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Theatre And

Young Harvey: Theatre and Race

Theatre and Race

The real political mission of Malcolm X, and why it needs resurrecting now - 100 years after his birth Malcolm X is a titanic figure in political history, but he is also one of the most misunderstood. So much of what we know about his life and politics is from books, films and documentaries that are all guilty of peddling the Malcolm myth for their own nefarious interests. Forever known as the violent Yang to Martin Luther King's Yin, in the years since his death he has been co-opted into the American project, punished by his enemies for his radicalism, and marginalised by decades of governments, academics and activists. But here, for the first time, Malcolm is rediscovered. On the centenary of his birthday, in a world shaken by decades of injustice and racism, Malcolm's political mission is more urgent than ever. In Nobody Can Give You Freedom, Kehinde Andrews reveals his real revolutionary programme. Malcolm's activism was his philosophy, and paying attention to it reveals the true cultural icon - who, if he were alive today, would tell us to pick up the mantle, and overturn this wicked system for good.

The Real Mission of Malcolm X

Nobody Can Give You Freedom

'The great book on 1966 that needed writing.' PAUL HAYWARD, OBSERVER'Panoramic and polemic.' JONATHAN NORTHCROFT, SUNDAY TIMES - A vivid portrait of the world in 1966, centred around the storied World Cup tournament and its backdrop, published to mark the 60th anniversary.1966, with London declared 'a swinging city' and John Lennon proclaiming the Beatles 'more popular than Jesus', the year's football World Cup convenes an international community standing at an inflection point, emerging from the long shadow of the Second World War and hurtling towards the future.Propelled by social change, civil rights movements and technological advancement serve as beacons of hope and possibility. Yet, Cold War tensions, the escalation of the Vietnam War, and the space race between America and the Soviet Union project a different image. As China's Cultural Revolution begins, and talks are initiated to reunify Germany, football has the potential to inflame ideological rivalries, unite old enemies, and allow nations to demonstrate their prowess on a global stage.Through the prism of the extraordinary tournament and the eight teams that reached the quarter finals - England, West Germany, Uruguay, Argentina, Portugal, Soviet Union, North Korea and Hungary - Michael Calvin provides a vivid portrait of a critical moment in world history. Examining the sporting, social and cultural significance of the competition and its backdrop, this hugely entertaining book brings to life a world and a sport caught in a tide of change, and shows how this critical year would change both forever. - 'England's one World Cup victory needed this book. An absorbing account of what 1966 actually meant... by the writer who has covered more aspects of how the English game actually works than any other.' MIGUEL DELANEY, INDEPENDENT'A tremendous accomplishment. Rich, compelling and highly readable.' SEB STAFFORD-BLOOR, THE ATHLETIC'Fascinating and enthralling. A book that will capture your imagination.' DARREN LEWIS, DAILY MIRROR

A Moment in Time

1966

Henry James's experience of drama began in the New York theatres of his 1850s childhood; in Europe he became familiar with the London theatre and the Théâtre-Français in Paris. He went on to experiment continuously with the 'scenic art' in his fiction, and to write plays himself. This complete collection of James's essays and reviews on drama discusses a range of theatre, including productions of Shakespeare, Tennyson, 'well-made' French plays and early performances of Ibsen. In addition, he characterises some of the great performers of the day, including Irving, Terry, Kemble, Ristori, Coquelin and Salvini. Readers will find James's texts as they first appeared, with a wealth of editorial support, which evokes the colourful world of late Victorian theatre. Many of the items included have not previously been available in a scholarly edition. The editorial apparatus includes a general introduction, a chronology, a textual variants section, and a biographical guide to actors.

The Complete Writings of Henry James on Art and Drama: Volume 2, Drama

Social Science for Social Justice

Cultural appropriation is one of the most contested issues of our time - but what does it actually feel like to have your culture taken, repackaged, and sold back to you? In this book, Rina Arya moves beyond familiar debates to place the lived experiences of minoritised communities at the centre of the discussion. Drawing on postcolonial theory, lived religion, cultural studies, and her experiences as a British South Asian, she examines how cultural forms are commodified, transformed, and returned to their communities with renewed authority. Arya argues that the deepest harms of cultural appropriation are not only economic or representational but also psychological, reshaping how people understand their culture and identity. Combining rigorous scholarship with personal testimony, this book challenges readers to rethink who has the authority to define culture - and what is lost when that authority shifts away from the communities from which culture originates.

Reclaiming the Debate on Cultural Appropriation

Mental Health in Historical Perspective

Chapter 1: Introduction.- Part I. Mental Health Care in Context.- Chapter 2: Greece in the Early Twentieth Century.- Chapter 3: Mental Health Care in Greece up to the First Decades of the Twentieth Century.- Chapter 4: The Economic Aspects of Institutional Mental Health Care.- Part II. The Patients of the Institutions.- Chapter 5: Men and Women.- Chapter 6: Young and Old, married and Single.- Chapter 7: Where did Patients Live and Work?.- Chapter 8: Diagnoses and Symptoms.- Part III. Psychiatric Hospitalisation.- Chapter 9: Private Aspects of Institutional Mental Health Care.- Chapter 10: Public Aspects of Institutional Mental Health Care.- Chapter 11: The Boundaries between Institutions and Society.- Chapter 12: Scientific and Professional Aspects of Institutional Mental Health Care.- Epliogue.

This book examines the social and cultural meanings of mental illness and psychiatric hospitalisation in early twentieth-century Greece. Although Greek psychiatrists were trained in countries such as France and Germany, and followed general European models of psychiatry, they practiced within a different economic, social, and cultural context. By focusing on a country on the periphery of Europe, this book explores new dimensions of mental health care on the continent, and illustrates how European theories were adapted by Greek psychiatrists. The author presents case studies of two Greek mental health hospitals, Dromokaitio and Eginitio, both of which were situated in Athens, but treated patients from all over Greece. Exploring how patients came to be admitted to the hospitals, the book highlights the relationship between communities and mental health institutions, and thus, the interplay between society and asylum. It investigates both private and public discourses around mental illness and hospitalisation, bringing to the forefront patients, family members, state and local authorities, charitable organisations, and medical professionals. Combining multiple perspectives on psychiatric hospitalisation, this book provides a nuanced account of the history of mental illness and health care in Greece, and highlights the different purposes, limitations, and contradictions inherent in treating the mentally ill.

Hospitals, Patients, and Society

A Social History of Mental Health Care in Greece, c. 1900—1920

New Perspectives in Cultural Management

This book examines one of the most persistent concepts in modern art and cultural theory: the proposition that art can operate independently from economic, political, or social constraints.In an age defined by global interdependence, digital transformation, and shifting cultural policies, the notion of autonomy has acquired new urgency. This volume explores how artistic autonomy is negotiated and redefined within today's complex intersections of governance, markets, institutions, and technology. Bringing together critical essays, case studies, and reflective practices, this book reveals how autonomy is not a static or absolute state, but a living process shaped through relation, negotiation, and vulnerability. This book traces how artists and institutions navigate structural pressures while maintaining creative integrity, and how autonomy itself functions as both a protective space and a mode of engagement. Through a wide range of perspectives, spanning theory, policy, and artistic practice, the collection uncovers the paradoxes that define contemporary cultural production: freedom within dependency, creativity within regulation, and independence within systems of care. It invites readers to view autonomy not as separation from society but as the capacity to act critically and imaginatively within it.Essential reading for scholars, artists, policymakers, and cultural professionals, Artist Autonomy and the Contemporary Creative Economy offers a timely and compelling examination of what it means to be artistically free in an era of transformation and global interconnection.

Art, Market and Policy

Artist Autonomy and the Contemporary Creative Economy

This is the incredible untold story of four women who helped win World War II by generating a wave of black propaganda. Betty MacDonald was a 28-year-old reporter from Hawaii. Zuzka Lauwers grew up in a tiny Czechoslovakian village and knew five languages by the time she was 21. Jane Smith-Hutton was the wife of a naval attaché living in Tokyo. Marlene Dietrich, the German-American actress and singer, was one of the biggest stars of the 20th century. These four women, each fascinating in her own right, together contributed to one of the most covert and successful military campaigns in WWII. Members of the Office of Strategic Services, their task was to create a secret brand of propaganda produced with the sole aim to break the morale of Axis soldiers. Working in Europe, across enemy lines in occupied China and in Washington D.C., Betty, Zuzka, Jane and Marlene forged letters and 'official' military orders, wrote and produced entire newspapers, scripted radio broadcasts and songs and even developed rumours for undercover spies and double agents to spread to the enemy. And outside of a small group of spies, no one knew they existed. Until now.

The Secret Women of World War II Intelligence

Propaganda Girls

Penguin Modern Classics

'The undertow of unspoken feeling is tumultuous, and although hardly anything happens the action amounts to a fearful adventure' New York TimesJames Joyce's play Exiles follows the story of writer Richard Rowan, who, along with his 'common-law wife' Bertha and their son Archie, has come home to Dublin after ten years away. The couple's return triggers an existential questioning, an anxiousness which is exacerbated by meetings with old friends and lovers. All this is set against the background of the summer of 1912, when Ireland and even England were threatening to tear themselves apart over Ulster. Exiles is a profound exploration of jealousy, doubt and the complexity of human desire; it is also about the torments of disunion in both the public and private realm.With a new introduction and notes by Andrew Gibson.

After ten long years spent away from Dublin, Richard, Bertha and their young illegitimate son Archie are back home. Despite expectations of comfort and domesticity, the couple's return to the place where they first met triggers an existential questioning, an anxiousness which is exacerbated by meetings with old friends and lovers. James Joyce's only surviving play, Exiles builds upon one of his most famous short stories, 'The Dead', to provide a profound exploration of jealousy, doubt and the complexity of human desire.

Exiles

Routledge Studies in African Development

This book uses a multidisciplinary approach to explore the links between ethnicity, inequality, and economic development in sub¿Saharan Africa.This book shows how ethnic identity influences all aspects of life in African societies, defining access to political institutions and economic resources, resulting in horizontal or structural inequalities. It demonstrates that ethnicity operates both directly and indirectly through political and economic institutions in which the dynamics of ethnic engagement serve as a basis for resource allocation. Drawing on a blend of micro and macro perspectives, this book assesses the economic, cultural, legal, and sociological connections among ethnicity, inequality, and economic development in sub¿Saharan Africa. Chapters provide a critical framework that grounds ethnic fragmentation as a central agency of underdevelopment and principally focus on three key areas:<ul> <li>The origins and dynamics of ethnicity in sub¿Saharan Africa</li> <li>Socioeconomic inequality in sub¿Saharan Africa and its link to ethnic identity</li> <li>The relationship between governance networks and ethnic identity</li> </ul>A distinctive contribution to development literature, this book will be of interest to students and scholars of economics, development studies, geography, anthropology, political science, sociology, and African studies.

Ethnicity, Inequality, and Economic Development in Sub-Saharan Africa

Methuen Drama Play Collections

Young Adult Edition

The Methuen Drama Book of Trans Plays Volume 3

Forum Musikvermittlung Ä Perspektiven aus Forschung und Praxis

Wie beeinflussen technologische und kulturelle Entwicklungen im Zuge der fortschreitenden Digitalisierung die Musikvermittlung? Die Beiträger*innen stellen neben Forschungsergebnissen und einschlägigen Diskursen auch exemplarisch ausgewählte Beispiele digitaler und hybrider Vermittlungspraxis sowie digitalitätsbezogene hochschuldidaktische Konzeptionen vor. Durch die Bündelung dieser unterschiedlichen Perspektiven möchte der Band Impulse für eine praxisnahe und forschungsbasierte universitäre Ausbildung von Musikvermittler*innen im Zeitalter der Postdigitalität geben.

Wie beeinflussen technologische und kulturelle Entwicklungen im Zuge der fortschreitenden Digitalisierung die Musikvermittlung? Die Beiträger*innen stellen neben Forschungsergebnissen und einschlägigen Diskursen auch exemplarisch ausgewählte Beispiele digitaler und hybrider Vermittlungspraxis sowie digitalitätsbezogene hochschuldidaktische Konzeptionen vor. Durch die Bündelung dieser unterschiedlichen Perspektiven möchte der Band Impulse für eine praxisnahe und forschungsbasierte universitäre Ausbildung von Musikvermittler*innen im Zeitalter der Postdigitalität geben.

Perspektiven aus Forschung, Lehre und Praxis

Musikvermittlung im postdigitalen Zeitalter

There is a specific energy to it. Cafes and shops close their shutters. Darkness descends. 'The air begins to tingle', wrote John Dos Passos of twenties New York. 'It's tonight if you drink enough, talk enough, walk far enough, that the train of magical events will begin.'Barely four centuries ago, music, fashion, sex, architecture, art and booze first fused to create what we now call nightlife. It happened, strangely enough, in 17th-century Japan, in a remote marshland outside the shogun's capital. This den of hedonism and iniquity became a breeding ground for new ideas - and while the venues have changed, nightlife has been at the frontier of cultural innovation ever since. Up All Night is the story of the good times and the great ones. Who invented jazz? What did 18th century Londoners do for entertainment? Why was Detroit the birthplace of techno? Who built Las Vegas? And what, in our increasingly online lives, are we missing when we pass up the chance of a big night out? Join party historian Imogen Willetts for a guided tour of history's wildest nights out - piecing together tantalising ephemera and foggy reminiscences from shogunate Japan to noughties Hollywood, and every iconic scene in between. 'Spills over with colourful anecdotes . . . Reading Up All Night makes you want to put it down - if only to step out into the seductive, thrilling night' DAILY TELEGRAPH'A sparkling cultural history . . . Its procession of nocturnal scenes is immersive, intoxicating and full of surprises' MIKE JAY, author of PSYCHONAUTS'A jaunty, jam-packed history of big nights out that revels in spectacle and theatricality' EMMA WARREN, author of DANCE YOUR WAY HOME

A History of Going Out

Up All Night

Theatre and Race

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