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Office L: U.S. Copyright Renewals

U.S. Copyright Renewals

Artwork 1960-1964

Celebrate your pride with bold, empowering temporary tattoos that make a statement. Pride Tattoos is here to help you wear your pride on your sleeve—literally. Express yourself with these 70 unique, playful, and queer designs by illustrator Diego Blanco. Featuring iconic symbols, uplifting slogans, and vibrant rainbow designs, these tattoos are the perfect addition to your Pride festivities, a festival, or any time you feel like expressing some extra queer joy.

Temporary tattoos that celebrate LGBTQIA+ pride

Pride Tattoos

How the Law Shapes the Perception of Music

Music Copyright and Cultural Hierarchy

Live and Write Her Journey

Fairy Tale Heroine

Imaginarien der Kraft

Katastrophendarstellungen in Literatur und Kunst verweisen auf einen Grundwiderspruch: Naturkatastrophen erscheinen einerseits als Herausforderung der symbolischen Ordnung, zugleich sind sie immer schon kulturell gedeutet. Die Dichtung selbst ist an der Entstehung dieser Deutungsmuster beteiligt. Sie kann jedoch nicht nur auf die eigene Deutungsleistung reflektieren, sondern sie auch problematisieren und blockieren. Vor diesem Hintergrund untersucht Laura Isengard die erzählte Naturgewalt in ausgewählten Texten des deutschsprachigen Realismus als krisenhafte 'Wahrnehmungsstörung'. Am Beispiel der erzählten Katastrophe wird die Spannung zwischen Realismus und Idealismus sichtbar gemacht.
<ul>
<li>Innovative Neubewertung des deutschsprachigen Realismus am Beispiel der erzählten Naturkatastrophe</li>
<li>Verknüpfung von Literatur-, Kultur- und Wahrnehmungstheorie</li>
</ul>

Erzählte Naturgewalten im deutschsprachigen Realismus

Katastrophe

Iris and Luna

What's better than a unicorn? A baby unicorn!What's better than a puppy? A magical puppy!Join Iris and Luna at Abracadabra School as they train to be magical baby animal keepers, in this super-cute new chapter book series illustrated with two colour artwork, perfect for fans of unicorns, rainbows and magic baby animals!Iris and Luna are like night and day. Iris likes rainbows, and Luna likes storms. However, they both have something in common: their love for animals That's why their specialty at Abracadabra School is caring for magical creatures. As they meet their new classmates and start their lessons, they wonder which special baby animal best friend they will be matched with (Iris hopes for a baby unicorn, while Luna loves kittens!)In their second adventure, the magical baby animals keepers and other students from the Abracadabra School face a tough potions competition. Who will win the prize? Plus, some newborn wolf cubs seem to have gotten lost in the woods, but something smells fishy... and it wasn't Hugo's skunk! Iris, Luna, and the rest of the magical baby animal keepers will have to investigate what happened. Will you join them to find out?Join Iris and Luna and their magical companions on a big new adventure in this first-reading series, perfect for KS1 readers, kids age 5-7 and fans of Isadora Moon, Unicornia, Unicorn Academy and Gabby's Dollhouse!What will you find in this book?*A new adventure illustrated in two colours for early readers who are beginning to read on their own and who love magic and animals.*Entertaining, fun, and easy-to-read and understand text.*A story full of humour, friendship, adventure, mysteries to solve... and lots of magical baby animals!*Beautiful and fun illustrations on every page.*Potions galore!Join Iris and Luna on all their magical adventures:Book 1 - Iris and Luna: A School Full of MagicBook 2 - Iris and Luna: Potions Galore!Book 3 - Iris and Luna: Super Sweet BirthdayBook 4 - Iris and Luna:The Creatures of the Forest

Iris and Luna: Potions Galore!

El Lissitzky (1890-1941), one of the most eminent figures of Soviet avant-garde art, had been in contact with the Swiss art scene and its like-minded protagonists since 1919. In 1924-25, he spent several months at a sanatorium in the Swiss canton of Ticino to treat his pulmonary tuberculosis. Despite the illness, he created key works in his oeuvre during this time, spanning the fields of architecture, graphic design and typography, and fine art. Together with Jean Arp, he wrote the book 
 Die Kunstismen
 ("The Artisms"), which was published by a Swiss publishing house in 1925 and became a milestone in the evolution of New Typography and graphic art in Switzerland. He also contributed to the Swiss architecture magazine 
 ABC, Beiträge zum Bauen.
 A century later, this book takes a fresh look at El Lissitzky from the perspective of his host country at the time, arranged in thematic chapters about architecture, typography, and graphic design, Lissitzky as an artist and theorist, and his relationship to Switzerland. The illustrations bring together for the first time all the important works by the great avant-gardist in the collections of Swiss museums, including parts of a previously unpublished portfolio held at the Musee d'art et d'histoire in Geneva.

El Lissitzky and Switzerland

Murder is an art . . . and she's the next masterpiece.From the bestselling author of Win Lose Kill Die and Keep Your Friends Close comes an addictive killer-thriller with a horror twist, following an aspiring crime journalist's investigation into a case of copycat murders seemingly connected to a 'cursed' painting. Perfect for fans of Jennifer Lynn Barnes' The Naturals series and Bill Wood's Let's Split Up.Don't miss out on the limited edition pink sprayed edge!'A thriller author to watch!' Karen M. McManus, international bestselling author of One of Us Is LyingWhen aspiring crime journalist Fliss Keller uncovers a disturbing self-portrait of a man at an estate sale, her Art History professor dad buys it, despite how unsettled Fliss feels. The portrait has been lost for decades and completes a set of four existing paintings of women by the same artist already hanging in the town's gallery.That evening, the portrait falls to the floor, revealing paperwork inside the frame that suggests the artist was a serial killer and that the women depicted were his victims. Despite her alarm, Fliss vows to investigate and uncover the truth.But when a series of gruesome murders rock the community, and some think the resurrection of the self-portrait has unleashed a curse, Fliss knows better than to believe them. There are shocking similarities between the poses of the modern-day murders and the painted women, and she's sure there's a copycat killer on the loose.Racing against time, can Fliss unravel the clues before she becomes the murderer's next muse?PRAISE FOR PAINT ME LIKE YOUR DEAD GIRLS:'A wickedly brilliant masterpiece from the queen of YA thrillers. Deliciously dark and addictive, this is Cynthia Murphy's best - and scariest - book yet.' Kathryn Foxfield, author of Good Girls Die First'Dark and unsettling, Murphy delivers an original, suspenseful thriller driven by richly drawn characters, where the horrors of the past refuse to stay buried. Perfect for fans of twisty crime!' Jennifer Pearson, author of Drop Dead Famous'A delicious mystery full of clever twists and shocking turns.' Jessica Goodman, author of They Wish They Were Us'I couldn't put it down. A really original concept and such a fun read.' Kelly McCaughrain, author of Just Another Dead Boy'Sharp, thrilling and darkly riveting. Paint Me Like Your Dead Girls kept me on the edge of my seat!' Alexis Henderson, author of When I Was Death'Slick and twisted. A pulse-pounding thriller that held me captive all the way to the blistering finale! Prepare for a one-sit read.' Kat Ellis, author of Harrow Lake'A propulsive thriller that's both wickedly funny and deviously dark' Veronica Bane, author of Difficult Girls'Dark, thrilling and so creepy. An enthralling world of art, obsession and murder' Amy McCaw, author of Mina and the UndeadPRAISE FOR CYNTHIA MURPHY:'Bold, thrilling, and wickedly addictive. Your next obsession.' Karen M. McManus, author of One of Us is Lying'An intricately crafted YA thriller that I cannot wait to read again.' Bill Wood, author of Let's Split Up'Twists, turns and heartstopping tension, Cynthia Murphy is a thriller author at the top of her game.' Benjamin Dean, author of How to Die Famous

Paint Me Like Your Dead Girls

Protect your startup's intellectual property now Many founders assume intellectual property is something to handle later - after traction, after funding, after revenue. By then, you may have already lost rights you didn't know you had. Startup IP Strategy For Dummies helps you treat IP as a practical business strategy from day one, so you can build, pitch, and scale with confidence. Get a handle on patents, trade secrets, trademarks, and ownership structures - explained in exactly the detail you need. Discover how everyday decisions such as hiring contractors, using open-source tools, pitching investors, and launching products can quietly determine who owns what. You'll also learn how IP choices directly affect fundraising, go-to-market strategy, and long-term viability. Inside: <ul> <li>Learn how common startup decisions - from contractor agreements to public pitches - can transfer your IP rights</li> <li>Discover freedom-to-operate concepts that investors scrutinize during diligence and why they matter to your business</li> <li>Explore how open-source software and AI tools introduce hidden intellectual property risks into your products</li> <li>Build an IP strategy that supports your fundraising, product launches, and scaling across global markets</li> <li>Find the most common IP mistakes founders make and the questions to ask before you pitch</li> </ul> Whether you're a first-time founder, an angel investor evaluating startups, or an entrepreneur preparing to scale, this For Dummies guide gives you the IP knowledge you need to protect what you're building.

Startup IP Strategy For Dummies

Studio Ghibli

Stay organized and inspired all year long with this weekly planner featuring final frames from My Neighbor Totoro, Studio Ghibli’s beautifully animated fantasy film about a family and their local forest spirits. With colorful artwork throughout, plenty of space for notes, and a handy ribbon marker, this calendar makes it easy and fun to keep track of your to-dos and daily adventures. Perfect for Studio Ghibli fans and animation enthusiasts of all ages. © 1988 Hayao Miyazaki/Studio Ghibli

Studio Ghibli® My Neighbor Totoro 2027 12-Month Weekly Planner

One hundred and six poems of self-reflection and exquisite beauty—an intoxicating blend of Seon Buddhism and French Symbolism from one of South Korea's most celebrated and influential poets That summer I stood in the centers of storms&nbsp;&nbsp; That summer my despair burst out into crimson but still I weathered the wind and rain Mountains, rivers, trees, flowers, the dark, a cat, a train. In the elemental forms and figures of our world, Lee Seong-bok finds repositories for thought, sounding boards against which he can test his reflections. Again and again, in sequences, he probes his subjects—five “Mountain Path” poems, three “River” poems, three commentaries on the I Ching— not to solicit answers, like Moses impatiently striking the rock for water, but to savor the muted tones that echo in response. After one ruckus / begins another / The silent forest vibrates // Suffering was always / new suffering The poems of That Summer’s End, though acutely conscious of the self, are free of an inhibiting self-consciousness, speaking directly of youth, love, fear, family, grief, old age, impermanence, and all that’s central to life. As enticing as they are profound, Lee Seong-bok’s poems have made him not only a poet’s poet but a favorite of RM, leader of K-pop superstars BTS, whose support of his work on social media has brought him international attention.

One hundred and six poems of self-reflection and exquisite beauty—an intoxicating blend of Seon Buddhism and French Symbolism from one of South Korea's most celebrated and influential poets That summer I stood in the centers of storms&nbsp;&nbsp; That summer my despair burst out into crimson but still I weathered the wind and rain Mountains, rivers, trees, flowers, the dark, a cat, a train. In the elemental forms and figures of our world, Lee Seong-bok finds repositories for thought, sounding boards against which he can test his reflections. Again and again, in sequences, he probes his subjects—five “Mountain Path” poems, three “River” poems, three commentaries on the I Ching— not to solicit answers, like Moses impatiently striking the rock for water, but to savor the muted tones that echo in response. After one ruckus / begins another / The silent forest vibrates // Suffering was always / new suffering The poems of That Summer’s End, though acutely conscious of the self, are free of an inhibiting self-consciousness, speaking directly of youth, love, fear, family, grief, old age, impermanence, and all that’s central to life. As enticing as they are profound, Lee Seong-bok’s poems have made him not only a poet’s poet but a favorite of RM, leader of K-pop superstars BTS, whose support of his work on social media has brought him international attention.

Poems

That Summer's End

This book offers an alternate trajectory for EU copyright law. Building on cultural norms in creative communities to reuse, recreate and share, the book proposes a more holistic approach to reconcile conflicting copyright interests. Drawing upon Niklas Luhmann's system theory, John Dewey's theory of art and feminist data theory, it advocates access to, and care within, creative communicative spaces, such as social media platforms or artificial intelligence (AI) data infrastructures, to safeguard creativity and cultural production online. Following a comprehensive assessment of current EU copyright law and related regulation, it proposes a rebuttable presumption of artistic communication to account for the nature of communication between authors, users and the public that safeguards creative reuse. The book isolates the question of remuneration, particularly in AI context, as one of collective socio-cultural value to address wider harms through a cultural commons existing on the border of the EU copyright system. Reflecting on traditional copyright concepts such as authorship, consent and remuneration alongside more novel legal structures like a right of collective informational self-determination, Reshaping EU Copyright Law to Support Creativity Online provides a foundation to reshape how the EU copyright system and its regulatory neighbours adequately respond to new forms of creativity, dissemination, and its use.

Offers an alternate trajectory for EU copyright law to adequately respond to new forms of creativity

Creative Reuse

Reshaping EU Copyright Law to Support Creativity Online

A rollicking, eye-opening history of the Star Wars franchise: an unrivaled force in popular culture that changed the way Hollywood makes movies—and that is now imperiled by many of the industry forces it set in motion From the premiere of the first film in 1977, the Star Wars franchise not only captured the imaginations of billions of people—and&nbsp;billions&nbsp;of dollars of revenue—but also rewrote the rules of the entertainment industry. Game-changing special effects, must-have collectibles, and the richness of George Lucas’s ever-expanding narrative&nbsp;gave rise to a new Hollywood model in which the boundary between screen and life collapsed. Star Wars wasn’t just a movie, after all: it was&nbsp;an alternate universe, a moral code, a way of life. Over the last half-century, Wall Street Journal reporter Erich Schwartzel explains, the Star Wars franchise has relied on an anti-establishment ethos, the savvy of executives, and the devotion of moviegoers to become a new American myth. But since its fateful acquisition by Disney in 2012, Star Wars has become a cautionary tale of Hollywood excess, and its present status as a corporate holding bears little resemblance to its origins. Drawing on scores of insider interviews and surveying fifty years of American culture and commerce, Schwartzel delivers fresh perspective on the Star Wars story, bringing to life the scrappy creative spirit of Lucasfilm’s early days; the box-office frenzy that rang in Hollywood’s blockbuster era and gave rise to a new industry playbook; and the scores of fans whose lives have been shaped by this singular force. A panoramic narrative of dreams, obsession, and power, Rebels and Empires is the untold history of Hollywood’s most storied epic.

A rollicking, eye-opening history of the Star Wars franchise: an unrivaled force in popular culture that changed the way Hollywood makes movies—and that is now imperiled by many of the industry forces it set in motion From the premiere of the first film in 1977, the Star Wars franchise not only captured the imaginations of billions of people—and&nbsp;billions&nbsp;of dollars of revenue—but also rewrote the rules of the entertainment industry. Game-changing special effects, must-have collectibles, and the richness of George Lucas’s ever-expanding narrative&nbsp;gave rise to a new Hollywood model in which the boundary between screen and life collapsed. Star Wars wasn’t just a movie, after all: it was&nbsp;an alternate universe, a moral code, a way of life. Over the last half-century, Wall Street Journal reporter Erich Schwartzel explains, the Star Wars franchise has relied on an anti-establishment ethos, the savvy of executives, and the devotion of moviegoers to become a new American myth. But since its fateful acquisition by Disney in 2012, Star Wars has become a cautionary tale of Hollywood excess, and its present status as a corporate holding bears little resemblance to its origins. Drawing on scores of insider interviews and surveying fifty years of American culture and commerce, Schwartzel delivers fresh perspective on the Star Wars story, bringing to life the scrappy creative spirit of Lucasfilm’s early days; the box-office frenzy that rang in Hollywood’s blockbuster era and gave rise to a new industry playbook; and the scores of fans whose lives have been shaped by this singular force. A panoramic narrative of dreams, obsession, and power, Rebels and Empires is the untold history of Hollywood’s most storied epic.

Star Wars and Fifty Years of Hollywood Mythmaking

Rebels and Empires

U.S. Copyright Renewals

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