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Bogdanovich P: Untitled Bogdanovich
Memoir

Untitled Bogdanovich Memoir

In this uplifting memoir, a professor and activist shares what birds can teach us about life, social change, and protecting the environment. Trish O'Kane is an accidental ornithologist. In her nearly two decades writing about justice as an investigative journalist, she'd never paid attention to nature. But then Hurricane Katrina destroyed her New Orleans home, sending her into an emotional tailspin. Enter a scrappy cast of feathered characters-first a cardinal, urban parrots, and sparrows, then a catbird, owls, a bittern, and a woodcock-that cheered her up and showed her a new path. Inspired, O'Kane moved to Madison, Wisconsin, to pursue an environmental studies PhD. There she became a full-on bird obsessive-logging hours in a stunningly biodiverse urban park, filling field notebooks with bird doings and dramas, and teaching ornithology to college students and middle-school kids. When Warner Park-her daily birdwatching haven-was threatened with development, O'Kane and her neighbors mustered a mighty murmuration of nature lovers, young and old, to save the birds' homes. Through their efforts, she learned that once you get outside and look around, you're likely to fall in love with a furred or feathered creature-and find a flock of your own. In&nbsp;Birding to Change the World, O'Kane details the astonishing science of bird life, from migration and parenting to the territorial defense strategies that influenced her own activism. A warm and compelling weave of science and social engagement, this is the story of an improbably band of bird lovers who saved their park. And it is a blueprint for muscular citizenship, powered by joy.

A Memoir

Birding to Change the World

Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture. Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture. Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

On Horses, Blackness, and Liberation

Mounted

"On January 16, 1983, Aubrey LaHaye's body was found floating in the Bayou Nezpique. His kidnapping ten days before sparked "the biggest manhunt in the history of Evangeline Parish." But his descendants would hear the story as lore, in whispers of the dreadful day the FBI landed a helicopter in the family's rice field and set out on horseback to search for the seventy-year-old banker. Decades later, Aubrey's great-granddaughter Jordan LaHaye Fontenot asked her father, the parish urologist, to tell the full story. He revealed that to this day, every few months, one of his patients will bring up his grandfather's murder, and the man accused of killing him, John Brady Balfa, who remains at Angola Prison serving a life sentence. They'll say, in so many words: "Dr. Marcel, I really don't think that Balfa boy killed your granddaddy." For readers of Maggie Nelson's THE RED PARTS and Emma Copley Eisenberg's THE THIRD RAINBOW GIRL, HOME OF THE HAPPY unravels the layers of suffering borne of this brutal crime-and investigates the mysteries that linger beneath generations of silence. Is it possible that an innocent man languishes in prison, still, wrongly convicted of murdering the author's great-grandfather?"--

NATIONAL BESTSELLER"Riveting and atmospheric,&nbsp;Home of the Happy&nbsp;is also a heartfelt grappling with a trauma in the author’s family and her attempts to unravel its secrets once and for all. LaHaye Fontenot’s writing is urgent, fueled not just by a desire for justice but by love for her ancestors and the Cajun community of south Louisiana. A must-read for true crime and mystery fans."—&nbsp;Ana Reyes,&nbsp;New York Times&nbsp;bestselling author of&nbsp;The House in the PinesOn January 16, 1983, Aubrey LaHaye’s body was found floating in the Bayou Nezpique. His kidnapping ten days before sparked “the biggest manhunt in the history of Evangeline Parish.” But his descendants would hear the story as lore, in whispers of the dreadful day the FBI landed a helicopter in the family’s front lawn and set out on horseback to search for the seventy-year-old banker.Decades later, Aubrey’s great-granddaughter Jordan LaHaye Fontenot asked her father, the parish urologist, to tell the full story. He revealed that to this day, every few months, one of his patients will bring up his grandfather’s murder, and the man accused of killing him, John Brady Balfa, who remains at the Louisiana State Penitentiary at Angola serving a life sentence. They’ll say, in so many words: “Dr. Marcel, I really don’t think that Balfa boy killed your granddaddy.”&nbsp;For readers of Maggie Nelson’s The Red Parts and Emma Copley Eisenberg's The Third Rainbow Girl,&nbsp;Home of the Happy&nbsp;unravels the layers of suffering borne of this brutal crime—and investigates the mysteries that linger beneath generations of silence. Is it possible that an innocent man languishes in prison, still, wrongly convicted of murdering the author’s great-grandfather?&nbsp;

A Murder on the Cajun Prairie

Home of the Happy

A gripping memoir of faith, family, identity, and stardom, in Devout pop star David Archuleta shares his story of leaving the Mormon church, navigating the relationship with his emotionally abusive father, coming to terms with his sexuality, and finding strength in being your authentic self.Three years ago American Idol alum and pop star David Archuleta found himself on the floor of his apartment, suicidal, riddled with anxiety, and pleading to a god he was no longer sure even existed. It was a crisis of faith and identity, but it was also a turning point for a man who grew up queer in the Mormon church with severe anxiety and constantly under the pressure of his overbearing manager of a father. After that night, David vowed to be his authentic self.Of course, the journey to authenticity is never easy, which is the story Archuleta shares in Devout. From his childhood growing up in the Mormon church, to allegations of sexual abuse against his father and step-grandfather, to his time on American Idol and how the show runners and producers mistreated their young contestants, Archuleta’s memoir is filled with earnest, revelatory anecdotes from his fascinating personal and public lives.Not just for Archuleta’s myriad fans, Devout is a universal story of hope, told with sincerity and humility. It’s a salve for anyone who’s felt different, questioned their faith, felt they were living inauthentically. Most importantly, it’s a story for anyone whose had to break yourself down in order to rebuild yourself stronger than ever, and that’s everyone.

A gripping memoir of faith, family, identity, and stardom, in Devout pop star David Archuleta shares his story of leaving the Mormon church, navigating the relationship with his emotionally abusive father, coming to terms with his sexuality, and finding strength in being your authentic self.Three years ago American Idol alum and pop star David Archuleta found himself on the floor of his apartment, suicidal, riddled with anxiety, and pleading to a god he was no longer sure even existed. It was a crisis of faith and identity, but it was also a turning point for a man who grew up queer in the Mormon church with severe anxiety and constantly under the pressure of his overbearing manager of a father. After that night, David vowed to be his authentic self.Of course, the journey to authenticity is never easy, which is the story Archuleta shares in Devout. From his childhood growing up in the Mormon church, to allegations of sexual abuse against his father and step-grandfather, to his time on American Idol and how the show runners and producers mistreated their young contestants, Archuleta’s memoir is filled with earnest, revelatory anecdotes from his fascinating personal and public lives.Not just for Archuleta’s myriad fans, Devout is a universal story of hope, told with sincerity and humility. It’s a salve for anyone who’s felt different, questioned their faith, felt they were living inauthentically. Most importantly, it’s a story for anyone whose had to break yourself down in order to rebuild yourself stronger than ever, and that’s everyone.

Devout

"Expertly choreographed and long overdue, this is the nuanced reckoning ballet needs, ballerinas deserve, and all feminists should note." -Oprah DailyAn incisive exploration of ballet’s role in the modern world, told through the experience of the author and her classmates at the most elite ballet school in the country: the School of American Ballet.Growing up, Alice Robb dreamed of becoming a ballet dancer. But by age fifteen, she had to face the reality that she would never meet the impossibly high standards of the hyper-competitive ballet world. After she quit, she tried to avoid ballet—only to realize, years later, that she was still haunted by the lessons she had absorbed in the mirror-lined studios of Lincoln Center, and that they had served her well in the wider world. The traits ballet takes to an extreme—stoicism, silence, submission—are valued in girls and women everywhere.Profound, nuanced, and passionately researched, Don’t Think, Dear is Robb’s excavation of her adolescent years as a dancer and an exploration of how those days informed her life for years to come.As she grapples with the pressure she faced as a student at the School of American Ballet, she investigates the fates of her former classmates as well. From sweet and innocent Emily, whose body was deemed thin enough only when she was too ill to eat, to precocious and talented Meiying, who was thrilled to be cast as the young star of the Nutcracker but dismayed to see Asians stereotyped onstage, and Lily, who won the carrot they had all been chasing—an apprenticeship with the New York City Ballet—only to spend her first season dancing eight shows a week on a broken foot.Theirs are stories of heartbreak and resilience, of reinvention and regret. Along the way, Robb weaves in the myths of famous ballet personalities past and present, from the groundbreaking Misty Copeland, who rose from poverty to become an icon of American ballet, to the blind diva Alicia Alonso, who used the heat of the spotlights and the vibrations of the music to navigate space onstage. By examining the psyche of a dancer, Don’t Think, Dear grapples with the contradictions and challenges of being a woman today.

"Expertly choreographed and long overdue, this is the nuanced reckoning ballet needs, ballerinas deserve, and all feminists should note." -Oprah DailyAn incisive exploration of ballet’s role in the modern world, told through the experience of the author and her classmates at the most elite ballet school in the country: the School of American Ballet.Growing up, Alice Robb dreamed of becoming a ballet dancer. But by age fifteen, she had to face the reality that she would never meet the impossibly high standards of the hyper-competitive ballet world. After she quit, she tried to avoid ballet—only to realize, years later, that she was still haunted by the lessons she had absorbed in the mirror-lined studios of Lincoln Center, and that they had served her well in the wider world. The traits ballet takes to an extreme—stoicism, silence, submission—are valued in girls and women everywhere.Profound, nuanced, and passionately researched, Don’t Think, Dear is Robb’s excavation of her adolescent years as a dancer and an exploration of how those days informed her life for years to come.As she grapples with the pressure she faced as a student at the School of American Ballet, she investigates the fates of her former classmates as well. From sweet and innocent Emily, whose body was deemed thin enough only when she was too ill to eat, to precocious and talented Meiying, who was thrilled to be cast as the young star of the Nutcracker but dismayed to see Asians stereotyped onstage, and Lily, who won the carrot they had all been chasing—an apprenticeship with the New York City Ballet—only to spend her first season dancing eight shows a week on a broken foot.Theirs are stories of heartbreak and resilience, of reinvention and regret. Along the way, Robb weaves in the myths of famous ballet personalities past and present, from the groundbreaking Misty Copeland, who rose from poverty to become an icon of American ballet, to the blind diva Alicia Alonso, who used the heat of the spotlights and the vibrations of the music to navigate space onstage. By examining the psyche of a dancer, Don’t Think, Dear grapples with the contradictions and challenges of being a woman today.

On Loving and Leaving Ballet

Don't Think, Dear

Profoundly honest and moving, Kihiani is the uplifting story of an Inuk artist’s journey to healing and self-discovery&nbsp;Born in Fort Churchill, Manitoba, but raised in Arviat, a predominantly Inuit community on the western edges of Hudson Bay, Susan and her six siblings grew up in a humble but loving home. But while living in Rankin Inlet, when she was eight years old, Susan’s life was disrupted by a life-changing event, a distinct separation that created a schism inside her for many years and from which she continues to heal.At fifteen, she started writing poems that spilled out of her, and when Susan had the choice to leave her community, she grabbed it like a lifeline. Eventually, Susan was approached by a producer at CBC who was making a compilation album of Arctic artists and years later signed with a major label for her third album, This Child.&nbsp;The disruption and milestones, the turmoil and joy, the devastation and healing—this is Susan Aglukark’s story of discovering her Inuk self.&nbsp;

Profoundly honest and moving, Kihiani is the uplifting story of an Inuk artist’s journey to healing and self-discovery&nbsp;Born in Fort Churchill, Manitoba, but raised in Arviat, a predominantly Inuit community on the western edges of Hudson Bay, Susan and her six siblings grew up in a humble but loving home. But while living in Rankin Inlet, when she was eight years old, Susan’s life was disrupted by a life-changing event, a distinct separation that created a schism inside her for many years and from which she continues to heal.At fifteen, she started writing poems that spilled out of her, and when Susan had the choice to leave her community, she grabbed it like a lifeline. Eventually, Susan was approached by a producer at CBC who was making a compilation album of Arctic artists and years later signed with a major label for her third album, This Child.&nbsp;The disruption and milestones, the turmoil and joy, the devastation and healing—this is Susan Aglukark’s story of discovering her Inuk self.&nbsp;

A Memoir of Healing

Kihiani

"Selvaratnam very bravely and compellingly uses her personal experience to shine a light on the global crisis of violence against women. An important book for the women's rights movement, Assume Nothing demonstrates that violence against women exists across race, class, economic status and education levels, and may be perpetrated by those we think of as allies! It dispels the myth that there are certain types of victims and perpetrators. It will help a lot of people, and particularly those who hesitate to identify as a victim/survivor for fear of losing their grounding both publicly and privately."-Yasmeen Hassan, Global Executive Director, Equality Now"This courageous and terrifying book charts the author's descent into an abusive relationship and also her emergence from it in taut, seductive prose. Selvaratnam explains how-even as an educated, sophisticated, liberal feminist-she was enthralled by her lover's fame and tolerated escalating personal violence. Her narrative is vivid and bracingly frank, a tour-de-force of self-revelation and, ultimately, of redemption."-Andrew Solomon, National Book Award-winning author of&nbsp;Far from the Tree&nbsp;and&nbsp;The Noonday DemonAward-winning filmmaker Tanya Selvaratnam bravely recounts the intimate abuse she suffered from former New York State Attorney General Eric Schneiderman, using her story as a prism to examine the domestic violence crisis plaguing America. When Tanya Selvaratnam met then New York State Attorney General Eric Schneiderman at the Democratic National Convention in July 2016, they seemed like the perfect match. Both were Harvard alumni; both studied Chinese; both were interested in spirituality and meditation, both were well-connected rising stars in their professions-Selvaratnam in entertainment and the art world; Schneiderman in law and politics.&nbsp;Behind closed doors, however, Tanya's life was anything but ideal. Schneiderman became controlling, mean, and manipulative. He drank heavily and used sedatives. Sex turned violent, and he called Tanya-who was born in Sri Lanka and grew up in Southern California-his "brown slave." He isolated and manipulated her, even threatening to kill her if she tried to leave.&nbsp;Twenty-five percent of women in America are victims of domestic abuse. Tanya never thought she would be a part of this statistic. Growing up, she witnessed her father physically and emotionally abuse her mother. Tanya knew the patterns and signs of domestic violence, and did not see herself as remotely vulnerable. Yet what seemed impossible was suddenly a terrifying reality: she was trapped in a violent relationship with one of the most powerful men in New York.&nbsp;Sensitive and nuanced, written with the gripping power of a dark psychological thriller, Assume Nothing details how Tanya's relationship devolved into abuse, how she found the strength to leave-risking her career, reputation, and life-and how she reclaimed her freedom and her voice. In sharing her story, Tanya analyzes the insidious way women from all walks of life learn to accept abuse, and redefines what it means to be a victim of intimate violence.

“Selvaratnam very bravely and compellingly uses her personal experience to shine a light on the global crisis of violence against women. An important book for the women’s rights movement, Assume Nothing demonstrates that violence against women exists across race, class, economic status and education levels, and may be perpetrated by those we think of as allies! It dispels the myth that there are certain types of victims and perpetrators. It will help a lot of people, and particularly those who hesitate to identify as a victim/survivor for fear of losing their grounding both publicly and privately.”—Yasmeen Hassan, Global Executive Director, Equality Now“This courageous and terrifying book charts the author’s descent into an abusive relationship and also her emergence from it in taut, seductive prose. Selvaratnam explains how—even as an educated, sophisticated, liberal feminist—she was enthralled by her lover’s fame and tolerated escalating personal violence. Her narrative is vivid and bracingly frank, a tour-de-force of self-revelation and, ultimately, of redemption.”—Andrew Solomon, National Book Award-winning author of&nbsp;Far from the Tree&nbsp;and&nbsp;The Noonday DemonAward-winning filmmaker Tanya Selvaratnam bravely recounts the intimate abuse she suffered from former New York State Attorney General Eric Schneiderman, using her story as a prism to examine the domestic violence crisis plaguing America.When Tanya Selvaratnam met then New York State Attorney General Eric Schneiderman at the Democratic National Convention in July 2016, they seemed like the perfect match. Both were Harvard alumni; both studied Chinese; both were interested in spirituality and meditation, both were well-connected rising stars in their professions—Selvaratnam in entertainment and the art world; Schneiderman in law and politics.&nbsp;Behind closed doors, however, Tanya’s life was anything but ideal. Schneiderman became controlling, mean, and manipulative. He drank heavily and used sedatives. Sex turned violent, and he called Tanya—who was born in Sri Lanka and grew up in Southern California—his “brown slave.” He isolated and manipulated her, even threatening to kill her if she tried to leave.&nbsp;Twenty-five percent of women in America are victims of domestic abuse. Tanya never thought she would be a part of this statistic. Growing up, she witnessed her father physically and emotionally abuse her mother. Tanya knew the patterns and signs of domestic violence, and did not see herself as remotely vulnerable. Yet what seemed impossible was suddenly a terrifying reality: she was trapped in a violent relationship with one of the most powerful men in New York.&nbsp;Sensitive and nuanced, written with the gripping power of a dark psychological thriller, Assume Nothing details how Tanya’s relationship devolved into abuse, how she found the strength to leave—risking her career, reputation, and life—and how she reclaimed her freedom and her voice. In sharing her story, Tanya analyzes the insidious way women from all walks of life learn to accept abuse, and redefines what it means to be a victim of intimate violence.

A Story of Intimate Violence

Assume Nothing

A deaf writer’s exploration of language, communication, and what it means to be articulate—and her journey to reclaim her voiceRachel Kolb was born profoundly deaf the same year that the Americans with Disabilities Act (ADA) was passed, and she grew up as part of the first generation of deaf people with legal rights to accessibility services. Still, from a young age, she contorted herself to expectations set by a world that prioritizes hearing people. So she learned to speak through speech therapy and to piece together missing sounds through lipreading and an eventual cochlear implant, all while finding clarity and meaning in American Sign Language (ASL) and written literature.Now in Articulate, Kolb blends personal narrative with cultural commentary to explore the different layers of deafness, language, and voice. She deconstructs multisensory experiences of language, examining the cultural importance hearing people attach to sound, the inner labyrinths of speech therapy, the murkiness of lipreading, and her lifelong intimacy with written English. And she uses her own experiences to illuminate the complexities of disability access, partnerships with ASL interpreters, Deaf culture and d/Deaf identity, and the perception versus reality of deafness.Part memoir, part cultural exploration, Kolb details a life lived among words in varied sensory forms and considers why and how those words matter. Told through rich storytelling, analysis, and humor, Articulate is a linguistic coming-of-age in both deaf and hearing worlds, challenging us to consider how language expresses our humanity—and offering more ways we might exist together.

A Deaf Memoir of Voice

Articulate

A devastating personal testimony and a searing indictment of persistent misogyny.In January 2017, Chimene Suleyman was on her way to an abortion clinic in Queens, New York with her boyfriend, the father of her nascent child. It was the last day they would spend together. In an extraordinary sequence of events, Chimene was to discover the truth of her boyfriend's life: that the man she’d loved had gaslit, lied to, stolen from, and painfully betrayed her and many others.In this spellbinding memoir, Suleyman exposes one man's control over many women and the trauma he left behind and celebrates the sisterhood that formed in his wake despite—and in spite of—him. With radiant prose and incisive observation, Suleyman questions society’s complicity in allowing those who would do women harm to flourish and contemplates why others remain silent witnesses by accepting and normalizing shameless behavior towards women. She demonstrates how women themselves are acculturated to perform prescribed roles of giver and nurturer, to be self-sacrificing and subordinate, and to bolster the egos of others by remaining silent and ignoring their own protective instincts.A soul-baring story, brilliant cultural critique, and celebration of the healing power of sisterhood, The Chain is a book for any woman who has questioned her relationship and buried her doubts, for any woman who can't quite identify the source of her unease and for any woman who has been sheltered by the fierce protection of her female friends.&nbsp;&nbsp;&nbsp;

Love, Betrayal, and the Sisterhood That Heals Us

The Chain

Harper Perennial Olive Editions

In this valuable and timely anthology, cultural critic and bestselling author Roxane Gay has collected original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence, and aggression they face, and where they are “routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, and bullied” for speaking out. Highlighting the stories of well-known actors, writers, and experts, as well as new voices being published for the first time, Not That Bad covers a wide range of topics and experiences, from an exploration of the rape epidemic embedded in the refugee crisis to first-person accounts of child molestation and street harassment. Often deeply personal and always unflinchingly honest, this provocative collection both reflects the world we live in and offers a call to arms insisting that “not that bad” must no longer be good enough.

New York Times&nbsp;Bestseller“This is a devastating book, heartbreaking in how familiar and relatable each story is—yet there’s power and solidarity in it, too.”—ShondalandEdited and with an introduction by Roxane Gay, the&nbsp;New York Times&nbsp;bestselling and deeply beloved author of&nbsp;Bad Feminist&nbsp;and&nbsp;Hunger,&nbsp;an anthology of powerful first-person essays from writers including Gabrielle Union, Brandon Taylor, and Lyz Lenz fearlessly that unapologetically tackles sensitive topics of rape, assault, and harassment—now available as a special Harper Perennial Olive Edition.In this valuable and revealing anthology, cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence, and aggression they face, and where they are “routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied” for speaking out. Contributions include essays from established and up-and-coming writers, performers, and critics, including actor Ally Sheedy and writers Amy Jo Burns, Booker Prize-nominated Brandon Taylor, and Lyz Lenz.&nbsp;Covering a wide range of topics and experiences, from an exploration of the rape epidemic embedded in the refugee crisis to first-person accounts of child molestation, this collection is often deeply personal and is always unflinchingly honest. Like Rebecca Solnit’s&nbsp;Men Explain Things to Me,&nbsp;Not That Bad&nbsp;will resonate with every reader, saying “something in totality that we cannot say alone.”Harper Perennial Olive Editions are exclusive small-format editions of some of our bestselling and celebrated titles, and feature unique hand-drawn cover illustrations. All Olive Editions are available for a limited time only.

Dispatches from Rape Culture

Not That Bad

“Moving, thoughtful, redemptive. The Strangers is an important book. It will become a Black classic.”— Ben Okri, author of The Famished Road“Thrilling and ingenious, propulsive and genre-defying: The Strangers is an outstanding book. Compelling and imaginatively expansive, this is something very special—creative nonfiction that inspires, stirs and challenges.”—Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, OtherA richly imaginative, powerfully empathetic, and intimate portrait of five remarkable Black men that is also a moving meditation on race, estrangement, and the search for home.In the western imagination, a Black man is always a stranger, outsider, foreigner, intruder, alien; one who remains associated with their origins irrespective of how far they have travelled from them. One who is not an individual in his own right, but the representative of a type.What kind of performance is required for a person to survive this condition? What happens beneath the mask—what is the cost to the mind and body, to one’s relationships and one’s sense of self?Searching for answers, Ekow Eshun channels the voices of five very different individuals. Each man a renowned trailblazer in his field. Each man haunted by a sense of isolation and exile. Each man a stranger in his own world:<ul><li>Ira Aldridge, nineteenth century British actor and playwright;</li><li>Matthew Henson, the first Black man to reach the North Pole;</li><li>Frantz Fanon, French-Martinican psychiatrist and political philosopher;</li><li>Malcolm X, civil rights activist and leader;</li><li>Justin Fashanu, Britain’s first openly gay professional footballer.</li></ul>Telling their stories, Eshun pushes the boundaries of genre to capture them in all their complexity, interweaving biography, fiction, historical record, and memoir, sharing his own experiences living as a Black Briton in the art world. The Strangers illuminates both the hostility and the beauty each man encountered in the world, positioning them all within a wider landscape of Black art, culture, history, and politics throughout the diaspora.

“Moving, thoughtful, redemptive. The Strangers is an important book. It will become a Black classic.”— Ben Okri, author of The Famished Road“Thrilling and ingenious, propulsive and genre-defying: The Strangers is an outstanding book. Compelling and imaginatively expansive, this is something very special—creative nonfiction that inspires, stirs and challenges.”—Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, OtherA richly imaginative, powerfully empathetic, and intimate portrait of five remarkable Black men that is also a moving meditation on race, estrangement, and the search for home.In the western imagination, a Black man is always a stranger, outsider, foreigner, intruder, alien; one who remains associated with their origins irrespective of how far they have travelled from them. One who is not an individual in his own right, but the representative of a type.What kind of performance is required for a person to survive this condition? What happens beneath the mask—what is the cost to the mind and body, to one’s relationships and one’s sense of self?Searching for answers, Ekow Eshun channels the voices of five very different individuals. Each man a renowned trailblazer in his field. Each man haunted by a sense of isolation and exile. Each man a stranger in his own world:<ul><li>Ira Aldridge, nineteenth century British actor and playwright;</li><li>Matthew Henson, the first Black man to reach the North Pole;</li><li>Frantz Fanon, French-Martinican psychiatrist and political philosopher;</li><li>Malcolm X, civil rights activist and leader;</li><li>Justin Fashanu, Britain’s first openly gay professional footballer.</li></ul>Telling their stories, Eshun pushes the boundaries of genre to capture them in all their complexity, interweaving biography, fiction, historical record, and memoir, sharing his own experiences living as a Black Briton in the art world. The Strangers illuminates both the hostility and the beauty each man encountered in the world, positioning them all within a wider landscape of Black art, culture, history, and politics throughout the diaspora.

Five Extraordinary Black Men and the Worlds That Made Them

The Strangers

Drawing on unprecedented archival and family access,&nbsp;Cooler Than Cool: The Life of Elmore Leonard, is the first comprehensive biography of the master American crime writer, author of witty, gritty bestsellers like&nbsp;Get Shorty&nbsp;and&nbsp;Raylan.Over the course of his sixty-year career, Elmore Leonard, “the Dickens of Detroit,” published forty-five novels that have had enduring appeal to readers around the world. Revered by Martin Amis, Margaret Atwood, Raymond Carver, and Stephen King, his books were innovative in their blending of a Hemingway-inspired noirish minimalism and a masterful use of realistic dialogue over exposition—a direct evolution spurred by his years as a screenwriter.Leonard’s fiction contained many layers, and at the heart of his work were progressive themes, stemming from his years as a student of the Jesuit religious order, his personal beliefs in social justice, and his successful battle over alcoholism. He drew inspiration from greats like Raymond Chandler and Dashiell Hammett, but the true motivation and brilliance behind his crime writing was the ongoing class struggle to achieve the American Dream—often seen through the eyes of law enforcement officers&nbsp;and&nbsp;the criminals they vowed to apprehend.C. M. Kushins&nbsp;tells Leonard’s full life story against recurring themes and evolving&nbsp;storytelling methods of his work, drawing on interviews with primary sources ranging from Leonard’s family and friends to those who acted in, produced, and directed his work onscreen. He also includes never-before-published excerpts from Leonard’s unfinished final novel and planned memoir. Definitive and revealing, Cooler Than Cool shows Leonard emerging as one of the last writers of the “pulp fiction” era of midcentury America,&nbsp;to ultimately become one of the most successful&nbsp;storytellers of the twentieth&nbsp;century, whose influence continues to have far-reaching effects on both contemporary&nbsp;crime fiction and&nbsp;American filmmaking.&nbsp;

Drawing on unprecedented archival and family access,&nbsp;Cooler Than Cool: The Life of Elmore Leonard, is the first comprehensive biography of the master American crime writer, author of witty, gritty bestsellers like&nbsp;Get Shorty&nbsp;and&nbsp;Raylan.Over the course of his sixty-year career, Elmore Leonard, “the Dickens of Detroit,” published forty-five novels that have had enduring appeal to readers around the world. Revered by Martin Amis, Margaret Atwood, Raymond Carver, and Stephen King, his books were innovative in their blending of a Hemingway-inspired noirish minimalism and a masterful use of realistic dialogue over exposition—a direct evolution spurred by his years as a screenwriter.Leonard’s fiction contained many layers, and at the heart of his work were progressive themes, stemming from his years as a student of the Jesuit religious order, his personal beliefs in social justice, and his successful battle over alcoholism. He drew inspiration from greats like Raymond Chandler and Dashiell Hammett, but the true motivation and brilliance behind his crime writing was the ongoing class struggle to achieve the American Dream—often seen through the eyes of law enforcement officers&nbsp;and&nbsp;the criminals they vowed to apprehend.C. M. Kushins&nbsp;tells Leonard’s full life story against recurring themes and evolving&nbsp;storytelling methods of his work, drawing on interviews with primary sources ranging from Leonard’s family and friends to those who acted in, produced, and directed his work onscreen. He also includes never-before-published excerpts from Leonard’s unfinished final novel and planned memoir. Definitive and revealing, Cooler Than Cool shows Leonard emerging as one of the last writers of the “pulp fiction” era of midcentury America,&nbsp;to ultimately become one of the most successful&nbsp;storytellers of the twentieth&nbsp;century, whose influence continues to have far-reaching effects on both contemporary&nbsp;crime fiction and&nbsp;American filmmaking.&nbsp;

The Life and Work of Elmore Leonard

Cooler Than Cool

Untitled Bogdanovich Memoir

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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