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Do Ho Suh: Anatomy

Anatomy

Hans-Hendrik Grimmling (*1947 in Zwenkau near Leipzig) is one of the most important painters of his generation in Germany, an initiator of the legendary First Leipzig Autumn Salon in 1984, regarded as a milestone exhibition in non-conformist GDR art. For more than 40 years, he has been painting at the fringes of abstraction. He is preoccupied with the experience of letting go, detaching himself from the figurative and the narrative, from East German identity, thus breaking away from predetermined physical forms. Grimmling visualizes his prime concern: the drama, the struggle, and the tragedy of human existence. Large areas, wide swaths and interlinked bands of black stretch across the canvas. The colour black prevails, becoming intoxicating and, for two decades now, the painter's only visual content. This publication is the first monographic work to present Grimmling's complete oeuvre. <ul> <li>Retrospective of a non-conformist GDR artist </li> <li>An overview with works from five decades </li> <li>Exhibition: Kunstmuseum Magdeburg. Kloster Unser Lieben Frauen, 14.09.2014 to 08.02.2025, book launch in January 2025 </li></ul>

Hans-Hendrik Grimmling (*1947 in Zwenkau near Leipzig) is one of the most important painters of his generation in Germany, an initiator of the legendary First Leipzig Autumn Salon in 1984, regarded as a milestone exhibition in non-conformist GDR art. For more than 40 years, he has been painting at the fringes of abstraction. He is preoccupied with the experience of letting go, detaching himself from the figurative and the narrative, from East German identity, thus breaking away from predetermined physical forms. Grimmling visualizes his prime concern: the drama, the struggle, and the tragedy of human existence. Large areas, wide swaths and interlinked bands of black stretch across the canvas. The colour black prevails, becoming intoxicating and, for two decades now, the painter’s only visual content. This publication is the first monographic work to present Grimmling’s complete oeuvre.Look inside<ul><li>Retrospective of a non-conformist GDR artist </li><li>An overview with works from five decades </li><li>Exhibition: Kunstmuseum Magdeburg. Kloster Unser Lieben Frauen, 14.09.2014 to 08.02.2025, book launch in January 2025</li></ul>

Malerei von 1978 bis 2024 / Paintings from 1978 to 2024

Hans-Hendrik Grimmling

Meet Robert MacBryde and Robert Colquhoun: artists, lovers, outsiders. From 1930s Glasgow to wartime London, The Two Roberts is a captivating novel inspired by their wild lives

The Two Roberts

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

The art of Paule Vézelay (1892-1984), celebrated in this groundbreaking publication, is remarkable in its breadth. Over her long career she created an extraordinarily diverse output encompassing painting, collage, sculpture, constructions, illustration, textiles, photography, poetry, prose, critical writing and even a film script. As a mark of her considerable accomplishments, she was celebrated with a show at Tate in the year before her death. Setting out to bring this bold and accomplished artist to new audiences, this important publication focuses primarily on Vézelay's early years in Paris from the 1920s through to 1939, during which time her work moved from figuration to abstraction, for which she would become best known. The book also brings to light, for the first time in detail, her little-known period as a successful designer of textiles. Uncompromising and clear-sighted in her artistic ambitions, Vézelay became a formidable presence in the international avant-garde scene in Paris and continued to push artistic boundaries throughout her long career. This publication, which includes original research and previously unpublished works, extends our understanding, and appreciation of, this important British artist.

The art of Paule Vézelay (1892-1984), celebrated in this groundbreaking publication, is remarkable in its breadth. Over her long career she created an extraordinarily diverse output encompassing painting, collage, sculpture, constructions, illustration, textiles, photography, poetry, prose, critical writing and even a film script. As a mark of her considerable accomplishments, she was celebrated with a show at Tate in the year before her death.Setting out to bring this bold and accomplished artist to new audiences, this important publication focuses primarily on Vézelay's early years in Paris from the 1920s through to 1939, during which time her work moved from figuration to abstraction, for which she would become best known. The book also brings to light, for the first time in detail, her little-known period as a successful designer of textiles.Uncompromising and clear-sighted in her artistic ambitions, Vézelay became a formidable presence in the international avant-garde scene in Paris and continued to push artistic boundaries throughout her long career. This publication, which includes original research and previously unpublished works, extends our understanding, and appreciation of, this important British artist.

Living Lines

Paule Vézelay

After growing up and living in South Korea, Kathmandu, New York City, and Colorado, migration lies at the core of Maia Ruth Lee's practice, coming to form in works that evoke maps, atlases, and banners with an underlying interest in language, translation, symbols, and signs that permeates through her first monograph.
 Working across painting, sculpture, photography, and film, Lee has crafted a visual lexicon that takes on the complexities of the self in times of dissonance and globalization.&nbsp;In&nbsp;Bondage Baggage, the body is also referenced, as the bound baggage and textile works metaphorically visualize the accumulations and contours of a life. The book weaves images of the sculpture, paintings, prints, and installation works that comprise this series with correspondence between Lee and artist peers from around the world, letters that tackle the realities of motherhood, community, language/communication, independence and interdependence, and art-making in this fraught geopolitical moment. Contributors include Amanny Ahmad, Brook Hsu, Christine Sun Kim, Jimin Seo, and Martine Syms, with an introduction by Jade Foster. Lee's work is in the collections of the Whitney Museum of American Art.

Maia Ruth Lee: Bondage Baggage

Jackson Pollock, the towering American artist who was to revolutionize twentieth-century art with his "dripping" painting technique, grew up between the late 1920s and the late 1940s, the youngest of five boys born in the American West. Though often apart, whether they were traveling for work or for studies, sons and parents kept in close touch through their regular exchange of letters. Their correspondence offers an invaluable insight into the formation of one of America's most influential artists, but it also draws a unique portrait of America itself between two momentous events in its history: the Great Depression and World War II. These letters - many of which are published for the first time in this volume - show that the Pollock brothers took a keen and early interest in art and politics. Their interest in painting was stimulated in part by Thomas Hart Benton, then a teacher at the Art Students League in New York, whose passion and commitment was to influence them profoundly. Jackson followed his oldest brother Charles to New York to study with Benton. While Charles subscribed to many of his mentor's left-wing beliefs and remained determined to bring art and social justice together, Jackson was far less committed to this ideal - he enjoyed life and traveled across America, hitting the open road and jumping from train to train, finding himself thrown out of school and even ending up in prison for a day, prodded on by his pronounced mystical leanings to search for his own way to express his artistic intuitions. Through this vivid, lively and often moving correspondence from an atypical yet very American family, we catch a novel glimpse of Jackson Pollock the man, as well as of the various artistic schools and debates that established what has now become modern art. This remarkable volume will be enjoyed by anyone interested in Jackson Pollock and modern art, as well as anyone interested in twentieth-century America. The volume includes original works of art by Charles Pollock and an Introduction by Michael Leja, an expert on Abstract Expressionism and the work of Jackson Pollock.

1927-1947

American Letters

A Life of Paul Gauguin

Wild Thing

Activism in the Work of Nancy Spero

Pain and Politics in Postwar Feminist Art

Delightful paper-based works featuring characters both familiar and new, animal-like and otherworldlyFor several decades, American artist Wes Lang (born 1972) has been honing his craft and mining the iconography of a post-pop Americana. This book is dedicated entirely to Lang's prolific output in drawing, featuring 96 works crafted using acrylic, crayon and pencil. The dark, otherworldly characters from his paintings--skeletons and disembodied skulls--remain, but now inhabit blank white spaces, intricately inscribed with playful expressions and phrases that echo Taoist philosophy, reflecting the spiritual foundations of Lang's practice. More than just companions to his immense paintings, the drawings stand as a significant body of work, continuing to demonstrate the breadth of Lang's influences--ranging from fine art icons such as Francis Bacon, James Ensor and Francisco Goya to the kitsch imagery of his childhood. Lang effortlessly metabolizes these disparate inspirations, creating a distinctive style that expresses a deeply personal artistic voice.

Works on Paper

Wes Lang; The Black Drawings

"An examination of the modern cultural mythology of Leonardo da Vinci that sheds light on the intersections of the academy, the commercial art world, and ideas about attribution and authorship"--

How our image of the Renaissance’s most famous artist is a modern myth Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo’s life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value. In this original and provocative book, Campbell examines the strangeness of Leonardo’s words and works, and the distinctive premodern world of artisans and thinkers from which he emerged. Far from being a solitary genius living ahead of his time, Leonardo inhabited a vibrant network of artistic, technological, and literary exchange. By investigating the politics and cultural tensions of the era as well as the most recent scholarship on Leonardo’s contemporaries, workshop, and writings, Campbell places Leonardo back into the milieu that shaped him and was shaped by him. He shows that it is in the gaps and contradictions of what we know of Leonardo’s life that a less familiar and far more historically significant figure appears.

An Untraceable Life

Leonardo da Vinci

With vibrant colors and imaginative backgrounds, Van Gogh's affectionate renderings of an entire family underscore his love of portraitureVincent van Gogh once wrote, "What I'm most passionate about...is the portrait, the modern portrait." This passion flourished between 1888 and '89 when, during his stay in Arles, in the South of France, the artist created a number of portraits of a neighboring family that had agreed to sit for him. The family included the local postman Joseph Roulin; his wife, Augustine; and their three children, Armand, Camille and Marcelle. Over the course of his year in Arles, the artist created an astonishing 26 painted portraits of the family members, both in groups and individually, as well as multiple drawings. Van Gogh's tender relationship with the postman and his family and his groundbreaking portrayals of them are at the heart of this book, the first dedicated to the Roulin portraits. Drawing on letters from the artist, archival material, contemporary criticism and technical studies, The Roulin Family Portraits features insightful essays on Van Gogh's practice, his beliefs about portraiture, his personal relationship with the Roulins and his admiration for his contemporaries as well as 17th-century Dutch portraitists. Vincent van Gogh (1853-90) began his painting career in his late twenties, influenced first by his work as a missionary in a mining region of Belgium, and later by his exposure to Impressionism while living in Paris. His bright signature style emerged after relocating to the South of France, where he produced more than 2,000 artworks in just over a decade.

Van Gogh: The Roulin Family Portraits

Laura Carpenter was instrumental in bringing contemporary art to Santa Fe in the mid-1990s. She began her career as a gallerist in Dallas, Texas, showing artists such as Jean-Michel Basquiat and Martin Puryear. Upon her arrival in Santa Fe, she held solo shows for the likes of Kiki Smith, Christo and Jeanne-Claude, Juan Muñoz and Susan Rothenberg, transforming the Santa Fe art world. Ellsworth Kelly, John Chamberlain, Ed Ruscha, Joan Mitchell, Louise Bourgeois and Marina Arbamovic all had shows or came to support fellow artists. Carpenter was also a founder of SITE, helping to permanently establish Santa Fe as a premier destination for contemporary art. Through the lens of Carpenter's experience, this book presents a combination of personal anecdotes, interviews and archival material—from Carpenter as well as critics, curators, art dealers, collectors and artists—to create a historical snapshot of this pivotal time in Santa Fe.

Laura Carpenter was instrumental in bringing contemporary art to Santa Fe in the mid-1990s. She began her career as a gallerist in Dallas, Texas, showing artists such as Jean-Michel Basquiat and Martin Puryear. Upon her arrival in Santa Fe, she held solo shows for the likes of Kiki Smith, Christo and Jeanne-Claude, Juan Muñoz and Susan Rothenberg, transforming the Santa Fe art world. Ellsworth Kelly, John Chamberlain, Ed Ruscha, Joan Mitchell, Louise Bourgeois and Marina Arbamovic all had shows or came to support fellow artists. Carpenter was also a founder of SITE, helping to permanently establish Santa Fe as a premier destination for contemporary art. Through the lens of Carpenter's experience, this book presents a combination of personal anecdotes, interviews and archival material—from Carpenter as well as critics, curators, art dealers, collectors and artists—to create a historical snapshot of this pivotal time in Santa Fe.

Laura Carpenter - The Gallery Years 1974-1996

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