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Analyzes the relationship between Charles Manson, music, and 1960's counterculture.

Tochka N: The Musical Lives of Charles
Manson

The Musical Lives of Charles Manson

The Beatles, the Beach Boys, and the Invention of the Sixties —or, No Sense Makes Sense

Prologue: The Father and the Son 1. Man's Son 2. Beatle Addicts 3. Rumor's Children 4. Twentieth-Century Nomads 5. The Family 6. Child of the State Epilogue: The Invention of the Sixties

The Ego Trip

Lives and Violent Deaths of a Devon Farming Family: A True Crime Classic Revisited

Earth to Earth

Electronic Dreams, Desiring Machines and Tomorrow’s Music Today

Futuromania

Warlock's Apocalypse

The Fast Life and Slow Death of Jerry Garcia

The Last American Bohemian

A Cult, a War, a Secret History

The Pilgrims' Castle

David Bowie and the Search for Life, Death and God

Waiting in the Sky

Female Killers in Early Modern Britain

Thou Savage Woman

The Music, Culture and World De La Soul Made

Living in a D.A.I.S.Y. Age

a gritty tale of love and death in Northern Ireland

The Bureau

Transnational Studies in Jazz

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records. Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label. It had organised its recording, marketing and distribution practices around a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand. This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records. Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label. It had organised its recording, marketing and distribution practices around a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand. This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

GRP Records

Jazz and the Digital Revolution

A Life in Music

To Be Or Not To Be

The Musical Lives of Charles Manson

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Inhalt

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