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Taylor Neil: Document And Eyewitness /
LF

Document And Eyewitness

An Intimate History of Rough Trade

Skin Rocks

How do we study the sonic nature of war when very few of these sounds remain? World War One has left little sonic trace other than the popular music of the time. The sounds of World War One extended beyond sounds of entertainment and into the killing fields of the Western Front, the oceans of the world, and for the first time into the skies with the development of aviation. But beyond this, they entered into peoples homes, their streets, and indeed their thoughts, emotions, and feelings. Book-length studies exist on the sounds of many other recent major wars, but there is a lack of sonic coverage of World War One. Here, Michael Bull investigates the sounds of war as experienced by those who participated in it by drawing upon a wide range of written testament of the time. These written "voices" are subjective, living memories expressed as fragmentary, often unreliable testimony but provide us with the only living sonic testimony of the time. The book filters these accounts through the technologies of "total war," from the trench whistle to the tank, from the newly developed airplane to the submarine. It asks: how did the wartime population experience these sounds and what were the physical and cognitive consequences of the implementation and use of these often invasive technologies of destruction, instruction and sometimes protection? In doing so, the the book re-evaluates just how we should understand the sounds of World War One and the sounds of war more generally.

The Sonic Experience of World War One

33 1/3

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye's earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust. Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye's fantasies, his engagement with Ernie Barnes' painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye’s earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust.

Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye’s fantasies, his engagement with Ernie Barnes’ painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye's I Want You

California Studies in Music, Sound, and Media

Negotiating Musical Creativity in a Technological Age

Automatic Artistry

Ashgate Contemporary Thinkers on Critical Musicology Series

This collection of studies represents the range of Rosand's contribution to the history and criticism of music of the seventeenth and eighteenth centuries. Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works. Taken together, the articles demonstrate how Rosand has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

This collection of studies by Ellen Rosand represents the range of her contribution to the history and criticism of music of the seventeenth and eighteenth centuries.  Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works--from its function in representing the ideals of the Republic of Venice through its essential role in the emerging genre of opera, from the expressive mechanics of Monteverdi and Cavalli to those of Handel and Vivaldi.  With methodological flexibility, Rosand's analyses are responsive to the works themselves.  Exploring the mimetic significance of particular formal motifs and scenic conventions, the intimate relationship of music and text, or a composer's dramatic choices, discovering a new musical personality (Barbara Strozzi) or the historical and cultural circumstances, the practical and creative dynamics of an emerging dramatic art (opera in Venice), she has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

Selected Essays

Baroque Resonances

Raised on Radio

30 Years on from the Best Year of Our Lives

1996

Transnational Studies in Jazz

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records. Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label. It had organised its recording, marketing and distribution practices around a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand. This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records. Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label. It had organised its recording, marketing and distribution practices around a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand. This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

GRP Records

Jazz and the Digital Revolution

Routledge Studies in Employment and Work Relations in Context

This book addresses the key debates on public services reform in the last decade, providing a critical analysis of the restructuring of the public services, the emergence of a more managerially-organized public service and the trade union response.

This book addresses the key debates on public services reform in the last decade, providing a critical analysis of the restructuring of the public services, the emergence of a more managerially-organized public service and the trade union response.

The State at Work

Managerialism, Public Sector Reform and Industrial Relations

Revelations on Stage

Bliss and Dance

Public Financial Analysis is both a textbook for advanced undergraduate and graduate students and a guidebook for practitioners, on the methods, tools, and metrics utilized in public sector financial analysis. The book instructs readers on how to use local government financial records to produce financial and economic benchmarks to track the financial condition of cities, to follow the economic base, revenue, expenditure, operating position, and debt trends to help define the financial condition of local governments. The book will provide readers with the framework, methods, and tools to analyze the finances of a city and define its financial condition.

Public Financial Analysis is both a textbook for advanced undergraduate and graduate students and a guidebook for practitioners, on the methods, tools, and metrics utilized in public sector financial analysis. The book instructs readers on how to use local government financial records to produce financial and economic benchmarks to track the financial condition of cities, to follow the economic base, revenue, expenditure, operating position, and debt trends to help define the financial condition of local governments.The book will provide readers with the framework, methods, and tools to analyze the finances of a city and define its financial condition. The analysis of the city’s operating and capital finances will allow elected and appointed officials understand to a city’s current financial position and to analyze how budget and program considerations will affect the city’s future financial condition.To support the financial analysis concept, each chapter of the book will utilize case studies driven by a database of local government finances of 2,000+ local jurisdictions. The database charts the financial position of each jurisdiction through the use of financial and economic benchmarks to project the financial condition and allow comparison across similar types of jurisdictions: by type of government (city, village, and township), or population cohorts.Public Financial Analysis is designed to serve as a primary text in a public financial analysis class or a supplementary text for Municipal Budgeting, Budgeting and Policy Analysis, Public Management, and Public Finance and Economics.

A Guide to Strategic Public Management

Public Financial Analysis

Document And Eyewitness

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