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Rees J: A People's History of London

A People's History of London

Empires in Perspective

During the Seven Years' War (1756-63) the Caribbean region became the setting for major naval and military operations in which Britain engaged its imperial rivals, France and Spain. This book focuses primarily on the context of British recruitment of slaves in its Caribbean colonies and illustrates the significant contribution that these colonies made, beyond supplying slave labor, to the conquests of Guadeloupe and Martinique and of Havana in Cuba in an important theatre of the conflict.

During the Seven Years’ War (1756–63) the Caribbean region became the setting for major naval and military operations in which Britain engaged its imperial rivals, France and Spain. To assist military forces that were sent out to the Caribbean in operations against French and Spanish targets, Britain endorsed the recruitment of slaves from its sugar colonies of Barbados, Jamaica, and the Leeward Islands.This book focuses primarily on the context of British recruitment of slaves in its Caribbean colonies and illustrates the significant contribution that these colonies made, beyond supplying slave labor, to the conquests of Guadeloupe and Martinique and of Havana in Cuba in an important theatre of the conflict – a war that helped turned secure Britain’s imperial hegemony for the best part of two further centuries.

Serving the King

The Seven Years' War and Slavery in the Caribbean

What do our gardens say about us?Monty Don has spent many years travelling the world, from America to Japan, from Italy and the Adriatic to Spain and the Mediterranean, getting under the skin of a country through its gardens and gardening traditions. In British Gardens, he finally brings his focus to home, journeying from the northern tip of Scotland to the Cornish coast, seeking to understand what our gardens tell us about ourselves as a nation. Encompassing historical gardens and public parks, mountains and seascapes, urban gardens and rural nurseries, glasshouses and community plots, each encounter is another link in a larger story of British identity: marks of ingenuity, eccentricity, and adaptation to changing environments. From Northumbria's Alnwick Gardens and Beatrix Potter's Lake District farmhouse to the rewilded walled garden on the Knepp Estate and the story of Britain's first garden gnome, Monty's account brings in an astonishing range of British experience. Accompanied by a landmark five-part series on BBC2, and illustrated by stunning photography from Monty's long-time collaborator Derry Moore, British Gardens is a definitive, and uniquely British, account of a nation like no other.

British Gardens

If you can't change a system from the inside, you have no choice but to try and change it from the outside. That act starts with telling my own story as a brown Muslim woman in the Met. 'Nusrit Mehtab has gone through the Met like a force of nature...Her story is one worth reading.'HH Wendy Joseph KC, author of Unlawful Killings'Off The Beat lifts the filthy carpets at the Met Police and shines a light on the darkness below. Gripping, fascinating and crucial to the future of UK policing.'Alice Vinten, author of On the Line. 'A disturbing account of institutionalised sexism and racism in the Metropolitan police told from the perspective of a tough and fiercely ambitious officer who strove to rise up through the ranks'Harriet Wistrich, author of Sister in LawWhen Nusrit Mehtab joined the Metropolitan Police, the organization was rife with racism and misogyny. Officers refused to patrol with her, or even call her by her name. Her attempts to get promoted were met with hostility and ridicule, and she was subjected to cruel pranks. As the years passed and her seniority grew, Nusrit was dismayed to find that these problems got worse, not better. In this searing memoir, she recounts her thirty years in the Met and the appalling treatment she endured. Now lecturing young recruits in criminology and mentoring BAME officers, Nusrit is confident that we can mould the next generation to create a more inclusive police force, safer for both the officers and the public. Full of deeply shocking stories from the heart of the organization, Off the Beat shines a light on an institution that has lost sight of its mission to protect us and pleads the case for a brighter and safer future.

If you can’t change a system from the inside, you have no choice but to try and change it from the outside. That act starts with telling my own story as a brown Muslim woman in the Met. 'Nusrit Mehtab has gone through the Met like a force of nature…Her story is one worth reading.’ HH Wendy Joseph KC, author of Unlawful Killings ‘Off The Beat lifts the filthy carpets at the Met Police and shines a light on the darkness below. Gripping, fascinating and crucial to the future of UK policing.’ Alice Vinten, author of On the Line. ‘A disturbing account of institutionalised sexism and racism in the Metropolitan police told from the perspective of a tough and fiercely ambitious officer who strove to rise up through the ranks’ Harriet Wistrich, author of Sister in Law When Nusrit Mehtab joined the Metropolitan Police, the organization was rife with racism and misogyny. Officers refused to patrol with her, or even call her by her name. Her attempts to get promoted were met with hostility and ridicule, and she was subjected to cruel pranks. As the years passed and her seniority grew, Nusrit was dismayed to find that these problems got worse, not better. In this searing memoir, she recounts her thirty years in the Met and the appalling treatment she endured. Now lecturing young recruits in criminology and mentoring BAME officers, Nusrit is confident that we can mould the next generation to create a more inclusive police force, safer for both the officers and the public. Full of deeply shocking stories from the heart of the organization, Off the Beat shines a light on an institution that has lost sight of its mission to protect us and pleads the case for a brighter and safer future.

My life as a brown, Muslim woman in the Met

Off The Beat

After the German and Italian attack on Yugoslavia, Croatian fascists - the Ustasha - declared the independence of Croatia in April 1941. This short-lived state became one of the most significant theatres of genocide of wartime Europe, with these independent nationalists committing acts of violence against Serbs, Jews, and Roma.

Intertwined Genocides explores the patterns and the internal logic of the genocides carried out by Croatian fascists - the Ustasha - against Serbs, Jews, and Roma during the Second World War. Korb argues that the Croatian fascists were not German puppets, but strong-minded and largely independent agents, despite the German and Italian occupation of their country. They tried to transform their short-lived wartime Croatian state into a mono-ethnic nation-state by force. Whilst pursuing their violent agenda, they soon lost control over much of their territory owing to the armed resistance of their victims. What followed was an escalation of multiple layers of collective violence: local genocide, the German Holocaust, the occupiers' war against partisans, and an escalating civil war, all inextricably intertwined.

Because of this mix of perpetrators and their competing agendas, and because of the dynamics of violence and counter-violence, resistance and revenge, aggression and fear, Croatia became one of the most violent venues during the Second World War. Intertwined Genocides shows that South-eastern European nationalists carried out genocide independently of the Germans. Moreover, Alexander Korb brings critically important insights to the histories of violence, genocide, and its perpetrators: in a multi-ethnic society, genocide cannot be studied as an isolated phenomenon. Its dynamic escalation had dramatic effects on every ethnic group, and the victims' responses had a significant impact on the course of events throughout the Second World War, and into the latter half of the twentieth-century.

Mass Violence in Western Yugoslavia during the Second World War

Intertwined Genocides

Eyewitness to History

Documents of the Holocaust

The Death of Stalin

A History of the United Kingdom as a Nuclear Power

A Very British Bomb

Anti-Semitism and Islamophobia are on the rise in twenty-first-century Europe, but these notions of the malevolent, conspiring Jew or Muslim are far more than a medieval trope. Over the last millennium, deep currents of exclusion have shaped not only modern relationships between majorities and minorities, but the distinctive Western relationship between state and society. This volume asks an important question: why is it that, in a period when Europe's Islamic south and Catholic and Orthodox east remained home to religiously diverse communities, the Western fringes of Latin Christendom instead rid themselves of Jews and Muslims, through exploitation, mass murder, deportations and enslavement? Ariel Salzmann identifies the intersecting structural and sociological roots of this peculiarly Western approach, from rapid consolidation of secular polities and commercial markets in the Crusades era; to the ideology and practice of ritualised, politicised violence against minorities; to distinctive forms of economic protectionism arising from the use of minorities and their resources as bargaining chips. 'The Exclusionary West' shows that the medieval exclusion of minorities is bound up with the very foundation of Western European nation-states, informing the basic rights of civil citizenship and shaping Western ideas of identity and belonging. These legacies retain their insidious but potent power today.

Medieval Minorities and the Making of Modern Europe

The Exclusionary West

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

Not since Antonia Fraser's major biography (1975) has there been a life of Cromwell so sympathetic to its subject and based on so many years of scholarship and research. As General Editor for Oxford University Press of the five-volume edition of all the recorded words (writings and recorded speech acts) of Oliver Cromwell, Professor Morrill is perfectly equipped to write this biography. He argues that Cromwell has been seriously misinterpreted by historians, not least by left-wing thinkers such as Tony Benn, who claim Cromwell as their own and thus misunderstand the nature of Cromwell's political thought. This was a product of his religious ideas, and, argues the author, in this Cromwell was entirely sincere. After the Siege of Drogheda he murdered 3,000 people and Catholic clergy and the religious were killed on sight. He cast a long shadow over Irish history which appears to many to verge on genocide, but with this and the signing of the act of execution of Charles I, Cromwell never doubted that he was doing God's will. Morrill's book sheds exciting new light on Cromwell, both political and religious, and is based on the latest scholarship of the highest quality. Morrill argues against contemporary critics and claims that Cromwell was a man of fundamental sincerity and devotion to high Puritan principles.

Oliver Cromwell is one of the most significant figures in British history - and one of the most misinterpreted. 

In this major new biography, John Morrill argues that Cromwell has been seriously misinterpreted by historians, not least by left-wing thinkers such as Tony Benn, who claim Cromwell as their own and thus misunderstand the nature of Cromwell's political thought, which was in fact a product of his religious ideas. And in this, asserts Morrill, Cromwell was entirely sincere.

With new research and insight, this exploration of his life reveals a man who never doubted that he was doing God's will - which included murdering over 3,000 people, among them Catholic clergy, after the Siege of Drogheda, ordering the religious killed on sight, and signing Charles I's execution order. Morrill also looks at the long shadow Cromwell cast over Irish history, with policies that have been accused of verging on genocide. 

He sheds exciting new light on Cromwell, both political and religious, with analysis that is based on the latest scholarship of the highest quality, arguing against contemporary critics and claiming that Cromwell was a man of fundamental sincerity and devotion to high Puritan principles.

The brave, bad man of British history

Oliver Cromwell

Studies in Early Medieval History

This study is a vital reassessment of neglected medieval ruler King Carloman, who is so often found in the shadow of Charlemagne. Te information we have about him, transmitted by the Carolingian narrative texts or documents, has rarely been investigated before now. Marco Stoffella draws on a wide range of sources including letters, charters and diplomas to show that Carloman played a central political role in the Frankish kingdom which he ruled for three years. Stoffella suggests that it was Carloman, not Charlemagne, who was the Frankish king who married Gerberga, the Lombard princess. This emerging hypothesis leads to a reconsideration of further aspects of both Carloman's and Charlemagne's early careers. Evidence from minor annals that have been relatively disregarded until now, together with a fresh scrutiny of Pippin's and Carloman's diplomas, suggests that it was possibly Carloman rather than Charlemagne who was Pippin's first-born son. Following this interpretation, Carloman, Charlemagne and Dynastic Rivalries in the Eighth Century reflects on the extent and successfulness of Carolingian royal and imperial propaganda which re-shaped the early stages of Charlemagne's career, stressing his authority and blaming Carloman and his followers for the conflicts that emerged in Francia and in Italy between 768 and 771. The pro-Charlemagne sources even obscured the fate of the young king, and completely ignored the destiny of his wife and children. These new findings and arguments are expertly framed here and are of huge significance to our understanding of Charlemagne's conquest of the Lombard kingdom and policy south of the Alps.

Carloman, Charlemagne and Dynastic Rivalries in the Eighth Century

"We are a much-lectured people," wrote Robert Spence Watson in 1897. Beginning at mid-century, cities and towns across England used the popular lecture for purposes ranging from serious education to effervescent entertainment and from regional pride to imperial belonging. Over time, the popular lecture became the quintessential embodiment of Victorian knowledge-based culture, which itself ranged from the production of new knowledge in the most elite of learned societies to the consumption of established knowledge in middle-class clubs and the hundreds of humble mechanics' institutions initially founded to provide scientific instruction to workers. What did the "average" Victorian talk and think about? How did the knowledge-based culture of lecture and debate enable men and women to demonstrate both civic engagement and cultural competence? How does this knowledge-based culture and its changing expression give us ways to look at Victorian citizenship long before the extension of the franchise? With engaging and accessible prose Anne Rodrick draws from a variety of primary sources to provide fascinating answers to these pertinent questions. Based on the analysis of several thousand lectures and debates delivered over more than 50 years, this book digs deeply into what those individuals below the most elite levels thought, heard, debated, and claimed as a badge of cultural competence. By the turn of the 20th century, the popular lecture was competing for attention with new institutions of leisure and of higher education, and the discourse surrounding its place in contemporary England helps illuminate important debates over access to and deployment of knowledge and culture.

Knowledge-Based Culture and Participatory Citizenship

Lecturing the Victorians

A People's History of London

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