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Sagazaki S: Vom Landei zum
Schwertheiligen – Ich bin nur ein alter

Vom Landei zum Schwertheiligen – Ich bin nur ein alter Schwertmeister vom Land, aber meine Schülerinnen lassen mich nicht in Frieden! 01

World Cinema

"In Japanese Cinema and Punk, Mark Player explores how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a time of crisis and change for Japan's film industry. Analyzing key examples such as Burst City (1982), Robinson's Garden (1987) and Tetsuo: The Iron Man (1989), he traces the changing sociocultural position of Japan's punk movement throughout the 1980s, from its euphoric early-80s highpoint to a growing dysphoria brought about by its co-opting and convergence by the mainstream"--

In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japan’s film industry.

Drawing on first-hand interviews with key figures from the jishu eiga (self-made film) tradition, including Ishii Gakuryu, Yamamoto Masashi, Tsukamoto Shin’ya, and Fukui Shozin, Player explores how punk's bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by punk rock, graffiti art, street performance, animation, and evolving music technologies.

By considering the practical, phenomenological, and political ramifications of blending diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinson’s Garden (1987), and Tetsuo: The Iron Man (1989). He further traces the changing sociocultural position of Japan’s punk movement throughout the 1980s—from its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence.

Intermedial Exchanges

Japanese Cinema and Punk

'Enemy cities were pulverized or fried to a crisp. It was something they asked for and something they got.'In the closing months of the Second World War hundreds of thousands of Japanese, mostly civilians, died in a final outburst of violence from the air. American planes were beginning to run low on plausible targets when it was decided to use two atomic weapons in a final, terrible flourish to try to end the war. What place the firebombing and atomic bombs have in explaining Japan's surrender has remained a hot area of debate ever since. Richard Overy's remarkable new book rethinks how we should regard this last stage of the war and the role of the bombs. The popular view that bombing worked in this case has now to be set in a broader context of what was happening in Japan in the months before surrender. The easy equation 'bombing equals surrender' is no longer viable. This book explores the way in which the willingness to kill civilians and destroy cities became normalized in the course of a horrific war as moral concerns were blunted and scientists, airmen, and politicians endorsed a strategy of mass destruction they would never have endorsed before the war began, But it also engages with the new scholarship that shows how complex the effort to end the war was in Japan, where 'surrender' was entirely foreign to Japanese culture. This book puts together firebombing, atomic bombing, and the Japanese search for an end to the war into a single, striking narrative.

‘Enemy cities were pulverized or fried to a crisp. It was something they asked for and something they got.’ In the closing months of the Second World War hundreds of thousands of Japanese, mostly civilians, died in a final outburst of violence from the air. American planes were beginning to run low on plausible targets when it was decided to use two atomic weapons in a final, terrible flourish to try to end the war. What place the firebombing and atomic bombs have in explaining Japan’s surrender has remained a hot area of debate ever since. Richard Overy’s remarkable new book rethinks how we should regard this last stage of the war and the role of the bombs. The popular view that bombing worked in this case has now to be set in a broader context of what was happening in Japan in the months before surrender. The easy equation ‘bombing equals surrender’ is no longer viable. This book explores the way in which the willingness to kill civilians and destroy cities became normalized in the course of a horrific war as moral concerns were blunted and scientists, airmen, and politicians endorsed a strategy of mass destruction they would never have endorsed before the war began, But it also engages with the new scholarship that shows how complex the effort to end the war was in Japan, where ‘surrender’ was entirely foreign to Japanese culture. This book puts together firebombing, atomic bombing, and the Japanese search for an end to the war into a single, striking narrative.

Tokyo, Hiroshima and the Surrender of Japan

Rain of Ruin

Voll kein Typ 04

Campaign

A detailed examination of one of the crucial campaigns of World War II in Burma, in which British and Commonwealth forces achieved their first decisive victory over Japanese arms.

A detailed examination of one of the crucial campaigns of World War II in Burma, in which British and Commonwealth forces achieved their first decisive victory over Japanese arms.

The hard-fought Second Arakan campaign was a second attempt by Allied arms to advance in the coastal Arakan region in western Burma, following a failed first effort in early 1943. The battles fought shattered the myth of Japanese invincibility that had for over two years crippled the Allied cause, and for the first time offered the prospect of successful offensive operations against the Japanese in Burma.

Military historian Tim Moreman examines the wide range of actions that made up the Second Arakan campaign, from XV Indian Corps' initial push down the Burmese coast towards Akyab Island, to the key events of the major Japanese Ha-Go operation launched by Twenty-Eighth Army. These include the Battle of the Admin Box near Sinweyza, where the surrounded 7th Indian Division inflicted a serious defeat on the Japanese 55th Division; the reinforcement of Imphal and Kohima; and the seizure of Razabil, the Tunnels and Point 551 between March and May 1944. 

Packed with maps, diagrams, battlescene artworks and photographs that guide the reader through this complex campaign in easy to follow detail, this work provides a must-have illustrated companion to this decisive victory for British and Commonwealth arms over the Imperial Japanese Army.

Shattering the Myth of Japanese Invincibility in Burma

Second Arakan 1943–44

Integration Europas und Ordnung der Weltwirtschaft

Europäische Außenpolitik wird in besonderer Weise durch das komplexe Beziehungsgeflecht der Europäischen Union mit China geprägt. In dieser Studie werden die Entwicklung, Funktionsweise, Problemfelder und Perspektiven der europäischen Chinapolitik im Spannungsfeld von supranationaler Dynamik und realpolitischen Interessen der EU-Mitgliedstaaten beleuchtet.

Institutionalizing and Strategizing in European Foreign Policy

The EU's China Policy

Kindergarten WARS 04

Dark Paladin 05

Akane-banashi Starter Pack

Süße Bisse 03

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

Liebe. Verzweiflung. Und zu viel dazwischen

Dark Paladin 06

Vom Landei zum Schwertheiligen – Ich bin nur ein alter Schwertmeister vom Land, aber meine Schülerinnen lassen mich nicht in Frieden! 01

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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