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Do Ho Suh: Anatomy

Anatomy

A fascinating and original biography of Eadward Muybridge, charting how his pioneering work in motion picture ushered in a period of technological innovation.

Eadweard Muybridge and the Technological Wild West

River of Shadows

The first ever comprehensive catalogue of Banksy's print editions from 2002 to 2022. World-famous for his political commentary, activism and instantly recognizable visual style, Banksy has become one of the most provocative artists working today. This unauthorized guide to Banksy's print editions meticulously documents 174 unique prints, presenting an unparalleled visual catalogue of these hugely collectable works. In addition to making his art accessible to a wider audience, Banksy's prints often expand on themes seen in his wider oeuvre, making them essential in understanding Banksy's artistic development over the last two decades. Intentionally affordable, he initially offered his prints, both signed and unsigned, for anywhere between thirty and a couple of hundred pounds, democratizing fine art and making it widely available. Organized by release year, with insightful commentary, essential details about each edition and faithful reproductions, Banksy: The Prints is the ultimate resource for exploring Banksy's printed works.

Banksy: The Prints

Viscerally evocative, Dana Schutz’s newest paintings and sculptures depict allegorical scenes in which often grotesque characters negotiate their subjecthood. Schutz’s large-scale paintings and sculptures portray tragicomic situations populated by characters preoccupied with self-preservation as they tilt towards oblivion. With mask-like features—all jaws and noses—they emerge, in groups and pairs, out of the painterly atmosphere. Enormous, vibrant, and enigmatic, her works convey tangible yet ineffable tensions and ambiguities of human life. Published on the occasion of the 2023 exhibition at David Zwirner, New York, this catalogue features a long-form essay by Jarrett Earnest, who chronicles Schutz’s artistic process as she creates her most ambitious sculpture to date, Sea Group. Earnest explores the interconnections between Schutz’s long-standing painting practice and her more recent engagement with sculpture, offering a fascinating reflection on the artist’s thematic explorations, artistic inquiry, and the conceptual underpinnings of her work. The text is also accompanied by behind-the-scenes photography by Jason Schmidt, which offer an intimate view of the artist at work.

Dana Schutz: Jupiter's Lottery

The first monograph on Venezuelan multimedia artist Arturo Herrera in nearly twenty years, this comprehensive book takes a deep look at his diverse body of work.
This new publication highlights the breadth of Herrera’s practice from the start of his career to the present, showcasing painting, mixed media works on paper, photography, collage, glass, felt sculpture, and architectural interventions.&nbsp;
For nearly thirty years, Herrera has investigated and contaminated the complex histories of abstraction. His approach to material—as both subject and object—simultaneously reveals and conceals fragments of pop culture and found images within layers of shape, color, and line. The resulting compositions conjure multiple associations, creating an open-ended, charged exchange between artist, artwork, and viewer.
In addition to the rich plate section, this monograph includes a comprehensive exhibition history, essays by Valerie Smith and Scott Roben, and a conversation between Herrera and his good friend and fellow artist Josiah McElheny.

Arturo Herrera: Works 1992-2024

Prince's artist book revisits his 1-2-3-4 series cheekily compounding found photographs of various group sizesThis compilation of works on paper by American appropriation artist Richard Prince (born 1949) belongs to a series titled 1-2-3-4. Beginning around 2008, Prince began sequencing found photographic portraits into a simple headcount--one person, two people, three people, four people: 1-2-3-4. This process, applied to musicians, actors, celebrities and anonymous individuals, transforms photographs into performing acts: solo artist, duo, trio, quartet. The numbers 1-2-3-4 act like the count-in to a punk/garage rock song (by The Rascals, The Modern Lovers or The Ramones), an archetypical pop-song time signature. Numbering the images gives the sequence an immediate stamp of action, while the appropriation of jersey numbers makes a sport of it. Prince has repeatedly returned to the 1-2-3-4 device, including his long-deleted Instagram handle, @richardprince1234. In a chapter of his autobiographical memoirs It's a Free Concert, Prince recalls attending the 1969 Woodstock Festival: "We could hear Country Joe and the Fish coming in from over the fields...'And it's one two three what are we fighting for? / Don't ask me I don't give a damn / Next stop is Vietnam / Whoopee we're all gonna die.'"

Richard Prince: 1, 2, 3, 4

The Authorised Unauthorised History of Billy Childish

To Ease My Troubled Mind

Positive Illusions

A career-spanning monograph on a key member of the "first generation" of Abstract ExpressionistsAmerican artist Adolph Gottlieb (1903-74) was a central figure of the New York School of art from its very beginnings in the 1930s. The Pictograph paintings that he began making in 1941 are among the earliest examples of American artists creating work on a par with European modernists while establishing a distinct identity. His art has been the subject of 25 solo museum exhibitions, nationally and internationally, and is in the collections of over 145 museums. Adolph Gottlieb: A Powerful Will to Art is a career-spanning monograph on the artist. It contains an original essay by James Lawrence, which traces Gottlieb's career within the context of his contemporaries, as well as the traditions of Western painting, and offers new insights into this important artist's contributions to his field. The beautifully clothbound volume reproduces 200 of Gottlieb's paintings covering the range of his career, showing his evolution from a 1926 self-portrait through the beginnings of the New York School and ending with his last major paintings in 1973. The book also contains a lavishly illustrated chronology of the artist's career that draws from the archives of the Adolph and Esther Gottlieb Foundation.

Adolph Gottlieb: A Powerful Will to Art

A personal and intimate perspective on one of Canada's most prominent 20th century multidisciplinary artists, who was once described as "abstraction’s poet-philosopher." Charles Gagnon (1934–2003) was a painter, photographer and filmmaker considered by many to be an important figure in Quebec and Canadian art in the 20th century. His early career emerged alongside the American Abstract Expressionists and his growing multidisciplinary practice broke away from the singularity of painting shared by his Montreal contemporaries of the Automatistes and the Plasticiens. The complexity and depth of his work as a painter, photographer, and filmmaker was distinguished by a probing, introspective quality. His paintings were simultaneously rigid and free-flowing, with self-imposed rules and structure contrasted by rich fracture and gestural brush work. Across all disciplines he played with multiple levels of perception, and many works evoke the liminal space of the threshold, or multi-plane spaces. In Charles Gagnon: The Colour of Time, the Sound of Space, this long-standing multidisciplinary work is brought into full view with texts that explore Gagnon’s various practices, from painting to photography to film. An English-language essay by art historian and curator Roald Nasgaard chronicles Gagnon’s artistic evolution from his early years in New York in the 1950s to his final productive years in the late 1990s in Quebec, and situates him within an expanded international historical context of artists, artworks, and art movements. Filmmaker and professor Olivier Asselin’s French-language essay engages Gagnon’s use of different media, including the role of sound and music in his artworks. Michiko Yajima Gagnon, the wife of the late artist, gives insight into the inseparability of everyday life and Charles’s creative undertakings: his friendships with other artists (Tōru Takemitsu, Lee Friedlander), travel (to New York, Japan, and, particularly, the American Southwest), and the relationship between the landscapes surrounding his studios and his artwork. Featuring more than 250 art reproductions and archival images, Charles Gagnon is an intimate portrait of an artist and the celebration of a life’s work.

The Colour of Time, the Sound of Space

Charles Gagnon

One Painting, One Story

Introducing a masterpiece from the National Gallery’s collection, this compact and beautifully illustrated book explores the story behind Monet’s The Water-Lily Pond.

Monet: The Water-Lily Pond (One Painting, One Story)

Why Cy?

Goya's Last Portrait/A Question of Geography

Anatomy

Informations bibliographiques

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