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We Dream

Flannery O'Connor on Writing

Kaum zu glauben: am 18. März feiert Gitarren-Legende Bill Frisell seinen 75. Geburtstag. Das würdigt ein neues Blue-Note-Album mit Aufnahmen in ungewöhnlicher musikalischer Konstellation. Bill Frisells neuestes Projekt 'In My Dreams' könnte man als eine Art Familientreffen bezeichnen, das einige der engsten Freunde des Musikers in einem einzigartigen Sextett vereint: Thomas Morgan am Bass, Rudy Royston am Schlagzeug, Jenny Scheinman an der Violine, Eyvind Kang an der Bratsche und Hank Roberts am Cello. Ihre musikalische Geschichte reicht Jahrzehnte zurück, doch noch nie zuvor spielten sie in dieser gemeinsamen Konstellation. Zusammen erkunden sie die vielfältigen Facetten amerikanischer Musik, darunter Frisell-Originale sowie Klassiker des Jazz und der Americana.

In My Dreams

Shortlisted for the Financial Times and Schroders Business Book of the Year Award How 1,000 years of global history show why technological and economic progress is often followed by stagnation and even collapse In How Progress Ends, Carl Benedikt Frey challenges the conventional belief that economic and technological progress is inevitable. For most of human history, stagnation was the norm, and even today progress and prosperity in the world's largest, most advanced economies--the United States and China--have fallen short of expectations. To appreciate why we cannot depend on any AI-fueled great leap forward, Frey offers a remarkable and fascinating journey across the globe, spanning the past 1,000 years, to explain why some societies flourish and others fail in the wake of rapid technological change. By examining key historical moments--from the rise of the steam engine to the dawn of AI--Frey shows why technological shifts have shaped, and sometimes destabilized, entire civilizations. He explores why some leading technological powers of the past--such as Song China, the Dutch Republic, and Victorian Britain--ultimately lost their innovative edge, why some modern nations such as Japan had periods of rapid growth followed by stagnation, and why planned economies like the Soviet Union collapsed after brief surges of progress. Frey uncovers a recurring tension in history: while decentralization fosters the exploration of new technologies, bureaucracy is crucial for scaling them. When institutions fail to adapt to technological change, stagnation inevitably follows. Only by carefully balancing decentralization and bureaucracy can nations innovate and grow over the long term--findings that have worrying implications for the United States, Europe, China, and other economies today. Through a rich narrative that weaves together history, economics, and technology, How Progress Ends reveals that managing the future requires us to draw the right lessons from the past.

Technology, Innovation, and the Fate of Nations

How Progress Ends

Biblische Motive macht Vibrafonist Joel Ross zum Thema seines fünften Blue-Note-Albums, mit einem erweiterten Set-Up seiner Band Good Vibes, feat. Josh Johnson (Alto-Sax), Maria Grand (Tenor-Sax), Jeremy Corren (Piano), Kanoa Mendenhall (Bass) und Jeremy Dutton (Drums). Die Botschaft von Liebe und Hoffnung vermitteln sie mit spirituellem, groovendem Jazz. Das Album vereint die Komplexität früherer Alben des Vibraphonisten mit der Direktheit und Zugänglichkeit seiner späteren Werke und kreiert so einen neuen, unverkennbaren 'Joel-Ross-Sound'. Es erscheint, nachdem er sich in den letzten Jahren intensiv mit den theologischen und historischen Dimensionen seines Glaubens auseinandergesetzt hat. Indem er einige seiner älteren, unveröffentlichten Kompositionen neu interpretiert und im Lichte neuer Erfahrungen betrachtet, schuf er ein Album, das mehr denn je von seiner Persönlichkeit offenbart. 'Dies ist wohl das bisher mutigste Beispiel dafür, wie ich versuche, die biblische Botschaft zu verkünden und gleichzeitig meinen Wurzeln Tribut zu zollen', erklärt er.

Gospel Music

Mit Convergence, seinem zweiten Soloalbum, entwickelt der in Schweden geborene Bassist Björn Meyer sein auf Provenance (2017) begründetes musikalische Konzept weiter. Er nutzt das techni-sche Potenzial der Bassgitarre, um markante Klangfarben und reich strukturierte Texturen zu schaf-fen, und bleibt zugleich äußerst sensibel für den akustischen Raum, in dem seine Klänge entstehen und aufblühen. Diesmal hat sich die Szenerie in die Bavaria Musikstudios in München verlagert, einen Ort, der seit Langem mit Filmmusik verbunden ist, und Meyers atmosphärische Erkundungen rufen Bilder im Geist hervor. Parallel zu seinen technischen Innovationen ist er auch als Melodiker gewachsen, und vieles auf Convergence trägt eine sehnsuchtsvolle, liedhafte Qualität. Kurz gesagt: Das Album wirkt in sich abgeschlossen, mehr als nur ein Dokument instrumentaler Meisterschaft. Und Hörerinnen und Hörer, die Björn Meyers Beiträge zu ECM-Aufnahmen mit Anouar Brahem (The Astounding Eyes of Rita, Souvenance) und Nik Bärtsch (Stoa, Holon, Llyria) schätzen, werden dieses Soloalbum als bereichernde Erfahrung empfinden. Convergence wurde im September 2024 aufgenommen und von Manfred Eicher produziert.

Convergence

"A dark valentine of a novel." --TIME Magazine "A sly subversion and exemplar of the [romance] form."&nbsp;--The New York Times A big-hearted, wise, unceasingly buoyant love story about a woman who, after escaping a bruising marriage, theorizes that happiness is possible solely with the eradication of all romance--only to find someone that could change her life forever Sylvie Broder was taught early to embrace joy. The granddaughter of Holocaust survivors whose greatest priority was enjoying the life they'd snatched back from Hitler, Sylvie believes in the tenacious pursuit of pleasure—yet, somehow, finds herself trapped in a suffocating, emotionally abusive marriage. With enormous fortitude, Sylvie frees herself and turns to graduate school, where she develops a new philosophy: Straight women will find true liberation and happiness only once romance is eradicated. Now, Sylvie prides herself in separating sex from tenderness—having fun with men, but never committing to one. Then she meets Robbie and Abie, and finds her philosophy sorely tested. A warm and gentle man, Robbie treats Sylvie with patience and enormous kindness, offering her comfort she hasn't had since childhood. Abie is passionate and dynamic, a man who challenges Sylvie, and with whom she finds herself constantly disarmed. With both men, she feels a deep desire that looks, worryingly, a lot like love. Cleverly constructed, delightfully funny, and beautifully written, The End of Romance is an anti-romance romance novel that charts its fallible heroine's tumultuous journey to love and happiness with erudition and deep feeling—a story for anyone who, despite their very best efforts, has fallen in love, and wondered why.

A Novel

The End of Romance

Director’s Cut Kitchen

<div>Immerse yourself in the wonderful world of Wes Anderson with 55+ recipes inspired by his films, characters, and signature aesthetic. In The Wes Anderson Cookbook—the debut title in the Director’s Cut Kitchen series—you’ll embark on a wondrous culinary adventure: an edible tribute to the charm, wit, and whimsy of filmmaker Wes Anderson’s inimitable creations, from his first film,&nbsp;Bottle Rocket, to his series of Netflix shorts, to his latest film, The Phoenician Scheme. While you can’t book a stay in one of the Grand Budapest Hotel’s timeworn rooms, buy a ticket for the Darjeeling Limited, or enroll in the fabled Rushmore Academy, you can experience all those places—and the memorable characters who inhabit them—through the foods and flavors that loom large in Anderson’s films as props, symbols, and uncredited&nbsp;dramatis personae. &nbsp; The Wes Anderson Cookbook is a carefully crafted homage to the director’s visual and narrative style, with vibrant design elements that echo his iconic aesthetics. With an introduction about the director, his oeuvre, and the role foods play in his films, the book contains 59 full-color, beautifully illustrated recipes, from main dishes and snacks to drinks and desserts; each explains its connection to a particular movie or scene, adding layers of storytelling and fun facts for film buffs.&nbsp; Enjoy recipes such as: <ul><li>Midge’s Dinette Waffles from Asteroid City</li><li>Private Compartment Savoury Snacks from The Darjeeling Limited</li><li>Purloined Chicken Salad from Fantastic Mr. Fox</li><li>The Royal Negroni from The Royal Tenenbaums</li><li>Grilled Jaguar Shark Steaks with Cream Sauce from The Life Aquatic with Steve Zissou</li><li>Mendl’s Courtesan au Chocolat from The Grand Budapest Hotel</li></ul> With menus for viewing parties, a complete filmography, and Easter eggs galore, this book is as much a visual feast as a literal one. More than just a collection of recipes, this is a collector’s item that celebrates the art of both cinema and cooking. With its unique premise of turning the lens on the director, rather than on a specific film, its visually stunning design appeals to both film fans and foodies alike. It’s an immersive journey through the cinematic world of Wes Anderson, bringing film scenes to life through food. Director’s Cut Kitchen is a series of unofficial cookbooks that explores the intersection of food, film, and creativity, focusing on the distinctive styles of celebrated film directors. Each book features newly created recipes inspired by a director’s unique cinematic universe, with dishes inspired by memorable scenes or conceptually linked to the films’ moods, aesthetics, and themes. The series brings together the best of food and film, offering fans a way to engage with their favorite directors in a fun, tangible—and delicious—way. The result is a playful and engaging collection that appeals to cinephiles, foodies, and pop culture enthusiasts alike.</div>

Whimsical Recipes Inspired by the Director and His Films

The Wes Anderson Cookbook

#1 NEW YORK TIMES BESTSELLER • Now in a stunning tenth-anniversary edition, “the most important novel Jodi Picoult has ever written” (The Washington Post) tackles race, privilege, prejudice, justice, and compassion—and doesn’t offer easy answers. This deluxe edition includes a brand-new introduction from the author and cover art in addition to gorgeous sprayed edges and a stamped case. “A gripping courtroom drama . . . Given the current political climate it is quite prescient and worthwhile. . . . This is a writer who understands her characters inside and out.”—Roxane Gay, The New York Times Book Review Ruth Jefferson is a labor and delivery nurse at a Connecticut hospital with more than twenty years’ experience. During her shift, Ruth begins a routine checkup on a newborn, only to be told a few minutes later that she’s been reassigned to another patient. The parents are white supremacists and don’t want Ruth, who is Black, to touch their child. The hospital complies with their request, but the next day, the baby goes into cardiac distress while Ruth is alone in the nursery. Does she obey orders or does she intervene? Ruth hesitates before performing CPR and, as a result, is charged with a serious crime. Kennedy McQuarrie, a white public defender, takes her case but gives unexpected advice: She insists that mentioning race in the courtroom is not a winning strategy. Conflicted by Kennedy’s counsel, Ruth tries to keep life as normal as possible for her family—especially her teenage son—as the case becomes a media sensation. As the trial moves forward, Ruth and Kennedy must gain each other’s trust, and come to see that what they’ve been taught their whole lives about others—and themselves—might be wrong.

Small Great Things (10th Anniversary Deluxe Edition) 

Mit 'Filin' legt Saxofonistin Melissa Aldana ein Balladenalbum mit Liedern aus der kubanischen Musiktradition vor, interpretiert im Quartett mit dem legendären Pianisten Gonzalo Rubalcaba, Bassist Peter Washington und Schlagzeuger Kush Abadey sowie Gastsängerin Cécile McLorin Salvant. Seit ihren Anfängen hegt die in Chile geborene Aldana den Wunsch, ein Balladenalbum aufzunehmen. Nach ihrem GRAMMY-nominierten Blue Note-Debüt '12 Stars' (2022) und dem Nachfolgealbum 'Echoes Of The Inner Prophet' (2024), zwei von der Kritik begeistert aufgenommenen spirituellen Modern-JazzWerken, geht sie mit ihrem dritten Blue-Note-Album ihr Traumprojekt jetzt auf ungewöhnliche Weise an. Pianist Gonzalo Rubalcaba, schlug vor, sie solle die Filin-Musik seiner Heimat interpretieren, kunstvoll arrangierte romantische Lieder, die zwischen den späten 1940er und frühen 1960er Jahren ihre Blütezeit erlebten. Das Ergebnis ist ein sinnliches Jazz-Werk der Spitzenklasse.

Filin

Cottage Cats A5 Premium Notebook

The first publication to focus on a rarely seen series of jazz-infused collages that explore the African American experience and the artist’s lifelong relationship to jazz music, by one of the most important and influential visual artists of the twentieth&nbsp;century. Bearden (1911–1988) was a prominent African American artist often described as the consummate jazz painter, known for his innovative collages that explored themes of Black American culture, history, and personal experiences. This publication reexamines Bearden’s life and work in the context of jazz, tracing the musician’s impact from the artists’ earliest oil paintings to his iconic collages. In 1981, Bearden created nineteen collages that the artist called his “Paris Blues,” or simply “Jazz,” series. Conceived as pages for an oversized book that would be a response to the Hollywood movie Paris Blues (1961)—though featuring Harlem and New Orleans along with Paris—the series has been little known until now. Here the wildly colorful illustrations are set alongside Bearden’s encounters with iconic jazz musicians, clubs, and cities. Examined for the first time in depth, the Paris Blues series makes a major statement on the relationships between visual art, jazz music, and urban spaces. The book also includes poignant photographs of Bearden and musicians in the 1950s–70s, such as Duke Ellington and Louis Armstrong.

Paris Blues: Painting Jazz

Romare Bearden

How Common Sense Triumphed in an Age of Total Madness

Woke Is Dead

We Dream

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