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"A collection of poems by Kayleb Rae Candrilli"--

Candrilli K: Winter of Worship

Winter of Worship

Notes From A Late Bloomer

Paper Doll

Iron Widow

The Number 1 New York Times Bestseller

Heavenly Tyrant

A love letter to Palestinian ancestors, their descendants, and their land, to all anti-colonial and anti-imperialist struggles, to a history that will never be forgotten, and to a future in which there thrives a free, free Palestine. 
 
Poetry has always served as a mode of resistance in Palestinian culture. In defiance of dispossession and decades of military siege, of a nakba that never ended, of historical and cultural obfuscation, of unrelenting violence and thousands of martyred people, the "power to narrate," as Edward Said wrote, remains a necessary tool for self-determination. The poems collected here reclaim that power, bridging borders, languages, and generations to forge new conversations around resistance and liberation. 
 
HEAVEN LOOKS LIKE US is a battle-cry against the annihilation of a people. As Palestinian history remains haunted by exile, violence, and grief, so, too, are the poems in this anthology. And yet, editors George Abraham and Noor Hindi present these realities alongside other themes that are also true: queer and feminist perspectives, eco-poetry, meditations on love and time, and lineages of protest. This anthology dares to imagine a future beyond a nation-state for Palestinian people everywhere. Contributors include Refaat Alareer, Mahmoud Darwish, Naomi Shihab Nye, Mohammed El-Kurd, A.D. Lauren-Abunassar, Lena Khalaf Tuffaha, Hala Alyan, Fady Joudah, and Heba Abu Nada, and many other voices, both established and ascending.

Palestinian Poetry

HEAVEN LOOKS LIKE US

A gay Muslim boy travels the world for a second chance at love after a possibly magical heiress grants him three wishes in this YA that's Simon vs. the Homo Sapiens Agenda with a twist of magic. Sy placed all his bets for happiness on his boyfriend, Farouk . . . who then left him to try and "fix the world." Now, the timid seventeen-year-old Indian Muslim boy is stuck in a dead-end coffee shop job and all he can do is wish for one more chance . . . Sy never expects his wish to be granted. But when a mysterious girl offers him three wishes in exchange for his help and proves she can grant at least one wish with an instant million-dollar deposit into Sy's struggling bank account, a whole new world of possibility opens up. Is she magic? Or just rich? And can Sy find the courage to leave Los Angeles and cross the Atlantic Ocean to lands he'd never even dreamed he could visit, all to track down his missing ex? With help from his potentially otherworldly new friend, will Sy go all the way for one last, desperate chance at rebuilding his life and refinding love? Your wish is granted! Naz Kutub's debut weaves an engrossing whirlwind of an adventure with a journey to find love, home, and family.

The Loophole

Fredy built a wall against suffering in their hearts... At the dark heart of the Holocaust, there was a wooden hut whose walls were painted with cartoons; a place where children sang, staged plays and wrote poetry. Safely inside, but still in the shadow of the chimneys, they were given better food, kept free of vermin, and were even taught meditation to imagine full stomachs and a day without fear. The man who became their guiding light was a young Jewish prisoner named Fredy Hirsch. But being a teacher in such a brutal concentration camp was no mean feat.. Whether it was begging the SS for better provisions, or hiding his homosexuality from his persecutors, he risked his life every day for one thing: to protect the children from the mortal danger they all faced. Time is running out for Fredy and the hundreds of children in his care. Can he find a way to teach them the one lesson they really need to know: how to survive? Assiduously researched and drawn from archives and survivor testimonies, historian and biographer Wendy Holden tells the inspirational and uplifting true story of Fredy Hirsch: The Teacher of Auschwitz.

Based on the inspiring true story of Fredy Hirsch

The Teacher of Auschwitz

In this astonishing volume of poems and lyric prose, Whiting Award-winner A. Van Jordan draws comparisons to Black characters in Shakespearean plays-Caliban and Sycorax from The Tempest, Aaron the Moor from Titus Andronicus and the eponymous antihero of Othello-to mourn the deaths of Black people, particularly Black children, at the hands of police officers. What do these characters, and the ways they are defined by the white figures who surround them, have in common with Tamir Rice, Trayvon Martin and other Black people killed in the twenty-first century?
At once a stunning inquiry into the roots of racist violence and a moving recognition of the joy of Black youth before the world takes hold, When I Waked, I Cried to Dream Again expresses the preciousness and pre-carity of life.

Poems

When I Waked, I Cried To Dream Again

In June 1960, several British newspapers received a letter so shocking some thought it was a hoax. Beginning 'Sir, we are homosexuals . . ', it was signed by Roger Butler and two others. Publishing such a letter seven years prior to the decriminalisation of homosexuality was a radical and dangerous move. But it was a risk that marked a huge milestone in the fight for gay rights. By the 1970s, the Gay Liberation Front was calling on people to come out to help reduce stigma, and it continued to be a core tactic in the 80s and 90s. Roger, however, had done this a full decade earlier. This is the story about of first man to voluntarily come out in his own words, using his own name, to the entire British public. Taking us through a criminalised underworld of pubs, parties and campaign gatherings, The Light of Day charts how Roger helped bring about a change in the law, legalising sex between men, but soon found himself marginalised from the movement he kickstarted after becoming completely blind in his early 30s. Worn down trying to navigate life afresh in London, he left for Oxford, where he became increasingly isolated and never found the life partner he so desperately wanted. Enter Christopher - an Oxford University student asked by a friend to visit and read to an old, blind man. Though their intergenerational friendship bloomed, Roger never spoke of his revolutionary act. Instead he wrote about it secretly, leaving his account to Christopher after his death, along with a sealed pink folder. It was in that folder that the Roger revealed his final wish, for Christopher to tell his remarkable story. A hugely moving and powerful story about sexuality, disability, friendship, isolation, love and more, The Light of Day is a vital piece of missing history about a brave revolutionary in the fight for equality.

In June 1960, several British newspapers received a letter so shocking some thought it was a hoax. Beginning 'Sir, we are homosexuals . . ', it was signed by Roger Butler and two others. Publishing such a letter seven years prior to the decriminalisation of homosexuality was a radical and dangerous move. But it was a risk that marked a huge milestone in the fight for gay rights. By the 1970s, the Gay Liberation Front was calling on people to come out to help reduce stigma, and it continued to be a core tactic in the 80s and 90s. Roger, however, had done this a full decade earlier. This is the story about of first man to voluntarily come out in his own words, using his own name, to the entire British public. Taking us through a criminalised underworld of pubs, parties and campaign gatherings, The Light of Day charts how Roger helped bring about a change in the law, legalising sex between men, but soon found himself marginalised from the movement he kickstarted after becoming completely blind in his early 30s. Worn down trying to navigate life afresh in London, he left for Oxford, where he became increasingly isolated and never found the life partner he so desperately wanted. Enter Christopher - an Oxford University student asked by a friend to visit and read to an old, blind man. Though their intergenerational friendship bloomed, Roger never spoke of his revolutionary act. Instead he wrote about it secretly, leaving his account to Christopher after his death, along with a sealed pink folder. It was in that folder that the Roger revealed his final wish, for Christopher to tell his remarkable story. A hugely moving and powerful story about sexuality, disability, friendship, isolation, love and more, The Light of Day is a vital piece of missing history about a brave revolutionary in the fight for equality.

The first man to come out at the dawn of gay liberation

The Light of Day

A funny, bullshit-free and surprising history

A Short History of Queer Parenting

SUNY series in Queer Politics and Cultures

Approaches stigmatized sex with candor and curiosity, interweaving experience and analysis to better appreciate the intricacies and intrigue of queer desires and pleasures.

Queer Pleasure Without Apology

Now in paperback! With over 60,000 hardcover copies in print, the astonishing collection about interconnectedness-between the human and nonhuman, ancestors and ourselves-from U.S. Poet Laureate and MacArthur Fellow Ada Limón."I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions-incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from U.S. Poet Laureate and MacArthur Fellow Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

The Hurting Kind

Yale Drama Series

The seventeenth winner of the Yale Drama Prize, a deeply personal celebration of trans identity and the magic it takes to define yourself in our world &nbsp; After one night together in the desert, Grace uproots their life to chase after Brahm, a person who is slowly becoming a cactus. Not known for having a green thumb, Grace tends to Brahm and the seeds of their own doubt. Can the desert be a place for love to grow, or are they both just waiting for rain? This deeply personal play aims to provide nourishment to those hiding in the shadows and create a space of recognition and magic for all. &nbsp; Of this year’s prizewinning play, Yale Drama Prize judge and award-winning playwright Jeremy O. Harris says, “In this time of immense political and social upheaval when it feels as though hopelessness is a cloud that hangs heavy over all our interactions, this dry spell hit me like a cleansing rain.”

this dry spell

How should we raise our children in, and for, a world that is burning? Rachel Richardson's third collection, Smother, interrogates this impossible question. The poet, raising young daughters and grieving the death of a mother friend, documents a string of record-breaking fires across the California landscape and the rage, sorrow, and detachment that follow amidst the pervasive smoke. Environmental and physical predation-on the earth and on the female body-weave through the book in layers.
But these are not poems of giving up. The poems in Smother gather accomplices in grief and mothering, seek out guides and girlfriends, remember the dead, keep watch at the firebreaks, and plant new trees on the burn scars. From lyric forms to moments of prose and documentary collage, these poems sing their song of resistance made from the music that is available to us now.
"Within that vast
triangle, land that appears
to be hanging only by a flimsy hinge
to the continent, the burn scars
having leveled the grasses, having pushed
the elk elsewhere up the ragged edge
for reeds, the hearts of some downed trees
still smolder. This is what I go for. To walk inside it,
to know what remains of the kingdom."
-from "The Map Is Not The Territory"

Smother

Winter of Worship

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