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Van Gogh: The Roulin Family Portraits

Dialogues with Degas demonstrates the ongoing relevance of Edgar Degas to 20th- and 21st-century ideas and art practices.

The first in-depth examination of this major artist's impact on contemporary art, this book explores how contemporary practitioners have used Degas's creativity as a springboard to engage imaginatively and critically with themes of colonialism, gender, race and class. 

Through close analyses of paintings, drawings, prints and sculptures, Brown shows how Degas's technical and compositional experiments have been extended or challenged in innovative ways by contemporary artists including: Frank Auerbach, Cecily Brown, Xinyi Cheng, Ryan Gander, Maggi Hambling, Damien Hirst, Howard Hodgkin, Chantal Joffe, Leon Kossoff, R.B. Kitaj, Juan Muñoz, Paula Rego, Jenny Saville, Yinka Shonibare, Cy Twombly and Rebecca Warren.

Eschewing familiar conceptions of influence, the book opens transhistorical dialogues that generate new perspectives on histories of 19th-century art. These encounters also reframe contemporary art practices, prompt innovative ideas about the agency of visual artefacts, and offer a new methodology for writing about art. With such breadth of analysis, the book makes an important contribution to scholarship in Degas studies, contemporary art, reception theory, art history, and fine art.

Dialogues with Degas demonstrates the ongoing relevance of Edgar Degas to 20th- and 21st-century ideas and art practices.

The first in-depth examination of this major artist’s impact on contemporary art, this book explores how contemporary practitioners have used Degas’s creativity as a springboard to engage imaginatively and critically with themes of colonialism, gender, race and class. 

Through close analyses of paintings, drawings, prints and sculptures, Brown shows how Degas's technical and compositional experiments have been extended or challenged in innovative ways by contemporary artists including: Frank Auerbach, Cecily Brown, Xinyi Cheng, Ryan Gander, Maggi Hambling, Damien Hirst, Howard Hodgkin, Chantal Joffe, Leon Kossoff, R.B. Kitaj, Juan Muñoz, Paula Rego, Jenny Saville, Yinka Shonibare, Cy Twombly and Rebecca Warren.

Eschewing familiar conceptions of influence, the book opens transhistorical dialogues that generate new perspectives on histories of 19th-century art. These encounters also reframe contemporary art practices, prompt innovative ideas about the agency of visual artefacts, and offer a new methodology for writing about art. With such breadth of analysis, the book makes an important contribution to scholarship in Degas studies, contemporary art, reception theory, art history, and fine art.

Influence and Antagonism in Contemporary Art

Dialogues with Degas

Material Culture of Art and Design

"The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of ¹5,199,822 in today's currency. As someone who made, but didn't sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 which featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery's focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. By examining Linwood's replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century"--

The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. 

When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today’s currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists. 

Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery’s focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion.

This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood’s extant and destroyed works. By examining Linwood’s replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.

Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845

The Art of Mary Linwood

Graphis Design Annual

Immerse in a powerful visual journey through the eyes of over 500 award-winning graphic designers from around the globe. In one of the most coveted industry award competitions,&nbsp;Graphis Design&nbsp;2025&nbsp;celebrates design excellence through the captivating and influential work of the past year from solo designers and global firms. Juried by acclaimed international designers, these works can be seen across animation, branding, books, entertainment, packaging, posters, product design and other disciplines. This inspiring collection of work revolves around all categories of graphic design, demonstrating once again the importance of design in culture, commerce, and lifestyle. Read about the creative process from Platinum and Gold Winners regarding their assignments and the approaches they took to reach their award-winning solutions.

Graphis Design Annual 2025

Coloring with TheLatestKate

Imagine calling it a day and calming the emotional storm with this anti-anxiety coloring book. Filled with encouraging messages and cute animal friends, these cute coloring pages are a perfect addition to your relaxing self care routine.

Imagine calling it a day and calming the emotional storm with this anti-anxiety coloring book. Filled with encouraging messages and cute animal friends, these cute coloring pages are a perfect addition to your relaxing self care routine.

You’re Too Cute for That: Calming Coloring Pages by The Latest Kate (Mosaic Art Anxiety Coloring Book)

No Self-Hate

"Rarely have I so much enjoyed reading art historical scholarship. Iskin's biography of Mary Cassatt is so engaging and offers new insights informed by various methodological concerns including feminism, network theory, and transatlantic studies."—Cécile Whiting, Chancellor’s Professor Emerita of Art History, University of California, Irvine “Here is an in-depth, highly detailed account of certain of Mary Cassatt’s lifelong transatlantic connections—social, professional, and political—and the important role they played in the legacy she left behind.”—Michelle Foa, author of&nbsp;Georges Seurat: The Art of Vision "Iskin’s book brings Mary Cassatt to life as never before for contemporary readers. It reframes her legacy and reinterprets her art in the context of the feminist politics of her era, shining a revelatory spotlight on Cassatt’s devotion to the cause of women’s suffrage and to the collaborative feminist friendships that sustained her."—Norma Broude, Professor Emerita of Art History at American University, Washington, DC "Ruth E. Iskin provides a provocative new account of Cassatt's transatlantic career as an artist, art collector, art advisor, suffragist, and champion of the avant-garde. This book deepens and complicates our understanding of the Impressionist’s multifaceted impact on modernity."—David M. Lubin, author of Grand Illusions: American Art and the First World War "Through meticulous research embedded in an engaging narrative, Ruth E. Iskin offers a complete story of Mary Cassatt’s cosmopolitan life and work. The book offers new perspectives on the artist’s legacy by highlighting her cultivation of robust transatlantic networks that supported her feminist ideals as an artist and advisor to prominent American collectors of her era."—Paula J. Birnbaum, author of&nbsp;Sculpting a Life: Chana Orloff between Paris and Tel Aviv "With pathbreaking new insights, Iskin’s ambitious book lays out Cassatt’s radically advanced views on women’s issues and the pursuit of making great art. Engagingly written and profusely illustrated, one finds no analysis of brush strokes here, but much insight into the artist’s subjects and settings, including Cassatt’s novel approach to painting mothers and children without recourse to the customary sentimentality."—Karen Offen, author of Debating the Woman Question in the French Third Republic, 1870–1920

The Making of a Transatlantic Legacy

Mary Cassatt between Paris and New York

Ruth Duckworth delivers an extensive, thoughtful monograph on the artist’s entire body of work with new scholarship, exquisite reproductions, and the complete cooperation of the Duckworth Estate.This book firmly establishes the artist in the pantheon of&nbsp;twentieth-century sculptors, in a class with Barbara Hepworth and Henry Moore.&nbsp;Duckworth referred to herself not as a potter or ceramicist, but as a sculptor with clay,&nbsp;and this volume takes her at her word, foregrounding her sculptural production. As&nbsp;Emmanuelle Cooper wrote in her obituary: “In both her life and work, Duckworth’s&nbsp;background was one of non-conformity. In Germany, as a young girl, she risked prosecution by defacing a Nazi monument and resented being unable to attend art school because her father was Jewish. Most challenging of all was her determination to gain international respectability as a sculptor working primarily in clay.

Ruth Duckworth delivers an extensive, thoughtful monograph on the artist’s entire body of work with new scholarship, exquisite reproductions, and the complete cooperation of the Duckworth Estate.This book firmly establishes the artist in the pantheon of&nbsp;twentieth-century sculptors, in a class with Barbara Hepworth and Henry Moore.&nbsp;Duckworth referred to herself not as a potter or ceramicist, but as a sculptor with clay,&nbsp;and this volume takes her at her word, foregrounding her sculptural production. As&nbsp;Emmanuelle Cooper wrote in her obituary: “In both her life and work, Duckworth’s&nbsp;background was one of non-conformity. In Germany, as a young girl, she risked prosecution by defacing a Nazi monument and resented being unable to attend art school because her father was Jewish. Most challenging of all was her determination to gain international respectability as a sculptor working primarily in clay.

Ruth Duckworth

Isms

The description for this book, Lennon-isms, will be forthcoming.

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

In this fascinating Art of book, Colorado-born artist Ashleigh Izienicki reveals the process behind how she combines dark, macabre themes with a cute and feminine touch to create incredibly popular art.&nbsp; Ashleigh has accumulated a massive following online under her brand, Miss Upacey. She has over 603K followers on Instagram, a popular Patreon, and a successful online shop selling products such as pins, phone cases, stickers, and stationery. 
She now resides in California and works in traditional and digital mediums. Her book features tutorials in both, giving fans and art-lovers a glimpse behind the curtain into her process, studio set-up, and inspiration.&nbsp;She also talks about the challenges and joys that come with running an art business, and gives her invaluable advice to aspiring creatives.
Miss Upacey: The Art of Ashleigh Izienicki has the unmatched production values that 3dtotal Publishing is known for - high-quality paper and a beautiful hardback cover with special cover finishes. This is a keepsake for Miss Upacey fans, and art fans in general, to display on their bookshelf for many years to come.

Hellebore: The Art of Missupacey

Laura Carpenter was instrumental in bringing contemporary art to Santa Fe in the mid-1990s. She began her career as a gallerist in Dallas, Texas, showing artists such as Jean-Michel Basquiat and Martin Puryear. Upon her arrival in Santa Fe, she held solo shows for the likes of Kiki Smith, Christo and Jeanne-Claude, Juan Muñoz and Susan Rothenberg, transforming the Santa Fe art world. Ellsworth Kelly, John Chamberlain, Ed Ruscha, Joan Mitchell, Louise Bourgeois and Marina Arbamovic all had shows or came to support fellow artists. Carpenter was also a founder of SITE, helping to permanently establish Santa Fe as a premier destination for contemporary art. Through the lens of Carpenter's experience, this book presents a combination of personal anecdotes, interviews and archival material—from Carpenter as well as critics, curators, art dealers, collectors and artists—to create a historical snapshot of this pivotal time in Santa Fe.

Laura Carpenter was instrumental in bringing contemporary art to Santa Fe in the mid-1990s. She began her career as a gallerist in Dallas, Texas, showing artists such as Jean-Michel Basquiat and Martin Puryear. Upon her arrival in Santa Fe, she held solo shows for the likes of Kiki Smith, Christo and Jeanne-Claude, Juan Muñoz and Susan Rothenberg, transforming the Santa Fe art world. Ellsworth Kelly, John Chamberlain, Ed Ruscha, Joan Mitchell, Louise Bourgeois and Marina Arbamovic all had shows or came to support fellow artists. Carpenter was also a founder of SITE, helping to permanently establish Santa Fe as a premier destination for contemporary art. Through the lens of Carpenter's experience, this book presents a combination of personal anecdotes, interviews and archival material—from Carpenter as well as critics, curators, art dealers, collectors and artists—to create a historical snapshot of this pivotal time in Santa Fe.

Laura Carpenter - The Gallery Years 1974-1996

The personal journals of one of postwar America’s most influential photographers, published for the first time One of the most significant unpublished texts in the history of photography, Memorable Fancies is the daybooks of Minor White, an artist who played a leading role in shaping the practice of photography in postwar America. Begun in the early 1930s and taking its name from a series of dialogues in William Blake’s The Marriage of Heaven and Hell, these writings are part diary, part photography manual, and part aesthetic treatise. Minor White, Memorable Fancies presents this work in its entirety for the first time, offering an intimate look at the ideas and interior life of one of the most important photographers of the twentieth century. In this beautifully illustrated volume, art historian Todd Cronan sheds light on White’s guiding concerns and the connections between White’s writings and his public practice as a photographer and influential publisher and teacher. White’s journal is accompanied by an array of photographs by White as well as annotations that provide background and context, illuminating White’s life and career while capturing a vibrant and inventive moment in the history of modern photography. Challenging our assumptions about photographic agency and the interplay between art and life, Minor White, Memorable Fancies engages deeply with the creative potential of photographic work, the nature and effect of artworks on viewers, and the formative role that chance plays in the production of photographs. Distributed for the Princeton University Art Museum

The personal journals of one of postwar America’s most influential photographers, published for the first time One of the most significant unpublished texts in the history of photography, Memorable Fancies is the daybooks of Minor White, an artist who played a leading role in shaping the practice of photography in postwar America. Begun in the early 1930s and taking its name from a series of dialogues in William Blake’s The Marriage of Heaven and Hell, these writings are part diary, part photography manual, and part aesthetic treatise. Minor White: Memorable Fancies presents this work in its entirety for the first time, offering an intimate look at the ideas and interior life of one of the most important photographers of the twentieth century. In this beautifully illustrated volume, the art historian Todd Cronan sheds light on White’s guiding concerns and the intersections between White’s writings and his public practice as a photographer and influential publisher and teacher. White’s journal is accompanied by an array of stunning photographs by White and his contemporaries as well as annotations that provide background and context, illuminating White’s life and career while capturing a vibrant and inventive moment in the history of modern photography. Challenging our assumptions about photographic agency and the interplay between art and life, Minor White: Memorable Fancies engages deeply with the possibilities of photography, its effect on viewers, and its relationship to chance observation. Distributed for the Princeton University Art Museum

Minor White, Memorable Fancies

Flame Tree Notebooks

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example is based on 'Market Scene' by L. S. Lowry (1887–1976).

L.S. Lowry: Market Scene (Foiled Journal)

An expansive exploration of Frey's wide-ranging artistic practice, from vivid, pictorial pastels to her beloved larger-than-life sculpturesIn the late 1980s, American artist Viola Frey (1933-2004) began a series of drawings she titled Artist's Mind/Studio/World. Although she is best known for her large-scale figurative sculptures in clay, it is these pastels on paper that inspired this first monograph on Frey's extraordinary work. Spanning more than 50 years, Frey's art making crisscrossed myriad subjects, mediums and forms. Taken together, the Artist's Mind/Studio/World drawings speak to this breadth, clarifying her devotion to line, color and scale, and demonstrating the ways she seamlessly transitioned from three dimensions to two, and from the intimate to the monumental. Extensively illustrated with recent discoveries from the Viola Frey Archives--including newspaper clippings, correspondence, slides and photographs--and containing major new critical texts alongside an illustrated chronology, Artist's Mind/Studio/World explores the life and work of a vanguard multidisciplinary artist whose influence resonates with contemporary artists and audiences.

An expansive exploration of Frey's wide-ranging artistic practice, from vivid, pictorial pastels to her beloved larger-than-life sculpturesIn the late 1980s, American artist Viola Frey (1933–2004) began a series of drawings she titled Artist’s Mind/Studio/World. Although she is best known for her large-scale figurative sculptures in clay, it is these pastels on paper that inspired this first monograph on Frey’s extraordinary work. Spanning more than 50 years, Frey’s art making crisscrossed myriad subjects, mediums and forms. Taken together, the Artist’s Mind/Studio/World drawings speak to this breadth, clarifying her devotion to line, color and scale, and demonstrating the ways she seamlessly transitioned from three dimensions to two, and from the intimate to the monumental. Extensively illustrated with recent discoveries from the Viola Frey Archives—including newspaper clippings, correspondence, slides and photographs—and containing major new critical texts alongside an illustrated chronology, Artist’s Mind/Studio/World explores the life and work of a vanguard multidisciplinary artist whose influence resonates with contemporary artists and audiences.

Viola Frey: Artist's Mind / Studio / World

Van Gogh: The Roulin Family Portraits

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