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Director’s Cut Kitchen

<div>Immerse yourself in the wonderful world of Wes Anderson with 55+ recipes inspired by his films, characters, and signature aesthetic. In The Wes Anderson Cookbook—the debut title in the Director’s Cut Kitchen series—you’ll embark on a wondrous culinary adventure: an edible tribute to the charm, wit, and whimsy of filmmaker Wes Anderson’s inimitable creations, from his first film,&nbsp;Bottle Rocket, to his series of Netflix shorts, to his latest film, The Phoenician Scheme. While you can’t book a stay in one of the Grand Budapest Hotel’s timeworn rooms, buy a ticket for the Darjeeling Limited, or enroll in the fabled Rushmore Academy, you can experience all those places—and the memorable characters who inhabit them—through the foods and flavors that loom large in Anderson’s films as props, symbols, and uncredited&nbsp;dramatis personae. &nbsp; The Wes Anderson Cookbook is a carefully crafted homage to the director’s visual and narrative style, with vibrant design elements that echo his iconic aesthetics. With an introduction about the director, his oeuvre, and the role foods play in his films, the book contains 59 full-color, beautifully illustrated recipes, from main dishes and snacks to drinks and desserts; each explains its connection to a particular movie or scene, adding layers of storytelling and fun facts for film buffs.&nbsp; Enjoy recipes such as: <ul><li>Midge’s Dinette Waffles from Asteroid City</li><li>Private Compartment Savoury Snacks from The Darjeeling Limited</li><li>Purloined Chicken Salad from Fantastic Mr. Fox</li><li>The Royal Negroni from The Royal Tenenbaums</li><li>Grilled Jaguar Shark Steaks with Cream Sauce from The Life Aquatic with Steve Zissou</li><li>Mendl’s Courtesan au Chocolat from The Grand Budapest Hotel</li></ul> With menus for viewing parties, a complete filmography, and Easter eggs galore, this book is as much a visual feast as a literal one. More than just a collection of recipes, this is a collector’s item that celebrates the art of both cinema and cooking. With its unique premise of turning the lens on the director, rather than on a specific film, its visually stunning design appeals to both film fans and foodies alike. It’s an immersive journey through the cinematic world of Wes Anderson, bringing film scenes to life through food. Director’s Cut Kitchen is a series of unofficial cookbooks that explores the intersection of food, film, and creativity, focusing on the distinctive styles of celebrated film directors. Each book features newly created recipes inspired by a director’s unique cinematic universe, with dishes inspired by memorable scenes or conceptually linked to the films’ moods, aesthetics, and themes. The series brings together the best of food and film, offering fans a way to engage with their favorite directors in a fun, tangible—and delicious—way. The result is a playful and engaging collection that appeals to cinephiles, foodies, and pop culture enthusiasts alike.</div>

Whimsical Recipes Inspired by the Director and His Films

The Wes Anderson Cookbook

'Vivid and vigorous, precise and unsparingly truthful . . . Excellent' Financial Times From the Booker Prize-shortlisted author of Burnt Sugar comes a gripping psychodrama of unravelling and rebirth - for readers of Katie Kitamura, Deborah Levy, Gwendoline Riley and Elena Ferrante 'Unsparing, exhilarating. This novel boils with brutal insight. Avni Doshi is among the finest prose stylists at work today' Katie Kitamura 'Lush and sharpened to a dagger point... I was consumed by this novel' Amina Cain 'I married my husband to live in a fairy tale. I imagined us like planets orbiting the sun or gods enacting their myths. Marriage was a solution and I wanted to be dissolved.' A woman's husband walks into their bedroom one evening and tells her that he wants a divorce. She is stunned. They have always had a happy marriage, an almost perfect marriage. In the following days, marooned with two young daughters in a hostile suburb, the woman starts coming apart. As she sifts through the ruins of their shared life, she begins to notice the warning signs which she chose not to see the first time around. She wanders deep into the forest of her own mind, where marital memories intermingle with myths of headless women and vengeful goddesses, messages hidden in the constellations, glimpses of a natural world seething and alive with portents. Over the course of a single summer, as the cicadas that have been buried in the ground for seventeen years prepare to emerge and fill the air with a plague of ecstatic transformation, the woman too is splitting, liquifying and reforming, stretching her new antennae toward the light. This is a novel about unhappy families - about poison seeping through the domestic space, the bloody battlefield of the home, the enduring threat posed by those closest to us. Stiletto-sharp and darkly hypnotic, it is a gripping psychodrama of unravelling and rebirth.

The First House

A Hand Maid's Tale&nbsp;meets How I Live Now in this page-turning dystopian YA which the author has described as a 'love letter to her daughter'.In a world where bees are at risk of extinction, one girl fights for her own survival.&nbsp; Imagine a world where honeybees have died out. It's a patriarchal world where famines are rife. It's a world without art, without books, without plays. Girls are sent away from home, forced to pollinate crops by hand with brushes and to marry as soon as they can. Inhabiting this world is Jess and her friends Cass, Deva, and Ruth. But even if one fourteen¿year¿old knows that the system is dangerous, can she really stoke a revolution?<ul><li>Incredible new voice in YA literature from a recognisable Welsh adult author</li><li>Srong environmental message - it has been predicted that if honeybees were to become extinct, man would have only four years to live. Hand pollination is already practised in China as an estimated 80% of China's native wild honeybee population has already been lost).</li><li>Empowering female friendships&nbsp;</li></ul> ¿Caryl Lewis said: 'As a beekeeper, I am acutely aware of the interconnectedness of everything and have long been frightened of how we, as humans, set ourselves apart from nature. We do not seem to understand that in destroying nature, we destroy ourselves. My daughter&nbsp;is growing up in what feels like a much more hostile environment facing climate instability, the rise of misogyny and the roll back of women's bodily rights. I wanted to comfort and empower her and let her see that our greatest weapon in a floundering world is the imagination.' &nbsp;

The YA debut from an award-winning and bestselling Welsh storyteller

The Danger of Small Things

A startling, witty and downright terrifying collection of 25 short stories from the "21st century's Richard Matheson" (Richard Chizmar, Chasing the Boogeyman.), including the Shirley Jackson award-nominated Stay on the Line. Perfect for fans of Paul Tremblay, Rachel Harrison and Eric LaRocca.

Acquired Taste

In her latest novel, Pura Belpré Award–winning author Carolina Ixta weaves a tender story about love and hope, following a teen as she works to protect her family and community from a major corporation taking over her town.Paloma Vistamontes is heartbroken. A year ago, her ex-boyfriend, Julio Ramos, broke up with her after his father’s death, a tragedy that drove Paloma and him apart. Ever since then, the mountains have felt flatter, the sky farther away.Now, her hometown of San Fermín, a place where honest people work on farms and in factories, is in danger. Selva, a massive e-commerce conglomerate, threatens to open one of their warehouses beside her high school.This isn’t the first time they’ve done this. Since Selva arrived, they’ve opened warehouses everywhere where there used to be green spaces. Because of them, the air pollution is so bad that school is often canceled. Many people, including Paloma’s ever-practical Ma, want to leave.But Paloma wants nothing more than to stay. Because when the smog clears, there is still hope. That hope drives Paloma to reconnect with Julio to expose and challenge the dangers that Selva introduces to communities like their own. Can they stop Selva from destroying everything they know? Is there still a chance for their budding romance?

In her latest novel, Pura Belpré Award–winning author Carolina Ixta weaves a tender story about love and hope, following a teen as she works to protect her family and community from a major corporation taking over her town.Paloma Vistamontes is heartbroken. A year ago, her ex-boyfriend, Julio Ramos, broke up with her after his father’s death, a tragedy that drove Paloma and him apart. Ever since then, the mountains have felt flatter, the sky farther away.Now, her hometown of San Fermín, a place where honest people work on farms and in factories, is in danger. Selva, a massive e-commerce conglomerate, threatens to open one of their warehouses beside her high school.This isn’t the first time they’ve done this. Since Selva arrived, they’ve opened warehouses everywhere where there used to be green spaces. Because of them, the air pollution is so bad that school is often canceled. Many people, including Paloma’s ever-practical Ma, want to leave.But Paloma wants nothing more than to stay. Because when the smog clears, there is still hope. That hope drives Paloma to reconnect with Julio to expose and challenge the dangers that Selva introduces to communities like their own. Can they stop Selva from destroying everything they know? Is there still a chance for their budding romance?

Few Blue Skies

Look for Your Mind!

Elipsis

A nearly divorced housewife enrolls in culinary school to win back her husband, only to start questioning the strange antics of her classmates in this new novel from the USA Today bestselling author of Vera Wong's Unsolicited Advice for Murderers. Retirement should mean long-awaited trips to the sapphire waters of Santorini or careening down a sand dune in Dubai. For sixty-three-year-old Mebel, retirement means her husband of more than forty years announcing that he's leaving her for their private chef. Mebel isn’t sure who's the bigger loss. Not to worry, Mebel has the perfect plan: she’s going to win back her husband. No one knows what he needs better than her—after all, she's been anticipating his needs their whole marriage. And if he wants a wife who can cook (why else would he leave her for a chef?), she will simply go to cooking school. Luckily, class at the renowned Saint Honoré School&nbsp;of Culinary Arts in France starts in just four days! However, Mebel quickly realizes that her culinary school is not in illustrious Paris but rather in England—and some small village outside of Oxford no less. Despite the less-than-warm welcome from her much younger classmates, Mebel manages to befriend Gemma, the breakout star of the program, who offers to help Mebel on their first day. When Gemma stops showing up to class, Mebel knows she must figure out what—or who—caused her friend’s sudden disappearance. After all, Mebel may not know the first thing about how to cut a potato, but she certainly knows how to identify a fraud, and there’s definitely something fishy going on.

A nearly divorced housewife enrolls in culinary school to win back her husband, only to start questioning the strange antics of her classmates in this new novel from the USA Today bestselling author of Vera Wong's Unsolicited Advice for Murderers. Retirement should mean long-awaited trips to the sapphire waters of Santorini or careening down a sand dune in Dubai. For sixty-three-year-old Mebel, retirement means her husband of more than forty years announcing that he's leaving her for their private chef. Mebel isn’t sure who's the bigger loss. Not to worry, Mebel has the perfect plan: she’s going to win back her husband. No one knows what he needs better than her—after all, she's been anticipating his needs their whole marriage. And if he wants a wife who can cook (why else would he leave her for a chef?), she will simply go to cooking school. Luckily, class at the renowned Saint Honoré School&nbsp;of Culinary Arts in France starts in just four days! However, Mebel quickly realizes that her culinary school is not in illustrious Paris but rather in England—and some small village outside of Oxford no less. Despite the less-than-warm welcome from her much younger classmates, Mebel manages to befriend Gemma, the breakout star of the program, who offers to help Mebel on their first day. When Gemma stops showing up to class, Mebel knows she must figure out what—or who—caused her friend’s sudden disappearance. After all, Mebel may not know the first thing about how to cut a potato, but she certainly knows how to identify a fraud, and there’s definitely something fishy going on.

Ms. Mebel Goes Back to the Chopping Block

New York Times Bestseller and #1 Los Angeles Times BestsellerA "gripping, unshakeable firsthand account" (San Francisco Chronicle) of the firestorm that consumed Los Angeles, from the MS NOW reporter and New York Times bestselling author of Separated, who covered the fires on the ground as an LA native."Read[s] like a sci-fi thriller.” —Los Angeles TimesOn the morning of January 7, 2025, a message pinged the phone of Jacob Soboroff, a national reporter for MS NOW. “Big Palisades fire. We are evacuating,” his brother texted within minutes of the blaze engulfing the hillside behind the home where he and his pregnant wife were living. “Really bad.” An attached photo showed a huge black plume rising from behind the house, an umbrella of smoke towering over everything they owned. Jacob rushed to the office of the bureau chief.“I should go. I grew up in the Palisades.”Soon he was on the front line of the blaze—his first live report of what would turn out to be weeks covering unimaginable destruction, from both the Palisades Fire and the Eaton Fire, in Altadena. In the days to come, Soboroff appeared across the networks of NBC News as Los Angeles was ablaze, met with displaced residents and workers, and pressed Governor Gavin Newsom in an interview on Meet the Press. But no story Soboroff has covered at home or abroad—the trauma of family separation at the border, the displacement of the war in Ukraine, the collapse of order in Haiti—could have prepared him for reporting live as the hallmarks of his childhood were engulfed in flames around him while his hometown burned to the ground.But for Soboroff, questions remained after the fires were controlled: what had he just witnessed? How could it have happened? Is it inevitable something like it will happen again? This set Soboroff off on months of reporting—with firefighters, fire victims, political leaders, academics, earth scientists, wildlife biologists, meteorologists and more—that made him keenly aware of how the misfortune of seeing his past carbonize was also a form of time travel into the dystopian world his children will inhabit. This is because the 2025 LA fires were not an isolated tragedy, but rather they are a harbinger—"the fire of the future," in the words of one senior emergency—management official.Firestorm is the story of the costliest wildfire in American history, the people it affected and the deeply personal connection to one journalist covering it. It is a love letter to Los Angeles, a yearning to understand the fires, and why America’s new age of disaster we are living through portends that—without a reckoning of how Los Angeles burned—there is more yet, and worse, to come.

New York Times Bestseller and #1 Los Angeles Times Bestseller A "gripping, unshakeable firsthand account" (San Francisco Chronicle) of the firestorm that consumed Los Angeles, from the MS NOW reporter and New York Times bestselling author of Separated, who covered the fires on the ground as an LA native. "Read[s] like a sci-fi thriller.” —Los Angeles TimesOn the morning of January 7, 2025, a message pinged the phone of Jacob Soboroff, a national reporter for MS NOW. “Big Palisades fire. We are evacuating,” his brother texted within minutes of the blaze engulfing the hillside behind the home where he and his pregnant wife were living. “Really bad.” An attached photo showed a huge black plume rising from behind the house, an umbrella of smoke towering over everything they owned. Jacob rushed to the office of the bureau chief. “I should go. I grew up in the Palisades.” Soon he was on the front line of the blaze—his first live report of what would turn out to be weeks covering unimaginable destruction, from both the Palisades Fire and the Eaton Fire, in Altadena. In the days to come, Soboroff appeared across the networks of NBC News as Los Angeles was ablaze, met with displaced residents and workers, and pressed Governor Gavin Newsom in an interview on Meet the Press. But no story Soboroff has covered at home or abroad—the trauma of family separation at the border, the displacement of the war in Ukraine, the collapse of order in Haiti—could have prepared him for reporting live as the hallmarks of his childhood were engulfed in flames around him while his hometown burned to the ground. But for Soboroff, questions remained after the fires were controlled: what had he just witnessed? How could it have happened? Is it inevitable something like it will happen again? This set Soboroff off on months of reporting—with firefighters, fire victims, political leaders, academics, earth scientists, wildlife biologists, meteorologists and more—that made him keenly aware of how the misfortune of seeing his past carbonize was also a form of time travel into the dystopian world his children will inhabit. This is because the 2025 LA fires were not an isolated tragedy, but rather they are a harbinger—"the fire of the future," in the words of one senior emergency—management official. Firestorm is the story of the costliest wildfire in American history, the people it affected and the deeply personal connection to one journalist covering it. It is a love letter to Los Angeles, a yearning to understand the fires, and why America’s new age of disaster we are living through portends that—without a reckoning of how Los Angeles burned—there is more yet, and worse, to come.

Firestorm: The Great Los Angeles Fires and America's New Age of Disaster

A young woman is reunited with the famous father she never knew at a secluded lakeside community hiding nightmarish secrets in this immersive modern-day gothic for readers of psychological suspense by Mary Kubica, Shari Lapena and Megan Miranda. After the double blow of divorce and her mother’s death, Emma Shrader receives an invitation to meet her estranged father for the first time. Alex Spencer is a wealthy, renowned author who had a brief fling with Emma’s mom, then disappeared. Now he’d like Emma to come stay at his beautiful home on Cheshire Lake in Maine. The Spencer house is a towering Victorian steeped in history and lore, from its ornate turret to the little cemetery nestled in adjoining woods. It should be an inspiring place for Emma to finish working on her own novel, especially with Alex’s guidance. But when a neighbor is found dead under strange circumstances, the surroundings begin to feel less idyllic and welcoming. Not everyone is happy about Emma’s arrival, either—especially not Alex’s other daughter, Sunny. There are things Emma keeps to herself about her chaotic childhood and ex-husband, but Cheshire Lake harbors secrets too—some recent, some decades old. What exactly has been going on in this quiet, close-knit community? And how much of it has to do with Emma’s arrival? As Emma learns of other disappearances and mysterious deaths, what seemed like a fresh start begins to fill her with unease. Emma thought Cheshire Lake held the home and family she’s long been looking for. Now she wonders if she’ll ever be allowed to leave alive . . .

She Thought She Was Safe

Cottage Cats A5 Premium Notebook

"A dark valentine of a novel." --TIME Magazine "A sly subversion and exemplar of the [romance] form."&nbsp;--The New York Times A big-hearted, wise, unceasingly buoyant love story about a woman who, after escaping a bruising marriage, theorizes that happiness is possible solely with the eradication of all romance--only to find someone that could change her life forever Sylvie Broder was taught early to embrace joy. The granddaughter of Holocaust survivors whose greatest priority was enjoying the life they'd snatched back from Hitler, Sylvie believes in the tenacious pursuit of pleasure—yet, somehow, finds herself trapped in a suffocating, emotionally abusive marriage. With enormous fortitude, Sylvie frees herself and turns to graduate school, where she develops a new philosophy: Straight women will find true liberation and happiness only once romance is eradicated. Now, Sylvie prides herself in separating sex from tenderness—having fun with men, but never committing to one. Then she meets Robbie and Abie, and finds her philosophy sorely tested. A warm and gentle man, Robbie treats Sylvie with patience and enormous kindness, offering her comfort she hasn't had since childhood. Abie is passionate and dynamic, a man who challenges Sylvie, and with whom she finds herself constantly disarmed. With both men, she feels a deep desire that looks, worryingly, a lot like love. Cleverly constructed, delightfully funny, and beautifully written, The End of Romance is an anti-romance romance novel that charts its fallible heroine's tumultuous journey to love and happiness with erudition and deep feeling—a story for anyone who, despite their very best efforts, has fallen in love, and wondered why.

"A dark valentine of a novel." --TIME Magazine "A sly subversion and exemplar of the [romance] form."&nbsp;--The New York Times A big-hearted, wise, unceasingly buoyant love story about a woman who, after escaping a bruising marriage, theorizes that happiness is possible solely with the eradication of all romance--only to find someone that could change her life forever Sylvie Broder was taught early to embrace joy. The granddaughter of Holocaust survivors whose greatest priority was enjoying the life they'd snatched back from Hitler, Sylvie believes in the tenacious pursuit of pleasure—yet, somehow, finds herself trapped in a suffocating, emotionally abusive marriage. With enormous fortitude, Sylvie frees herself and turns to graduate school, where she develops a new philosophy: Straight women will find true liberation and happiness only once romance is eradicated. Now, Sylvie prides herself in separating sex from tenderness—having fun with men, but never committing to one. Then she meets Robbie and Abie, and finds her philosophy sorely tested. A warm and gentle man, Robbie treats Sylvie with patience and enormous kindness, offering her comfort she hasn't had since childhood. Abie is passionate and dynamic, a man who challenges Sylvie, and with whom she finds herself constantly disarmed. With both men, she feels a deep desire that looks, worryingly, a lot like love. Cleverly constructed, delightfully funny, and beautifully written, The End of Romance is an anti-romance romance novel that charts its fallible heroine's tumultuous journey to love and happiness with erudition and deep feeling—a story for anyone who, despite their very best efforts, has fallen in love, and wondered why.

A Novel

The End of Romance

Alles in Allem

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