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Theatre And

Young Harvey: Theatre and Race

Theatre and Race

While mainstream international legal scholarship has long treated race as a peripheral concern-or a historic injustice to be remembered but not redressed-this volume argues that racialisation is foundational to the discipline, underpinning its doctrines, epistemes, and interlocutors. Emancipating International Law explores the many ways racial hierarchy, systemic oppression, and global white supremacy shape international law. Bringing together leading and emerging scholars, the collection moves beyond qualifying whether international law is racist to explore how racial hierarchies are embedded in its structures and continue to evolve through legal and institutional practice.

Divided into five sections, the book begins by situating international law's racialised boundaries within its colonial, capitalist, and chauvinist afterlives, exposing how white ignorance and race-thinking underpin legal norms, from sovereignty to jus cogens. It then examines racial stratification across legal institutions, including investment law, refugee law, and the Genocide Convention. The third section extends this critique to human rights, revealing the ways in which even an emancipatory paradigm can bolster racial injustices. The penultimate section unpacks racial hierarchies in disparate societies, including Brazil, India, and Japan, as well as the frontiers of nation-states. The volume concludes with a powerful discussion of the role of activism and alternative epistemologies in racial justice struggles, and the limits of international law's capacity for anti-racist transformation.

Aimed at scholars, practitioners, and students of international law, critical legal studies, and anti-colonial theory, this book advances an understanding of international law that is aimed at dismantling its racialised structures.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations.

Confronting the Violence of Racialized Boundaries

Emancipating International Law

An intimate portrait of Yanis Varoufakis's political awakening, told through the history of his extraordinary family 'Gripping and unforgettable. It reads like a thriller' BRIAN ENO Dramatic in scope and deep in feeling, Raise Your Soul traces three generations swept up in the whirlwind of history, across a century of occupation, civil war, Cold War fracture and economic crisis, from 1924 to the present. At its heart are Eleni, Anna, Trisevgeni, Georgia and Danaë - the women who shaped the visionary economist most, and whose resilience and courage inspire us to resist the forces of authoritarianism that still haunt our world. 'Written with a historian's grasp of events, an economist's rationalisation of how things work and, most of all, a storyteller's understanding of the human condition, this is not just Varoufakis's story, but ours' IRVINE WELSH 'Beautiful and inspiring, I couldn't put it down' ROSIE HOLT 'Fierce ... to sit with Varoufakis's words is a gift' ESTHER ANATOLITIS

A Personal History of Resistance

Raise Your Soul

An Instant New York Times bestseller One of most influential thinkers today, 'the woman who revolutionized feminism' (Guardian), offers a deeply engaging story of justice and power in America When Kimberlé Crenshaw was five years old in Ohio during the civil rights era, she was the only girl denied a lead role in her nursery play. Puzzled by her teacher's behaviour, she spoke up - and never stopped. That instinct to question power, to challenge what others accepted as fair, would shape not only her own life but the way we now understand race and gender. In Backtalker, Crenshaw traces her journey from a spirited girl in Canton, Ohio to one of the most influential legal thinkers today. Through childhood lessons and painful reckonings - a boyfriend's violence in college, a back door at Harvard Law, the silencing of women in the civil rights movement - Crenshaw learned to see the patterns others missed, refusing to stay behind the lines the world drew for her. Out of those experiences came two ideas that changed everything: intersectionality, the recognition that race, gender, and class overlap to create unique forms of discrimination; and critical race theory, the argument that racism is structural. Crenshaw's voice has since echoed through some of the most charged moments in recent history - from Anita Hill's testimony to the rise of Black Lives Matter - insisting that true justice means seeing the whole picture. Backtalker is both a memoir of awakening and the origin story of a transformative mind. Crenshaw's story is ultimately about fairness and power - and the enduring battle for America's soul.

A Memoir

Backtalker

Theater

How do the visible and the invisible interact in aesthetic experience? Kati Röttger connects phenomenology and intermediality to engage with orders of looking in theatrical events, and thus offers a multifaceted methodological approach to performance analysis. The study balances theory and methodology in combination with extensive case studies encompassing different histories, cultures and media from dance, to postdramatic theatre, film and theatre texts. The reader gains a deep insight into the relevance of theatrical performances as poison and cure in (hyper)industrial societies, because of theatre's capability to theorize critically the not least violent interrelationship of seeing and being seen.

Phenomenologies and Intermedial Performance

Looking Through Theatre

Routledge Research in the Creative and Cultural Industries

This book presents the creative industries as a suite of practices intimately connected to political, economic, and cultural power. Seeking to illuminate the creative industries through critical cultural analysis it shows the extent to which creative labour shapes our shared cultural and political realities, good and bad.The author presents creative labour as a form of employment which typically operates well outside conventional industrial relationships, highlighting the importance of cultural as well as political and economic value. The aim of doing so is to provide a view of the broader creative economy that shows up the effects and trends of its strange industrial relationships. It recognises new forms of audience labour as significant creative, political, cultural, and commercial forces, and frames cultures as preceptual systems, as systems of rules, conventions, morés, and laws.In so doing, the author provides a new cultural framework through which scholars, students, and reflective practitioners can make critical judgements about the creative economy and its creative acts.

Cultural Politics of the Creative Industries

Roxane Gay - Bestsellerautorin, Aktivistin und Kulturkritikerin&nbsp;- liebt es, sich in anderer Leute Angelegenheiten einzumischen, und hat zu allem eine&nbsp;Meinung. Mit lässiger Unerschrockenheit verbindet ihr Schreiben messerscharfe politische Analyse, popkulturellen Kommentar und juicy gossip: Warum der ganze Online-Hass? Wo sind Schwarze Kinder sicher? Wer ist Pamela Anderson wirklich, und warum sind alle Vatertagsgeschenke furchtbar?

Roxane Gay – Bestsellerautorin, Aktivistin und Kulturkritikerin
 &nbsp;– liebt es, sich in anderer Leute Angelegenheiten einzumischen, und hat zu allem eine&nbsp;Meinung. Mit lässiger Unerschrockenheit verbindet ihr Schreiben messerscharfe 
 politische Analyse, popkulturellen Kommentar und juicy gossip
 : Warum der ganze Online-Hass? Wo sind Schwarze Kinder sicher? Wer ist Pamela Anderson wirklich, und warum sind alle Vatertagsgeschenke furchtbar?

Die wichtigsten Texte der Ikone des US-amerikanischen Feminismus

Ungefragter Rat in einer angespannten Gegenwart

New Perspectives in Cultural Management

This focused book brings together a top-tier team of experts to explore and analyse the impact of digitalisation on the creative and cultural industries in Europe. Focused on structural shifts seen since the height of the global health pandemic, the book highlights how digital technologies have fundamentally reshaped how cultural organisations operate, communicate, and generate value.Providing a critical examination, the chapters address the strategic, organisational, technological, and societal dimensions of the digital shift in cultural consumption. A concise compendium, this book examines public policy frameworks, institutional strategies, audience engagement, financial innovation, and the impact of technologies such as artificial intelligence.As a resource for policymakers, cultural professionals, and academics alike, this book contributes to and supports more resilient, inclusive, and future-oriented cultural ecosystems across Europe.

European Culture Rewired

Digitalisation and the Cultural Value Chain

Jewish Lives

An accessible and authoritative biography of Walter Benjamin that guides the reader through the complexity of his intellectual legacy and the turbulence of his time"A short, serene volume. . . . Gordon avoids treating his subject in allegorical terms, in part because Benjamin always resisted conscription into a story larger than his own."-Anahid Nersessian, New YorkerWalter Benjamin (1892-1940) is widely considered one of the most creative cultural critics of the twentieth century. Esteemed for his literary acumen and capacious imagination, he developed a unique style of criticism-his friend Hannah Arendt called it pearl-diving-that sought out fragments of redemption in the ruins of bourgeois civilization.Award-winning author Peter E. Gordon tells Benjamin's story in a vivid and poetic style, inviting the reader to look beyond the image of Benjamin as a tragic figure of German-Jewish history and portraying him as a complex personality of unique and multifaceted gifts. Tracing Benjamin's life from his Berlin childhood to his Parisian exile, through the romanticism of the youth movements and the conflicts over modernism and Marxism, Gordon brings Benjamin to life.

The Pearl Diver

Walter Benjamin

Routledge Companions in Marketing, Advertising and Communication

Analysing the complex intersections between artists, creatives and markets, this new and revitalised edition addresses the world that is emerging following and during a period of global crisis.Drawing on a wide range of international expertise, the book explores the impact of the turbulent external environment, including post Covid-19 effects on organisations and artists at community, national and international levels.Expanded, revised and updated, this new edition will continue to stimulate and inform the next global generation of students, scholars, policymakers and administrators in arts marketing, arts management and arts entrepreneurship across the creative industries.

The Routledge Companion to Arts Marketing

There is a specific energy to it. Cafes and shops close their shutters. Darkness descends. 'The air begins to tingle', wrote John Dos Passos of twenties New York. 'It's tonight if you drink enough, talk enough, walk far enough, that the train of magical events will begin.'Barely four centuries ago, music, fashion, sex, architecture, art and booze first fused to create what we now call nightlife. It happened, strangely enough, in 17th-century Japan, in a remote marshland outside the shogun's capital. This den of hedonism and iniquity became a breeding ground for new ideas - and while the venues have changed, nightlife has been at the frontier of cultural innovation ever since. Up All Night is the story of the good times and the great ones. Who invented jazz? What did 18th century Londoners do for entertainment? Why was Detroit the birthplace of techno? Who built Las Vegas? And what, in our increasingly online lives, are we missing when we pass up the chance of a big night out? Join party historian Imogen Willetts for a guided tour of history's wildest nights out - piecing together tantalising ephemera and foggy reminiscences from shogunate Japan to noughties Hollywood, and every iconic scene in between. 'Spills over with colourful anecdotes . . . Reading Up All Night makes you want to put it down - if only to step out into the seductive, thrilling night' DAILY TELEGRAPH'A sparkling cultural history . . . Its procession of nocturnal scenes is immersive, intoxicating and full of surprises' MIKE JAY, author of PSYCHONAUTS'A jaunty, jam-packed history of big nights out that revels in spectacle and theatricality' EMMA WARREN, author of DANCE YOUR WAY HOME

A History of Going Out

Up All Night

A profoundly personal and moving portrait of a misunderstood people and their on-going journey - shedding new light on Romani history and what it means to be Romani in Europe today. 'Fascinating' TELEGRAPH 'An exhilarating history of resistance and survival' OBSERVER The Romani story is not widely known, and that invisibility has allowed fear and hostility to thrive. The Roma, full of extraordinary individuals and hitherto ignored moments from history, corrects this. We meet the artist who chronicled her experiences of the Holocaust in Austria; the boxer who should have become Germany's light-heavyweight champion only to have his win scratched from the record by the Nazis; and a eighteenth-century woman in London who was sentenced to death for kidnapping to be exonerated by the detective work of an unconvinced judge. Throughout, Madeline Potter weaves in her travels though Romani Europe and experience as a Romani woman in Romania and in Britain. Blending evocative history and lyrical travel writing with intimate accounts of racism and calls for change, The Roma is a powerful story of resistance, resilience and survival - and a celebration of a vibrant culture and misunderstood people. 'A fascinating look at a marginalised and misunderstood people' DAILY MAIL 'Wise and beautiful' JO CLEMENT, author of Outlandish 'Epic in scale and ambition ... Utterly compelling' LANRE BAKARE, author of We Were There 'A book to be treasured' BIDISHA, broadcaster and presenter

A Travelling History

The Roma

A Next Big Idea Club Must-Read"A powerful and urgent call to action—for the health and safety of half of our population, it’s time we rethink the male body ideal and build a world that includes us all.” —Dr. Elizabeth Comen, MD, medical oncologist, associate professor of medicine at NYU Langone, and bestselling author of All in Her Head“This book challenges us to ask new questions and, more important, to question old answers.” —John Hoke III, chairman of the board of MillerKnoll and former chief innovation–design officer of Nike, Inc.An industrial designer and former Global Creative Director at Nike delivers a sharp critique of the consequences of a world built by and for men, and offers an optimistic look at how we might build a better world for us all.Women and men inhabit the same world, yet it does not suit them both equally.Women are 73% more likely to be injured in a car crash than men. In the military, women suffer pelvic fractures at a much higher rate than their male counterparts. In construction, 90% of women are unable to find proper fitting safety gear.These outcomes are not a coincidence—they are a result of products where the female population is an afterthought at best. Automobile crash test dummies used for safety tests are designed based on male anatomy, as is firefighting gear and personal protective equipment. Using a “shrink it and pink it” strategy, sneakers for women are scaled down versions originally designed for a man’s foot, and colored a stereotypical feminine color – like pink. In the design of products and places, the female body is often invisible and ignored. The result is a world less hospitable and more dangerous for women.It doesn’t have to be this way. A designer for over 40 years at some of the world’s top corporations, including Reebok and Nike, Karen Korellis Reuther has witnessed the way women continue to be excluded from critical product design decisions. But Man-Made, isn’t a patriarchal lament; it is a rousing call to action drawn from research-backed insights, market analyses, and expertise from leading designers, executives, and economists.From the simply insulting and uncomfortable to the dangerous and deadly, the effects of exclusively man-made designs are wide-ranging. Rethinking and expanding product design and architecture, Reuther contends, will not only create a world that better fits women, but a world that better fits everyone.

"A powerful and urgent call to action—for the health and safety of half of our population, it’s time we rethink the male body ideal and build a world that includes us all.” —Dr. Elizabeth Comen, MD, medical oncologist, associate professor of medicine at NYU Langone, and bestselling author of All in Her Head“This book challenges us to ask new questions and, more important, to question old answers.” —John Hoke III, chairman of the board of MillerKnoll and former chief innovation–design officer of Nike, Inc.An industrial designer and former Global Creative Director at Nike delivers a sharp critique of the consequences of a world built by and for men, and offers an optimistic look at how we might build a better world for us all.Women and men inhabit the same world, yet it does not suit them both equally.Women are 73% more likely to be injured in a car crash than men. In the military, women suffer pelvic fractures at a much higher rate than their male counterparts. In construction, 90% of women are unable to find proper fitting safety gear.These outcomes are not a coincidence—they are a result of products where the female population is an afterthought at best. Automobile crash test dummies used for safety tests are designed based on male anatomy, as is firefighting gear and personal protective equipment. Using a “shrink it and pink it” strategy, sneakers for women are scaled down versions originally designed for a man’s foot, and colored a stereotypical feminine color – like pink. In the design of products and places, the female body is often invisible and ignored. The result is a world less hospitable and more dangerous for women.It doesn’t have to be this way. A designer for over 40 years at some of the world’s top corporations, including Reebok and Nike, Karen Korellis Reuther has witnessed the way women continue to be excluded from critical product design decisions. But Man-Made, isn’t a patriarchal lament; it is a rousing call to action drawn from research-backed insights, market analyses, and expertise from leading designers, executives, and economists.From the simply insulting and uncomfortable to the dangerous and deadly, the effects of exclusively man-made designs are wide-ranging. Rethinking and expanding product design and architecture, Reuther contends, will not only create a world that better fits women, but a world that better fits everyone.

How We Designed a World That Leaves Women Out, and How We Can Make It Right

Man-Made

Theatre and Race

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