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Sawyer Miranda: Uncommon People / B

Uncommon People

Britpop and Beyond in 20 Songs

Cambridge Companions to Music

"A Companion not only to Stravinsky's path-breaking score, but to the ballet's legacy across the centuries. It illuminates the controversial Ballets Russes premiere in 1913 and the complex artistic developments and scholarly debates it set in motion, intertwining music, theatrical ballet and modern dance with the wider world of ideas"--

The Cambridge Companion to the Rite of Spring

Music and Sound on the International Screen

Throughout the Cold War, the films produced on both sides of the Iron Curtain both reflected and were shaped by the ideologies of their respective countries. Music played a key role defining the messages sent by these films. The essays in this book offer the first extended look at the relationship between music and ideology in the European cinema of the Cold War era. With contributions from an international array of scholars, this volume examines cinematic productions from Britain, East and West Germany, France, Yugoslavia, Poland, the Soviet Union, and Francoist Spain. The contributors explore the interactions between music, ideology, and cinema that shaped mass culture in the Cold War.

Throughout the Cold War, the films produced on both sides of the Iron Curtain both reflected and were shaped by the ideologies of their respective countries. Music played a key role defining the messages sent by these films. The essays in this book offer the first extended look at the relationship between music and ideology in the European cinema of the Cold War era. With contributions from an international array of scholars, this volume examines cinematic productions from Britain, East and West Germany, France, Yugoslavia, Poland, the Soviet Union, and Francoist Spain. The contributors explore the interactions between music, ideology, and cinema that shaped mass culture in the Cold War.

1940s to 1980s

Music, Ideology, and Commerce in European Popular Cinema

Ashgate Interdisciplinary Studies in Opera

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst's operas and figure into his reception as a composer of operas.

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst’s operas and figure into his reception as a composer of operas.

From Bayreuth to Aldeburgh

Gustav Holst and British Operatic Culture

An Intimate History of Rough Trade

Document And Eyewitness

A deeply personal account of Laura's journey to Graceland, through the American South, exploring the role music played in saving her life.

A deeply personal account of Laura's journey to Graceland, through the American South, exploring the role music played in saving her life.

Sad Songs

A definitive 'A to Z' biography of iconic rock legends Led Zeppelin.

A definitive 'A to Z' biography of iconic rock legends Led Zeppelin.

The A to Z of Led Zeppelin

Valhalla!

33 1/3 Oceania

An in-depth look at the rise of enigmatic Australian rock band TISM, the unexpected success of their 1995 album, Machiavelli and the Four Seasons, and the continued trajectory of their storied career.

An in-depth look at the rise of enigmatic Australian rock band TISM, the unexpected success of their 1995 album, Machiavelli and the Four Seasons, and the continued trajectory of their storied career. Focusing on one of Australia’s most enigmatic bands, This Is Serious Mum (better known as TISM), Tyler Jenke forms an in-depth analysis of the anonymous, pseudonymous Melbourne collective’s rise to prominence and unlikely success on the popular music charts with their third album, Machiavelli and the Four Seasons (1995). Jenke details TISM’s origins as they slowly went from a bedroom concept to an underground success to a staple of concert stages and commercial radio in Australia, growing a rabid fanbase in the process. Despite the anti-commercial tendencies of TISM, whose album artwork didn’t feature the band, whose band members performed under pseudonyms and who rarely gave interviews, never mind sincere answers, TISM became a commercially successful group. In this book, Jenke identifies the steps the band took to shift their sound from their tried-and-true experimental Australian pub-rock roots to the burgeoning, youthful electronic music genre, employing synthesizers and samplers. With their new sound, TISM incorporated Dadaism – the use of unusual or everyday sounds – and both avant-garde and classic pop musicianship. The band’s new sound resulted in both top ten success and an ARIA Award. This is the first book to dissect TISM’s rise to fame within the Australian music industry and analyze TISM’s status as one of the most memorable, mysterious and paradoxically successful groups in the country’s vibrant alternative music scene.

TISM's Machiavelli and the Four Seasons

BBC Proms Guides

The BBC Proms Guide is the official companion to the world's greatest classical music festival.

BBC Proms 2025

Learn how to live like Taylor in this stunning self-care journal. The perfect gift for any Swiftie.

Era by Era (unofficial)

A Taylor & Me Journal

Planet Clash

Culture journalist and broadcaster Kate Hutchinson takes us back to the early noughties and the heyday of indie music in the UK. With interviews from all the periods most important players, Hutchinson offers a nostalgic romp through the music of The Arctic Monkeys, Kaiser Chiefs, Franz Ferdinand, Kasabian and The Last Shadow Puppets.

Culture journalist and broadcaster Kate Hutchinson takes us back to the early noughties and the heyday of indie music in the UK. With interviews from all the periods most important players, Hutchinson offers a nostalgic romp through the music of The Arctic Monkeys, Kaiser Chiefs, Franz Ferdinand, Kasabian and The Last Shadow Puppets.

I Bet That You Look Good on the Dancefloor

Uncommon People

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