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"A collection of poems by Javier Peänalosa, translated by Robin Myers"--

Veering between past and present, between ecological destruction and human violence,&nbsp;What Comes Back is a search for what has vanished and what remains.&nbsp; Javier Peñalosa M.’s What Comes Back is a procession, a journey, a search for a body of water that has disappeared or gone elsewhere. Featured in separate sections, original Spanish poems and Robin Myers’ English translations highlight tender ruminations on loss, memory, and communion. Just as landscapes witness and “preserve what happens along the length of them,” so do people. We watch as travelers navigate realms between the living and the dead, past mountains and dried up rivers to map, trace, and remember the past and future. Several sections, each bearing the title “What Comes Back,” guide readers on a looping voyage where they are “orbited around the gravity of what had come to be”—the absence of Mexico City’s rivers, and other absences wrought by war, climate change, and forced migration. Rattled between ecological destruction and human violence, What Comes Back, what remains, is a desire to name the missing, to render belonging out of dispossession, endurance out of erasure—the spiritual urge toward connection and community.

Pealosa J: What Comes Back

What Comes Back

Experimental poet and translator Mónica de la Torre’s new collection is a document of both the events of 2020 and the process of a poet rethinking artistic practice as she tracks subtle shifts in her experience during multiple global crises.As the world shuts down, Mónica de la Torre’s poems become gregarious sites of encounter—homages to connections lost and new bonds forged. Shuttling between lyrical and experimental modes, the poems in Pause the Document challenge linear notions of time by looping the temporalities of dreams, art, the natural world, emotion, and odd encounters under extraordinary circumstances. Richer and more playful than straightforward records, these poems are portals into the intangible dimensions of daily life.&nbsp;&nbsp;

Experimental poet and translator Mónica de la Torre’s new collection is a document of both the events of 2020 and the process of a poet rethinking artistic practice as she tracks subtle shifts in her experience during multiple global crises.As the world shuts down, Mónica de la Torre’s poems become gregarious sites of encounter—homages to connections lost and new bonds forged. Shuttling between lyrical and experimental modes, the poems in Pause the Document challenge linear notions of time by looping the temporalities of dreams, art, the natural world, emotion, and odd encounters under extraordinary circumstances. Richer and more playful than straightforward records, these poems are portals into the intangible dimensions of daily life.&nbsp;&nbsp;

Pause the Document

A visionary anthology that examines and reimagines the archive as a form of collective&nbsp;record-keeping, featuring work by Alexis Pauline Gumbs, Douglas Kearney, Brenda Shaughnessy, Mahogany L. Brown, and many new and emerging voices.Inspired by Naima Yael Tokunow’s research into the Black American record (and its purposeful scarceness), Permanent Record asks, what do we gain when we engage with our flawed cultural systems of remembrance? How does questioning and creating a deep relationship to the archive, and in some cases, spinning thread from air where there is none, allow us to prefigure the world that we want? Including reflections on identity and language, diasporic and first generation lived experiences, and responses to the ways the record upholds harm and provides incomplete understandings, Permanent Record hopes to reframe what gets to be a part of collective remembrance, exploring “possibilities for speculating beyond recorded multiplicity.”

A visionary anthology that examines and reimagines the archive as a form of collective&nbsp;record-keeping, featuring work by Alexis Pauline Gumbs, Douglas Kearney, Brenda Shaughnessy, Mahogany L. Brown, and many new and emerging voices.Inspired by Naima Yael Tokunow’s research into the Black American record (and its purposeful scarceness), Permanent Record asks, what do we gain when we engage with our flawed cultural systems of remembrance? How does questioning and creating a deep relationship to the archive, and in some cases, spinning thread from air where there is none, allow us to prefigure the world that we want? Including reflections on identity and language, diasporic and first generation lived experiences, and responses to the ways the record upholds harm and provides incomplete understandings, Permanent Record hopes to reframe what gets to be a part of collective remembrance, exploring “possibilities for speculating beyond recorded multiplicity.”

Permanent Record

Nine-year-old Ira-Abel Rawles lives on Hook Farm in the village of Underwhelem. Next to the farm is Gore Woods, Ira's sanctuary, overseen by Orlam, the all-seeing lamb's eyeball who is Ira-Abel's guardian and protector. Here, drawing on the rituals, children's songs, chants and superstitions of the rural West Country of England, Ira-Abel creates the twin realm through which she can make sense of an increasingly confusing and frightening world. Orlam follows Ira and the inhabitants of Underwhelem month by month through the last year of her childhood innocence. The result is a poem-sequence of light and shadow - suffused with hints of violence, sexual confusion and perversion, the oppression of family, but also ecstatic moments in sunlit clearings, song and bawdy humour. The broad theme is ultimately one of love - carried by Ira's personal Christ, the constantly bleeding soldier-ghost Wyman-Elvis, who bears 'The Word': Love Me Tender. Orlam is not only a remarkable coming-of-age tale, but the first full-length book written in the Dorset dialect for many decades. Orlam also reveals P J Harvey as not only one of the most talented songwriters of the age, but a gifted poet - whose formal skill, transforming eye and ear for the lyric line has produced a strange and moving poem like no other.

Orlam reveals PJ Harvey as not only one of the most talented songwriters of the age, but a gifted poet – whose formal skill, transforming eye and ear for the lyric line has produced a strange and moving poem like no other.

Orlam

TERROR COUNTER is a debut collection of poems which acts against the many languages—interpersonal, legal, literary, rhetorical—constricting the lives and meanings of Palestinians.
It moves through sections of varying experimentalism, from an invented visual form (the Gazan Tunnel) to all-caps queer ecstatic, attempting to carve out a space for the negotiation of an alternative subjecthood.
The voices in this collection are driven by despair, futility, utopia, vulnerability and the spirit of a collective liberation; they move in search of a lyrical voice which can inhabit both the paranoid preservationist mode that facilitates Palestinian survival, and the imaginative possibilities that might make possible Palestinian life. TERROR COUNTER asks: where and how might a Palestinian subject escape the public consumption of American letters? And, ultimately, how can we continue to love each other amidst the endless terror of the colonial world?

TERROR COUNTER

Thom Gunn: A Cool Queer Life

"In Carapace Dancer, Natalia Toledo revisits some themes from her award-winning collection The Black Flower and Other Zapotec Poems (tr. Clare Sullivan, Phoneme, 2015). Toledo returns to the landscape of her childhood where animals predict the future and grandmothers shape masa. Again, she questions Zapotec traditions even as she mourns their disappearance. But in these poems Toledo takes more risks: she exposes her pain and that of her people in images at once elegant and raw. Like the crab, she edges into the past, but the hard shell of experience or cynicism provides only temporary protection to the human vulnerability beneath it"--

In Carapace Dancer, Natalia Toledo revisits some themes from her award-winning collection The Black Flower and Other Zapotec Poems (tr. Clare Sullivan, Phoneme, 2015).Toledo returns to the landscape of her childhood where animals predict the future and grandmothers shape masa. Again, she questions Zapotec traditions even as she mourns their disappearance. But in these poems Toledo takes more risks: she exposes her pain and that of her people in images at once elegant and raw. Like the crab, she edges into the past, but the hard shell of experience or cynicism provides only temporary protection to the human vulnerability beneath it.

Carapace Dancer

'An anthology to treasure and return to' ELINOR CLEGHORN'Uniquely compelling, dynamic and powerful' LUCY JONES'Deeply affecting' TOM SHAKESPEARE'Promises to change the landscape of nature writing' LIZZIE HUXLEY-JONESA first-of-its-kind anthology of nature writing by authors living with chronic illness and physical disabilityWITH A FOREWORD BY SAMANTHA WALTONThrough twenty-five pieces, the writers of Moving Mountains offer a vision of nature that encompasses the close up, the microscopic, and the vast. From a single falling raindrop to the enormity of the north wind, this is nature experienced wholly and acutely, written from the perspective of disabled and chronically ill authors. Moving Mountains is not about overcoming or conquering, but about living with and connecting, shifting the reader's attention to the things easily overlooked by those who move through the world untroubled by the body that carries them. Contributors: Isobel Anderson, Kerri Andrews, Polly Atkin, Khairani Barokka, Victoria Bennett, Feline Charpentier, Cat Chong, Eli Clare, Dawn Cole, Lorna Crabbe, Kate Davis, Carol Donaldson, Alec Finlay, Jamie Hale, Jane Hartshorn, Hannah Hodgson, Sally Huband, Rowan Jaines, Dillon Jaxx, Louise Kenward, Abi Palmer, Louisa Adjoa Parker, Alice Tarbuck, Nic Wilson

'An anthology to treasure and return to' ELINOR CLEGHORN 'Uniquely compelling, dynamic and powerful' LUCY JONES 'Deeply affecting' TOM SHAKESPEARE 'Promises to change the landscape of nature writing' LIZZIE HUXLEY-JONES A first-of-its-kind anthology of nature writing by authors living with chronic illness and physical disability WITH A FOREWORD BY SAMANTHA WALTON Through twenty-five pieces, the writers of Moving Mountains offer a vision of nature that encompasses the close up, the microscopic, and the vast. From a single falling raindrop to the enormity of the north wind, this is nature experienced wholly and acutely, written from the perspective of disabled and chronically ill authors. Moving Mountains is not about overcoming or conquering, but about living with and connecting, shifting the reader's attention to the things easily overlooked by those who move through the world untroubled by the body that carries them. Contributors: Isobel Anderson, Kerri Andrews, Polly Atkin, Khairani Barokka, Victoria Bennett, Feline Charpentier, Cat Chong, Eli Clare, Dawn Cole, Lorna Crabbe, Kate Davis, Carol Donaldson, Alec Finlay, Jamie Hale, Jane Hartshorn, Hannah Hodgson, Sally Huband, Rowan Jaines, Dillon Jaxx, Louise Kenward, Abi Palmer, Louisa Adjoa Parker, Alice Tarbuck, Nic Wilson

Writing Nature through Illness and Disability

Moving Mountains

Weaving together literary and archaeological evidence, Emily Hauser illuminates the rich, intriguing lives of the real women behind Homer's Iliad and Odyssey. Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well--complex, fascinating women whose stories have gone unexplored for far too long. In Penelope's Bones, award-winning classicist and historian Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece - the era of Homer's heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, and Penelope. In this captivating journey through Homer's world, Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that uncover thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on "women's work" of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean. Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history reveals the women of the Bronze Age Aegean as never before, offering a ground-breaking reassessment of the ancient world.

A New History of Homer's World Through the Women Written Out of It

Penelope's Bones

"A collection of poems by Kayleb Rae Candrilli"--

Winter of Worship

In What We Do with God, Daniella Toosie-Watson collapses the divisions between humans, the natural world, and the divine, and between the intimacies of mercy and desire within ourselves. 
 
Daniella Toosie-Watson's debut poetry collection, What We Do with God, meditates on the politics of mental health, pleasure, and the natural world. In this book, the everyday miracles of insects are studied, celebrated, and made sacrosanct. Prayer and pleasure are two sides of the same coin. Social constructions of propriety have no bearing on sensual connection and exploration. As the speaker navigates these different worlds and their myriad questions-calling upon Puerto Rican, Iranian, and Russian inheritance to explore where, why, and how ancestral mysticism and Western pathology intersect and/or diverge-they find those questions mirrored back as they maneuver through the stark realities of the U.S. mental health care system. 

 Guided by curiosity, tenderness, stark clarity, and unapologetic impiety toward a binary of holiness and waywardness, What We Do with God invites readers to imagine a world where the "care" we choose to cultivate extends beyond the grace we give ourselves and those directly around us, but to the interconnecting ecosystems that hold the wider world together.

Poems

What We Do With God

"A brilliant, lithe collection making space for the resolve and hope of motherhood amid consumerist dreams and nightmares"--

Making a Living

Nominated for the 2024 Nordic Council Literature Prize, Kim Simonsen introduces a new perspective to Faroese literature rooted in the materiality of all natural organisms. The rhetorical title of the collection posits the crisis that is underway. Simonsen asks: as a species among species, all comprised of the matter of the universe, how has our compulsion to hierarchically categorize everything estranged us from ourselves, each other, and the rest of this world? Simonsen challenges our anthropocentric pursuit of knowledge, exploring the human relationship with itself as an element of the natural world. The collection follows the process as the narrator reckons with estrangement from his fellow organisms, and turns to the greater materiality of the world to find continuity, connection, and solace.

What good does it do for a person to wake up one morning this side of the new millennium

What Comes Back

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