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Bogdanovich P: Untitled Bogdanovich
Memoir

Untitled Bogdanovich Memoir

"Expertly choreographed and long overdue, this is the nuanced reckoning ballet needs, ballerinas deserve, and all feminists should note." -Oprah DailyAn incisive exploration of ballet’s role in the modern world, told through the experience of the author and her classmates at the most elite ballet school in the country: the School of American Ballet.Growing up, Alice Robb dreamed of becoming a ballet dancer. But by age fifteen, she had to face the reality that she would never meet the impossibly high standards of the hyper-competitive ballet world. After she quit, she tried to avoid ballet—only to realize, years later, that she was still haunted by the lessons she had absorbed in the mirror-lined studios of Lincoln Center, and that they had served her well in the wider world. The traits ballet takes to an extreme—stoicism, silence, submission—are valued in girls and women everywhere.Profound, nuanced, and passionately researched, Don’t Think, Dear is Robb’s excavation of her adolescent years as a dancer and an exploration of how those days informed her life for years to come.As she grapples with the pressure she faced as a student at the School of American Ballet, she investigates the fates of her former classmates as well. From sweet and innocent Emily, whose body was deemed thin enough only when she was too ill to eat, to precocious and talented Meiying, who was thrilled to be cast as the young star of the Nutcracker but dismayed to see Asians stereotyped onstage, and Lily, who won the carrot they had all been chasing—an apprenticeship with the New York City Ballet—only to spend her first season dancing eight shows a week on a broken foot.Theirs are stories of heartbreak and resilience, of reinvention and regret. Along the way, Robb weaves in the myths of famous ballet personalities past and present, from the groundbreaking Misty Copeland, who rose from poverty to become an icon of American ballet, to the blind diva Alicia Alonso, who used the heat of the spotlights and the vibrations of the music to navigate space onstage. By examining the psyche of a dancer, Don’t Think, Dear grapples with the contradictions and challenges of being a woman today.

On Loving and Leaving Ballet

Don't Think, Dear

From the acclaimed film critic and&nbsp;New York Times&nbsp;bestselling biographer of Paul Newman, the definitive biography of Hollywood legend Clint Eastwood, the most prolific and versatile actor-director in the history of the medium and an imposing icon of American culture.C-L-I-N-T. In one short, sharp syllable, an emblem of American manhood and morality and sheer bloody-minded will, on screen and off, for more than sixty years. Whether he's facing down bad guys on a western street (Old West or new, no matter); staring through the lens of a camera; or accepting one of his thirteen Oscars (including two for Best Picture); he is as blunt, curt, and solid as his name, a star of the old school stripe&nbsp;and&nbsp;one of the most accomplished directors of his time, a man of rock and iron and brute force:&nbsp;Clint.&nbsp;To tell the story of Clint Eastwood is to tell the story of nearly a century of American culture. No Hollywood figure has so completely and complexly stood inside the changing climates of post-World War II America.&nbsp;At age ninety-five, he has lived a tumultuous century and embodied much of his time and many of its contradictions.&nbsp;We picture him most immediately as he has appeared to us on screen:&nbsp;squinting through cigarillo smoke in&nbsp;A Fistful of Dollars&nbsp;or&nbsp;The Good, the Bad, and the Ugly; imposing rough justice at the point of a .44 Magnum in&nbsp;Dirty Harry; sowing vengeance in&nbsp;The Outlaw Josey Wales&nbsp;or&nbsp;Pale Rider or&nbsp;Unforgiven; grudgingly training a woman boxer in&nbsp;Million Dollar Baby; standing up for his neighbors despite his racism in&nbsp;Gran Torino. Or we feel him present, powerfully, behind the camera, creating complex tales of violence, morality, and humanity such as Mystic River, Flags of Our Fathers, Letters from Iwo Jima, and American Sniper. But his roles, however well-cast and convincing, are two-dimensional in comparison to the whole life.&nbsp;And the films he makes as an artist are, too, mere pieces of the man. As New York Times bestselling author Shawn Levy reveals in this masterful biography--the most complete portrait yet of Eastwood--the reality is richer, knottier, and more absorbing. Clint: The Man and the Movies is a saga of cunning, determination, and conquest, a story about a man ascending to the Hollywood pantheon while keeping a gimlet eye on its ways and habits and one foot firmly planted outside its door.&nbsp;

The Man and the Movies

Clint

"Selvaratnam very bravely and compellingly uses her personal experience to shine a light on the global crisis of violence against women. An important book for the women's rights movement, Assume Nothing demonstrates that violence against women exists across race, class, economic status and education levels, and may be perpetrated by those we think of as allies! It dispels the myth that there are certain types of victims and perpetrators. It will help a lot of people, and particularly those who hesitate to identify as a victim/survivor for fear of losing their grounding both publicly and privately."-Yasmeen Hassan, Global Executive Director, Equality Now"This courageous and terrifying book charts the author's descent into an abusive relationship and also her emergence from it in taut, seductive prose. Selvaratnam explains how-even as an educated, sophisticated, liberal feminist-she was enthralled by her lover's fame and tolerated escalating personal violence. Her narrative is vivid and bracingly frank, a tour-de-force of self-revelation and, ultimately, of redemption."-Andrew Solomon, National Book Award-winning author of&nbsp;Far from the Tree&nbsp;and&nbsp;The Noonday DemonAward-winning filmmaker Tanya Selvaratnam bravely recounts the intimate abuse she suffered from former New York State Attorney General Eric Schneiderman, using her story as a prism to examine the domestic violence crisis plaguing America. When Tanya Selvaratnam met then New York State Attorney General Eric Schneiderman at the Democratic National Convention in July 2016, they seemed like the perfect match. Both were Harvard alumni; both studied Chinese; both were interested in spirituality and meditation, both were well-connected rising stars in their professions-Selvaratnam in entertainment and the art world; Schneiderman in law and politics.&nbsp;Behind closed doors, however, Tanya's life was anything but ideal. Schneiderman became controlling, mean, and manipulative. He drank heavily and used sedatives. Sex turned violent, and he called Tanya-who was born in Sri Lanka and grew up in Southern California-his "brown slave." He isolated and manipulated her, even threatening to kill her if she tried to leave.&nbsp;Twenty-five percent of women in America are victims of domestic abuse. Tanya never thought she would be a part of this statistic. Growing up, she witnessed her father physically and emotionally abuse her mother. Tanya knew the patterns and signs of domestic violence, and did not see herself as remotely vulnerable. Yet what seemed impossible was suddenly a terrifying reality: she was trapped in a violent relationship with one of the most powerful men in New York.&nbsp;Sensitive and nuanced, written with the gripping power of a dark psychological thriller, Assume Nothing details how Tanya's relationship devolved into abuse, how she found the strength to leave-risking her career, reputation, and life-and how she reclaimed her freedom and her voice. In sharing her story, Tanya analyzes the insidious way women from all walks of life learn to accept abuse, and redefines what it means to be a victim of intimate violence.

A Story of Intimate Violence

Assume Nothing

“Moving, thoughtful, redemptive. The Strangers is an important book. It will become a Black classic.”— Ben Okri, author of The Famished Road“Thrilling and ingenious, propulsive and genre-defying: The Strangers is an outstanding book. Compelling and imaginatively expansive, this is something very special—creative nonfiction that inspires, stirs and challenges.”—Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, OtherA richly imaginative, powerfully empathetic, and intimate portrait of five remarkable Black men that is also a moving meditation on race, estrangement, and the search for home.In the western imagination, a Black man is always a stranger, outsider, foreigner, intruder, alien; one who remains associated with their origins irrespective of how far they have travelled from them. One who is not an individual in his own right, but the representative of a type.What kind of performance is required for a person to survive this condition? What happens beneath the mask—what is the cost to the mind and body, to one’s relationships and one’s sense of self?Searching for answers, Ekow Eshun channels the voices of five very different individuals. Each man a renowned trailblazer in his field. Each man haunted by a sense of isolation and exile. Each man a stranger in his own world:<ul><li>Ira Aldridge, nineteenth century British actor and playwright;</li><li>Matthew Henson, the first Black man to reach the North Pole;</li><li>Frantz Fanon, French-Martinican psychiatrist and political philosopher;</li><li>Malcolm X, civil rights activist and leader;</li><li>Justin Fashanu, Britain’s first openly gay professional footballer.</li></ul>Telling their stories, Eshun pushes the boundaries of genre to capture them in all their complexity, interweaving biography, fiction, historical record, and memoir, sharing his own experiences living as a Black Briton in the art world. The Strangers illuminates both the hostility and the beauty each man encountered in the world, positioning them all within a wider landscape of Black art, culture, history, and politics throughout the diaspora.

Five Extraordinary Black Men and the Worlds That Made Them

The Strangers

"A life with the music of Joni Mitchell."

A Life with the Music of Joni Mitchell

Song So Wild and Blue

Harper Perennial Olive Editions

In this valuable and timely anthology, cultural critic and bestselling author Roxane Gay has collected original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence, and aggression they face, and where they are “routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, and bullied” for speaking out. Highlighting the stories of well-known actors, writers, and experts, as well as new voices being published for the first time, Not That Bad covers a wide range of topics and experiences, from an exploration of the rape epidemic embedded in the refugee crisis to first-person accounts of child molestation and street harassment. Often deeply personal and always unflinchingly honest, this provocative collection both reflects the world we live in and offers a call to arms insisting that “not that bad” must no longer be good enough.

Dispatches from Rape Culture

Not That Bad

Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture. Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

On Horses, Blackness, and Liberation

Mounted

The incredible story of MOVE, the revolutionary Black civil liberties group that Philadelphia police bombed in 1985, killing 11 civilians—by one of the few people born into the organization, raised during the bombing's tumultuous aftermath, and entrusted with repairing what was left of his family."As necessary and powerful as it is captivating." –&nbsp;Michael Harriot,&nbsp;New York Times&nbsp;bestselling author of&nbsp;Black AF History"Searing and urgent." – Bakari Sellers, New York Times&nbsp;bestselling author of&nbsp;My Vanishing Country&nbsp;and&nbsp;The MomentBefore police dropped a bomb on a residential neighborhood on May 13, 1985, few people outside Philadelphia were aware that a Black-led civil liberties organization had taken root there. Founded in 1972 by a charismatic ideologue called John Africa, MOVE’s mission was to protect all forms of life from systemic oppression. They drew their ideology from the Black Panther Party and pre-dated animal and environmental rights groups like PETA and Earth First. MOVE emerged in an era when Black Philadelphians suffered under devastating policies brought by the long, doomed war in Vietnam, Mayor Frank Rizzo’s overtly racist police surveillance, and, eventually, President Ronald Reagan's War on Drugs. MOVE members lived together in a collection of West Philadelphia row houses and took the surname Africa out of admiration for the group's founder.But in MOVE's lifestyle, city officials saw threats to their status quo. Their bombing of MOVE homes shocked the nation and made international news. Eleven people were killed, including five children. And the City of Brotherly Love became known as the City That Bombed Itself.Among the children most affected by the bombing was Mike Africa Jr. Born in jail following a police attack on MOVE that led to his parents’ decades-long incarcerations, Mike was six years old and living with his grandmother when MOVE was bombed. In the ensuing years, Mike sought purpose in the ashes left behind. He began learning about the law as a teenager and became adept at speaking and inspiring public support with the help of other MOVE members. In 2018, at age 40, he finally succeeded in getting his parents released from prison.On a Move is one of the most unimaginable stories of injustice and resilience in recent American history. But it is not only one of tragedy. It is about coming-of-age for a young activist, the strong ties of family, and, against all odds, learning how to take indignities on the chin and to work within the very system that created them. At once a harrowing personal account and an impassioned examination of racism and police violence, On a Move testifies to the power of love and hope, in the face of astonishing wrongdoing.

Philadelphia's Notorious Bombing and a Native Son's Lifelong Battle for Justice

On a Move

* INSTANT NEW YORK TIMES BESTSELLER *A sweeping and evocative memoir from the Rock &amp; Roll Hall of Famer, Grammy Award-winning, platinum selling singer-songwriter Michael McDonald, written with his friend, Emmy Award-nominated actor, comedian, and&nbsp;#1 New York Times&nbsp;bestselling author Paul Reiser. Doobie Brothers. Steely Dan. Chart topping soloist. Across a half-century of American music, Michael McDonald's unmistakably smooth baritone voice defined an era of rock and R&amp;B with hit records like "What A Fool Believes," "Takin' It to the Streets," "I Keep Forgettin'," "Peg," "It Keeps You Running," "You Belong to Me," and "Yah Mo B There."In his candid, freewheeling memoir, written with his friend, the Emmy Award-nominated actor and comedian Paul Reiser, Michael tells the story of his life and music. A high school dropout from Ferguson, Missouri, Michael chased his dreams in 1970's California, a heady moment of rock opportunity and excess. As a rising session musician and backing vocalist, a series of encounters would send him on a wild ride around the world and to the heights of rock stardom-from joining Steely Dan and becoming a defining member of The Doobie Brothers to forging a path as a breakout solo R&amp;B artist. Interwoven with the unforgettable tales of the music, Michael tells a deeply affecting story of losing and finding himself as a man. He reckons with the unshakeable insecurities that drove him, the drug and alcohol addictions that plagued him, and the highs and lows of popularity. Along the way he relays the lessons he's learned, and that if he's learned anything at all it's that there's often little correlation between what you get and what you deserve. Filled with unbelievable stories and a matchless cast of music greats including James Taylor, Ray Charles, Carly Simon, and Quincy Jones, What a Fool Believes is a moving and entertaining memoir that is sure to be a classic.&nbsp;

What a Fool Believes

Drawing on unprecedented archival and family access,&nbsp;Cooler Than Cool: The Life of Elmore Leonard, is the first comprehensive biography of the master American crime writer, author of witty, gritty bestsellers like&nbsp;Get Shorty&nbsp;and&nbsp;Raylan.Over the course of his sixty-year career, Elmore Leonard, “the Dickens of Detroit,” published forty-five novels that have had enduring appeal to readers around the world. Revered by Martin Amis, Margaret Atwood, Raymond Carver, and Stephen King, his books were innovative in their blending of a Hemingway-inspired noirish minimalism and a masterful use of realistic dialogue over exposition—a direct evolution spurred by his years as a screenwriter.Leonard’s fiction contained many layers, and at the heart of his work were progressive themes, stemming from his years as a student of the Jesuit religious order, his personal beliefs in social justice, and his successful battle over alcoholism. He drew inspiration from greats like Raymond Chandler and Dashiell Hammett, but the true motivation and brilliance behind his crime writing was the ongoing class struggle to achieve the American Dream—often seen through the eyes of law enforcement officers&nbsp;and&nbsp;the criminals they vowed to apprehend.C. M. Kushins&nbsp;tells Leonard’s full life story against recurring themes and evolving&nbsp;storytelling methods of his work, drawing on interviews with primary sources ranging from Leonard’s family and friends to those who acted in, produced, and directed his work onscreen. He also includes never-before-published excerpts from Leonard’s unfinished final novel and planned memoir. Definitive and revealing, Cooler Than Cool shows Leonard emerging as one of the last writers of the “pulp fiction” era of midcentury America,&nbsp;to ultimately become one of the most successful&nbsp;storytellers of the twentieth&nbsp;century, whose influence continues to have far-reaching effects on both contemporary&nbsp;crime fiction and&nbsp;American filmmaking.&nbsp;

The Life and Work of Elmore Leonard

Cooler Than Cool

A deeply personal account of a young Black woman who set out to shake up her life by moving abroad but got a lot more than she bargained for.

A Memoir of Healing in the City of Light

Surviving Paris

In this humorous memoir, New York Times bestselling author Father James Martin, SJ shares summer by summer, job by job, how a former paperboy, lawnmower, busboy, dishwasher, caddy, usher, waiter, bank teller, assembly-line worker, corporate tool became a Jesuit priest.Work in Progress is a snapshot of several years--from a boy, then a teenager, and finally a young adult--of being thrown into a series of jobs that Father Martin had zero training. He never once set foot in a restaurant kitchen before working as a busboy; never stepped onto a golf course before working as a caddy; and never once seen a factory floor before working as an assembly-line worker. He almost always felt uncomfortable, unsettled, and uneasy. But, we've all done jobs we didn't love because we needed the money.This is a come of age in the 1960s and 1970s story but not all aspects. It is a lighthearted tale for readers that enjoy personal narratives and is unlike anything Father Martin has written before. As he puts it, "This is a spiritual memoir from a different angle, then told "slant" as Emily Dickson might say."Each chapter features treasured photos of memories and milestones throughout Father Martin's life. If you're an aficionado of snafus, you won't be disappointed. He's not the hero in these stories, more a hapless teenager who learns in each job, even the ones he loathes, something about the value of work, about what it means to be an adult, about people, and about life overall.Work in Progress teaches us small lessons that we should all practice: work hard, be on time, don't be mean, apologize when you need to, forgive frequently, ask if you don't know something, don't misuse power, pay attention to those struggling, be kind, and listen.

Confessions of a paperboy, lawnmower, busboy, dishwasher, caddy, usher, waiter, bank teller, assembly-line worker, corporate tool, and priest

Work in Progress

Untitled Bogdanovich Memoir

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