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Eine Zeitreise durch 100 Uhren - von revolutionärem Design zu ikonischen Klassikern.

Time Machines

The Culture of Iconic Watches

Adolf Hitler's plan to break British morale during the months after the D-Day landings in June 1944 involved the invention and implementation of the world's first rocket delivered warhead - the V1, or 'Doodle Bug' as it was christened by Londoners. Thousands were launched from their sites in the Low Countries against the British capital, killing 6,184 people and injuring 17,981. As the launch sites for the V1 were captured by Allied forces advancing through Belgium and into the Netherlands, a new, more terrifying rocket now hit London in mid-September, seemingly out of thin air - the V2. A streamlined rocket which stood as tall as a four-storey building, the V2 was highly advanced technology. Powered by a rocket engine burning a mix of alcohol-water and liquid oxygen, it blasted its way to the edge of space, before falling back to Earth at supersonic speed. Unlike the successes allied pilots and anti-aircraft crews had enjoyed shooting down the slower and more cumbersome V1, the V2 struck London almost undetected. It truly was Hitler's terror weapon made devastatingly real, causing over 30,000 casualties and leaving hundreds of thousands homeless, with the randomness of the strikes unnerving the British public even though their destructive capacity was less than the Blitz in 1940-41. But Winston Churchill's intelligence chiefs of SOE had known of the weapon weeks before it first struck the mainland as the Nazi boffins (led by Werner Von Braun who would go onto fame with the US Apollo Missions in the 1960s) tested the V2 in Eastern Europe. Away from prying eyes. Or, so they thought. In Stealing Hitler's Rocket, historian Guy Walters will reveal the true extent to how much we knew of this modern-day weapon and the operation by the Polish resistance to enable Britain and her allies to prepare for the day of reckoning.

The Incredible Mission to Smuggle a V2 out of Nazi-Occupied Europe to Britain

Stealing Hitler's Rocket

Very Short Introductions

A Very Short Introduction

The Iraq Wars

Hatje Cantz Text

Where is Charles Simonds? Throughout the 1970s, his

diminutive Dwellings, tiny architectural ruins of an imaginary civilization, could be found throughout the crumbling

infrastructure of downtown New York. Preoccupied with
the relationship between the grown and the built, the
archaeological and the urban, Simonds shared friendship
and ideas with Gordon Matta-Clark and Robert Smithson.
Like Lucy Lippard, with whom he lived during that decade,
Simonds believed in combining art and activism, always
preferring what he called the "real world" to the art world.
Yet despite taking part in many of the seminal exhibitions
and art events of 1970s New York, Simonds has left few
traces on art history. In order to explain Simonds's absence
while simultaneously arguing for his central place within it,

Jules Pelta Feldman reconsiders the decade's self-conception, finding that Simonds exemplifies much of what has

been ignored in 1970s art¿and much of what establishes
it as a unique period of experimentation and possibility.

Where is Charles Simonds? Throughout the 1970s, his

diminutive Dwellings, tiny architectural ruins of an imaginary civilization, could be found throughout the crumbling

infrastructure of downtown New York. Preoccupied with
the relationship between the grown and the built, the
archaeological and the urban, Simonds shared friendship
and ideas with Gordon Matta-Clark and Robert Smithson.
Like Lucy Lippard, with whom he lived during that decade,
Simonds believed in combining art and activism, always
preferring what he called the “real world” to the art world.
Yet despite taking part in many of the seminal exhibitions
and art events of 1970s New York, Simonds has left few
traces on art history. In order to explain Simonds’s absence
while simultaneously arguing for his central place within it,

Jules Pelta Feldman reconsiders the decade’s self-conception, finding that Simonds exemplifies much of what has

been ignored in 1970s art―and much of what establishes
it as a unique period of experimentation and possibility.

Charles Simonds and the Seventies

Demonstrating a wide array of influences-from Chinese calligraphy to Expressionism-Liu Wei's work deals with universal themes of humanity. With a career spanning over thirty years, he has proved a master of rendering human flesh and combining figuration with text and abstraction. Liu Wei's deft grasp of technique and acute awareness of color and composition is evident in his lush landscapes, in which flora and fauna often escape the confines of the canvas and spill out onto the Rococo-style frames. Featuring texts by distinguished specialists in contemporary Chinese art, this first major English-language monograph provides an in-depth look at the historical context and traces his development from his early paintings reflecting disenchantment with political and artistic utopias through the lenses of skepticism and satire, to lush landscapes, striking portraits, and more recent philosophic and contemplative calligraphic works on paper. LIU WEI (*1965, Beijing), studied printmaking at the Central Academy of Fine Arts in Beijing, where he still lives today. He first rose to prominence as a preeminent figure in China's "cynical realism" movement of the 1990s. His paintings have been shown in museum exhibitions and biennials worldwide, including the Museum of Contemporary Art, Sydney, the Singapore Art Museum, the San Francisco Museum of Modern Art, and the Venice Biennale.

Demonstrating a wide array of influences—from Chinese calligraphy to Expressionism—Liu Wei’s work deals with universal themes of humanity. With a career spanning over thirty years, he has proved a master of rendering human flesh and combining figuration with text and abstraction. Liu Wei’s deft grasp of technique and acute awareness of color and composition is evident in his lush landscapes, in which flora and fauna often escape the confines of the canvas and spill out onto the Rococo-style frames. Featuring texts by distinguished specialists in contemporary Chinese art, this first major English-language monograph provides an in-depth look at the historical context and traces his development from his early paintings reflecting disenchantment with political and artistic utopias through the lenses of skepticism and satire, to lush landscapes, striking portraits, and more recent philosophic and contemplative calligraphic works on paper. LIU WEI (*1965, Beijing), studied printmaking at the Central Academy of Fine Arts in Beijing, where he still lives today. He first rose to prominence as a preeminent figure in China’s “cynical realism” movement of the 1990s. His paintings have been shown in museum exhibitions and biennials worldwide, including the Museum of Contemporary Art, Sydney, the Singapore Art Museum, the San Francisco Museum of Modern Art, and the Venice Biennale.

Liu Wei

Soul of / 30 einzigartige Erlebnisse

30 unique and exclusive experiences that reveal the soul of Kyoto.

For ten years, we tested and kept a list of Kyoto’s most secret spots.
Only 30 made the final cut. 30 unique and exclusive experiences that reveal the soul of Kyoto.

“One afternoon in the space of a cherry tree in Kyoto, and here I am lifted to the highest heights of the intoxication of existing.” – René Depestre

Discover the loveliest spot to picnic on the banks of the river without being harassed by eagles, have your own barbecue behind the fish market, attend a tea ceremony in a private home, meet the craftsman who has just revived the traditional Kyoto fan that had virtually disappeared for 50 years, head to a fishing village to discover the world’s first itinerant hotel, push open the door to a bar hidden inside a temple, eat the best egg sandwich in town, go to the public baths to reconnect with a local ancestral tradition, taste the aguri mochi that started a thousand-year rivalry, or watch as a wood warehouse is transformed into an izakaya at nightfall ...

Soul of Kyoto was written by Thierry Teyssier, a traveling hotelier who likes to choreograph his dreams, and those of his clients. Here, he orchestrates encounters, discoveries, and shared moments to trace for us the soul of a city as beautiful as it is inaccessible. 

The ‘Soul of’ collection is a new approach to traveling that is all about wandering around, chance encounters, and unforgettable experiences. Guides for those looking to unlock the hidden doors of a city, find its pulse, and plumb every last nook and cranny to uncover its soul.

Soul of Kyoto 30 experiences

Das Praxisbuch für Anfänger

Tarot

Writing History

Writing Queer History introduces and surveys the ways in which historians and others have researched and written about the lesbian, gay and queer past. It pinpoints some of the key themes, issues and questions they have sought to address, looks at the kinds of sources they have used and suggests ways in which queer theory since the early 1990s has shifted approaches and perspectives for historians. Section One gives an overview of uses and accounts of the queer past from the late 19th century to the present. Section Two explores key questions and themes that have exercised historians by focusing on key texts ranging from the Medieval to the contemporary. Section Three focuses in further on different kinds of source material, examining specific archives to demonstrate how we might understand the past through particular documents, artifacts, voices and images. Finally, the author describes how his work has been shaped by his own biography, changing academic fashion, new theoretical perspectives and the particularities of archive collections. The book shows how histories of queer life have implications for the broader understanding of culture, society and politics, as well as demonstrating how queer history writing has been influenced and shaped by activist and community groups and by scholars working in and across different disciplines. Rich in case studies and including practical guidance on approaching queer history, Writing Queer History is an invaluable text for those studying the history of sexuality, gender history, the history of the emotions and historiography.

Writing Queer History

Palgrave Studies in Modern Monarchy

Transatlantic Monarchisms in the Americas and Europe, 1812-1868

Becoming a Voice for Young People

Historical Dictionaries of Africa

Historical Dictionary of Angola

This bestselling user guide offers an extensive and visually appealing outline of all creative processes and thinking tools. It is suitable for beginners as well as for those ready to widen their thinking horizon, but also for creative professionals looking for a useful hands-on compendium.

This manual offers a comprehensive and visually well-prepared overview of creative processes and thinking tools.
This bestselling user guide offers an extensive and visually appealing outline of all creative processes and thinking tools. It is suitable for beginners as well as for those ready to widen their thinking horizon, but also for creative professionals looking for a useful hands-on compendium.
As an innovation coach, Florian Rustler helps the creativity of individuals and groups and provides tools and structures with which ideas can be systematically developed. The content is based on over 50 years of scientific research on creativity and innovation and over 10 years of consulting and moderation experience of the author. All approaches have been tried and tested in real customer projects worldwide. The methods are always embedded in a larger framework that shows how they can be anchored in innovation processes such as design thinking and creative problem solving. The reader learns exactly when, how and why which procedure is used.

The Little Handbook of Innovation Methods

Thinking Tools for Creativity and Innovation

Papers of Thomas Jefferson: Retirement Series

A definitive new volume of the retirement papers of Thomas JeffersonThe 586 documents in this volume begin with Lafayette's celebrated American tour, during which he spends eleven days at Monticello early in November 1825 and discusses the institution of slavery with Jefferson. During a slightly later visit accompanied by Daniel Webster, George Ticknor describes Jefferson as "very active, lively, and happy," and "entirely absorbed" with plans for the University of Virginia. Francis W. Gilmer returns, having successfully recruited five European professors for the new school. Two teachers already in America complete the founding faculty. Although Jefferson is "almost in despair" that the law chair remains unfilled, the University of Virginia finally opens its doors on 7 March 1825. Fearing that a plan to move the College of William and Mary to Richmond would draw students and resources away from the university, Jefferson's allies defeat the proposal. Jefferson drafts a bill to dismantle the college, but it is ultimately not submitted. Potential university students, professors, and hotel keepers seek information and advice. Jefferson congratulates John Adams on the election of his son to the presidency but commiserates with him that aging has left them both "alone amidst a new generation whom we know not, and who know not us."

1 November 1824 to 3 May 1825

The Papers of Thomas Jefferson, Retirement Series, Volume 22

Time Machines

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