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Theatre And

Young Harvey: Theatre and Race

Theatre and Race

Recht gegen rechts

Report 2026 | Ausgezeichnet mit dem Hans Frankenthal-Preis der Stiftung Auschwitz-Komitee

The real political mission of Malcolm X, and why it needs resurrecting now - 100 years after his birth Malcolm X is a titanic figure in political history, but he is also one of the most misunderstood. So much of what we know about his life and politics is from books, films and documentaries that are all guilty of peddling the Malcolm myth for their own nefarious interests. Forever known as the violent Yang to Martin Luther King's Yin, in the years since his death he has been co-opted into the American project, punished by his enemies for his radicalism, and marginalised by decades of governments, academics and activists. But here, for the first time, Malcolm is rediscovered. On the centenary of his birthday, in a world shaken by decades of injustice and racism, Malcolm's political mission is more urgent than ever. In Nobody Can Give You Freedom, Kehinde Andrews reveals his real revolutionary programme. Malcolm's activism was his philosophy, and paying attention to it reveals the true cultural icon - who, if he were alive today, would tell us to pick up the mantle, and overturn this wicked system for good.

The Real Mission of Malcolm X

Nobody Can Give You Freedom

An Instant New York Times bestseller One of most influential thinkers today, 'the woman who revolutionized feminism' (Guardian), offers a deeply engaging story of justice and power in America When Kimberlé Crenshaw was five years old in Ohio during the civil rights era, she was the only girl denied a lead role in her nursery play. Puzzled by her teacher's behaviour, she spoke up - and never stopped. That instinct to question power, to challenge what others accepted as fair, would shape not only her own life but the way we now understand race and gender. In Backtalker, Crenshaw traces her journey from a spirited girl in Canton, Ohio to one of the most influential legal thinkers today. Through childhood lessons and painful reckonings - a boyfriend's violence in college, a back door at Harvard Law, the silencing of women in the civil rights movement - Crenshaw learned to see the patterns others missed, refusing to stay behind the lines the world drew for her. Out of those experiences came two ideas that changed everything: intersectionality, the recognition that race, gender, and class overlap to create unique forms of discrimination; and critical race theory, the argument that racism is structural. Crenshaw's voice has since echoed through some of the most charged moments in recent history - from Anita Hill's testimony to the rise of Black Lives Matter - insisting that true justice means seeing the whole picture. Backtalker is both a memoir of awakening and the origin story of a transformative mind. Crenshaw's story is ultimately about fairness and power - and the enduring battle for America's soul.

A Memoir

Backtalker

Crime doesn't just pay, it tells. What we choose to ban, penalise or prosecute says something about us; and how far the mobsters and mafias are still able to ply their trades says something about us, too. Homo Criminalis tells a thrilling tale of the world's changing values, the rise of the state and the emergence of modern society, through the evolution of the underworld and its crimes. From Chinese banditry and eighteenth-century English tea smuggling to today's cocaine submarines and the high-tech crimes of tomorrow, this book aims to shows just how far society has changed - and how crime has changed with us. Often considered marginal or an aberration, we'll see how the power structures and power struggles of the criminal world have actually worked to drive progress, forming the necessary dark underbelly of humanity's evolution.

How crime organises the world

Homo Criminalis

Contemporary World Issues

On a per capita basis, the United States incarcerates a higher percentage of its population than any other nation in the world. This book explains the social, economic, and political forces that account for this controversial distinction through features that include context-setting introductory chapters, illuminating primary documents, informative biographical and organizational profiles, a detailed timeline of events and trends related to incarceration in the USA, and personal essays contributed by administrators, researchers, educators, and people with firsthand experience of life behind bars.

A Reference Handbook

Mass Incarceration in America

Routledge Research in the Creative and Cultural Industries

Business model innovation occurs when an organization discovers a new way of creating revenues or profits via its products or services. This book examines the concept as it applies across the creative and cultural industries in practice.This book examines market, social and political environments which impact creative and cultural organizations' business models, such as sustainability, new forms of competition, digitalization and data management, emerging technologies like AI, and shifting social trends and lifestyles. This book not only analyses these influences but also presents best practices, key success factors, and compelling case studies. Employing a case study format, a range of creative or cultural sectors are analysed, including fashion, architecture and gaming.The result is a book which delivers value for researchers, advanced students, and reflective practitioners involved in the creative economy around the world.

Business Model Innovation in Creative and Cultural Industries

A fascinating, behind-the-scenes diary account of working on a major production of Beckett's iconic play from acclaimed actor Lucian Msamati. From his agent's phone call offering him the role of Estragon, Lucian Msamati brings brilliantly to life the experience of co-starring with Ben Whishaw in James Macdonald's celebrated production of Waiting for Godot in London's West End. With the likes of Jonathan Slinger as Pozzo and Tom Edden as Lucky, this production has some of today's finest theatre actors bringing new life and meaning to Beckett's 1949 play. Through rehearsal room highs and lows, workaday laughs and tears, literal stumbles and grumbles, we journey with Lucian, his fellow actors and creatives, and Beckett's play, sharing in the personal and dramaturgical discoveries they make and the inevitable emotional contours of an experience as intense as this one. As the final curtain comes down (and Lucian's trousers, too, as it happens) after the production's four-month run, we feel intimately connected with Beckett's elusive play and characters, slightly more able to navigate the play's surprising twists and turns, and with a renewed sense of appreciation for the work and graft of an actor and all that comes with it.

Behind the Scenes of Beckett's Play

The Godot Diaries

This book presents the creative industries as a suite of practices intimately connected to political, economic, and cultural power. Seeking to illuminate the creative industries through critical cultural analysis it shows the extent to which creative labour shapes our shared cultural and political realities, good and bad.The author presents creative labour as a form of employment which typically operates well outside conventional industrial relationships, highlighting the importance of cultural as well as political and economic value. The aim of doing so is to provide a view of the broader creative economy that shows up the effects and trends of its strange industrial relationships. It recognises new forms of audience labour as significant creative, political, cultural, and commercial forces, and frames cultures as preceptual systems, as systems of rules, conventions, morés, and laws.In so doing, the author provides a new cultural framework through which scholars, students, and reflective practitioners can make critical judgements about the creative economy and its creative acts.

Cultural Politics of the Creative Industries

This book offers a critical reconsideration of the theatrical nature of jurisdiction, as it examines how legal proceedings are regularly framed by or turned into a public spectacle.In legal cases, all those involved must play their parts, according to the rules, on a stage that is open to public scrutiny. As this book demonstrates, however, the affordances offered by new media, in a society spellbound by spectacle and embroiled in the polarization that accompanies it, can easily disrupt the theatrical nature of the court case. The book is divided into two parts. In Part 1, cases - from the Netherlands, the United States, Italy, Brazil, India, Germany, and Russia - show how populists, insurgents, corporations, and states play the judiciary by probing its limits or the rules of the game, often by twisting the proper intent of legal regulation or by formally making a farce of jurisdiction. In Part 2, the chapters deal with weaknesses in the theatrical nature of the judiciary in a time of spectacle. Here, the central issue is how the judiciary is threatened by dramatic forms of excess: forms that exceed the frame and stage of jurisdiction's own theatricality. Bringing cultural analysis and play studies in conversation with legal analysis and legal philosophy, the book shows how the theatrical nature of the judiciary is more and more challenged by the force of the spectacular, and with it a strategic and tactically malevolent play of powerful actors that fragments collective feelings for justice, and instrumentalizes the law in the service of particular interests.Law, Spectacle, and the Play of Jurisdiction will appeal to scholars and students in legal theory, law and literature, and others with relevant interests in politics, media, theatre and cultural studies.

Law, Spectacle, and the Play of Jurisdiction

**LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION 2026**'I've been waiting for a book like this.' FLORENCH WELCH 'Hopeful and inspiring, Finding Albion is a vital quest for more authentic stories of Britain.' CAROLINE LUCAS 'Finding Albion is the book we all need in 2026.' WEIRD WALK 'A profoundly inspiring meditation upon the lost soul of Britain... I loved every word.' MATTHEW GREEN Zakia Sewell is on a quest for another Britain. Traversing the length and breadth of our island from Somerset to Scotland, she's seeking out a different story - one that lies beyond divisive national myths and symbols.In Finding Albion, Zakia uncovers an alternative spirit of Britain that is vividly alive today. It is found in otherworldly folk songs, ancient legends, Celtic seasonal rites and mystic stone circles that punctuate our landscape. Her journey begins as the sun rises on the spring equinox over Glastonbury Tor, where she meets neopagans reclaiming traditions from our pre-Christian past. At summer's peak at Notting Hill Carnival she hears cultural echoes that passed along the slave trade routes from the Caribbean. On All Hallow's Eve she encounters the ghosts of Empire that are still haunting the nation, and in the depths of a Cornish winter she asks if today's new folk revival could unite our increasingly divided country?Finding Albion brings a hopeful story of Britain out from the shadows, giving us a deeper sense of who we are, and heralding the promise of a brighter future.

Myth, Folklore and the Quest for a Hidden Britain - LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION 2026

Finding Albion

For fans of the witty and evocative writing of Anne Helen Petersen and Amanda Montell, a sharply clever exploration of what it means to be a “bad mom” by delving into the world of momfluencers, stage moms, trad wives, and more. We all have an idea what it means to be a good mom: little screen time, kids hitting their milestones, endless patience and understanding, and self-sacrifice on behalf of one’s children. But what does it mean to be a “bad mom” in modern society? Women as wide-ranging as Meghan Markle, Hannah Neelman (of Ballerina Farm), and anyone giving birth over forty, have been labeled “bad moms.” In a world where the rules are constantly changing, it feels like women simply cannot win. With this in mind, in her first book, Ej Dickson takes a sharp, provocative look at one of society’s most polarizing labels: the “bad mom.” What makes a mother “bad,” and why? Through the lens of pop culture and American history, Ej Dickson explores how this trope has evolved—from Victorian “angels in the house” to the infamous Mommie Dearest, from Instagram influencers like EmRata and Mormon momfluencers to fictional icons like The Marvelous Mrs. Maisel. Each chapter dives into a different archetype of so-called bad motherhood—like the Stage Mom, the Tiger Mom, the MILF, the MLM hun—challenging us to rethink our assumptions about femininity, parenting, and societal expectations. Drawing on insightful analysis and interviews, Dickson unpacks why our culture is obsessed with vilifying moms and how issues of race and class shape these narratives. Are bad moms truly “bad,” or do they simply defy norms we don’t fully understand—or fear? This isn’t just cultural commentary—it’s a clarion call. Because if we really take a close look, we might find that some of the women we’ve reviled throughout history are due for a reassessment — and in doing so, moms today may take some much-needed pressure off themselves. One Bad Mother invites moms everywhere to stop chasing impossible standards, reclaim their autonomy, and maybe—just maybe—enjoy motherhood for what it is, not what it’s “supposed” to be. Thoughtful, eye-opening, and downright funny at times, One Bad Mother is a vital exploration of modern motherhood.

In Praise of Psycho Housewives, Stage Parents, Momfluencers, and Other Women We Love to Hate

One Bad Mother

Brims with ideas and insights . . . Ghosh is at his sparkling best' IRISH TIMES Wild Fictions brings together Amitav Ghosh's extraordinary writing on the subjects that have obsessed him over the last twenty-five years: literature and language; climate change and the environment; human lives, travel, and discoveries. The spaces that we inhabit, and the way in which we occupy them, is a constant thread throughout this striking and expansive collection. From the significance of the commodification of the clove, the diversity of the mangrove forests in West Bengal and the radical fluidity of multilingualism, Wild Fictions is a powerful refutation of imperial violence, a fascinating exploration of the fictions we weave to absorb history, and a reminder of the importance of empathy. With the combination of moral passion, intellectual curiosity and literary elegance that defines his writing, Amitav Ghosh makes us understand the world in new, and urgent, ways. Together, the pieces within Wild Fictions chart a course that allows us to heal our relationships and restore a delicate balance with the volatile landscapes to which we all belong. 'We owe a great debt to Ghosh's brilliant mind, avenging pen, and huge soul' NAOMI KLEIN, author of This Changes Everything

Wild Fictions

Theatre and Race

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