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We Dream

100 Jahre Miles Davis - ganz klar, dass seine legendäre Filmmusik zum Kultfilm 'Fahrstuhl zum Schafott' da auch noch einmal gebührend gefeiert wird. In verschiedenen Vinylformaten ist die Musik in den letzten Jahren bereits wiederveröffentlicht worden, jetzt folgt ein Schmuckstück für die CD-Sammlung: eine von den Originalbändern remasterte Doppel-CD im 60-seitigen Deluxe-Hardcover-Book. Hier sind alle Takes und Outtakes der Session versammelt, das Booklet bringt ausführliche Linernotes von Franck Bergerot und Ashley Kahn sowie zahlreiche zum Teil seltene Fotos von Vincent Rossell und Jean-Pierre Leloir. Die Musik zum Film von Louis Malle gilt als Meilenstein für die Verbindung von Jazz und Kino. Miles Davis und seine Musiker Barney Wilen (Tenorsax), René Urtreger (Piano), Pierre Michelot (Bass) und Kenny Clarke (Drums) haben sie weitgehend improvisiert, während sie Szenen des Films anschauten. Statt komponierter Filmmusik entstand ein spontaner, lebendiger Sound, der direkt auf die Bilder reagiert. Der Soundtrack brachte den Cool Jazz in den Mainstream des europäischen Kinos.

Ascenseur Pour L'Echafaud (Ltd. Edt.)

A young woman is reunited with the famous father she never knew at a secluded lakeside community hiding nightmarish secrets in this immersive modern-day gothic for readers of psychological suspense by Mary Kubica, Shari Lapena and Megan Miranda. After the double blow of divorce and her mother’s death, Emma Shrader receives an invitation to meet her estranged father for the first time. Alex Spencer is a wealthy, renowned author who had a brief fling with Emma’s mom, then disappeared. Now he’d like Emma to come stay at his beautiful home on Cheshire Lake in Maine. The Spencer house is a towering Victorian steeped in history and lore, from its ornate turret to the little cemetery nestled in adjoining woods. It should be an inspiring place for Emma to finish working on her own novel, especially with Alex’s guidance. But when a neighbor is found dead under strange circumstances, the surroundings begin to feel less idyllic and welcoming. Not everyone is happy about Emma’s arrival, either—especially not Alex’s other daughter, Sunny. There are things Emma keeps to herself about her chaotic childhood and ex-husband, but Cheshire Lake harbors secrets too—some recent, some decades old. What exactly has been going on in this quiet, close-knit community? And how much of it has to do with Emma’s arrival? As Emma learns of other disappearances and mysterious deaths, what seemed like a fresh start begins to fill her with unease. Emma thought Cheshire Lake held the home and family she’s long been looking for. Now she wonders if she’ll ever be allowed to leave alive . . .

She Thought She Was Safe

George Lamming—one of the Caribbean’s most powerful literary voices, championed by Richard Wright and Jean-Paul Sartre—reimagines the age of European exploration in a work that stands as one of the great political novels of the twentieth century Under imperial orders, a nameless Commandant sets sail sometime between the sixteenth and eighteenth centuries, bound for the legendary island of San Cristobal—a place whispered about in maps and myths, promised as a prize of empire. The voyage is meant to secure glory and dominion. Instead, it begins to unravel. As weeks at sea stretch into obsession, the expedition becomes a dangerous test of authority and belief. The Commandant’s power is absolute yet increasingly fragile; his crew is caught between obedience and doubt. What begins as a mission of discovery turns into a voyage haunted by fear, desire, and the unspoken violence at the heart of conquest. Told through shifting perspectives and charged with poetic intensity, Natives of My Person plunges readers inside the imperial imagination at the moment it begins to crack. George Lamming transforms the historical voyage into a gripping psychological drama—one that exposes the ambitions, illusions, and brutal consequences of empire. Urgent, unsettling, and fiercely original, Natives of My Person, Lamming’s masterpiece, reveals how conquest reshapes not only the world, but the minds that seek to rule it. “George Lamming is not so much a novelist as a chronicler of secret journeys to the innermost regions of the West Indian psyche. . . an uninhibited journey to the heart of the colonizer.” —The New York Times

George Lamming—one of the Caribbean’s most powerful literary voices, championed by Richard Wright and Jean-Paul Sartre—reimagines the age of European exploration in a work that stands as one of the great political novels of the twentieth century Under imperial orders, a nameless Commandant sets sail sometime between the sixteenth and eighteenth centuries, bound for the legendary island of San Cristobal—a place whispered about in maps and myths, promised as a prize of empire. The voyage is meant to secure glory and dominion. Instead, it begins to unravel. As weeks at sea stretch into obsession, the expedition becomes a dangerous test of authority and belief. The Commandant’s power is absolute yet increasingly fragile; his crew is caught between obedience and doubt. What begins as a mission of discovery turns into a voyage haunted by fear, desire, and the unspoken violence at the heart of conquest. Told through shifting perspectives and charged with poetic intensity, Natives of My Person plunges readers inside the imperial imagination at the moment it begins to crack. George Lamming transforms the historical voyage into a gripping psychological drama—one that exposes the ambitions, illusions, and brutal consequences of empire. Urgent, unsettling, and fiercely original, Natives of My Person, Lamming’s masterpiece, reveals how conquest reshapes not only the world, but the minds that seek to rule it. “George Lamming is not so much a novelist as a chronicler of secret journeys to the innermost regions of the West Indian psyche. . . an uninhibited journey to the heart of the colonizer.” —The New York Times

A Novel

Natives of My Person

Das neue Projekt von Joe Lovano trägt den programmatischen Namen Paramount Quartet - und tatsächlich versteht der Saxofonist diese Formation als künstlerischen Meilenstein. 'Mit diesem Quartett sind wir an einem einzigartigen Ort angekommen', erklärt Lovano. 'Es ist etwas ganz Besonderes, etwas Neues. Und diese ?cats?, sie spielen mit einem globalen Bewusstsein.' Zu diesen 'cats' zählen der Gitarrist Julian Lage, der Bassist Asante Santi Debriano sowie der Schlagzeuger Will Calhoun, der auch durch seine Arbeit mit der Rockband Living Colour bekannt wurde. Gemeinsam schlagen sie ein neues, abenteuerliches Kapitel in Lovanos weit gespanntem ?uvre auf. Anlässlich der Tournee, die der Aufnahme vorausging, würdigte die Financial Times das Konzert in London mit den Worten: 'Lovanos jüngstes Projekt, das Paramount Quartet, fügt einem modernistischen Kern Anklänge von Americana hinzu und erkundet dieses Terrain mit Freiheit, Fokus und Feuer.' Die klangliche Palette des Albums ist ebenso facettenreich wie die beteiligten Musiker unterschiedlicher Generationen: kraftvoll und extrovertiert in manchen Momenten, intim und zart in anderen. Neben Eigenkompositionen Lovanos finden sich eindrucksvolle Interpretationen von 'Lady Day' - einer Hommage von Wayne Shorter an Billie Holiday - sowie von 'First Song' des Bassisten Charlie Haden. Aufgenommen wurde das Album im Februar 2025 in Südfrankreich, produziert von Manfred Eicher.

Paramount Quartet

Fill your life with flowers and discover the art of natural, seasonal arranging with celebrated florist Graeme Corbett of @bloomandburn.&nbsp; Graeme Corbett of Bloom &amp; Burn isn't your usual florist. Working from his studio in Kent, he uses locally grown flowers to create wild, loose arrangements with a modern feel. In Life in Bloom, he teaches you everything you need to know about growing and arranging flowers at home – including which rules to follow, and which ones to break – in a bid to find your own style.¿&nbsp; &nbsp; Inviting you into his studio and garden, Graeme takes you through the seasons by way of his favourite flowers. Discover narcissi and ranunculus in spring; peonies and poppies in summer; dahlias and phlox in autumn; and dried honesty and forced blossom in winter. For each flower, Graeme gives advice on growing, choosing varieties, sourcing, and conditioning before teaching stunning arrangements. Play with colour, form and texture, and gain the confidence to go bigger.¿&nbsp; You’ll learn how to:&nbsp;<ul><li>Create stunning arrangements using bowls, vases, and moss bases.&nbsp;</li><li>Build seasonal bouquets and showstopping centrepieces for tables and events.&nbsp;</li><li>Experiment with colour, texture, and shape to find your own floral style.&nbsp;</li><li>Apply simple, sustainable techniques that bring professional polish to your work.&nbsp;</li><li>Develop the confidence to design freely, whether with garden stems or market flowers.&nbsp;</li></ul> Beautifully photographed and filled with Graeme’s practical advice and creative encouragement, Life in Bloom is a generous book for anyone wanting to learn more about growing, gathering, and arranging flowers.&nbsp;

Grow, Gather & Arrange Seasonal Flowers

Life in Bloom

"A dark valentine of a novel." --TIME Magazine "A sly subversion and exemplar of the [romance] form."&nbsp;--The New York Times A big-hearted, wise, unceasingly buoyant love story about a woman who, after escaping a bruising marriage, theorizes that happiness is possible solely with the eradication of all romance--only to find someone that could change her life forever Sylvie Broder was taught early to embrace joy. The granddaughter of Holocaust survivors whose greatest priority was enjoying the life they'd snatched back from Hitler, Sylvie believes in the tenacious pursuit of pleasure—yet, somehow, finds herself trapped in a suffocating, emotionally abusive marriage. With enormous fortitude, Sylvie frees herself and turns to graduate school, where she develops a new philosophy: Straight women will find true liberation and happiness only once romance is eradicated. Now, Sylvie prides herself in separating sex from tenderness—having fun with men, but never committing to one. Then she meets Robbie and Abie, and finds her philosophy sorely tested. A warm and gentle man, Robbie treats Sylvie with patience and enormous kindness, offering her comfort she hasn't had since childhood. Abie is passionate and dynamic, a man who challenges Sylvie, and with whom she finds herself constantly disarmed. With both men, she feels a deep desire that looks, worryingly, a lot like love. Cleverly constructed, delightfully funny, and beautifully written, The End of Romance is an anti-romance romance novel that charts its fallible heroine's tumultuous journey to love and happiness with erudition and deep feeling—a story for anyone who, despite their very best efforts, has fallen in love, and wondered why.

"A dark valentine of a novel." --TIME Magazine "A sly subversion and exemplar of the [romance] form."&nbsp;--The New York Times A big-hearted, wise, unceasingly buoyant love story about a woman who, after escaping a bruising marriage, theorizes that happiness is possible solely with the eradication of all romance--only to find someone that could change her life forever Sylvie Broder was taught early to embrace joy. The granddaughter of Holocaust survivors whose greatest priority was enjoying the life they'd snatched back from Hitler, Sylvie believes in the tenacious pursuit of pleasure—yet, somehow, finds herself trapped in a suffocating, emotionally abusive marriage. With enormous fortitude, Sylvie frees herself and turns to graduate school, where she develops a new philosophy: Straight women will find true liberation and happiness only once romance is eradicated. Now, Sylvie prides herself in separating sex from tenderness—having fun with men, but never committing to one. Then she meets Robbie and Abie, and finds her philosophy sorely tested. A warm and gentle man, Robbie treats Sylvie with patience and enormous kindness, offering her comfort she hasn't had since childhood. Abie is passionate and dynamic, a man who challenges Sylvie, and with whom she finds herself constantly disarmed. With both men, she feels a deep desire that looks, worryingly, a lot like love. Cleverly constructed, delightfully funny, and beautifully written, The End of Romance is an anti-romance romance novel that charts its fallible heroine's tumultuous journey to love and happiness with erudition and deep feeling—a story for anyone who, despite their very best efforts, has fallen in love, and wondered why.

The End of Romance

The first publication to focus on a rarely seen series of jazz-infused collages that explore the African American experience and the artist’s lifelong relationship to jazz music, by one of the most important and influential visual artists of the twentieth&nbsp;century. Bearden (1911–1988) was a prominent African American artist often described as the consummate jazz painter, known for his innovative collages that explored themes of Black American culture, history, and personal experiences. This publication reexamines Bearden’s life and work in the context of jazz, tracing the musician’s impact from the artists’ earliest oil paintings to his iconic collages. In 1981, Bearden created nineteen collages that the artist called his “Paris Blues,” or simply “Jazz,” series. Conceived as pages for an oversized book that would be a response to the Hollywood movie Paris Blues (1961)—though featuring Harlem and New Orleans along with Paris—the series has been little known until now. Here the wildly colorful illustrations are set alongside Bearden’s encounters with iconic jazz musicians, clubs, and cities. Examined for the first time in depth, the Paris Blues series makes a major statement on the relationships between visual art, jazz music, and urban spaces. The book also includes poignant photographs of Bearden and musicians in the 1950s–70s, such as Duke Ellington and Louis Armstrong.

The first publication to focus on a rarely seen series of jazz-infused collages that explore the African American experience and the artist's lifelong relationship to jazz music, by one of the most important and influential visual artists of the twentieth century.

Paris Blues: Painting Jazz

Romare Bearden

REESE’S BOOK CLUB PICK • A gripping novel about two trailblazing women on opposite sides of the law—a prosecutor and a madam—who team up to bring down notorious Mob boss Lucky Luciano in 1930s New York, from the New York Times bestselling authors of the million-copy bestseller The Personal Librarian. Eunice Carter, assistant district attorney for the City of New York and Manhattan’s first Black female prosecutor, has her sights set on the one and only Lucky Luciano, head of New York City’s five largest organized crime families. Other prosectors have tried to bring down Lucky, but they’ve all focused on the crime syndicate’s traditional businesses—bootlegging, gambling, loan sharking, and drug dealing—or tax evasion. No one has thought to approach the mob through its role in prostitution. Until Eunice. But she can’t get Luciano alone. Polly Adler has worked long and hard to build up her high-class brothel business. Her client list is filled with well-known names, both the famous and the infamous, who all know her booze is top-notch, her music first-rate, her food exquisite, and her girls the best. But Lucky has gone too far, putting her girls in danger, and Polly finally sees the chance to end his reign once and for all. Together, Eunice and Polly fashion a case utilizing a network of women. Bridging the enormous divide between them and risking their own lives, they assemble evidence bit by bit, under the nose of the man they’re trying to convict. It is this very alliance—of two women from vastly different worlds—that launches the most sensational trial New York City has ever seen.

REESE’S BOOK CLUB PICK • A gripping novel about two trailblazing women on opposite sides of the law—a prosecutor and a madam—who team up to bring down notorious Mob boss Lucky Luciano in 1930s New York, from the New York Times bestselling authors of the million-copy bestseller The Personal Librarian. Eunice Carter, assistant district attorney for the City of New York and Manhattan’s first Black female prosecutor, has her sights set on the one and only Lucky Luciano, head of New York City’s five largest organized crime families. Other prosectors have tried to bring down Lucky, but they’ve all focused on the crime syndicate’s traditional businesses—bootlegging, gambling, loan sharking, and drug dealing—or tax evasion. No one has thought to approach the mob through its role in prostitution. Until Eunice. But she can’t get Luciano alone. Polly Adler has worked long and hard to build up her high-class brothel business. Her client list is filled with well-known names, both the famous and the infamous, who all know her booze is top-notch, her music first-rate, her food exquisite, and her girls the best. But Lucky has gone too far, putting her girls in danger, and Polly finally sees the chance to end his reign once and for all. Together, Eunice and Polly fashion a case utilizing a network of women. Bridging the enormous divide between them and risking their own lives, they assemble evidence bit by bit, under the nose of the man they’re trying to convict. It is this very alliance—of two women from vastly different worlds—that launches the most sensational trial New York City has ever seen.

A Pair of Aces: Reese's Book Club

Biblische Motive macht Vibrafonist Joel Ross zum Thema seines fünften Blue-Note-Albums, mit einem erweiterten Set-Up seiner Band Good Vibes, feat. Josh Johnson (Alto-Sax), Maria Grand (Tenor-Sax), Jeremy Corren (Piano), Kanoa Mendenhall (Bass) und Jeremy Dutton (Drums). Die Botschaft von Liebe und Hoffnung vermitteln sie mit spirituellem, groovendem Jazz. Das Album vereint die Komplexität früherer Alben des Vibraphonisten mit der Direktheit und Zugänglichkeit seiner späteren Werke und kreiert so einen neuen, unverkennbaren 'Joel-Ross-Sound'. Es erscheint, nachdem er sich in den letzten Jahren intensiv mit den theologischen und historischen Dimensionen seines Glaubens auseinandergesetzt hat. Indem er einige seiner älteren, unveröffentlichten Kompositionen neu interpretiert und im Lichte neuer Erfahrungen betrachtet, schuf er ein Album, das mehr denn je von seiner Persönlichkeit offenbart. 'Dies ist wohl das bisher mutigste Beispiel dafür, wie ich versuche, die biblische Botschaft zu verkünden und gleichzeitig meinen Wurzeln Tribut zu zollen', erklärt er.

Gospel Music

Shortlisted for the Financial Times and Schroders Business Book of the Year Award How 1,000 years of global history show why technological and economic progress is often followed by stagnation and even collapse In How Progress Ends, Carl Benedikt Frey challenges the conventional belief that economic and technological progress is inevitable. For most of human history, stagnation was the norm, and even today progress and prosperity in the world's largest, most advanced economies--the United States and China--have fallen short of expectations. To appreciate why we cannot depend on any AI-fueled great leap forward, Frey offers a remarkable and fascinating journey across the globe, spanning the past 1,000 years, to explain why some societies flourish and others fail in the wake of rapid technological change. By examining key historical moments--from the rise of the steam engine to the dawn of AI--Frey shows why technological shifts have shaped, and sometimes destabilized, entire civilizations. He explores why some leading technological powers of the past--such as Song China, the Dutch Republic, and Victorian Britain--ultimately lost their innovative edge, why some modern nations such as Japan had periods of rapid growth followed by stagnation, and why planned economies like the Soviet Union collapsed after brief surges of progress. Frey uncovers a recurring tension in history: while decentralization fosters the exploration of new technologies, bureaucracy is crucial for scaling them. When institutions fail to adapt to technological change, stagnation inevitably follows. Only by carefully balancing decentralization and bureaucracy can nations innovate and grow over the long term--findings that have worrying implications for the United States, Europe, China, and other economies today. Through a rich narrative that weaves together history, economics, and technology, How Progress Ends reveals that managing the future requires us to draw the right lessons from the past.

Technology, Innovation, and the Fate of Nations

How Progress Ends

TimeMust-Read Books of 2024IndependentBest Non-Fiction Books 2024MojoBooks of the Year 2024"A vibrant, multifaceted portrait of a music enigma" Guardian"A powerful portrait" Irish Independent"Displays a bracing rigour and an exhilarating curiosity about its subject, coming closer than most to catching up with Mitchell on her lonely road" TimesCelebrated music critic Ann Powers explores the life and career of the legendary Joni Mitchell.What you are about to read is not a standard account of the life and work of Joni Mitchell. Instead, it's a tale of long journeying through a life that changed popular music: of a homesick wanderer forging ahead on routes of her invention, and of me on her trail, heading toward the ringing of her voice.One of the most celebrated artists of her generation, Joni Mitchell has inspired countless musicians and writers, while never stopping still herself.In Travelling,celebrated music critic Ann Powers seeks to understand the paradox of Mitchell - at once both elusive and inviting - through her myriad journeys. Drawing on extensive inter­views with Mitchell's peers and deep archival research, Powers takes readers to rural Canada, charts the course of Mitchell's musical evolution, follows the winding road of Mitchell's collaborations with other greats and explores the loves that fed her songwriting.Kaleidoscopic in scope and intimate in detail, Travellingis a fresh and fascinating addition to the Joni Mitchell corpus - and one that questions whether an artist can ever truly be known to their fans.

On the Path of Joni Mitchell

Travelling

Die Allstar-Band UNIVERSUM25, bestehend aus Sänger Michael Robert Rhein (In Extremo), Pat Prziwara (Fiddlers Green / Gitarre), Gunnar Schroeder (Dritte Wahl / Gitarre), Rupert Keplinger (Eisbrecher, Antitype / Bass) und Drummer Alex Schwers (Slime) setzt mit ihrem zweiten Album 'Die Maschinen wollen leben' ihren Weg konsequent fort und veröffentlicht hier 10 neue Songs voller Energie und Spielfreude. Thematisch geht es auf 'Die Maschinen wollen leben' wieder postapokalyptisch und dystopisch zur Sache, wobei der Fokus diesmal auf dem angespannten Verhältnis zwischen Menschen und Maschinen, und wachsenden der Macht der Künstlicher Intelligenz liegt. Als Ergänzung dazu deckt die Band mit sozialkritischen Momentaufnahmen und pointierten Texten genau auf, welche Missstände und Auswüchse der Gegenwart den Grundstein für das Hightech-Armageddon bilden.

Deface The Currency

We Dream

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