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Theatre And

Young Harvey: Theatre and Race

Theatre and Race

A Roadmap to Managing the Performing Arts

Ein Plädoyer für Zusammenhalt, Sisterhood und den Mut, laut zu sein: Das erste Buch der Aktivistin Hamadan Hasun (@hamihsn)'Sei laut, sei unbequem und lass dich niemals von anderen abwerten.' Das würde Hamadan Hasun der kleinen Hami heute sagen. Dem Mädchen, das in der Schule hörte, es sei 'nicht weiß genug'. Dem Mädchen, das die Last seiner Familie auf den Schultern trug und dem Vater schwor: 'Papa, du musst nie mehr traurig sein.'Die Familiengeschichte einer Flucht aus dem Irak und dem Neuanfang in DeutschlandAls Jesiden vor dem Genozid im Irak geflohen, musste sich Hamis Familie aus dem Nichts eine neue Existenz aufbauen. Gemeinsam mit ihren Schwestern tat sie alles, um die Eltern nicht zu enttäuschen - und zerbrach fast am Leistungsdruck, am familiären Trauma, an misogynen, patriarchalen Strukturen.Was sie rettete, war ihre Sisterhood: Starke Frauen, die einander unterstützen, anstatt miteinander zu konkurrieren. Aus der Asche ihrer Angst formte Hami den Weg in die Freiheit und kämpft seitdem für diejenigen unter uns, die ähnliches erleben müssen. Dies ist ihre Geschichte.Creatorin Hamadan Hasun nutzt ihre Reichweite und fährt die Ellenbogen aus, um für jene Platz zu schaffen, die durch Frauenfeindlichkeit, Rassismus oder Klassismus marginalisiert werden.

Eine Geschichte über Flucht, Empowerment und Sisterhood

Aus der Asche unserer Angst

machina

Adolfo Bioy Casares sah im Kino eine gewaltige Herausforderung für die Literatur, auf die er mit spezifisch literarischen Strategien reagierte. Bei den Verfilmungen seiner Texte erwiesen sich just diese Techniken als große Hürden: Die Herausforderung durch den Film wandelte sich zu einer Herausforderung an den Film. Matthias Hausmann widmet sich den filmisch geprägten Texten des argentinischen Autors sowie deren Adaptionen für die Leinwand. Damit rückt er einen bislang wenig beachteten Komplex der Film-Literatur-Beziehungen in den Fokus und gewinnt dadurch neue Erkenntnisse über narrative Verfahren, insbesondere die mise en abyme.

Film und Literatur als gegenseitige Herausforderung

Adolfo Bioy Casares und das Kino

'A captivating mosaic of wartime Berlin' Katja Hoyer, Financial Times 'Brilliant and beautifully written' Anne Applebaum 'Brings to life Berlin during World War II so vividly that you can imagine yourself blithely strolling the streets of the city or hunkering down in the bomb shelters' Barbara Demick 'A rich and fascinating portrait of Berlin at war' Literary Review 'Wonderfully nuanced' Guardian When war broke out in September 1939, what was most striking in the German capital at first was how little changed. Unless you were Jewish. Then life, already hard, soon got unfathomably worse. Drawing on diaries, letters and memoirs, Stay Alive chronicles daily life in wartime Berlin with extraordinary power and immediacy. Here are the movie stars and swing dancers, the resistance circles and SS patrols hunting deserters, the desperate calculations of survival and collaboration. As Allied bombs reduced the city to rubble and Soviet troops closed in, the common greeting of Berliners became not auf Wiedersehen or Heil Hitler but bleiben Sie übrig - 'Stay alive'. Revelatory, devastating and deeply humane, this book illuminates how ordinary people navigated the moral catastrophe of the Third Reich - what it meant to resist, to conform or simply to endure. Buruma shows how a society's accommodation to evil unfolds one compromise at a time, and why understanding this descent remains urgently relevant today.

Berlin, 1939–1945

Stay Alive

'Dazzling ... The remarkable story of how British culture was transformed by émigré architects, filmmakers and writers' Guardian Britain. Made in Europe. In the 1930s, tens of thousands of central Europeans sought sanctuary from fascism in Britain. While the rainy, seemingly quaint island they discovered on arrival was a far cry from the dynamism of Weimar Berlin or Red Vienna, it was safe, and it became home. Yet the émigrés had not arrived alone: they brought with them new and radical ideas, and as they began to rebuild their lives and livelihoods, they transformed the face of Britain forever. Drawing on an immense cast of artists and intellectuals, including celebrated figures like Erno Goldfinger, forgotten luminaries like Ruth Glass, and a host of larger-than-life visionaries and charlatans, the historian Owen Hatherley argues that in the resulting clash between European modernism and British moderation, our imaginations were fundamentally realigned and remade for the better. In casting what Bertolt Brecht called, in a new German word, a Verfremdungseffekt, an 'alienation effect', on Britain, the aliens made us all a little bit alien too. Provocative, entertaining and meticulously researched, The Alienation Effect opens our eyes to the influence of the émigrés all around us - many of our most quintessentially British icons are the product of this culture clash - and entreats us to remember and renew our proud national tradition of asylum.

How Central European Émigrés Transformed the British Twentieth Century

The Alienation Effect

Changing Mobilities

Mobility Injustice by Design examines the social exclusion of vulnerable people in urban spaces, revealing how millions of citizens have their 'right to roam' curbed by design and planning decisions made either intentionally to facilitate immobility or social exclusion, or because of a lack of awareness of the aggregated consequences.Ole B. Jensen's insightful volume offers a theoretically informed framework, allowing us to 'see' mobility injustices more clearly, consider how new knowledge can mobilize design ethics, and think about how mobility justice can be brought about. It challenges us to reassess how choices of materials, design of spaces, and implementation of technologies afford or hinder particular mobilities. It explores a way of thinking about mobility and injustice that recognizes that everyone is assisted in their mobility practices and that human capacity for acting in the world is mediated by spaces, things, artifacts, and technologies. It examines not only the centrality of design but also the possibility that design may be working counter to the widespread cultural belief that design is in the service of 'the good'. It locates thinking about mobility injustice between affect, experiences, and sensations on the one hand and reason, principles, and formal rules on the other. Focusing on three realms of practice, it reveals the ways in which the design of cities and urban spaces accommodates the needs of people living as unhoused, disabled, and aged and how these groups experience mobility injustice. Crucially, it provides insight into the potential to move toward a future, more mobility¿just society on a local, national, and global scale, in light of warfare, environmental, and migration crises.Mobility Injustice by Design informs the future agenda of both critical mobilities research and the design fields and reflects on the potential for those in the arts and design to provoke public engagement in these timely issues. It is essential reading for all those concerned with the study and practice of mobilities theory, urban sociology, urban planning and design, architecture, urban geography, disability studies, and gerontology.

Mobility Injustice by Design

Mittelniederdeutsches Handwörterbuch

Das "Mittelniederdeutsche Handwörterbuch" ist als das zentrale Grundlagenwerk des Mittelniederdeutschen anzusehen. Es dokumentiert den niederdeutschen Wortschatz vom 13. bis ins 17. Jahrhundert im gesamten Hanseraum und kann als Auskunftsquelle von sprachgeschichtlich wie kulturhistorisch Interessierten genutzt werden. Das von Agathe Lasch und Conrad Borchling gegründete und inzwischen von Ingrid Schröder herausgegebene Wörterbuch stellt ein wichtiges Forschungsinstrument für verschiedene Wissenschaftsbereiche dar: Linguistik und Literaturwissenschaft, Geschichtswissenschaft und insbesondere Hanseforschung, Kulturgeschichte, Rechtsgeschichte, historische Soziologie und Volkskunde.

Band III, Teil 1 | Fünfundvierzigste Lieferung | tôhouwer bis tornischêit

'An extraordinary intervention. If you want to understand the stakes and the limitations of contemporary conflict over culture and colonial history this bold, provocative book is an indispensable resource' Paul Gilroy, founding Director of the Sarah Parker Remond Centre for the Study of Race and Racism at UCL 'Hicks' must-read book describes how it was possible for a human skull to be made into a drinking cup and used in a genteel Oxford college, well into the 21st century, as if empire were an eternal state of nature . . . Read it to learn new ways to be anti-racist, abolitionist and to tell other stories than those commemorated by the monuments that surround us, from statues, to museums and the police' Nicholas Mirzoeff, author of White Sight 'Brave and clear-sighted. Hicks opens up an extraordinary conversation between the past and the present. This is a book about falling statues, but so much more. It's about how we've been lied to, and how we can approach the past with honesty. Hicks asks whether history and archaeology should be used to justify actions we know impinge on the rights of others - or to understand ourselves better' Alice Roberts, bestselling author of Crypt 'Dan Hicks writes with grace and fierce focus about what we choose to remember and why, in our patterns of thought, our institutions and the built environment in which we live' Eyal Weizman, director of Forensic Architecture The culture war is over. If you want it to be. It wasn't even a culture war; it was a war on culture. A sustained attack, Dan Hicks argues, in the form of the weaponisation of civic museums, public art, and even universities - and one that has a deeper history than you might think. Tracing the origins of contemporary conflicts over art, heritage, memory, and colonialism, Every Monument Will Fall joins the dots between the building of statues, the founding of academic disciplines like archaeology and anthropology, and the warehousing of stolen art and human skulls in museums - including the one in which he is a curator. Part history, part biography, part excavation, the story runs from the Yorkshire wolds to the Crimean War, from southern Ireland to the frontline of the American Civil War, from the City of London to the University of Oxford - revealing enduring legacies of militarism, slavery, racism and white supremacy hardwired into the heart of our cultural institutions. Every Monument Will Fall offers an urgent reappraisal of how we think about culture, and how to find hope, remembrance and reconciliation in the fragments of an unfinished violent past. Refusing to choose between pulling down every statue, or living in a past that we can never change, the book makes the case for allowing monuments to fall once in a while, even those that are hard to see as monuments, rebuilding a memory culture that is in step with our times.

A Story of Remembering and Forgetting

Every Monument Will Fall

Oxford Blood

Wenn das Studium an der Elite-Uni mit einem Mord beginnt ... Ein raffinierter Thriller, smart und voller TwistsEva träumt davon, in Oxford Literatur zu studieren. Darum ist es ein Riesenglück, dass sie und ihr Freund George zur Interviewwoche am Beecham College eingeladen werden. Doch das offizielle Programm wird schnell zum manipulativen Spiel, als ein anonymes Online-Forum namens Oxford Killers die Bewerber dazu bringt, sich gegenseitig auszubooten. Gnadenlos. Dann findet Eva George tot am Fuß einer Statue. Sie ist sich sicher, dass es Mord war - und steht prompt selbst unter Verdacht. Ihr bleibt nur eine Woche Zeit, um ihre Unschuld zu beweisen. Und Oxford Killers lässt sie dabei nicht aus den Augen.Ein echter Mord, ein falscher Verdacht und viele tödliche Geheimnisse - dieser fesselnde YA-Thriller punktet mit Dark-Academia-Vibes, messerscharfem Blick und einer mutigen, cleveren Heldin. Perfekt für Leser*innen von 'This Book Kills'.

Oxford Blood (Oxford Blood 1)

A gripping new account of oligarchy from 'the most astute social scientist studying the phenomenon today' (Guardian) The wealthy and powerful few have dominated the masses throughout most of human history. This is starkly visible now more than ever - today, the gulf between oligarchs and the average citizen is vastly larger than any gap that existed during European serfdom or the slave society of Imperial Rome. The strange thing is: for the first time in history, this domination is accomplished through democracy. Yet we aren't in open revolt against the system. In fact, we keep voting to prop it up. Why? In The Blind Spot, political scientist Jeffrey A. Winters delivers an urgent, incisive account of how we reached this era of in-your-face oligarchy, exposing how modern democracy was designed to protect the interests of the ultra-rich. Tracing the evolution of oligarchy through the democratic era, he demonstrates how the power of the wealthy isn't just a flaw in our democracy, it was built into its very foundations. Now, in an extraordinary paradox, we exist in a state of 'participatory inequality': a world in which 99.99% of us participate openly and freely - democratically, even - in our own ongoing economic exclusion. But powerful change can begin when we have a clear understanding of where we are and where we deserve to be. As well as shining a light on just how bad our political reality has become, The Blind Spot introduces bold ideas for how we might shift the balance. Even though oligarchs may not cede power willingly, this period of shocking inequality is, Winters shows, an opportunity for genuine, enduring change.

How Oligarchs Dominate Our Democracies

The Blind Spot

SHORTLISTED FOR THE MOORE PRIZE SHORTLISTED FOR THE ORWELL PRIZE An eye-opening exploration of the Chinese internet that reveals the intricate dance between freedom and control in contemporary China. In the late 1990s, as the world was waking up to the power of the internet, Chinese authorities began con­structing a system of online censor­ship now known as the Great Firewall. But far from being barren, the digital world behind the firewall brimmed with new subcultures and tech innovations, offering many citizens previously unimaginable connection and opportunity. Today, as the country's leadership intensifies its control of public discourse and Western headlines reduce the Chinese public to a faceless monolith, journalist Yi-Ling Liu presents an intimate por­trait of the en­trepreneurs, activists, artists, and dreamers navigating China's transformation into both the world's largest online user base and one of its most populous authoritarian states. Drawing on years of firsthand reporting, The Wall Dancers equips readers with the tools to assess the past, present, and future of a global power. A vital exploration of the inter­net's power for both control and liberation, and an unforgettable work of human storytelling, it ultimately asks what it means to live within the technological systems that now shape all of our lives.

Theatre and Race

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