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Lawton R: Write Free

Write Free

14 U.S. Writers on Their Drafts, Craft, and Process

The Art of Revising Creative Nonfiction

Focusing on the nuances and connotations of writing while Black, this practical guide to crafting fiction gives Black writers, and anyone including non-white characters in their work, the tools to decolonize their imagination and create authentic characters and fictional worlds.

A Practical Guide to Writing Fiction

The Black Writers' Toolbox

Bringing together essays from neurodivergent and disabled writers, and writers with chronic illnesses, this collection explores the impact of these experiences and the struggle against such biases within the field of creative writing. Whilst neuro-divergent and disabled writers publish world-class poetry, prose, and drama that moves readers and wins awards, they face many difficulties accessing these achievements - difficulties which often go unnoticed, unmentioned, and underappreciated. Visibility, insight, alternative approaches, and thorough research are all needed to create more inclusive writing environments. This book confronts these issues head on, calling for diversity in the creative writing field, community, and industry, and more equitable spaces in adjacent arenas from academia to publishing. Broken into four sections, this anthology focuses on creative writing programs, classrooms, the community, and its people, combining narrative, research and practical contributions to the field to offer a mix of practical strategies, personal and pedagogical interventions, critiques, and craft meditations that explore teaching, transformation, evolution, embodied craft, visibility, belonging, injustice, otherness, and views from the outside. With essays and excerpts written by authors and educators from across seven countries, who are each impacted by a wide range of disabilities, including ADHD, autism, blindness, dyslexia, dyspraxia, stroke aphasia, cerebral palsy, bipolar, fibromyalgia, and rheumatoid arthritis, this collection informs, deconstructs and re-imagines to reform and revolutionize normative structures within writing institutions and communities.

Disability, Illness, Neurodivergence, and Ableism in Creative Writing

Divergent Writers

A great speech can change everything--but most experts are never taught how to write one. The One-Page Keynote is the missing framework that turns what you know into a winning speech that lands every time, whatever the topic. Written for scientists, academics, researchers, and industry leaders, this book shows you how to design a compelling, well structured keynote that keeps audiences engaged, makes your ideas clear, and leaves people thinking differently than when they arrived--no charisma required. Learn to: <ul><li>Design a complete keynote speech on a single page</li> <li>Capture your audience's attention in the first 60 seconds, without gimmicks</li> <li>Sustain engagement for the full length of your talk</li> <li>Influence how people think, so you can change what they do</li> <li>Confidently say "yes" to speaking opportunities--and make them count</li> </ul>

How to Design a Speech That Always Works, No Charisma Required

The One-Page Keynote

Soothing self-care rituals for every day

Calm in a Book

In this unique collection of essays, published writers offer an intimate view of how their work has been informed, shaped and transformed by their literary, political, philosophical or personal influences. Providing models of the critical commentaries that all students of creative writing must write, each essay from contemporary authors of fiction, creative non-fiction, poetry, scripts and digital writing demonstrates how what writers write is determined by what they have read, and what they read is then determined by what they are writing. As writers reflect on their process of moving from sources of inspiration to a finished and original piece of writing, they reveal their anxieties, passions, discoveries and motivations, offering fascinating insights into the imagination's journey. Introductory chapters explore why writers reflect on their own work, and place this practice in wider contexts, offering theoretical frameworks for understanding process, influence, and inspiration. As illuminating for aspiring writers as it is for students reflecting on their research and process as part of writing courses, Creative Writing and the Critical Commentary will change the way writers talk about and engage with other texts.

Reflection, Influence, Process

Creative Writing and the Critical Commentary

Canons

A spare volume that bursts with insight by Pulitzer Prize-winning author Annie Dillard, illuminating the creative process and the trials of a writer's life

The Writing Life

Unpublished essays in Spanish by a master of world literature on how to be a writer and practical advice for new authors. Jack London used the press as a space for reflection on literature itself. Articles such as Getting Into Print, Phenomena of Literary Evolution, and Eight Great Factors of Literary Success are short poetics of the craft. In them, London addresses young writers, shares his experience in the publishing market, and defends literature connected to social reality. These reflections, now almost forgotten, are fundamental to understanding how London conceived his dual identity: journalist and storyteller, writer and worker of the word. This annotated edition aims to place each text in its original context, offer keys to reading it, and make material that until now remained scattered in newspaper archives available to the Spanish-speaking public. Jack London's voice, with its passionate search for adventure and commitment, resonates here with renewed force. The work continues the series already begun by this publisher on this author with articles on socialism (What is Socialism?).

El Oficio de Escribir

Bloomsbury Writer's Guides and Anthologies

A complete introduction to the art and craft of extremely compressed works of imaginative literature, this book, now in its 2nd edition, introduces both traditional and innovative approaches to the short form and demonstrates how it possesses structure, logic, and coherence while simultaneously resisting expectations. With discussion questions, writing prompts, flash interviews, and illustrated key concepts, the book covers prose poetry, flash fiction, micro memoir, lyric essay, cross-genre/hybrid writing and much more. Two new chapters explore how to spark inspiration and innovation, and how to take the next steps by collaborating with partners and preparing work for publication. In this revised and expanded edition, H. K. Hummel and Stephanie Lenox present the ultimate companion to writing short fiction, featuring microplays, new short-form tactics, and a dozen fresh anthology pieces by Eve L. Ewing, Ross Gay, Jayne Anne Phillips, Gertrude Stein, and Jean Toomer, along with one-sentence student workshops that spotlight small but powerful moves in the short form. The extensive anthology showcases sixty short-form works including microplays and pieces by writers from Argentina, Chile, Guatemala, Canada, France, Greece, Bosnia, and the U.S., offering a vibrant mix of styles, forms, themes, and voices.

A Writer's Guide and Anthology

Short-Form Creative Writing

Through a series of discussions with practitioners in fields beyond the Humanities, this book explores how key creative writing techniques inspire and inform other disciplines. In turn, this new multidisciplinary view of the mechanics of storytelling sparks new ways of approaching the writing, reading and teaching of fiction in and beyond the writing workshop. A personal voyage of discovery, the book revolves around conversationswith specialists in archaeology, genetics, architecture, medicine, law and botanical science to consider how specific techniques - narrative time, characterisation, fictionalstructures, plotting, point of view and place - inform their work. Through a series of reflections, short fictions, practical exercises and prompts, these case studies then suggest new insights and methods for investigating key writing techniques, which in turn advocate for closer interactions between STEM, the humanities and arts practice. With creative arts subjects increasingly under pressure to justify their significance in contemporary work and life, Jacqueline Yallop makes a case for the re-evaluation of the importance of narrative writing craft in the world beyond personal practiceand student assignment.

Creative Writing Across Disciplines

Fiction in the Field

A radically liberating collection of essays, ideas and approaches to writing and teaching poetry

Do It Wrong is a short, snappy series of provocations and suggestions designed to help poets think outside the box and foster creativity.

It’s a permission slip to take a path others reject, to do the counter-intuitive thing, to embrace the weird.

It's a guidebook designed to bring poets together, to question our assumptions, and to move past the “business as usual” educational models into the new, the strange, and the “wrong.”

And it's a playful, purposeful contribution toward the building of stronger, more resilient writing communities.

For readers of Beth Pickens’s Make Your Art No Matter What and Austin Kleon’s Steal Like an Artist, Derek Beaulieu distills 20 years of experience teaching creative writing into a joyfully mischievous manifesto on how to write and teach poetry with meaning.

How to Be a Poet in the Twenty-First Century

Do It Wrong

Write Free

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