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Sŭnāō

Three songs on the power of listening and connection with original Hindi texts by Reena Bhansali

Sing we now of Christmas

Elements in Twenty-First Century Music Practice

English language teachers have long recognised pop songs' potential for engaging students and establishing positive classroom environments conducive to language learning. Educational publishers increasingly incorporate music into their coursebooks, including specially commissioned 'ELT songs', whose lyrics feature aspects of target language. This Element explores the phenomenon of ELT songs from the authors' insider perspective as songwriters. It considers the relationship between music and lyrics in songs, what this means for using songs in the language classroom, the historical developments through which ELT songs emerged, and the contexts in which they are written, listened to, and made. Through literature review and reflection, the authors derive a framework of twelve criteria and ten dilemmas to guide ELT songwriting, before applying it in an analysis of their songs and songwriting process. The final section proposes a model for multidisciplinary collaboration between songwriters and non-musician collaborators including authors, teachers, and publishers.

Songs for the Language Classroom

More Than Words

Elements in Musical Theatre

This Element compares productions of Offenbach's Belle Hélène and Kálmán's Herzogin von Chicago, considering their choices regarding plot, text, performance style, music, and costumes and sets. In every case, there is some reinterpretation involved. Some versions tweak the original while others expand and alter it in a full Regietheater approach.

The Rebirth of Satire in Revivals of European Operettas

Topics in Musical Theatre

Class in British Musical Theatre

Short introductory books on significant theories, concepts, forms, and elements of musical theatre. Latinidad in Musical Theatre offers an accessible exploration of the substantial contribution of Latinx culture, specifically via music, dance, and choreography to the last century of the American Musical from Carmen Miranda to Lin-Manuel Miranda. Latinx artists, music and dance have been influencing musical theatre since the early 1900s, but it’s only in the last 50 years or so that Latinx artists have been able to fully contribute to the art form, not just via appropriation or stereotype, but by owning their own narrative, creatively and intellectually. This volume takes a survey approach that builds on case studies ranging from classic musicals The Pajama Game,West Side Story and Bye, Bye, Birdie through to the contemporary musicals In The Heights and Hamilton. As well as considering the shows themselves it also unpacks the careers and contributions of Latinx artists such as Chita Rivera and Graciela Daniele. Published in Methuen Drama's Topics in Musical Theatre series, this volume is perfect for students of musical theatre and those wishing to deepen their appreciation of the artform.

Latinidad in Musical Theatre

A Critical Companion

Jason Robert Brown

O little one sweet

Adam lay ybounden

Iesous ahatonnia'

Somehow not only for Christmas

Repertoire for mixed voices to encourage connection and growth

Accessible and Beautiful

Sam Beam, the Grammy-nominated singer-songwriter behind Iron &amp; Wine, has captured the emotion and imagination of listeners with his distinctly cinematic songs.

A Collection of Lyrics, Photos, Art, and Ephemera from Iron & Wine

Love and Some Verses

Sŭnāō

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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