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Theatre And

Young Harvey: Theatre and Race

Theatre and Race

There is a specific energy to it. Cafes and shops close their shutters. Darkness descends. 'The air begins to tingle', wrote John Dos Passos of twenties New York. 'It's tonight if you drink enough, talk enough, walk far enough, that the train of magical events will begin.'Barely four centuries ago, music, fashion, sex, architecture, art and booze first fused to create what we now call nightlife. It happened, strangely enough, in 17th-century Japan, in a remote marshland outside the shogun's capital. This den of hedonism and iniquity became a breeding ground for new ideas - and while the venues have changed, nightlife has been at the frontier of cultural innovation ever since. Up All Night is the story of the good times and the great ones. Who invented jazz? What did 18th century Londoners do for entertainment? Why was Detroit the birthplace of techno? Who built Las Vegas? And what, in our increasingly online lives, are we missing when we pass up the chance of a big night out? Join party historian Imogen Willetts for a guided tour of history's wildest nights out - piecing together tantalising ephemera and foggy reminiscences from shogunate Japan to noughties Hollywood, and every iconic scene in between. 'Spills over with colourful anecdotes . . . Reading Up All Night makes you want to put it down - if only to step out into the seductive, thrilling night' DAILY TELEGRAPH'A sparkling cultural history . . . Its procession of nocturnal scenes is immersive, intoxicating and full of surprises' MIKE JAY, author of PSYCHONAUTS'A jaunty, jam-packed history of big nights out that revels in spectacle and theatricality' EMMA WARREN, author of DANCE YOUR WAY HOME

A History of Going Out

Up All Night

Social Science for Social Justice

Cultural appropriation is one of the most contested issues of our time - but what does it actually feel like to have your culture taken, repackaged, and sold back to you? In this book, Rina Arya moves beyond familiar debates to place the lived experiences of minoritised communities at the centre of the discussion. Drawing on postcolonial theory, lived religion, cultural studies, and her experiences as a British South Asian, she examines how cultural forms are commodified, transformed, and returned to their communities with renewed authority. Arya argues that the deepest harms of cultural appropriation are not only economic or representational but also psychological, reshaping how people understand their culture and identity. Combining rigorous scholarship with personal testimony, this book challenges readers to rethink who has the authority to define culture - and what is lost when that authority shifts away from the communities from which culture originates.

Reclaiming the Debate on Cultural Appropriation

Routledge Research in the Creative and Cultural Industries

This book presents the creative industries as a suite of practices intimately connected to political, economic, and cultural power. Seeking to illuminate the creative industries through critical cultural analysis it shows the extent to which creative labour shapes our shared cultural and political realities, good and bad.The author presents creative labour as a form of employment which typically operates well outside conventional industrial relationships, highlighting the importance of cultural as well as political and economic value. The aim of doing so is to provide a view of the broader creative economy that shows up the effects and trends of its strange industrial relationships. It recognises new forms of audience labour as significant creative, political, cultural, and commercial forces, and frames cultures as preceptual systems, as systems of rules, conventions, morés, and laws.In so doing, the author provides a new cultural framework through which scholars, students, and reflective practitioners can make critical judgements about the creative economy and its creative acts.

Cultural Politics of the Creative Industries

Examining the global creative and cultural industries (CCIs), this book seeks to help readers understand key policy challenges faced by the sector.It reveals a key contradiction: while the sector is praised for flexibility and innovation, it suffers from job insecurity and unequal value distribution due to its close ties with neoliberal economics. The book proposes a justice-focused ecosystem approach that reshapes cultural policy to prioritise fair working conditions, inclusive participation, and public cultural benefits. Readers will develop analytical skills to understand the sector's contradictions and gain practical tools for building stronger local creative ecosystems. The work helps readers assess how policy measures and organisational structures affect creative workers, while showing how to align cultural policy with labour rights, platform regulation, climate action, diversity, and decolonial practices. It uses multiple research methods, including historical policy analysis, theoretical frameworks, and systematic examination of policy definitions across national and global contexts. It reframes local policy through ecosystem thinking, focusing on support networks, affordable workspace, funding, and fair employment. It examines how digital platforms and new technologies like AI, VR, and AR affect creative ownership and contracts.Finally, whether academics, students or industry professionals, readers of this book will gain a holistic understanding of global policy as it pertains to the creative and cultural industries.

Opportunities, Challenges and Implications

Global Creative and Cultural Industries Policy

Männer in goldprotzenden Amtszimmern und panzergleichen Autos, Gesetze zur Einschränkung von Frauenrechten, Manfluencer und wachsender Frauenhass - weltweit ist eine bestimmte Art männlicher Breitbeinigkeit wieder unverkennbar auf dem Vormarsch. Die Gleichberechtigung steht unter massivem Druck, und es droht ein Backlash. Dieses Muster ist nicht neu: Immer wieder trieben Frauen Veränderungen voran, nur um anschließend mundtot gemacht und aus der Geschichte herausgeschrieben zu werden. 
Von frühen Christinnen über französische Revolutionärinnen bis zu den mutigen Iranerinnern, die heute auf die Straße gehen, erzählt Heike Specht von der Kraft weiblicher Ideen und Taten, die die Welt veränderten. Sie macht Ausgelöschtes sichtbar und entlarvt das Märchen von der 'natürlichen' Ungleichheit. Wir stehen an einem Kipppunkt - die Geschichte darf sich nicht noch einmal wiederholen. 
'Mit feiner Beobachtungsgabe macht Heike Specht Geschichten von Frauen sichtbar und erinnert uns daran, dass wir auf den Schultern von Riesinnen stehen. Ein Weckruf, dieses Erbe zu verteidigen und fortzuführen - trotz und gerade wegen all der Widerstände.' Düzen Tekkal 
'Deutschlands lässigste Historikerin.' Micky Beisenherz

Wie Frauen Geschichte schrieben und wieder ausradiert wurden. Eine Warnung | Über weibliche Gestaltungsmacht

Nicht mit uns!

Routledge Advances in Minority Studies

Norms, Actors and Strategies

Minority Rights and Social Change

The real political mission of Malcolm X, and why it needs resurrecting now - 100 years after his birth Malcolm X is a titanic figure in political history, but he is also one of the most misunderstood. So much of what we know about his life and politics is from books, films and documentaries that are all guilty of peddling the Malcolm myth for their own nefarious interests. Forever known as the violent Yang to Martin Luther King's Yin, in the years since his death he has been co-opted into the American project, punished by his enemies for his radicalism, and marginalised by decades of governments, academics and activists. But here, for the first time, Malcolm is rediscovered. On the centenary of his birthday, in a world shaken by decades of injustice and racism, Malcolm's political mission is more urgent than ever. In Nobody Can Give You Freedom, Kehinde Andrews reveals his real revolutionary programme. Malcolm's activism was his philosophy, and paying attention to it reveals the true cultural icon - who, if he were alive today, would tell us to pick up the mantle, and overturn this wicked system for good.

The Real Mission of Malcolm X

Nobody Can Give You Freedom

Business model innovation occurs when an organization discovers a new way of creating revenues or profits via its products or services. This book examines the concept as it applies across the creative and cultural industries in practice.This book examines market, social and political environments which impact creative and cultural organizations' business models, such as sustainability, new forms of competition, digitalization and data management, emerging technologies like AI, and shifting social trends and lifestyles. This book not only analyses these influences but also presents best practices, key success factors, and compelling case studies. Employing a case study format, a range of creative or cultural sectors are analysed, including fashion, architecture and gaming.The result is a book which delivers value for researchers, advanced students, and reflective practitioners involved in the creative economy around the world.

Business Model Innovation in Creative and Cultural Industries

The Forgotten Women of British Intelligence

Her Secret Service

The instant Sunday Times bestseller, updated with a new introduction 'Few books are as urgent as Shon Faye's debut ... Faye has hope for the future - and maybe so should we' Independent 'Unsparing, important and weighty ... a vitally needed antidote' Observer 'A moving and impressively comprehensive overview of trans life' Vogue Trans people in Britain today have become a culture war 'issue'. Despite making up less than one per cent of the country's population, they are the subjects of a toxic and increasingly polarized 'debate' which generates reliable controversy for newspapers and talk shows. This media frenzy conceals a simple fact: that we are having the wrong conversation, a conversation in which trans people themselves are reduced to a talking point and denied a meaningful voice. In this powerful new book, Shon Faye reclaims the idea of the 'transgender issue' to uncover the reality of what it means to be trans in a transphobic society. In doing so, she provides a compelling, wide-ranging analysis of trans lives from youth to old age, exploring work, family, housing, healthcare, the prison system and trans participation in the LGBTQ+ and feminist communities, in contemporary Britain and beyond. The Transgender Issue is a landmark work that signals the beginning of a new, healthier conversation about trans life. It is a manifesto for change, and a call for justice and solidarity between all marginalized people and minorities. Trans liberation, as Faye sees it, goes to the root of what our society is and what it could be; it offers the possibility of a more just, free and joyful world for all of us. 'Fundamentally not a culture-war book. It operates outside the narrow coverage of trans people in the mainstream, and lays bare the inarguable facts' New Statesman 'Monumental and utterly convincing - crystal clear in its understanding of how the world should be' Judith Butler

An Argument for Justice

The Transgender Issue

This book examines London’s eighteenth–century upholding trade. Primarily providing household furniture and upholstery goods and services at the beginning of the century, by mid-century upholders provided stylish and fashionable residential interior furnishings, funeral undertaking, and a secondary market for used household goods. Upholders were at the forefront of the development of Britain’s material culture, and were important contributors to London’s economic and social fabric. Providing context to the social and business lives of upholders, the author surveys key themes including apprenticeship, livery companies, empire, material culture, consumerism, taste and fashion, advertising, and credit. The book also explores how upholders came to dominate the funeral undertaking business, and integrated brokering, appraising, and auctioneering into their businesses.

Adapting to the economic changes and interior furnishing trends that took place in the first half of the eighteenth century, many upholders expanded their business lines. While consumer demand increased for household goods, so too did the widespread use of personal credit, which ultimately led to an increase in upholder bankruptcies after 1760. Through two case studies of financially successful upholders, the book sheds light on diverse topics such as the East India Company, banking, royal household tradesmen, and military contracting, to create an intricate understanding of their experiences. Offering new insights into the business, social, and personal lives of London’s upholders, this book demonstrates how they were instrumental in creating a new domestic commerce in eighteenth-century Britain.

A New Domestic Commerce

The Eighteenth–Century London Upholder

New Perspectives in Cultural Management

This book examines one of the most persistent concepts in modern art and cultural theory: the proposition that art can operate independently from economic, political, or social constraints.In an age defined by global interdependence, digital transformation, and shifting cultural policies, the notion of autonomy has acquired new urgency. This volume explores how artistic autonomy is negotiated and redefined within today's complex intersections of governance, markets, institutions, and technology. Bringing together critical essays, case studies, and reflective practices, this book reveals how autonomy is not a static or absolute state, but a living process shaped through relation, negotiation, and vulnerability. This book traces how artists and institutions navigate structural pressures while maintaining creative integrity, and how autonomy itself functions as both a protective space and a mode of engagement. Through a wide range of perspectives, spanning theory, policy, and artistic practice, the collection uncovers the paradoxes that define contemporary cultural production: freedom within dependency, creativity within regulation, and independence within systems of care. It invites readers to view autonomy not as separation from society but as the capacity to act critically and imaginatively within it.Essential reading for scholars, artists, policymakers, and cultural professionals, Artist Autonomy and the Contemporary Creative Economy offers a timely and compelling examination of what it means to be artistically free in an era of transformation and global interconnection.

Art, Market and Policy

Artist Autonomy and the Contemporary Creative Economy

Theatre and Race

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