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Do Ho Suh: Anatomy

Anatomy

Isms

The description for this book, Lennon-isms, will be forthcoming.

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts. The work of Victoria Sambunaris is held in numerous public collections across the United States, including the Denver Art Museum (CO), Los Angeles County Museum of Art (CA), Art Institute of Chicago (IL), International Center of Photography (NY), Center for Creative Photography (AZ), Buffalo AKG Museum (NY), San Francisco Museum of Modern Art (CA), Museum of Modern Art (NY), National Museum of Women in the Arts (DC), Brigham Young University Museum of Art (UT), Virginia Museum of Fine Arts (VA), Museum of Fine Arts Houston (TX), Nelson-Atkins Museum (MO), and National Gallery of Art (DC).

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts.

Victoria Sambunaris: Transformation of a Landscape

A personal and intimate perspective on one of Canada's most prominent 20th century multidisciplinary artists, who was once described as "abstraction’s poet-philosopher." Charles Gagnon (1934–2003) was a painter, photographer and filmmaker considered by many to be an important figure in Quebec and Canadian art in the 20th century. His early career emerged alongside the American Abstract Expressionists and his growing multidisciplinary practice broke away from the singularity of painting shared by his Montreal contemporaries of the Automatistes and the Plasticiens. The complexity and depth of his work as a painter, photographer, and filmmaker was distinguished by a probing, introspective quality. His paintings were simultaneously rigid and free-flowing, with self-imposed rules and structure contrasted by rich fracture and gestural brush work. Across all disciplines he played with multiple levels of perception, and many works evoke the liminal space of the threshold, or multi-plane spaces. In Charles Gagnon: The Colour of Time, the Sound of Space, this long-standing multidisciplinary work is brought into full view with texts that explore Gagnon’s various practices, from painting to photography to film. An English-language essay by art historian and curator Roald Nasgaard chronicles Gagnon’s artistic evolution from his early years in New York in the 1950s to his final productive years in the late 1990s in Quebec, and situates him within an expanded international historical context of artists, artworks, and art movements. Filmmaker and professor Olivier Asselin’s French-language essay engages Gagnon’s use of different media, including the role of sound and music in his artworks. Michiko Yajima Gagnon, the wife of the late artist, gives insight into the inseparability of everyday life and Charles’s creative undertakings: his friendships with other artists (Tōru Takemitsu, Lee Friedlander), travel (to New York, Japan, and, particularly, the American Southwest), and the relationship between the landscapes surrounding his studios and his artwork. Featuring more than 250 art reproductions and archival images, Charles Gagnon is an intimate portrait of an artist and the celebration of a life’s work.

The Colour of Time, the Sound of Space

Charles Gagnon

One Painting, One Story

Introducing a masterpiece from the National Gallery’s collection, this compact and beautifully illustrated book explores the story behind Monet’s The Water-Lily Pond.

Monet: The Water-Lily Pond (One Painting, One Story)

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

Viscerally evocative, Dana Schutz’s newest paintings and sculptures depict allegorical scenes in which often grotesque characters negotiate their subjecthood. Schutz’s large-scale paintings and sculptures portray tragicomic situations populated by characters preoccupied with self-preservation as they tilt towards oblivion. With mask-like features—all jaws and noses—they emerge, in groups and pairs, out of the painterly atmosphere. Enormous, vibrant, and enigmatic, her works convey tangible yet ineffable tensions and ambiguities of human life. Published on the occasion of the 2023 exhibition at David Zwirner, New York, this catalogue features a long-form essay by Jarrett Earnest, who chronicles Schutz’s artistic process as she creates her most ambitious sculpture to date, Sea Group. Earnest explores the interconnections between Schutz’s long-standing painting practice and her more recent engagement with sculpture, offering a fascinating reflection on the artist’s thematic explorations, artistic inquiry, and the conceptual underpinnings of her work. The text is also accompanied by behind-the-scenes photography by Jason Schmidt, which offer an intimate view of the artist at work.

Dana Schutz: Jupiter's Lottery

Francis Bacon Studies

The fifth volume in the acclaimed Francis Bacon Studies series, published under the aegis of The Estate of Francis Bacon.

Francis Bacon Retrieved - Lost Words / New Writing

The major monograph Howard Smith celebrates the far-reaching practice of the multifaceted African-American artist, designer, and collector who spent most of his creative life in Finland.Working with paper, pigments, wood, clay, textiles, and metal, Smith had both fine art and commercial practices. While he designed for industry—planning interior designs for corporate offices, public buildings and a ferry—he especially enjoyed recycling items like scrap metal, used cardboard, and castoff clothing, which he transformed into&nbsp;offbeat compositions.&nbsp;Howard Smith’s work displays an exuberance and generosity characteristic of the man.&nbsp;Immediately recognizable for bold gestures in line, plane, and mass, his creations embrace rich colors and contrasts in material and form. He referred to many of these forms as ‘glyphs,’ vibrant figures that often suggest the human form in posture of celebration.Exhibition schedule: Palm Springs Art Museum, Palm Springs, California (opening May 2025) National Nordic Museum, Helsinki, Finland (dates TBD)

The major monograph Howard Smith celebrates the far-reaching practice of the multifaceted African-American artist, designer, and collector who spent most of his creative life in Finland.Working with paper, pigments, wood, clay, textiles, and metal, Smith had both fine art and commercial practices. While he designed for industry—planning interior designs for corporate offices, public buildings and a ferry—he especially enjoyed recycling items like scrap metal, used cardboard, and castoff clothing, which he transformed into&nbsp;offbeat compositions.&nbsp;Howard Smith’s work displays an exuberance and generosity characteristic of the man.&nbsp;Immediately recognizable for bold gestures in line, plane, and mass, his creations embrace rich colors and contrasts in material and form. He referred to many of these forms as ‘glyphs,’ vibrant figures that often suggest the human form in posture of celebration.Exhibition schedule: Palm Springs Art Museum, Palm Springs, California (opening May 2025) National Nordic Museum, Helsinki, Finland (dates TBD)

Howard Smith

The Authorised Unauthorised History of Billy Childish

To Ease My Troubled Mind

A definitive six-volume catalogue raisonné documenting the entire body of paintings made by Amedeo Modigliani

Catalogue Raisonne of Painting

Amedeo Modigliani

Goya's Last Portrait/A Question of Geography

Raw, personal and political, John Scott: Firestorm presents an artist's searing critique of modernity’s capacity for industrial warfare and the machines that enable it. John Scott (1949–2022) produced paintings, drawings, and sculptures of what he called "engines of history," the hyper-masculine military and civilian weapons of the past half-century. Surveillance aircraft, B-52 and stealth bombers, tanks, cruise missiles and rockets, as well as handguns, muscle cars, and motorcycles forcefully imprint themselves upon the viewer through Scott's fierce mark-making and large, rough sculptural gestures. Humanoid rabbits—often surrounded by numbers that fail to add up—represent those threatened by such technologies. The dichotomy between the death-dealing weaponry of the nuclear era and the vulnerability of human beings lies at the core of Scott's work. Scott deployed an idiosyncratic graphic language to represent apocalyptic machines and power imbalances, working in the tradition of Francisco Goya, Käthe Kollwitz, Nancy Spero, and others. Scott grew up in Windsor, Ontario, across the river from Detroit, Michigan. Like many Canadian artists, writers, and intellectuals of his time, Scott was a close watcher of America, with a front-row seat on a sometimes rogue nation. Stylistically, his work is close to that of his contemporaries Jean-Michel Basquiat and William Kentridge, showing a kindred ferocity of mark-making and dark urgency. John Scott: Firestorm accompanies the exhibition of the same name organized by the McMichael Canadian Art Collection, curated by Canadian art scholar John O'Brian. It is the first major exhibition of Scott's work to focus on his imagery of machines and modernity's capacity for industrial war—a body of work as meaningful today as it was when it first appeared in the 1970s. This publication features over 100 of Scott's works, a detailed biography, and new critical writings on the artist.

Firestorm

John Scott

Anatomy

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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