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Because of Him

Peace be mine

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Adam lay ybounden

Keep me as the apple of the eye

Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.

Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.

A Study of Closure in Tonal Music

Cadence

In the deep

The Lake Isle of Innisfree

"The first collection to show the full range of ways in which the Bible was mediated through both popular and elite music in nineteenth-century Britain"--

This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.

Scripture and Song in Nineteenth-Century Britain

Sieben Weihnachtslieder für Sopran- und Altstimmen in deutscher Übersetzung (Seven carols for upper voices in German translation)

Weihnachtslieder von John Rutter (John Rutter Carols)

Bloomsbury Studies in Black Religion and Cultures

This book fills a gap in religious studies literature by providing a historical study of Black gospel music in Britain. While Black gospel music is a global phenomenon that evolved in many places, including the Caribbean, America and Europe, many still look to America for an understanding of its origin. Dulcie Dixon McKenzie challenges this approach, asserting that there is no universal, 'one-size-fits-all' historical account of Black gospel music. Instead, McKenzie offers an alternative to the American-dominated discourse, presenting Black gospel music as a tradition that was birthed in the churches founded by African Caribbean migrants during the post-war years in Britain. This book is structured around three main themes-context, culture and conservation-and features first-hand accounts from founding members of African Caribbean Pentecostalism, as well as from selected pioneers of singing and music within the various historic congregations. It explores topics such as the arrival and settlement of African Caribbean ancestors in Britain, the exporting of African Caribbean religious beliefs and practices, the growth of African Caribbean Pentecostal churches in Britain, and illustrations of a distinctive African Caribbean Pentecostal style of congregational worship.

This book fills a gap in religious studies literature by providing a historical study of Black gospel music in Britain. While Black gospel music is a global phenomenon that evolved in many places, including the Caribbean, America and Europe, many still look to America for an understanding of its origin. Dulcie Dixon McKenzie challenges this approach, asserting that there is no universal, ‘one-size-fits-all’ historical account of Black gospel music. Instead, McKenzie offers an alternative to the American-dominated discourse, presenting Black gospel music as a tradition that was birthed in the churches founded by African Caribbean migrants during the post-war years in Britain. 

This book is structured around three main themes—context, culture and conservation—and features first-hand accounts from founding members of African Caribbean Pentecostalism, as well as from selected pioneers of singing and music within the various historic congregations. It explores topics such as the arrival and settlement of African Caribbean ancestors in Britain, the exporting of African Caribbean religious beliefs and practices, the growth of African Caribbean Pentecostal churches in Britain, and illustrations of a distinctive African Caribbean Pentecostal style of congregational worship.

Reclaiming its African Caribbean Pentecostal Roots

Black Gospel Music in Britain

Three songs on the power of listening and connection with original Hindi texts by Reena Bhansali

Sŭnāō

Long, Long Ago

Christmas Fantasy

Because of Him

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