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In Perfect Peace

What links the shows Of Thee I Sing, South Pacific and A Strange Loop? Did you know that the Pulitzer Prize for Drama has been awarded to just 10 musicals since the award's inception in 1917? Why have certain musicals captured the imagination and hearts of the Pulitzer Prize committee? Essential Musicals: The Pulitzer Prize Winners takes a chronological look at the ten musicals that have won the prestigious Pulitzer Prize for Drama sine 1917. Looking at the inception and development of each show, this accessible study unpacks the creation, production and reception of each musical in order to draw parallels within the wider American dramatic canon. Pulling from multiple primary resources, each chapter traces the show from its inception to its opening night. It introduces the reader to each musical's key creators and company members and places them in the larger context of Broadway history. After examining the contemporary reception of each show and its cultural impact – both when it opened and now - it answers the question as to what what made it so appealing to the Pulitzer Board in an attempt to articulate, if possible, the qualities most likely to make a Pulitzer Award-winning musical. Published in Methuen Drama's Essential Musicals series, this book is perfect for students of Musical Theatre, drawing together different resources to dig into the backstories of Broadway’s biggest hits and mining the historical record for nuggets of information that illuminate our understanding and enhance our enjoyment of musical theatre’s unique brand of magic.

Of Thee I Sing to A Strange Loop

Pulitzer Prize Winning Musicals

New Horizons

Tota pulchra es

Three songs for SSAA and piano

Sunaao

Of A Rose

A groundbreaking exploration that reveals the powerful impact of marginalized groups on the evolution of the Broadway Musical. At the turn of the 20th century, immigrants, Jews, Queers, and African Americans faced exclusion from mainstream American society, with limited employment opportunities. They found their calling in the emerging field of "Show Business," particularly the burgeoning Broadway Musical. Their pioneering spirit not only seized this opportunity but also continued to shape and dominate the Broadway Musical for over a century, creating an art form that has deeply influenced American culture. Throughout its history, the Broadway Musical has subtly and at times boldly championed human rights and liberal values, reflecting its creators' and performers' diverse backgrounds. Unlike previous works on musical theatre history, this book weaves these diverse threads into a comprehensive narrative, repositioning Black, Queer, and Women artists at the heart of the story, acknowledging their long-standing contributions often overlooked. Broadway Nation is a valuable resource for both students and anyone seeking a deeper understanding of this beloved American art form. Readers will gain profound insights into the history and transformation of the Broadway Musical over a span of more than a century. Additionally, the book celebrates the remarkable artistry and craftsmanship of key figures, from George M. Cohan to Lin Manuel-Miranda, who have left an indelible mark on this extraordinary cultural phenomenon.

A groundbreaking exploration that reveals the powerful impact of marginalized groups on the evolution of the Broadway Musical. At the turn of the 20th century, immigrants, Jews, Queers, and African Americans faced exclusion from mainstream American society, with limited employment opportunities. They found their calling in the emerging field of "Show Business," particularly the burgeoning Broadway Musical. Their pioneering spirit not only seized this opportunity but also continued to shape and dominate the Broadway Musical for over a century, creating an art form that has deeply influenced American culture. Throughout its history, the Broadway Musical has subtly and at times boldly championed human rights and liberal values, reflecting its creators' and performers' diverse backgrounds. Unlike previous works on musical theatre history, this book weaves these diverse threads into a comprehensive narrative, repositioning Black, Queer, and Women artists at the heart of the story, acknowledging their long-standing contributions often overlooked. Broadway Nation is a valuable resource for both students and anyone seeking a deeper understanding of this beloved American art form. Readers will gain profound insights into the history and transformation of the Broadway Musical over a span of more than a century. Additionally, the book celebrates the remarkable artistry and craftsmanship of key figures, from George M. Cohan to Lin Manuel-Miranda, who have left an indelible mark on this extraordinary cultural phenomenon.

How Immigrant, Jewish, Queer, and Black Artists invented the Broadway Musical

Broadway Nation

Long, Long Ago

O little one sweet

Three songs for SAB and piano

Elements in Religion and Monotheism

What connects the phenomenon of music as an art with the belief in one indivisible God? What has music, a non-linguistic medium, to say about the personal, loving, communicative God of Scripture and the Prophets, or the omniscient, omnipotent, omnipresent, transcendent God of the Philosophers and can it bring these 'concepts of God' together? To answer these questions, this book takes divine Creation as its starting point, that the God of monotheism must be the Creator of all that is. It thus argues that anything which instantiates and facilitates communication within the created realm has been enabled to do so by a God who communicates with His Creation, and who wishes that His Creation be communicative. Indeed, it will argue that the communication allowed by music, and aesthetic experience in general, is the very raison d'être of Abrahamic monotheism and might thus allow an opportunity for dialogue between monotheistic faiths.

Music and Monotheism

Christmas Fantasy

Bloomsbury Studies in Black Religion and Cultures

Is contemporary Black British gospel music a coloniality? What theological message is really conveyed in these songs? In this book, Robert Beckford shows how the Black British contemporary gospel music tradition is in crisis because its songs continue to be informed by colonial Christian ideas about God. Beckford explores the failure of both African and African Caribbean heritage Churches to Decolonise their faith, especially the doctrine of God, biblical interpretation and Black ontology. This predicament has left song leaders, musicians and songwriters with a reservoir of ideas that aim to disavow engagement with the social-historical world, black Biblical interpretation and the necessity of loving blackness. This book is decolonisation through praxis. Reflecting on the conceptual social justice album 'The Jamaican Bible Remix' (2017) as a communicative resource, Beckford shows how to develop production tools to inscribe decolonial theological thought onto Black British music(s). The outcome of this process is the creation of a decolonial contemporary gospel music genre. The impact of the album is demonstrated through case studies in national and international contexts.

Handsworth Revolutions

Decolonizing Contemporary Gospel Music Through Praxis

Voice Junction

The Landscape of Your Heart

In Perfect Peace

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