sketches, rare costume test shots, dress patterns, photographs of Marilyn wearing the dresses, plus exclusive and never-before-seen extracts from interviews with Travilla, this book offers a fresh insight into the golden age of Hollywood and one of the most famous actresses of all time.

How a Hollywood Icon Was Styled by William Travilla

Marilyn's Style

QUIXOTIC FISSURES

'Brims with ideas and insights . . . Ghosh is at his sparkling best' IRISH TIMES Wild Fictions brings together Amitav Ghosh's extraordinary writing on the subjects that have obsessed him over the last twenty-five years: literature and language; climate change and the environment; human lives, travel, and discoveries. The spaces that we inhabit, and the way in which we occupy them, is a constant thread throughout this striking and expansive collection. From the significance of the commodification of the clove, the diversity of the mangrove forests in West Bengal and the radical fluidity of multilingualism, Wild Fictions is a powerful refutation of imperial violence, a fascinating exploration of the fictions we weave to absorb history, and a reminder of the importance of empathy. With the combination of moral passion, intellectual curiosity and literary elegance that defines his writing, Amitav Ghosh makes us understand the world in new, and urgent, ways. Together, the pieces within Wild Fictions chart a course that allows us to heal our relationships and restore a delicate balance with the volatile landscapes to which we all belong. 'We owe a great debt to Ghosh's brilliant mind, avenging pen, and huge soul' NAOMI KLEIN, author of This Changes Everything

Wild Fictions

The Manchester Spenser

Selected Essays of Anne Lake Prescott

David, Donne, and Thirsty Deer

Devil in a Coma

And Other Thoughts On Being a Woman

I Feel Bad About My Neck

From legendary journalist Gay Talese, a collection of his greatest reporting on New York City. "Along with Joan Didion, Norman Mailer, Tom Wolfe and others, Mr. Talese has been acclaimed as a virtuoso of the novelistic New Journalism."&nbsp;-Wall Street Journal"They fly in quietly-unnoticed, like the cats, the ants, the doorman with three bullets in his head, and most of the other offbeat wonders in this town without time." -from&nbsp;"New York Is a City of Things Unnoticed," Talese's first&nbsp;Esquire&nbsp;story,&nbsp;1960For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid&nbsp;Vogue&nbsp;editors, unassuming doormen who've seen too much. They are&nbsp;set in&nbsp;the star-studded salons of George Plimpton's apartment, in&nbsp;the tense newsroom of a still burgeoning&nbsp;New York Times, in an&nbsp;electric studio session with Tony Bennett and Lady Gaga recording their debut. With the wit, elegance, and depth of insight that has long characterized his work, Talese's New York reporting showcases a master of the form at his finest, making intelligible the city's vibrant beating pulse, capturing the charming, the eccentric, and the overlooked. Whether prowling the night streets to discover the social hierarchy of alley cats, or uncovering the triumph and terror of building the Verrazano-Narrows Bridge, or plunging into the hidden, sordid world of a recently blown-up apartment building, Talese excavates the city around him with a reporter's eye and an artist's flair, crafting delightful, profound, indelible portraits of the people who live there. Spanning the 1950s to today, the fourteen pieces in this collection are a time capsule of what New York once was and still is-Talese proves time and time again that, even as the city&nbsp;changes, his view of it remains as timeless as ever.&nbsp;

From legendary journalist Gay Talese, a collection of his greatest reporting on New York City.“Along with Joan Didion, Norman Mailer, Tom Wolfe and others, Mr. Talese has been acclaimed as a virtuoso of the novelistic New Journalism.”&nbsp;—Wall Street Journal“They fly in quietly—unnoticed, like the cats, the ants, the doorman with three bullets in his head, and most of the other offbeat wonders in this town without time.” —from&nbsp;“New York Is a City of Things Unnoticed,” Talese’s first&nbsp;Esquire&nbsp;story,&nbsp;1960For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid&nbsp;Vogue&nbsp;editors, unassuming doormen who’ve seen too much. They are&nbsp;set in&nbsp;the star-studded salons of George Plimpton’s apartment, in&nbsp;the tense newsroom of a still burgeoning&nbsp;New York Times, in an&nbsp;electric studio session with Tony Bennett and Lady Gaga recording their debut.With the wit, elegance, and depth of insight that has long characterized his work, Talese’s New York reporting showcases a master of the form at his finest, making intelligible the city’s vibrant beating pulse, capturing the charming, the eccentric, and the overlooked. Whether prowling the night streets to discover the social hierarchy of alley cats, or uncovering the triumph and terror of building the Verrazano-Narrows Bridge, or plunging into the hidden, sordid world of a recently blown-up apartment building, Talese excavates the city around him with a reporter’s eye and an artist’s flair, crafting delightful, profound, indelible portraits of the people who live there. Spanning the 1950s to today, the fourteen pieces in this collection are a time capsule of what New York once was and still is—Talese proves time and time again that, even as the city&nbsp;changes, his view of it remains as timeless as ever.&nbsp;

Gay Talese's New York

A Town Without Time

We All Come Home Alive

THE SUNDAY TIMES AND NEW YORK TIMES BESTSELLERThe renowned author returns with a timely book about his journeys to three sites of conflict - Dakar, South Carolina, and Palestine - exploring how the stories we tell, and the ones we don't, shape our realities. 'A politically-charged meditation on the power of stories' Guardian ***Ta-Nehisi Coates originally set out to write a book about writing, but soon found himself grappling with deeper questions about the destructive myths that shape our world. First we join Coates on his inaugural trip to Africa - a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination. He then takes readers to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology - visibly on display in its segregationist statues. Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground. Written at a dramatic moment in American and global history, this work from one of our most important writers is about the urgent need to embrace the liberating power of even the most difficult truths. ***'An earnest and intimate exploration of locations of extreme injustice' Oprah Daily

The Message

And Other Male Failures

Broken Biscuits

The Anatomy of Love

In the 1940s, it was believed that homosexuality had been becoming more widespread in the aftermath of war. A moral panic ensued, centred around London as the place to which gay men gravitated. Peter Parker's fascinating new compendium explores what it was actually like for queer men in London in this period, whether they were well-known figures such as Francis Bacon, Joe Orton and Kenneth Williams, or living lives of quiet - or occasionally rowdy - anonymity in pubs, clubs, more public places of assignation, or at home. It is rich with letters, diaries, psychological textbooks, novels, films, plays and police records, covering a wide range of viewpoints, from those who deplored homosexuality to those who campaigned for its decriminalisation. This second volume, from 1960 to 1967, shows how key elements in British society gradually changed their views on homosexuality, resulting in the landmark 1967 act by which it was no longer considered a crime if it took place between adults in private. This did not end violence, discrimination and prejudice, but it at least curbed official persecution. Some Men in London is a testament to queer life and its thriving, joyous subculture - a subculture without which the 1960s would have been immeasurably impoverished.

Some Men In London: Queer Life, 1960-1967

Empire Windrush

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