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for soprano solo and SATB (with divisions) unaccompanied 
Lucy Walker's thoughtful setting of There is no rose flows between swells of emotion and warm chromatic inflections in the Latin refrains. 
Offprinted from Carols for Choirs 6.

There is no rose

In Perfect Peace

O little one sweet

Three songs on the power of listening and connection with original Hindi texts by Reena Bhansali

S&unāō

Alleluia! A new work is come on hand

Iesous ahatonnia'

Welsh Vocal Music: A Guide to Lyric Diction and Repertoire introduces readers to the vast vocal repertoire of Wales and provides them with the tools to accurately and confidently sing in the Welsh language.

Welsh Vocal Music: A Guide to Lyric Diction and Repertoire introduces readers to the vast vocal repertoire of Wales and provides them with the tools to accurately and confidently sing in the Welsh language.

A Guide to Lyric Diction and Repertoire

Welsh Vocal Music

Christmas Fantasy

Music Pro Guides

In this highly anticipated sequel to A Cappella Arranging, Deke Sharon and Dylan Bell provide even more tools and insights to help musicians master the craft of a cappella arranging-including new creative principles and theoretical techniques to expand the palate, as well as arranging in various musical genres spanning several decades of music.
Since the publication of the original book in 2012, a cappella as a genre has grown enormously. Using conversational yet instructive tone, A Cappella Arranging 2.0: The Next Level picks up where its predecessor left off, helping people deepen their a cappella arranging skills. In four parts, the book addresses a variety of topics including:The creative process
An advanced understanding of vocal ranges
Counterpoint and polyphony
Harmonic concepts and techniques
Arranging for the studio
Live looping arrangements
Instrumental idioms 
Arranging in different styles from around the world
Medleys and mashups


This is the perfect resource for taking your a cappella arrangements to the next level.
ppella Arranging, Deke Sharon and Dylan Bell provide even more tools and insights to help musicians hone and master the craft of a cappella arranging-including new creative principles and theoretical techniques to expand the palate as well as arranging in various musical genres.

The Next Level

A Cappella Arranging 2.0

Elements in the Gothic

Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.

In the 1790s, the music of Gothic novels and plays was celebratory, calming rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort, and unease. This Element shows Melodrama brings about this change which had long-lasting effects on the music of the Gothic in fiction and poetry, on the stage and the screen.

The Music of the Gothic 1789–1820

New Horizons

Tota pulchra es

Voice Junction

for SSATB unaccompanied With a text by Thomas H. Troeger, this deeply expressive piece explores the notion of companionship and resilience through difficult times. The comforting, lyrical melody is set over a bed of rich harmonies, perfectly complimenting the text's description of the courage, faith, and confidence nurtured in a loving community.

The Landscape of Your Heart

Somehow not only for Christmas

There is no rose

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