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Smith Greg: What Media Classes Really
Want to Discuss

What Media Classes Really Want to Discuss

A Student Guide

Introduction CHAPTER 1: It's Just a Movie CHAPTER 2: "Studies Show": Top 10 Things Humanities Students Need To Know about Media Violence Research CHAPTER 3: Many Realisms CHAPTER 4: Identification CHAPTER 5: Interactivity CHAPTER 6: Genre Schmenre CHAPTER 7: The 'Other' CHAPTER 8: What is a Medium?

Routledge Studies in Science, Technology and Society

Interactions within the Virtualization Process of Life

Emotion, Embodiment and the Virtual World

To paraphrase Sir Winston Churchill, never has so much pornography been available to so many people for so little. This is the story of how the online adult industry has plummeted from its lofty heights of the late 1990s, when a savvy Web entrepreneur could charge premium prices to thousands of eager subscribers. It is also the story of how the law has completely failed to keep pace with the technological innovations that boosted and then savaged the online adult industry. It concludes by analysing the social impact of virtually unlimited pornography of every description, available to all ages at the click of a button. Useful reading for the general reader and for students and researchers involved with business strategy, the history of technology, cultural studies, sexuality, media studies and technology more generally.

Traditionally, the presence of pornography in American society has been mediated by two primary factors: legal restrictions and the relatively high cost of the product. The degree of legal restrictions on adult material has varied from era to era and community to community, but the porn premium has remained relatively constant. Given this, these should be heady days for adult business owners. Thanks to the Internet, distribution costs are virtually nil and even the most hardcore content is easily accessible in the smallest coastal hamlet and most rural farmhouse in America. Adult industry balance sheets should be bulging with profit. But in reality, far from it. The World Wide Web has completely eradicated both the legal restrictions and premium cost that used to govern adult industry economics. To paraphrase Sir Winston Churchill, never has so much pornography been available to so many people for so little. This is the story of how the online adult industry has plummeted from its lofty heights of the late 1990s, when a savvy Web entrepreneur could charge thousands of eager subscribers premium prices. It is also the story of how the law has completely failed to keep pace with the technological innovations that boosted and then savaged the online adult industry. It concludes with a detailed analysis of the social impact of virtually unlimited pornography of every description, available to all ages at the click of a button.Accessible to the general reader, this book will appeal to those who want to know more about the adult entertainment industry in America and will prove useful reading for students and researchers involved with a wide variety of academic disciplines including business strategy, the history of technology, cultural studies, sexuality, media studies and technology more generally.

The Pornography Business

An essential guide to writing and editing for digital media, this sixth edition responds to the mainstreaming of genAI (Generative AI) and LLMs (Large Language Models), among many other changes in the best practices of digital storytelling.Carroll explains and demonstrates how to effectively write for digital spaces and places that typically abound with graphical content, multimedia, and hypertextual, interactive elements. He also combines hands-on, practical exercises with information on key topics such as misinformation and disinformation, and the proliferation of artificial intelligence. This new edition specifically explores the ethical questions raised by AI, as well as the new possibilities it presents. Each chapter features lessons and exercises through which students can build a solid understanding of the ways that digital communication provides opportunities for dynamic storytelling and multi-directional communication. It also speaks to writers, editors, public relations practitioners, and social media managers and marketers. Updated with contemporary examples and new pedagogy throughout, this is the ideal handbook for students seeking careers in digital media, particularly in content development and digital storytelling.It is an essential text for students of media, communication, public relations, marketing, and journalism who are looking to develop their writing and editing skills for these ever-evolving fields and professions.This book also has accompanying Support Material that offers additional weekly activities and assignments, providing students additional opportunity to put theory into practice.

Writing and Editing for Digital Media

This book is concerned with the practical, ethical and political realities of critical research around state punishment. Based on a series of interviews conducted with researchers within and outside of academia, it aims to capture the personal challenges, ethical dilemmas, practical obstacles, positive rewards and (potential or actual) harmful effects of undertaking critical research concerned with state punishment. It essential reading for undergraduate and postgraduate students of criminology, media, sociology, journalism, film studies, and cultural studies.

This book is concerned with the practical, ethical and political realities of critical research around state punishment. By definition, critical research is a dynamic and political process which recognizes the broad structural contexts within which human action takes place. Critical researchers argue for a more dynamic and reflexive approach to research, and have duties to expose oppressive structures and practices, make audible voices that are habitually silenced, and empower and emancipate marginalized groups and individuals. Based on a series of interviews conducted with researchers within and outside of academia, this book aims to capture the personal challenges, ethical dilemmas, practical obstacles, positive rewards and (potential or actual) harmful effects of undertaking critical research concerned with state punishment. It will also explore the different mediums used to disseminate research findings and how such findings are received by peers, the public and the state.Researching Punishment is essential reading for undergraduate and postgraduate students of criminology, media, sociology, journalism, film studies, and cultural studies.

Critical Reflections

Researching Punishment

Routledge Research in Media Literacy and Education

Building Resilience through Media and Information Literacy

Disinformation Debunked

Regulating Big Tech beyond the Trans-Atlantic

Global Platform Governance

Hotly-anticiaped new guide to working, learning and living with the latest genereations of AI, from the acclaimed Wharton Professor of Management and author of the One Useful Thing Substack. 'Ethan Mollick is the perfect guide' -- New York Times Cutting through the noise of AI evangelists and AI doom-mongers, Wharton professor Ethan Mollick has become one of the most prominent and provocative explainers of AI, focusing on the practical aspects of how these new tools for thought can transform our world. In this his latest book, he takes readers up to the cutting edge future and how we can engage best with these transforamtive platforms..

Beyond The Jagged Frontier

'You won't look at your screens in the same way after reading this book' Grace Blakeley, author of VULTURE CAPITALISM 'Logging Off is a life-saving book' Mikaela Loach, author of IT'S NOT THAT RADICAL 'A harrowing but important read' Carole Cadwalladr We live in a digital world. In the 30 years since we've been online, we've created connections, crossed boundaries and discovered new worlds. We have done things generations before us could never have imagined. But at what cost? Growing up as a Gen Z, Adele spent endless hours as a teenager on social media, shaping her view of herself and the world. As a freelance journalist, she has used her social media platforms and digital technology to develop a career in an unfamiliar and competitive industry, benefitting from the opportunities that these spaces can offer. But after losing her sister to online harms, she realised that our current digital world is failing us. We are an anxious and discontent generation. Our lived realities and our online vulnerabilities are inextricably linked, and this means big business for social media tycoons who want us to stay scrolling at any cost. As Big Tech barons make their billions, capitalising on our emotions, instincts, insecurities and desires, everyday people are losing out. From workers being fired by algorithms, to online forums dedicated to revenge porn and encouraging suicide, to censorship of marginalised voices and the turbulent impacts of AI, Logging Off reveals that our digital world is currently fuelling crises that only empathy, agency and humanity can resolve. This book is a call for a radical reclamation of our digital world, for a more humane future that empowers us all. 'Poignant, timely and astute, Logging Off is a compelling examination of how our lives have been shaped - and irrevocably changed - by the rise of digital technologies' Yomi Adegoke, author of THE LIST

The Human Cost of Our Digital World

Logging Off

This book analyzes the legal tensions that exist in the economy that purports to "reanimate" the dead using postmortem digital technologies. Technological reanimation has proven to be big business, with many notable commercial entities investing in this "afterlife economy". Postmortem technologies convincingly replicate the appearance, physiognomy, conversation styles, and thought patterns of a deceased individual by generating digital copies that act in their stead. In the entertainment industry, new works can be created with dead celebrities through a postmortem copy that is managed by their representatives. The result is an economy in which the dead are offered as a product or service to consumers, with some having their artistic legacies extended past death through an "afterlife career". Many stakeholders stand to benefit from such a lucrative afterlife economy, but the law is simply not prepared for the issues that will arise with this exploitation of the dead. Reanimation requires the exploitation of one's reputation, persona, artistic works, and personal data. However, the corresponding legal protections are either nonexistent, inapplicable, or inconsistent across borders - depending on which posthumous interest is analyzed. In response, and by studying the contours of the existing legal protections in the afterlife economy, this book proposes a system rooted in the "shared ownership" of one's postmortem copy and the responsible "stewardship" of legacies through fiduciary duties.Law and the Digital Reanimation of the Dead will be of considerable interest to scholars working in the areas of entertainment law, intellectual property, and law and technology, as well as others with professional interests in the area.

A Regulatory Framework for the Afterlife Economy

Law and the Digital Reanimation of the Dead

Routledge Focus on Film Studies

The Cinema of Agnieszka Holland: Anger and Ethics uniquely combines academic film analysis, biographical detail, and personal interviews with the filmmaker, conducted over the course of a year, to trace the development of Agnieszka Holland's female characters and how they have been reshaped across half a century.Piotrowska considers Holland's distinctive and evolving vision of society, history, gender, and family relationships, with particular attention to how the filmmaker's own background has influenced this vision. The study engages with Freud's notion of afterwardness, Marianne Hirsch's concept of posthistory, and the author's theorisations of female authorship and the figure of the "nasty woman" in cinema. Through detailed readings of six feature films, it highlights Holland's extraordinary contribution to global film and television culture, and her movement from despair to a creative rage through collaborations and adaptations.This original and insightful work will be essential reading for students and scholars of European and world cinema, feminism, gender studies, European history, filmmaking, authorship, and applied psychoanalysis and ethics.

Anger and Ethics

The Cinema of Agnieszka Holland

Routledge Media and Cultural Studies Handbooks

The Routledge Handbook of News Agencies offers a state-of-the-art companion to global news agency history, political economy, business models, and practices across all publishing platforms.With reference to regional, national, and international news agencies, this volume provides a comprehensive overview of the industry, from traditional "wholesale" news gathering to modern digital services. Topics covered include industry history, research methodologies, major agency categories - including alternative and counter-hegemonic examples -, political economy, and business models addressing marketization, innovation, and technology. The volume also addresses some of the major controversies that beset the industry today, including pertaining to government relationships, revenue generation, service diversification, and maintaining accuracy and reliability in an era of fake news, disinformation, and propaganda. Contributors examine how agencies navigate global markets with diverse legal, cultural, and ideological contexts, providing crucial insights into this foundational yet often overlooked sector of the media industry.This Handbook will serve advanced students and researchers of news agencies, media management, and the political economy of news around the world.

The Routledge Handbook of News Agencies

Conventional journalistic norms discourage reporters from taking sides. They are supposed to remain neutral, impartial, and objective. Yet there is also a long tradition in journalism, dating back to the 1800s, that pursues truth by practicing solidarity for social justice. Anita Varma offers a bold defense of reporting for social justice, showing what journalistic solidarity looks like in principle and in practice. She argues that solidarity is a longstanding yet unacknowledged journalistic norm that fosters truthful reporting when people's basic dignity is at stake. Ethical journalism incorporates solidarity throughout the reporting process: deciding what is newsworthy, whom to include, how to approach them, what questions to ask, how to structure stories, and how to assess impact. Varma illustrates these practices through case studies of local and national reporting on homelessness, housing instability, and the cost of living. Based on analysis of published journalism, in-depth interviews with journalists, and public engagement with people who aim to make journalism better, Solidarity in Journalism demonstrates how reporting can help society's most vulnerable. Amid intense debate over the role of the media, this book makes an urgent case for solidarity in journalism as crucial for representing and addressing social division.

How Ethical Reporting Fights for Social Justice

Solidarity in Journalism

What Media Classes Really Want to Discuss

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