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You Wonderful You

An Untalented Mr. Ripley, a Dumb American Psycho: A young man combines boundless self-confidence with perpetual failure and ineptitude as he tries to manipulate his way into a better life, preying on women in New York City in the early ’90s. Robert Doughten Savile, aka “Doughty,” is the son of a once-wealthy, now hard-up family from Darien, Connecticut. Doughty lives in a perpetual cloud of delusion, convinced of his own genius and status. While he has little capacity to accurately assess his own abilities or prospects, he cruises through life on the sheer force of his own sense of entitlement, dropping out of college and landing in the early ’90s in New York City, a place brimming with both prosperity and desperation. He cons his way from a bed at the YMCA into the posh Soho loft of a middle-aged book editor, while pursuing a young bartender, whom he also abuses and gaslights. He spins elaborate tales about his imaginary high-power job in real estate while, in reality, he passes his days watching comedy specials on VHS, smoking crack in Tompkins Square Park, and engaging in occasional sex work in the restrooms of Grand Central Station. His many failures, however, only serve to sharpen his one true gift: Doughty is a skilled predator, and the damage he inflicts on the women around him is real and remorseless. As shocking as it is illuminating, The Stalker confirms Paula Bomer as a contemporary master of the pitch-black comic novel.

An Untalented Mr. Ripley, a Dumb American Psycho: A young man combines boundless self-confidence with perpetual failure and ineptitude as he tries to manipulate his way into a better life, preying on women in New York City in the early ’90s. Robert Doughten Savile, a.k.a. “Doughty,” is the son of a once-wealthy, now hard-up family from Darien, Connecticut. Convinced of his own genius, Doughty lives in a perpetual cloud of delusion, cruising through life on the sheer force of his own sense of entitlement. After a brief, lackluster stint in college, he heads to the New York City of the early ’90s to make his fortune. He cons his way from a bed at the YMCA into the posh Soho loft of a middle-aged book editor, even as he pursues a young bartender, and abuses and gaslights both women. He spins elaborate tales about his imaginary high-power job in real estate while, in reality, he passes his days watching comedy specials on VHS, smoking crack in Tompkins Square Park, and engaging in occasional sex work in the restrooms of Grand Central Station. His many failures, however, only serve to sharpen his one true gift: Doughty is a skilled predator, and the damage he inflicts on the women around him is savage and remorseless.

The Stalker

Elberfelder Bibel

Die einzigartige Studienbibel »Sein Wort - meine Welt« zeigt, wie authentisches Christsein in der heutigen Gesellschaft aussehen kann. Die Kommentare und Erläuterungen greifen die vielfältigen Bezüge des Alltags auf: Beruf, Familie, Kultur, Politik, ethische Entscheidungen, Umgang mit Geld, persönliche Lebensführung u. v. m. 
Dabei garantiert der Text der Elberfelder Bibel eine exakte und zuverlässige Übersetzung. Die zahlreichen Kommentare werden ergänzt durch Personenporträts, einem Verzeichnis biblischer Berufe, Landkarten und Diagrammen sowie einer durchgängig vierfarbigen Gestaltung.

Die einzigartige Studienbibel »Sein Wort – meine Welt« zeigt, wie authentisches Christsein in der heutigen Gesellschaft aussehen kann. Die Kommentare und Erläuterungen greifen die vielfältigen Bezüge des Alltags auf: Beruf, Familie, Kultur, Politik, ethische Entscheidungen, Umgang mit Geld, persönliche Lebensführung u. v. m. 
Dabei garantiert der Text der Elberfelder Bibel eine exakte und zuverlässige Übersetzung. Die zahlreichen Kommentare werden ergänzt durch Personenporträts, einem Verzeichnis biblischer Berufe, Landkarten und Diagrammen sowie einer durchgängig vierfarbigen Gestaltung.

Die Studienbibel für das 21. Jahrhundert

Sein Wort - meine Welt. Kunstlederausgabe

LONGLISTED FOR THE 2026 BOOKER PRIZE SHORTLISTED FOR THE 2026 TOM WOLFE PRIZE "All Them Dogs is all that--a book you inhale, devour, grapple with, and reel from more than read." - Booker Prize winner Marlon James "A fast-paced tale of underworld revenge and star-crossed love that never waits for readers to catch their breath." - NPR "In the best Irish style, Djamel White uses a local voice to blast through language and make it new. All Them Dogs is a stylish, adroit, and gritty debut." - Booker Prize winner Anne Enright A young Irish gangster is caught in a brutal dance between desire and loyalty Tony Ward is back in Dublin. After five years in England, where he fled after murdering a rival gang member, he returns to find that his mentor is dead and his best friend has gone straight. Keen to reestablish himself, he jumps at the chance to work for the enforcer of a local crime boss. But Flute Walsh is a far cry from the boy Tony once knew. Drawn to Flute in ways he never expected, Tony finds that the boundaries he thought he understood are breaking down in a world where nothing stays buried and where retribution is just a bullet away. By turns savage, erotic, and unexpectedly tender, All Them Dogs is a gripping story of violence, lust, and greed that explores one man's struggles to find balance in an unsparing world.

LONGLISTED FOR THE 2026 BOOKER PRIZE “All Them Dogs is all that—a book you inhale, devour, grapple with, and reel from more than read.” – Booker Prize winner Marlon James “A fast-paced tale of underworld revenge and star-crossed love that never waits for readers to catch their breath.” – NPR “In the best Irish style, Djamel White uses a local voice to blast through language and make it new. All Them Dogs is a stylish, adroit, and gritty debut.” – Booker Prize winner Anne Enright A young Irish gangster is caught in a brutal dance between desire and loyalty Tony Ward is back in Dublin. After five years in England, where he fled after murdering a rival gang member, he returns to find that his mentor is dead and his best friend has gone straight. Keen to reestablish himself, he jumps at the chance to work for the enforcer of a local crime boss. But Flute Walsh is a far cry from the boy Tony once knew. Drawn to Flute in ways he never expected, Tony finds that the boundaries he thought he understood are breaking down in a world where nothing stays buried and where retribution is just a bullet away. By turns savage, erotic, and unexpectedly tender, All Them Dogs is a gripping story of violence, lust, and greed that explores one man’s struggles to find balance in an unsparing world.

A Novel

All Them Dogs

Das Quintett Atlantico von Enzo Favata erkundet den musikalischen Raum, in dem Jazz, Kammermusik und Improvisation aufeinandertreffen - niemals vorhersehbar, doch stets getragen von einer klaren künstlerischen Ausrichtung und den vielfältigen musikalischen Erfahrungen seiner Mitglieder. Dazu gehören auch die zahlreichen traditionellen Musiksprachen Süditaliens und des Mittelmeerraums, die den Klang der Gruppe entscheidend prägen. Unter der Leitung des sardischen Saxophonisten und Klarinettisten Enzo Favata entfaltet die Band auf Ritornare - Favatas erster Aufnahme für ECM - eine farbenreiche akustische Klangwelt. An seiner Seite stehen langjährige musikalische Weggefährten - Marcello Peghin an der Gitarre, Daniel Di Bonaventura am Bandoneon, Salvatore Maltana am Kontrabass sowie UT Gandhi am Schlagzeug. Geprägt von Reisen und Erinnerungen schöpft die Musik ihre Inspiration aus den kulturellen Verflechtungen des Atlantiks ebenso wie aus den literarischen Werken von Gabriel García Márquez und Jorge Luis Borges. In traumwandlerischem Fluss entfaltet sich eine eigene Klangwelt, in der Melodien wie aus dem Nichts aufzutauchen scheinen und sich, auf verblüffend organische Art, im Spiel des Quintetts fortwährend verwandeln. All About Jazz schrieb über Favatas Musik: 'In Favatas Welt gilt - wie bei allen großen Ensembles -, dass das Ganze mehr ist als die Summe seiner Teile.' Kaum eine Aussage beschreibt dieses Album treffender. Ritornare wurde im Januar 2026 in München aufgenommen und von Manfred Eicher produziert.

Ritornare

Flannery O'Connor on Writing

James Joyce, Viriginia Woolf, Ernest Hemingway, and a multitude of other artistic titans are encountered and ventriloquized in this bitingly funny (and mostly fictitious) memoir by a nearly forgotten literary fantasist. Frederic Prokosch was a fantasist. His first novel, The Asiatics, was a stylish account of a man hitchhiking across an Asia that was more dream than reality. Praised by T. S. Eliot, Thomas Mann, and W. B. Yeats, it was a tremendous success, never to be replicated in Prokosch's long career. In the 1940s, he moved to Europe, away from what he called the "middle-class and fancy dullness" of midcentury American letters, writing novels of a highly romantic kind, playing squash and tennis, collecting butterflies, and printing deluxe limited editions of poems he admired. &nbsp;&nbsp;&nbsp;&nbsp;In 1982, Prokosch returned to the literary limelight with Voices—a self-proclaimed memoir framed by his childhood in Middle America and his old age in the South of France, made of short chapters about his encounters with famous figures, whose every word he seems to recall. Voices, too, is a work of fantasy. But if Prokosch's portraits are not strictly true to life, they come alive as few portraits do. Whether he is playing tennis with Ezra Pound or retrieving Marc Chagall's wallet from the Grand Canal, sharing a beer with Bertolt Brecht or a steam bath with W.H. Auden, Prokosch hypnotizes the reader with his ability to capture these artists' cadences and characters, creating a masterpiece of imaginative memoir.

James Joyce, Viriginia Woolf, Ernest Hemingway, and a multitude of other artistic titans are encountered and ventriloquized in this bitingly funny (and mostly fictitious) memoir by a nearly forgotten literary fantasist. Frederic Prokosch was a fantasist. His first novel, The Asiatics, was a stylish account of a man hitchhiking across an Asia that was more dream than reality. Praised by T. S. Eliot, Thomas Mann, and W. B. Yeats, it was a tremendous success, never to be replicated in Prokosch's long career. In the 1940s, he moved to Europe, away from what he called the "middle-class and fancy dullness" of midcentury American letters, writing novels of a highly romantic kind, playing squash and tennis, collecting butterflies, and printing deluxe limited editions of poems he admired. &nbsp;&nbsp;&nbsp;&nbsp;In 1982, Prokosch returned to the literary limelight with Voices—a self-proclaimed memoir framed by his childhood in Middle America and his old age in the South of France, made of short chapters about his encounters with famous figures, whose every word he seems to recall. Voices, too, is a work of fantasy. But if Prokosch's portraits are not strictly true to life, they come alive as few portraits do. Whether he is playing tennis with Ezra Pound or retrieving Marc Chagall's wallet from the Grand Canal, sharing a beer with Bertolt Brecht or a steam bath with W.H. Auden, Prokosch hypnotizes the reader with his ability to capture these artists' cadences and characters, creating a masterpiece of imaginative memoir.

Voices

We Dream

From the acclaimed critic and award-winning author of Anno Dracula comes a bitingly satirical story of superheroism, soap opera and alternative reality -- for readers of Austin Grossman?s Soon I Will Be Invincible and George R.R. Martin?s Wild Cards.

Model Actress Whatever

Über ihre Kraft, unser Leben glücklicher und unsere Gesellschaft gerechter zu machen - Ein SPIEGEL-Buch

Die Macht der Musik

"A dark valentine of a novel." --TIME Magazine "A sly subversion and exemplar of the [romance] form."&nbsp;--The New York Times A big-hearted, wise, unceasingly buoyant love story about a woman who, after escaping a bruising marriage, theorizes that happiness is possible solely with the eradication of all romance--only to find someone that could change her life forever Sylvie Broder was taught early to embrace joy. The granddaughter of Holocaust survivors whose greatest priority was enjoying the life they'd snatched back from Hitler, Sylvie believes in the tenacious pursuit of pleasure—yet, somehow, finds herself trapped in a suffocating, emotionally abusive marriage. With enormous fortitude, Sylvie frees herself and turns to graduate school, where she develops a new philosophy: Straight women will find true liberation and happiness only once romance is eradicated. Now, Sylvie prides herself in separating sex from tenderness—having fun with men, but never committing to one. Then she meets Robbie and Abie, and finds her philosophy sorely tested. A warm and gentle man, Robbie treats Sylvie with patience and enormous kindness, offering her comfort she hasn't had since childhood. Abie is passionate and dynamic, a man who challenges Sylvie, and with whom she finds herself constantly disarmed. With both men, she feels a deep desire that looks, worryingly, a lot like love. Cleverly constructed, delightfully funny, and beautifully written, The End of Romance is an anti-romance romance novel that charts its fallible heroine's tumultuous journey to love and happiness with erudition and deep feeling—a story for anyone who, despite their very best efforts, has fallen in love, and wondered why.

"A dark valentine of a novel." --TIME Magazine "A sly subversion and exemplar of the [romance] form."&nbsp;--The New York Times A big-hearted, wise, unceasingly buoyant love story about a woman who, after escaping a bruising marriage, theorizes that happiness is possible solely with the eradication of all romance--only to find someone that could change her life forever Sylvie Broder was taught early to embrace joy. The granddaughter of Holocaust survivors whose greatest priority was enjoying the life they'd snatched back from Hitler, Sylvie believes in the tenacious pursuit of pleasure—yet, somehow, finds herself trapped in a suffocating, emotionally abusive marriage. With enormous fortitude, Sylvie frees herself and turns to graduate school, where she develops a new philosophy: Straight women will find true liberation and happiness only once romance is eradicated. Now, Sylvie prides herself in separating sex from tenderness—having fun with men, but never committing to one. Then she meets Robbie and Abie, and finds her philosophy sorely tested. A warm and gentle man, Robbie treats Sylvie with patience and enormous kindness, offering her comfort she hasn't had since childhood. Abie is passionate and dynamic, a man who challenges Sylvie, and with whom she finds herself constantly disarmed. With both men, she feels a deep desire that looks, worryingly, a lot like love. Cleverly constructed, delightfully funny, and beautifully written, The End of Romance is an anti-romance romance novel that charts its fallible heroine's tumultuous journey to love and happiness with erudition and deep feeling—a story for anyone who, despite their very best efforts, has fallen in love, and wondered why.

The End of Romance

DELUXE EDITION-a beautiful hardcover edition featuring sprayed edges, a designed case stamp, and fully illustrated color endpapers. From New York Times bestselling author Olivie Blake comes a tantalizing story of power, seduction, and the omens you'll ignore when everything you've dreamed of feels just within reach. The headlines are calling it the "summer of exsanguination" in LA-girls are being murdered, the Santa Ana winds are blowing a strange energy into the city, and all signs point to fire season. More pressing for Anya Morris, though, is the drudgery of living at home, working part time at the family store, and contending with her mother's disdain for the acting career Anya knows she's destined for but that feels more impossible by the day. It's in this suffocating late summer heat that Anya receives a once-in-a-lifetime opportunity, an invitation to work for the de Witt family, one of LA's most influential film dynasties. Soon, she's spending her days and nights at their strange villa high in the Hollywood Hills, where she meets Jude, a recluse who is both the family's heir apparent and its most closely guarded secret. There's a magnetism to Jude that Anya cannot resist, despite warning signs that scream like sirens in the night. Because the villa holds generations of bloodstained history, and an occult family curse may even live within its walls-or within Jude himself. In this city, everyone cuts a deal with the devil. When Anya comes face to face with a devil of her own, she'll learn just how far she's willing to go to get everything she's ever wanted.

Dreamland

A startling, witty and downright terrifying collection of 25 short stories from the "21st century's Richard Matheson" (Richard Chizmar, Chasing the Boogeyman.), including the Shirley Jackson award-nominated Stay on the Line. Perfect for fans of Paul Tremblay, Rachel Harrison and Eric LaRocca.

Acquired Taste

You Wonderful You

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