<div class="raw-html-embed"><a href="https://libratech.ai/ch/?utm_source=partner&amp;utm_medium=website&amp;utm_campaign=wkch_libra_prsp_staempfli_07_2026
">Stämpfli Fachinhalte - jetzt im rechtssicheren Libra All-In-One AI Workspace verfügbar - Jetzt kostenlos testen!</a></div>

Über uns

À propos de nous

Nachhaltigkeit

Durabilité

Open Access

Karriere

Carrière

Aboverträge Kündigen

Résiliation d’abonnement

Vertrag widerrufen

Résiliation de contrat 

Datenschutz

Protection des données

Impressum

Mentions légales

Zahlung und Lieferung

Paiement et livraison

Libra

Was ist Libra?

C'est quoi Libra ?

Kostenlos testen

Tester gratuitement

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Aktienrecht

Droit des sociétés anonymes

Publikationen

Publications

Literatur

Digitales Angebot

Bücher

Livres

Buchreihen

Collections

Onlinemodule LEXIA

Modules en ligne LEXIA

recht.ch

Studienliteratur

Littérature pour les études

Dienstleistungen

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Unsere Funktionen

Nos fonctions

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Gesamtkatalog

Catalogue complet

Theatre And

Young Harvey: Theatre and Race

Theatre and Race

Lettre

À ce jour, un élément central est resté largement inexploré par la recherche sur la bande dessinée: la couleur. Marie Weyrich analyse de manière systématique le rôle et l'importance de la couleur dans ce média. Son étude se compose de trois sections théoriques et d'une section analytique, toutes illustrées par de nombreux exemples. Cette approche interdisciplinaire vise à combler une lacune majeure de la recherche existante sur la bande dessinée. Elle met particulièrement l'accent sur l'élaboration et l'application d'outils analytiques pertinents permettant d'étudier les facteurs clés qui déterminent l'usage et la perception de la couleur dans la bande dessinée francophone contemporaine.

À ce jour, un élément central est resté largement inexploré par la recherche sur la bande dessinée: la couleur. Marie Weyrich analyse de manière systématique le rôle et l’importance de la couleur dans ce média. Son étude se compose de trois sections théoriques et d'une section analytique, toutes illustrées par de nombreux exemples. Cette approche interdisciplinaire vise à combler une lacune majeure de la recherche existante sur la bande dessinée. Elle met particulièrement l'accent sur l'élaboration et l'application d'outils analytiques pertinents permettant d'étudier les facteurs clés qui déterminent l'usage et la perception de la couleur dans la bande dessinée francophone contemporaine.

Couleurs et narration dans la bande dessinée contemporaine

Quand les couleurs racontent

Discovering the Creative Industries

This book provides cultural leaders, both emerging and established, with actionable tools to measure outcomes, communicate value, and build sustainable programs that create lasting positive change.Through insightful case studies of successful socially engaged art initiatives, readers can see how theory translates into transformative practice. Whether you are a student preparing for a career in arts management or a seasoned professional looking to enhance your organisation's impact on the community, this resource provides a roadmap to harness the unique power of cultural work for social transformation. By adopting this approach, arts organisations can fulfil their artistic missions while becoming essential catalysts for creating more equitable, vibrant, and connected communities. This essential guide offers a perfect balance of theoretical foundations and practical implementation strategies, equipping readers to:· Articulate and align organizational values with stakeholder expectations· Strategically identify and prioritize relevant social issues· Transform business practices to authentically support social purposes· Navigate marketing, fundraising, and legal considerations through a social impact lensSocial Impact for Cultural Organizations will be essential reading for students of arts and cultural management worldwide.

A Toolkit for Creating Change

Social Impact for Cultural Organizations

'An extraordinary intervention. If you want to understand the stakes and the limitations of contemporary conflict over culture and colonial history this bold, provocative book is an indispensable resource' Paul Gilroy, founding Director of the Sarah Parker Remond Centre for the Study of Race and Racism at UCL 'Hicks' must-read book describes how it was possible for a human skull to be made into a drinking cup and used in a genteel Oxford college, well into the 21st century, as if empire were an eternal state of nature . . . Read it to learn new ways to be anti-racist, abolitionist and to tell other stories than those commemorated by the monuments that surround us, from statues, to museums and the police' Nicholas Mirzoeff, author of White Sight 'Brave and clear-sighted. Hicks opens up an extraordinary conversation between the past and the present. This is a book about falling statues, but so much more. It's about how we've been lied to, and how we can approach the past with honesty. Hicks asks whether history and archaeology should be used to justify actions we know impinge on the rights of others - or to understand ourselves better' Alice Roberts, bestselling author of Crypt 'Dan Hicks writes with grace and fierce focus about what we choose to remember and why, in our patterns of thought, our institutions and the built environment in which we live' Eyal Weizman, director of Forensic Architecture The culture war is over. If you want it to be. It wasn't even a culture war; it was a war on culture. A sustained attack, Dan Hicks argues, in the form of the weaponisation of civic museums, public art, and even universities - and one that has a deeper history than you might think. Tracing the origins of contemporary conflicts over art, heritage, memory, and colonialism, Every Monument Will Fall joins the dots between the building of statues, the founding of academic disciplines like archaeology and anthropology, and the warehousing of stolen art and human skulls in museums - including the one in which he is a curator. Part history, part biography, part excavation, the story runs from the Yorkshire wolds to the Crimean War, from southern Ireland to the frontline of the American Civil War, from the City of London to the University of Oxford - revealing enduring legacies of militarism, slavery, racism and white supremacy hardwired into the heart of our cultural institutions. Every Monument Will Fall offers an urgent reappraisal of how we think about culture, and how to find hope, remembrance and reconciliation in the fragments of an unfinished violent past. Refusing to choose between pulling down every statue, or living in a past that we can never change, the book makes the case for allowing monuments to fall once in a while, even those that are hard to see as monuments, rebuilding a memory culture that is in step with our times.

A Story of Remembering and Forgetting

Every Monument Will Fall

**LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION 2026**'I've been waiting for a book like this.' FLORENCH WELCH 'Hopeful and inspiring, Finding Albion is a vital quest for more authentic stories of Britain.' CAROLINE LUCAS 'Finding Albion is the book we all need in 2026.' WEIRD WALK 'A profoundly inspiring meditation upon the lost soul of Britain... I loved every word.' MATTHEW GREEN Zakia Sewell is on a quest for another Britain. Traversing the length and breadth of our island from Somerset to Scotland, she's seeking out a different story - one that lies beyond divisive national myths and symbols.In Finding Albion, Zakia uncovers an alternative spirit of Britain that is vividly alive today. It is found in otherworldly folk songs, ancient legends, Celtic seasonal rites and mystic stone circles that punctuate our landscape. Her journey begins as the sun rises on the spring equinox over Glastonbury Tor, where she meets neopagans reclaiming traditions from our pre-Christian past. At summer's peak at Notting Hill Carnival she hears cultural echoes that passed along the slave trade routes from the Caribbean. On All Hallow's Eve she encounters the ghosts of Empire that are still haunting the nation, and in the depths of a Cornish winter she asks if today's new folk revival could unite our increasingly divided country?Finding Albion brings a hopeful story of Britain out from the shadows, giving us a deeper sense of who we are, and heralding the promise of a brighter future.

Myth, Folklore and the Quest for a Hidden Britain - LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION 2026

Finding Albion

machina

Adolfo Bioy Casares sah im Kino eine gewaltige Herausforderung für die Literatur, auf die er mit spezifisch literarischen Strategien reagierte. Bei den Verfilmungen seiner Texte erwiesen sich just diese Techniken als große Hürden: Die Herausforderung durch den Film wandelte sich zu einer Herausforderung an den Film. Matthias Hausmann widmet sich den filmisch geprägten Texten des argentinischen Autors sowie deren Adaptionen für die Leinwand. Damit rückt er einen bislang wenig beachteten Komplex der Film-Literatur-Beziehungen in den Fokus und gewinnt dadurch neue Erkenntnisse über narrative Verfahren, insbesondere die mise en abyme.

Adolfo Bioy Casares sah im Kino eine gewaltige Herausforderung für die Literatur, auf die er mit spezifisch literarischen Strategien reagierte. Bei den Verfilmungen seiner Texte erwiesen sich just diese Techniken als große Hürden: Die Herausforderung durch den Film wandelte sich zu einer Herausforderung an den Film. Matthias Hausmann widmet sich den filmisch geprägten Texten des argentinischen Autors sowie deren Adaptionen für die Leinwand. Damit rückt er einen bislang wenig beachteten Komplex der Film-Literatur-Beziehungen in den Fokus und gewinnt dadurch neue Erkenntnisse über narrative Verfahren, insbesondere die mise en abyme.

Film und Literatur als gegenseitige Herausforderung

Adolfo Bioy Casares und das Kino

What if we&nbsp;did&nbsp;abolish police, courts or prisons? Where would we turn for justice? Do we need to have laws? Punishment? These questions are not just the preoccupation of an abolitionist pipedream. Their answers exist already, if only we know where to look.

We Make Our Own Justice&nbsp;introduces the reader to communities around the world who are already resolving harms and conflicts themselves, without looking to the state or judiciary. The book explores a number of locations where alternative forms of justice, peace-keeping and adjudication are taking place. With particular focus on indigenous- and women-led movements from across Mexico, Argentina, Europe, East Africa, Rojava and the USA, Marina Sitrin looks at how each came to be, as well as the theoretical and political underpinnings of the process.

The book allows the reader to reflect on the ways in which the seeds of these alternative forms of justice and adjudication have been planted and nurtured over time-often over decades-and to consider the possibilities for other communities and regions to produce something similar.&nbsp;We Make Our Own Justice&nbsp;offers an invaluable resource as we seek to transform our neighbourhoods, groups and communities into abolitionist spaces in theory and practice.

Global Alternatives to Policing and Prisons

We Make Our Own Justice

'A captivating mosaic of wartime Berlin' Katja Hoyer, Financial Times 'Brilliant and beautifully written' Anne Applebaum 'Brings to life Berlin during World War II so vividly that you can imagine yourself blithely strolling the streets of the city or hunkering down in the bomb shelters' Barbara Demick 'A rich and fascinating portrait of Berlin at war' Literary Review 'Wonderfully nuanced' Guardian When war broke out in September 1939, what was most striking in the German capital at first was how little changed. Unless you were Jewish. Then life, already hard, soon got unfathomably worse. Drawing on diaries, letters and memoirs, Stay Alive chronicles daily life in wartime Berlin with extraordinary power and immediacy. Here are the movie stars and swing dancers, the resistance circles and SS patrols hunting deserters, the desperate calculations of survival and collaboration. As Allied bombs reduced the city to rubble and Soviet troops closed in, the common greeting of Berliners became not auf Wiedersehen or Heil Hitler but bleiben Sie übrig - 'Stay alive'. Revelatory, devastating and deeply humane, this book illuminates how ordinary people navigated the moral catastrophe of the Third Reich - what it meant to resist, to conform or simply to endure. Buruma shows how a society's accommodation to evil unfolds one compromise at a time, and why understanding this descent remains urgently relevant today.

Berlin, 1939–1945

Stay Alive

Contemporary World Issues

On a per capita basis, the United States incarcerates a higher percentage of its population than any other nation in the world. This book explains the social, economic, and political forces that account for this controversial distinction through features that include context-setting introductory chapters, illuminating primary documents, informative biographical and organizational profiles, a detailed timeline of events and trends related to incarceration in the USA, and personal essays contributed by administrators, researchers, educators, and people with firsthand experience of life behind bars.

A Reference Handbook

Mass Incarceration in America

Theater

How do the visible and the invisible interact in aesthetic experience? Kati Röttger connects phenomenology and intermediality to engage with orders of looking in theatrical events, and thus offers a multifaceted methodological approach to performance analysis. The study balances theory and methodology in combination with extensive case studies encompassing different histories, cultures and media from dance, to postdramatic theatre, film and theatre texts. The reader gains a deep insight into the relevance of theatrical performances as poison and cure in (hyper)industrial societies, because of theatre's capability to theorize critically the not least violent interrelationship of seeing and being seen.

Phenomenologies and Intermedial Performance

Looking Through Theatre

New Perspectives in Cultural Management

This book examines one of the most persistent concepts in modern art and cultural theory: the proposition that art can operate independently from economic, political, or social constraints.In an age defined by global interdependence, digital transformation, and shifting cultural policies, the notion of autonomy has acquired new urgency. This volume explores how artistic autonomy is negotiated and redefined within today's complex intersections of governance, markets, institutions, and technology. Bringing together critical essays, case studies, and reflective practices, this book reveals how autonomy is not a static or absolute state, but a living process shaped through relation, negotiation, and vulnerability. This book traces how artists and institutions navigate structural pressures while maintaining creative integrity, and how autonomy itself functions as both a protective space and a mode of engagement. Through a wide range of perspectives, spanning theory, policy, and artistic practice, the collection uncovers the paradoxes that define contemporary cultural production: freedom within dependency, creativity within regulation, and independence within systems of care. It invites readers to view autonomy not as separation from society but as the capacity to act critically and imaginatively within it.Essential reading for scholars, artists, policymakers, and cultural professionals, Artist Autonomy and the Contemporary Creative Economy offers a timely and compelling examination of what it means to be artistically free in an era of transformation and global interconnection.

Art, Market and Policy

Artist Autonomy and the Contemporary Creative Economy

A gripping new account of oligarchy from 'the most astute social scientist studying the phenomenon today' (Guardian) The wealthy and powerful few have dominated the masses throughout most of human history. This is starkly visible now more than ever - today, the gulf between oligarchs and the average citizen is vastly larger than any gap that existed during European serfdom or the slave society of Imperial Rome. The strange thing is: for the first time in history, this domination is accomplished through democracy. Yet we aren't in open revolt against the system. In fact, we keep voting to prop it up. Why? In The Blind Spot, political scientist Jeffrey A. Winters delivers an urgent, incisive account of how we reached this era of in-your-face oligarchy, exposing how modern democracy was designed to protect the interests of the ultra-rich. Tracing the evolution of oligarchy through the democratic era, he demonstrates how the power of the wealthy isn't just a flaw in our democracy, it was built into its very foundations. Now, in an extraordinary paradox, we exist in a state of 'participatory inequality': a world in which 99.99% of us participate openly and freely - democratically, even - in our own ongoing economic exclusion. But powerful change can begin when we have a clear understanding of where we are and where we deserve to be. As well as shining a light on just how bad our political reality has become, The Blind Spot introduces bold ideas for how we might shift the balance. Even though oligarchs may not cede power willingly, this period of shocking inequality is, Winters shows, an opportunity for genuine, enduring change.

How Oligarchs Dominate Our Democracies

The Blind Spot

Mittelniederdeutsches Handwörterbuch

Das "Mittelniederdeutsche Handwörterbuch" ist als das zentrale Grundlagenwerk des Mittelniederdeutschen anzusehen. Es dokumentiert den niederdeutschen Wortschatz vom 13. bis ins 17. Jahrhundert im gesamten Hanseraum und kann als Auskunftsquelle von sprachgeschichtlich wie kulturhistorisch Interessierten genutzt werden. Das von Agathe Lasch und Conrad Borchling gegründete und inzwischen von Ingrid Schröder herausgegebene Wörterbuch stellt ein wichtiges Forschungsinstrument für verschiedene Wissenschaftsbereiche dar: Linguistik und Literaturwissenschaft, Geschichtswissenschaft und insbesondere Hanseforschung, Kulturgeschichte, Rechtsgeschichte, historische Soziologie und Volkskunde.

Band III, Teil 1 | Fünfundvierzigste Lieferung | tôhouwer bis tornischêit

Theatre and Race

Weitere Titel zum Thema