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Smith Greg: What Media Classes Really
Want to Discuss

What Media Classes Really Want to Discuss

A Student Guide

Introduction CHAPTER 1: It's Just a Movie CHAPTER 2: "Studies Show": Top 10 Things Humanities Students Need To Know about Media Violence Research CHAPTER 3: Many Realisms CHAPTER 4: Identification CHAPTER 5: Interactivity CHAPTER 6: Genre Schmenre CHAPTER 7: The 'Other' CHAPTER 8: What is a Medium?

Anthem Impact in Music Business, Technology and Culture

Musicians on Twitch: Creativity, Challenges, and the Reality Behind Live Streaming examines the lives of musicians navigating Twitch's attention-driven ecosystem. Through interviews and observations, it reveals the tensions between creativity, financial stability, and well-being, offering critical insights into the intersection of music.

Creativity, Struggles, and the Reality Behind Live Streaming

Musicians on Twitch

New Critical Humanities

Blackhood At-Large

The Cinema of Social Death

Routledge Studies in Environmental Communication and Media

This book explores twenty-first century environment-themed advertising with a global reach in relation to three key emerging persuasive themes: governance, morality and transnational rhetoric. Adopting a social semiotic approach, and exploring key examples including Greenpeace's "Everything is NOT Awesome" brandjacking advert, Volkswagen's "Think Blue" campaign and Unilever's "Why Bring a Child Into This World?" advert, Alexander puts forward a number of observations about the ideological character and function of environmental advertising as a new form of transnational persuasion.

New Forms of Transnational Persuasion

Environmental Advertising

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

Environmental Communication and the Media provides readers with a framework for understanding the process of creating and interpreting media messages about environmental topics. The book includes both practical and theoretical information about persuasion, diffusion, audience analysis and adaptation, intercultural and international communication, and media effects.

Environmental Communication and the Media

New Approaches to Sound, Music, and Media

Nabeel Zuberi explores how popular music in the US and UK has mediated violence and racial conflict since 9/11. The text brings together studies from a range of contexts and genres: Hip-hop MCs on both sides of the Atlantic have rapped about the figures of the terrorist, refugee and immigrant, and commented on the surveillance and policing of racialized populations. Punk rock bands have lambasted anti-Muslim racism and Islamic orthodoxies. The sonic intensities of bass music have re-articulated the weaponization of music in torture and the soundscapes of military conflict. Pop stars have become sites for flame wars and memes in racialised discourse across social media. Through discussions of recording artists such as M.I.A., Das Racist, Swet Shop Boys, the Kominas, The Bug, Burial, Vatican Shadow, Fatima Al Qadiri, and Zayn Malik, this book engages with recent scholarship in media and communication studies, popular music studies, sound studies, ethnomusicology, and sociology.

Popular Music, Race, and Media Since 9/11

When people develop technologies to distribute music, records act like it will destroy music. This book shows these narratives are about reconfiguring power.

From Taping to Napster to TikTok

Music Technology Panic Narratives Beyond Piracy

This book recognises journalism institutions as a site where acts of news-making construct and assemble the raw materials into stories. Examining key issues such as stakeholder activity and the role of news consumers, it will be of great interest to students and scholars of climate change and environmental media and communication.

Stakeholders and opinion

Climate Change Journalism

Anthropology, Creative Practice and Ethnography

A Creative Ethnography of Loneliness

The Loneliness Room

Bloomsbury Studies in Digital Cultures

A World Elsewhere

Digital Humanities and the Cyberspace Decade, 1990-2001

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

What Media Classes Really Want to Discuss

Informations bibliographiques

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Mots-clés

Informations bibliographiques

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