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Freedland Jonathan: The Traitors Circle
/ B

The Traitors Circle

The Rebels Against the Nazis and the Spy Who Betrayed Them

Dr. Martin Luther King Jr. on Chaos or Community

New Directions in Welfare History

Entangling European Experiences

Total Warfare and the Mixed Economy of Welfare, 1914-1950

Food, Scarcity and Power in Southeastern Europe During the Second World War

Corruption, sleaze and violence were woven into the fabric of 20th-century Sicilian life, as the Mafia rose to dominance; this is the story of the one man who stood in opposition. In 1986, the largest Mafia trial in Italy's history took place in Sicily. The maxi-processo saw 462 men and 4 women take the stand, accused of kidnapping, extortion, drug trafficking and thousands upon thousands of murders. Sitting in the galley was Leonardo Sciascia, then aged 65. One of the greatest European writers of the 20th century, he had published the only fictional account of the Mafia, The Day of the Owl, in 1961, and was widely seen by Italians as the one true moral figure in a county where corruption had seeped into every corner of public and private life. Sciascia was born in 1921 and came of age alongside the then-adolescent Mafia. Following the First World War, Sicily faced extreme poverty and hardship, and many Sicilians did not recognise Rome's leadership, leaving a void local gangsters would soon fill. Witnessing the spread of corruption and violence in his own hometown, Sciascia predicted it would soon spread north, and he was right: by the 1980s, the Mafia had infiltrated every level of Italian politics and grown into an international, highly successful business. In A Sicilian Man, prize-winning historian and biographer Caroline Moorehead charts Sciascia's life against the rise of the Mafia, and lays out the thrilling and devastating struggle that ensued for Italy's soul.

Leonardo Sciascia, the Rise of the Mafia and the Struggle for Italy’s Soul

A Sicilian Man

Early on the morning of October 9, 1944, seven hundred boys, aged between 13 and 17, were taken out of Block 11 at Auschwitz. The night before, during a visit by Dr Josef Mengele, their identification cards had been stamped with a solitary German word - gestorben - "died" in English. They were then marched by 25 bayonet-wielding SS men to Crematorium 5, stripped, and herded into a gas chamber. This book is the story of a true-life miracle of the five boys who were pulled from that gas chamber - the only Holocaust survivors known to have escaped such a close brush with the Nazi killing machine - and given a second chance at life. A life, of course, that would be so horrifically snatched from those around them. Five boys, five survivors whose testimonies have been drawn from extensive interviews and whose story is shared in this book for the very first time. Interweaving the lives of the boys and the grander sweep of history in which they were held, The Miracle of Auschwitz is an unforgettable tale of hope, faith and fortitude in the face of one of the worst crimes against humanity.

The Boys Who Escaped the Gas Chamber in Auschwitz

Miracle

Yiddish Voices

This book provides the first ever English translation of the Yiddish play, Mississippi. Penned in 1935 by Leyb Malakh, it was commissioned for production by a Warsaw-based experimental Yiddish theatre company and was focused on the racial injustice of the Scottsboro Boys case which began with the wrongful arrest of nine African-American youths in Alabama, 1931. The book includes a detailed, multifaceted scholarly introduction which ranges widely and effectively across the various historical and literary contexts in which the play can be appreciated.

As our volume shows, both the writer and the director, Michal Weichert, were keen to depict a dramatic episode from contemporary life that reflected the leftist goals and ideas to which they were devoted. Alyssa Quint examines the fact that while the plight of the Scottsboro Boys lasted throughout the 1930s and inspired works of Communist or leftist struggle by a substantial number of artists and writers in the United States, few beyond America took on the subject. She looks at how Malakh's drama reflects the influence of the African American writer Langston Hughes, who wrote Scottsboro Limited in 1931 after the Boys' first trial when they were sentenced to death. Writing in 1935, after a number of successful appeals, Malakh refers to the rallies that took place throughout Europe in protest of the Boys' arrest and sentencing. The introduction also shows how the play reflects the influence of 'synchronous theater' (akin to immersive theater) as well as other avant-garde theatrical strategies of the time. Quint goes on to consider the substantial success of Mississippi, which played on city stages at least one hundred times throughout Poland and attracted significant critical attention, and what this can tell us about the connection between the Jewish people of Europe and African-Americans around this time.

This book provides the first ever English translation of the Yiddish play, Mississippi. Penned in 1935 by Leyb Malakh, it was commissioned for production by a Warsaw-based experimental Yiddish theatre company and was focused on the racial injustice of the Scottsboro Boys case which began with the wrongful arrest of nine African-American youths in Alabama, 1931. The book includes a detailed, multifaceted scholarly introduction which ranges widely and effectively across the various historical and literary contexts in which the play can be appreciated.

As our volume shows, both the writer and the director, Michal Weichert, were keen to depict a dramatic episode from contemporary life that reflected the leftist goals and ideas to which they were devoted. Alyssa Quint examines the fact that while the plight of the Scottsboro Boys lasted throughout the 1930s and inspired works of Communist or leftist struggle by a substantial number of artists and writers in the United States, few beyond America took on the subject. She looks at how Malakh’s drama reflects the influence of the African American writer Langston Hughes, who wrote Scottsboro Limited in 1931 after the Boys’ first trial when they were sentenced to death. Writing in 1935, after a number of successful appeals, Malakh refers to the rallies that took place throughout Europe in protest of the Boys’ arrest and sentencing. The introduction also shows how the play reflects the influence of ‘synchronous theater’ (akin to immersive theater) as well as other avant-garde theatrical strategies of the time. Quint goes on to consider the substantial success of Mississippi, which played on city stages at least one hundred times throughout Poland and attracted significant critical attention, and what this can tell us about the connection between the Jewish people of Europe and African-Americans around this time.

A Yiddish Play about the Scottsboro Boys

Mississippi (1935) By Leyb Malakh

How Three Tech Mad Gamblers Beat The Odds and Made Millions

Lucky Devils

A Memoir of Loss and Denial

Himmler’s Curtains

Writing History

Writing Queer History introduces and surveys the ways in which historians and others have researched and written about the lesbian, gay and queer past. It pinpoints some of the key themes, issues and questions they have sought to address, looks at the kinds of sources they have used and suggests ways in which queer theory since the early 1990s has shifted approaches and perspectives for historians. Section One gives an overview of uses and accounts of the queer past from the late 19th century to the present. Section Two explores key questions and themes that have exercised historians by focusing on key texts ranging from the Medieval to the contemporary. Section Three focuses in further on different kinds of source material, examining specific archives to demonstrate how we might understand the past through particular documents, artifacts, voices and images. Finally, the author describes how his work has been shaped by his own biography, changing academic fashion, new theoretical perspectives and the particularities of archive collections. The book shows how histories of queer life have implications for the broader understanding of culture, society and politics, as well as demonstrating how queer history writing has been influenced and shaped by activist and community groups and by scholars working in and across different disciplines. Rich in case studies and including practical guidance on approaching queer history, Writing Queer History is an invaluable text for those studying the history of sexuality, gender history, the history of the emotions and historiography.

Writing Queer History

The Hidden History of the Weight Loss and Wellness Industries--And the Lies They Sold Us

The Traitors Circle

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