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Nott M: Thom Gunn: A Cool Queer Life

Thom Gunn: A Cool Queer Life

Unravelling the Threads of a Marriage

Dirty Laundry

Sometimes It's Heaven is an inspiring poetry collection from Grammy Award-winning singer-songwriter Judy Collins. Written with the bold vulnerability that folk singer Judy Collins is best known for, Sometimes It's Heaven: Poems of Love, Loss, and Redemption is an timeless collection that reaches audiences right where they are. Throughout her six-decade long career, Judy Collins has encouraged audiences with sublime vocals, personal life triumphs, and a firm commitment to social activism, this compilation of poetry captures the ethereal and inspiring nature of her artistry in an all-new way. Biographical and relatable, Sometimes It's Heaven is a must-read for fans of poetry and fans of Judy, old and new.

Sometimes It’s Heaven is an inspiring poetry collection from Grammy Award-winning singer-songwriter Judy Collins.

Poems of Love, Loss, and Redemption

Sometimes It's Heaven

Black Surrealist. Poet. Collage artist. Jazz trumpeter. Painter. Member of the Beat Generation. Life-long wanderer. Pan-Africanist. Black Power agitator. Author of his own "poem-life." Ted Joans (1928-2003) was all of these things, and yet none of these labels adequately capture the beauty and complexity of his life and work. 

The proportions of Ted Joans's life are legendary. Born in Cairo, Illinois in 1928, as a young man he distinguished himself as a Surrealist painter. In the early 1950s, he moved to New York's Greenwich Village, where he opened the first Black-owned art gallery in the city, developed new styles of painting, and began reading his poetry in coffeehouses just as the Beat Generation was coalescing. A well-known raconteur and bon vivant on the Village scene, he threw elaborate parties (art events that prefigured the Happenings of the later 1950s), exhibited his "jazz action" paintings, and published poetry and collage books to acclaim. But at the height of his success, Joans left the States for Europe and Africa, and set up bases of operation in places such as Paris, Copenhagen, Tangier, and Timbuktu. He would spend the subsequent decades in constant movement around the globe, an itinerant poet, interdisciplinary artist, and self-styled "Surrealist griot" who was especially attuned to the magnetic power of chance encounters. He published some 40 books and booklets, and wrote much more that is still unpublished, including novels, autobiographies, and a comprehensive guide to Africa-all the while cultivating what he thought of as his greatest artwork, his own "poem-life."

Drawing on interviews and deep archival research, including discussions of Joans's vast body of unpublished-and previously-unseen-work, Black Surrealist explores how he swam in streams of literary and artistic thought seldom discussed together: Surrealism, the Beats, Négritude, and Black Power, among them, while always remaining a true original. Ted Joans's poem-life and body of work are unlike any other in the 20th Century, and Black Surrealist, illustrated with over 70 images, many never before published, is the first book to reckon with this singularly important poet-artist, and to show how and why his creative spirit lives on.

Black Surrealist. Poet. Collage artist. Jazz trumpeter. Painter. Member of the Beat Generation. Life-long wanderer. Pan-Africanist. Black Power agitator. Author of his own “poem-life.” Ted Joans (1928-2003) was all of these things, and yet none of these labels adequately capture the beauty and complexity of his life and work. 

The proportions of Ted Joans’s life are legendary. Born in Cairo, Illinois in 1928, as a young man he distinguished himself as a Surrealist painter. In the early 1950s, he moved to New York’s Greenwich Village, where he opened the first Black-owned art gallery in the city, developed new styles of painting, and began reading his poetry in coffeehouses just as the Beat Generation was coalescing. A well-known raconteur and bon vivant on the Village scene, he threw elaborate parties (art events that prefigured the Happenings of the later 1950s), exhibited his “jazz action” paintings, and published poetry and collage books to acclaim. But at the height of his success, Joans left the States for Europe and Africa, and set up bases of operation in places such as Paris, Copenhagen, Tangier, and Timbuktu. He would spend the subsequent decades in constant movement around the globe, an itinerant poet, interdisciplinary artist, and self-styled “Surrealist griot” who was especially attuned to the magnetic power of chance encounters. He published some 40 books and booklets, and wrote much more that is still unpublished, including novels, autobiographies, and a comprehensive guide to Africa—all the while cultivating what he thought of as his greatest artwork, his own “poem-life."

Drawing on interviews and deep archival research, including discussions of Joans’s vast body of unpublished—and previously-unseen—work, Black Surrealist explores how he swam in streams of literary and artistic thought seldom discussed together: Surrealism, the Beats, Négritude, and Black Power, among them, while always remaining a true original. Ted Joans’s poem-life and body of work are unlike any other in the 20th Century, and Black Surrealist, illustrated with over 70 images, many never before published, is the first book to reckon with this singularly important poet-artist, and to show how and why his creative spirit lives on.

The Legend of Ted Joans

Black Surrealist

The Possibility of Tenderness is a personal history narrated through the lens of the 'grung' and plants. It's also a people's history of the land, a family saga, an archival detective story through time. It's the migration tale of a young scholar who arrives in Britain from rural Jamaica to study at Oxford to achieve 'upward social mobility' and who now lives in Roundhay Leeds. Suddenly, amidst his journey of dreams and class aspiration, the plants and people of his native district, Coffee Grove, begin to offer different ways of living, alternative dreams, and the possibility of tenderness and the permission to roam England. Marrying the local and the familial with global history and unfolding as a timely and immersive tale of land, environment, and the world of plants, The Possibility of Tenderness reveals how the history of a tiny rural village in a mountainous region of Jamaica is interlinked with that of modern Britain. And, also what that rural village can teach us about leisure, land ownership and reclamation today. Mama, the author's grandmother, is a central protagonist of the story. Alongside her, herbalists, plant workers, farmers, and plant lovers help forge an intimate portrait of Coffee Grove, as do the plants themselves; fever grass, jointa, search mi heart, leaf of life, helping Allen-Paisant revise his sense of self and solidify a new understanding of his place in the world. The Possibility of Tenderness is a cross-pollinating book about the transformative power of plants, the legacy of dreams, and the lessons they offer for living with the earth.

The Possibility of Tenderness is a personal history narrated through the lens of the ‘grung’ and plants. It’s also a people’s history of the land, a family saga, an archival detective story through time. It’s the migration tale of a young scholar who arrives in Britain from rural Jamaica to study at Oxford to achieve ‘upward social mobility’ and who now lives in Roundhay Leeds. Suddenly, amidst his journey of dreams and class aspiration, the plants and people of his native district, Coffee Grove, begin to offer different ways of living, alternative dreams, and the possibility of tenderness and the permission to roam England. Marrying the local and the familial with global history and unfolding as a timely and immersive tale of land, environment, and the world of plants, The Possibility of Tenderness reveals how the history of a tiny rural village in a mountainous region of Jamaica is interlinked with that of modern Britain. And, also what that rural village can teach us about leisure, land ownership and reclamation today. Mama, the author’s grandmother, is a central protagonist of the story. Alongside her, herbalists, plant workers, farmers, and plant lovers help forge an intimate portrait of Coffee Grove, as do the plants themselves; fever grass, jointa, search mi heart, leaf of life, helping Allen-Paisant revise his sense of self and solidify a new understanding of his place in the world. The Possibility of Tenderness is a cross-pollinating book about the transformative power of plants, the legacy of dreams, and the lessons they offer for living with the earth.

A Jamaican memoir of plants and dreams

The Possibility of Tenderness

To be a bookseller or librarian . . . You have to play detective. Be a treasure hunter. A matchmaker. A brilliant listener. A person who creates a kind of magic by pulling a book from a shelf, handing it to someone and saying, 'You've got to read this. You're going to love it'. In this love letter to the heroes of literacy, James Patterson uncovers true stories from booksellers and librarians. Prepare to enter a world where you can feed your curiosities, discover new voices, and find whatever you need. Meet the smart and talented people who live between the shelves - and who can't wait to help you find your next great read. _________________________________PRAISE FOR JAMES PATTERSON'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades.' LEE CHILD'James Patterson is The Boss. End of.' IAN RANKIN'The master storyteller of our times' HILLARY RODHAM CLINTON'One of the greatest storytellers of all time' PATRICIA CORNWELL'Patterson is in a class by himself' GUARDIAN

True stories of the magic of reading

The Secret Lives of Booksellers & Librarians

Juvenalia

Poetry of how we shape what is lost or past, and how it shapes us. &gt; O'Donoghue's informal, even playful tone is that of a poet disarming themselves as well as their reader. He is neither plaintive nor nostalgic but confronts the possibility that what you are most attached to can be, in the end, what ties you down. The poems also enact the reluctance to return that arises out of a fear of finding yourself locked out.

The Anchorage

Leading poet and activist John Kinsella brings together a
major international collection of contemporary and historical poetry that speaks
to the rights and welfare of animals.

The Uncollected Animals is a unique anthology of poetry
based around all non-human animal life, with the welfare and rights of animals
at the forefront. The anthology includes over forty commissioned poems, and
other poems provided by poets specifically for the anthology. These are set
against an historical context of animal-referencing poems that range in time
from ancient Greece to the 21st century. Kinsella’s introduction offers
insights into the eternal relationship of poetry to animals, and the creative
arrangement of the poems yields startling contrasts and alliances that will
draw readers into a powerful relationship with the work.The book includes 160 poems representing some sixteen
countries and many different cultures. Together, this collective utterance
respects and conserves a great variety of perspectives. Writing in a full range
of styles, the diverse voices found inside include poets from Aristophanes,
Blake, Coleridge, Du Fu, Melville, and Wordsworth to Anne Carson, CA Conrad,
Kimiko Hahn, Paul Laurence Dunbar, D.H. Lawrence, Sylvia Plath, Maya Angelou, Rita
Dove, and Marianne Moore, to important young voices, to performer/lyricists
such as Sonic Youth’s Thurston Moore. At all times, animals, their rights, and
their welfare are at the fore, be they invertebrates, bird, mammal, reptile,
amphibian, or fish. In a time of human-induced mass extinctions and rapid
human-induced climate change, this subject could not be more vital and
necessary for all of us to consider, embrace, and act on with empathy.

Leading poet and activist John Kinsella brings together a
major international collection of contemporary and historical poetry that speaks
to the rights and welfare of animals.

The Uncollected Animals is a unique anthology of poetry
based around all non-human animal life, with the welfare and rights of animals
at the forefront. The anthology includes over forty commissioned poems, and
other poems provided by poets specifically for the anthology. These are set
against an historical context of animal-referencing poems that range in time
from ancient Greece to the 21st century. Kinsella’s introduction offers
insights into the eternal relationship of poetry to animals, and the creative
arrangement of the poems yields startling contrasts and alliances that will
draw readers into a powerful relationship with the work.The book includes 160 poems representing some sixteen
countries and many different cultures. Together, this collective utterance
respects and conserves a great variety of perspectives. Writing in a full range
of styles, the diverse voices found inside include poets from Aristophanes,
Blake, Coleridge, Du Fu, Melville, and Wordsworth to Anne Carson, CA Conrad,
Kimiko Hahn, Paul Laurence Dunbar, D.H. Lawrence, Sylvia Plath, Maya Angelou, Rita
Dove, and Marianne Moore, to important young voices, to performer/lyricists
such as Sonic Youth’s Thurston Moore. At all times, animals, their rights, and
their welfare are at the fore, be they invertebrates, bird, mammal, reptile,
amphibian, or fish. In a time of human-induced mass extinctions and rapid
human-induced climate change, this subject could not be more vital and
necessary for all of us to consider, embrace, and act on with empathy.

Poems for Our Nonhuman Kin

The Uncollected Animals

An IndependentBest Non-Fiction Book 2024A Publishers Weekly Top 10 Best Book 2024"A vibrant, multifaceted portrait of a music enigma" Guardian"A powerful portrait" Irish Independent"Displays a bracing rigour and an exhilarating curiosity about its subject, coming closer than most to catching up with Mitchell on her lonely road" Times

On the Path of Joni Mitchell

Travelling

Borrowing its title from a finance term--"the estimated price of a good or service for which no market price exists"--Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, Shadow Price captures the complexities of living and writing as a young poet born in the year that "climate change denial" first appeared in print. Mourning the loss of Earth's biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. Shadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.

Shadow Price

The Odd Woman and the City

Thom Gunn: A Cool Queer Life

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