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Lane P: The Quiet in Me

The Quiet in Me

Poems

An intimate, beautifully illustrated gift edition of poet laureate W. S. Merwin's wondrous story about how to resurrect a fallen tree

An intimate, beautifully illustrated gift edition of poet laureate W. S. Merwin's wondrous story about how to resurrect a fallen tree

Unchopping a Tree

Winner of the Prix des libraires, the Indigenous Voices award, the Prix littéraire des enseignant.e.s de Français, and the Coup de Cœur Renaud-Bray, and finalist for the Prix Alain-GrandboisDual-language editionThe poems in Uiesh / Somewhere are rooted in Innu Elder Joséphine Bacon's experiences of moving between the nomadic ways of her Ancestors in the northern wilderness of Nitassinan and the clamour of the city. Wherever she is, Bacon is attentive to the smallest details of her environment, from the moon and the stars, the Northern Lights, and the falling snow, to the sirens of fire engines and the noise of a busy bar night. From her quiet centre, she listens to the voices of the Old Ones, whose stories are alive within her, and reflects on the beauty and the pain of her long life.

Vital bilingual poetry by Innu Elder Joséphine BaconThe poems in Uiesh / Somewhere speak directly to the reader, without artifice or pretension. They are rooted in Joséphine Bacon’s experience as an Innu woman, whose life has taken her from the nomadic ways of her Ancestors in the northern wilderness of Nitassinan to the clamour and bustle of the city. Wherever she is, the poet and Elder is attentive to the smallest details of her environment, from the moon and the stars, the aurorae borealis, the falling snow, and the changing seasons to the sirens of fire engines and ambulances and the noise of a busy bar night. From her quiet centre, she listens to the voices of the Old Ones, whose stories are alive within her, and reflects on the beauty and the pain of her long life.

Uiesh / Somewhere

"First published in 1997, Seeds From a Birch Tree introduced readers to the only form of poetry in all of world literature that makes nature into a spiritual path. Its message was simple: Haiku teaches us to return to nature by following the seasons-17 syllables at a time. With its mix of poetry and memoir, fallen leaves and birdsong, Seeds From a Birch Tree awakens us to what Bashåo called "the life of each thing." Simple instructions guide us to the possibilities for creativity and joy hidden in plain sight in the natural world around us, giving us hope and resilience in the face of life's challenges. This revised and expanded 25th Anniversary Edition includes the complete text of the original classic, plus dozens of new haiku and an Afterword by the author discussing haiku for the 21st century"--

“A brilliant and engaging book on haiku, and on the state of the body and mind required in the million to one shot against producing a good one” —Jim HarrisonFirst published in 1997, Seeds From a Birch Tree introduced readers to the only form of poetry in all of world literature that makes nature into a spiritual path. Its message was simple: Haiku teaches us to return to nature by following the seasons—seventeen syllables at a time.With its mix of poetry and memoir, fallen leaves and birdsong, Seeds From a Birch Tree awakens us to what Bashō called “the life of each thing.” Simple instructions guide us to the possibilities for creativity and joy hidden in plain sight in the natural world around us, giving us hope and resilience in the face of life’s challenges.This Revised &amp; Expanded 25th Anniversary Edition includes the complete text of the original classic, plus dozens of new haiku and an Afterword by the author discussing haiku for the 21st century.

Writing Haiku and the Spiritual Journey: 25th Anniversary Edition: Revised & Expanded

Seeds from a Birch Tree

"The Noh-influenced libretto of Shadow Catch recounts the dreams - or are they dreams? - of the Runaway, a teenage boy who ends up one night in Oppenheimer Park in Vancouver's Downtown Eastside. Here four troubled spirits from the park's past appear to him: the Maple Tree Spirit from K'emk'emelâaþy whose grove was decimated by loggers, a member of the brilliant Asahi baseball team whose players were sent off to Japanese internment camps, the keeper of a 1920s brothel who is haunted by the tragic death of one of her women, and a roughneck policeman from the 1930s who gave in to corruption. This is a story not only about characters from Vancouver's historical and cultural past, but about the journey and transformation that must take place in order to confront one's greatest fears and regrets. Each of the four acts in this sparse, poetic libretto were set to music by composers Dorothy Chang, Benton Roark, Jennifer Butler, and Farshid Samandari. Replete with contextual material, this book includes brief histories of the Asahi baseball team, the Battle of Ballantyne Pier, and an Indigenous history of Vancouver's Downtown Eastside."--

Noh-influenced libretto by renowned Canadian poet Daphne MarlattThe Noh-influenced libretto of Shadow Catch recounts the dreams – or are they dreams? – of the Runaway, a teenage boy who ends up one night in Oppenheimer Park in Vancouver’s Downtown Eastside. Here four troubled spirits from the park’s past appear to him: the Spirit of the Maple Tree from K’emk’emeláy̓ whose grove was decimated by loggers, a member of the brilliant Asahi baseball team whose players were sent off to Japanese internment camps, the keeper of a 1920s brothel who is haunted by the tragic death of one of "her" women, and a roughneck policeman from the 1930s who gave in to corruption. This is a story not only about characters from Vancouver’s historical and cultural past, but about the journey and transformation that must take place in order to confront one’s greatest fears and regrets.Each of the four acts in this sparse, poetic libretto were set to music by composers Dorothy Chang, Benton Roark, Jennifer Butler, and Farshid Samandari. Replete with contextual material, this book includes brief histories of species interconnectedness in the park, the Asahi baseball team, Vancouver's early red-light district, and the Battle of Ballantyne Pier.

Shadow Catch

"Some Problems with Autobiography, Brian Brodeur's fourth collection, grapples with the porous and fragmentary nature of midwestern American identity in poems that range across prosodic forms and hybrid genres. By turns self-mocking, meditative, and tragi-comic, this book explores the perils of digital technologies, ecological uncertainties, and the inadequacy of language to convey our collective distress, asking how much pleasure and hardship the human heart can bear. Brodeur's narrative poems feature a dramatis personae rare in contemporary poetry, including a Syrian refugee enrolled in a writing workshop, the wife of an accused serial killer shopping defense lawyers, a horny psychoanalyst confessing a dream, and a carpenter working for the Department of Education during New York City's first lockdown. From dramatic-monologue sonnets and narrative sestinas to discursive lyrics cast in Rubâaiyâat stanzas and Alcaic strophes, Some Problems with Autobiography brings ancient modes into startlingly contemporary contexts"--

Some Problems with Autobiography, Brian Brodeur’s fourth collection, grapples with the porous and fragmentary nature of midwestern American identity in poems that range across prosodic forms and hybrid genres. By turns self-mocking, meditative, and tragi-comic, this book explores the perils of digital technologies, ecological uncertainties, and the inadequacy of language to convey our collective distress, asking how much pleasure and hardship the human heart can bear. Brodeur’s narrative poems feature a dramatis personae rare in contemporary poetry, including a Syrian refugee enrolled in a writing workshop, the wife of an accused serial killer shopping defense lawyers, a horny psychoanalyst confessing a dream, and a carpenter working for the Department of Education during New York City’s first lockdown. From dramatic-monologue sonnets and narrative sestinas to discursive lyrics cast in Rubáiyát stanzas and Alcaic strophes,&nbsp;Some Problems with Autobiography&nbsp;brings ancient modes into startlingly contemporary contexts.&nbsp;

Some Problems with Autobiography

"A collection of poetry by Michael Earl Craig"--

In Michael Earl Craig’s sixth book, poems resonate with an inscrutable logic that feels excitedly otherworldly and unsettlingly familiar.Whether he be writing about the cadaver that Hans Holbein the Younger used as a model, Montana as the “Italy of God,” or the milking rituals in Kelly Reichardt’s&nbsp;First Cow,&nbsp;Iggy Horse&nbsp;is a book that articulates the sadness and strangeness of American life with the poetic observations of true satire.

Iggy Horse

The third installment of this best-selling anthology. A perfect companion for your hiking bag, travel pack and camp chair. This collection of stories, essays and poems includes work from more than thirty writers about wildlife, wilderness and the environment. 


Selected and edited by: 
Mara Panich (author of Blood is Not the Water) || Poetry 
Tyler Dunning (author of A Field Guide to Losing Your Friends) || Non-fiction 
Daniel J. Rice (author of The Unpeopled Season) || Fiction 


Includes the work of: 
Chris La Tray, author of One-Sentence Journal
Irene Cooper author of Committal 
Mark Gibbons, Montana Poet Laureate 
Michael Garrigan, author of Robbing the Pillars and River, Amen 
Todd Davis, author of Coffin Honey and Native Species 
Scott McMillion, author of Mark of the Grizzly and editor of Montana Quarterly 


Plus, work from Logan James Campbell, Valerie Innella Maiers, Daniel P. Hoffman, Dazar Frihet, and many more.

The third installment of this best-selling anthology. A perfect companion for your hiking bag, travel pack and camp chair. This collection of stories, essays and poems includes work from more than thirty writers about wildlife, wilderness and the environment.&nbsp; Selected and edited by:&nbsp;Mara Panich (author of Blood is Not the Water) || Poetry&nbsp;Tyler Dunning (author of A Field Guide to Losing Your Friends) || Non-fiction&nbsp;Daniel J. Rice (author of The Unpeopled Season) || Fiction&nbsp; Includes the work of:&nbsp;Chris La Tray, author of One-Sentence JournalIrene Cooper author of Committal&nbsp;Mark Gibbons, Montana Poet Laureate&nbsp;Michael Garrigan, author of Robbing the Pillars and River, Amen&nbsp;Todd Davis, author of Coffin Honey and Native Species&nbsp;Scott McMillion, author of Mark of the Grizzly and editor of Montana Quarterly&nbsp; Plus, work from Logan James Campbell, Valerie Innella Maiers, Daniel P. Hoffman, Dazar Frihet, and many more.

Riverfeet Press Anthology

Awake in the World, Volume 3

"Comprised of four heroic crowns of sonnets, Alicia Mountain's Four in Hand is both formal and experimental, ranging from lyric romantic and familial narratives to blank verses of reconfigured found text pulled from financial newsletter emails. Language and white space equally captivate with their sparsity and abundance as Mountain pursues the implications of national political identity with intersectional awareness. These poems interrogate our collective complicity in late-stage capitalism, drone warfare, the election of Donald Trump, environmental degradation, mental health crises, and the dawn of Covid-19 through the lens of gay poetic lineage, regionalism, and familial kinships structures"--

Comprised of four heroic crowns of sonnets, Alicia Mountain’s Four in Hand is both formal and experimental, ranging from lyric romantic and familial narratives to blank verses of reconfigured found text pulled from financial newsletter emails. Language and white space equally captivate with their sparsity and abundance as Mountain pursues the implications of national political identity with intersectional awareness. These poems interrogate our collective complicity in late-stage capitalism, drone warfare, the election of Donald Trump, environmental degradation, mental health crises, and the dawn of Covid-19 through the lens of gay poetic lineage, regionalism, and familial kinships structures.As in all lived experiences, treacheries and triumphs fade in and out of focus and intimacy, heartbreak, travel, eroticism, joy, and quotidian happenings offer character and momentum across non-linear narrative arcs. Through enthralling images, gripping storytelling, and world-building, Four in Hand carves out necessary space for lesbian gaze, speakership, and personhood. From the back corner of a vast, sprawling, yet gorgeous landscape of thought, Mountain's poems beckon us inside.

Four in Hand

A collection about motherhood at a time of continuous crisis - from one of Ireland's most important poets'Everyone should be reading her' OBSERVER'One of the most accomplished poets of her generation'GUARDIANThese poems emerge from the experience of being a single mother in Belfast, and against a background of seemingly continuous crisis. Political upheaval and anxiety, violence and death are all registered in these poems, which ask questions about where independence is balanced by our relationships with others, and where our inner lives meet the globally connected world. These are poems about cities - living, travelling and working in cities, getting sick and dying in cities - but also about retreating from all that: to her daughter at home, the budgie, cat and tortoise, or escaping to the park, the municipal pool, the Irish countryside, Newfoundland, or Paris, or into a Nina Simone song. This is a necessary book - a book very much of our time - with a consistent tone that is brave and bleak, but which also carries with it some much-needed humour, and a wealth of beautiful writing.

A collection about motherhood at a time of continuous crisis - from one of Ireland's most important poets 'Everyone should be reading her' OBSERVER 'One of the most accomplished poets of her generation' GUARDIAN These poems emerge from the experience of being a single mother in Belfast, and against a background of seemingly continuous crisis. Political upheaval and anxiety, violence and death are all registered in these poems, which ask questions about where independence is balanced by our relationships with others, and where our inner lives meet the globally connected world. These are poems about cities - living, travelling and working in cities, getting sick and dying in cities - but also about retreating from all that: to her daughter at home, the budgie, cat and tortoise, or escaping to the park, the municipal pool, the Irish countryside, Newfoundland, or Paris, or into a Nina Simone song. This is a necessary book - a book very much of our time - with a consistent tone that is brave and bleak, but which also carries with it some much-needed humour, and a wealth of beautiful writing.

Taking Liberties

First collection of visual work by renowed Canadian poet Phyllis Webb *A Dream in the Eye presents colour reproductions of the paintings and photocollages of renowned poet Phyllis Webb. A Governor General's Award-winning poet and a member of the Order of Canada, Webb was a major Canadian cultural figure from the 1950s through the 1980s, publishing ten collections of poetry and prose and co-founding the CBC Radio program Ideas (in 1965). When "words abandoned" her in the early 1990s and she was no longer able to write, she took up photography, photocollage, and eventually painting. Webb's visual work - a surprising "late style" (the work of an independent artist in her sixties, seventies, and eighties) - is in many ways a response to and extension of concerns explored in her poetry: the natural world of the West Coast, global political strife, the artist's struggle to express themself. All of this is explored in her more formalist collages and expressive, abstract paintings. In addition to Webb's seventy-four paintings and eighty collages, A Dream in the Eye includes introductory material by the book's editor Stephen Collis and art historian and curator Laurie White, as well as supplementary material including some of Webb's own reflections on her visual work, an essay by Betsy Warland, and a selection of poems written in response to Webb's paintings by her long-time friend Diana Hayes.

First collection of visual work by renowed Canadian poet Phyllis Webb *A Dream in the Eye presents colour reproductions of the paintings and photocollages of renowned poet Phyllis Webb. A Governor General's Award–winning poet and a member of the Order of Canada, Webb was a major Canadian cultural figure from the 1950s through the 1980s, publishing ten collections of poetry and prose and co-founding the CBC Radio program Ideas (in 1965). When “words abandoned” her in the early 1990s and she was no longer able to write, she took up photography, photocollage, and eventually painting. Webb’s visual work – a surprising “late style” (the work of an independent artist in her sixties, seventies, and eighties) – is in many ways a response to and extension of concerns explored in her poetry: the natural world of the West Coast, global political strife, the artist’s struggle to express themself. All of this is explored in her more formalist collages and expressive, abstract paintings. In addition to Webb's seventy-four paintings and eighty collages, A Dream in the Eye includes introductory material by the book's editor Stephen Collis and art historian and curator Laurie White, as well as supplementary material including some of Webb’s own reflections on her visual work, an essay by Betsy Warland, and a selection of poems written in response to Webb’s paintings by her long-time friend Diana Hayes.

The Complete Paintings and Collages of Phyllis Webb

A Dream in the Eye

THOT J BAP (The Heart of This Journey Bears All Patterns)

The ambitious second instalment of Renée Sarojini Saklikar's epic fantasy saga in verse, The Heart of This Journey Bears All Patterns (THOT J BAP).
This book-length poem features the time-travelling demigoddess Bramah, a locksmith and the saga's hero. In Bramah's Quest, the year is 2087 and Bramah is back on a planet Earth ravaged by climate change and global inequality. Bramah is on a quest to find her people, including the little boy Raphael, last seen at the end of Bramah and the Beggar Boy (2021). Hailed as "brilliant and masterful, timely" (Kerry Gilbert), this long poem reclaims poetry forms such as blank verse, the sonnet, the ballad and the madrigal. Each page is a portal, connecting readers to the resistance of seed savers, craftspeople, scientists and orphans, all banded together to help save their world from eco-catastrophe and injustice. 
Ten years in the making, Bramah's Quest weaves poetry with politics to create an epic family saga that is also a meditation on good and evil and a "real page turner" (Meredith Quartermain). Bramah, "brown, brave and beautiful," is determined to conquer the odds and deal with what fate and chance throw in her path. Each twist and turn tests her ability to live up to the motto "Let all evil die and the good endure."

The ambitious second instalment of Renée Sarojini Saklikar’s epic fantasy saga in verse, The Heart of This Journey Bears All Patterns (THOT J BAP).
This book-length poem features the time-travelling demigoddess Bramah, a locksmith and the saga’s hero. In Bramah’s Quest, the year is 2087 and Bramah is back on a planet Earth ravaged by climate change and global inequality. Bramah is on a quest to find her people, including the little boy Raphael, last seen at the end of Bramah and the Beggar Boy (2021). Hailed as “brilliant and masterful, timely” (Kerry Gilbert), this long poem reclaims poetry forms such as blank verse, the sonnet, the ballad and the madrigal. Each page is a portal, connecting readers to the resistance of seed savers, craftspeople, scientists and orphans, all banded together to help save their world from eco-catastrophe and injustice. 
Ten years in the making, Bramah’s Quest weaves poetry with politics to create an epic family saga that is also a meditation on good and evil and a “real page turner” (Meredith Quartermain). Bramah, “brown, brave and beautiful,” is determined to conquer the odds and deal with what fate and chance throw in her path. Each twist and turn tests her ability to live up to the motto “Let all evil die and the good endure.”

Bramah’s Quest

"Backward and forward: a double book of mirrored poems about identity in all its forms. This is a book of slow hours, days, and years--how they can collapse into one another, how it can feel like we are living one day repeating itself. From within this collapse, the speaker seeks connection everywhere. They visit their father's birthplace, Jogjakarta; they listen to a stranger's phone call at the Motel 6 in Alberta; they linger in the so-called ethnic aisle of the grocery store. From all of these places the speaker is discouraged but tries to imagine a future joyously incomprehensible to the present. Slows: Twice is a collection of revisions and repetitions. Every poem in one half of the book has an alternate version, or a mirror poem, in the other half. Lines, words, images, and forms are reused and reflected in a kind of palindrome, so the book can be read from front cover to back cover, or vice versa. In this way, Liem considers how language shapes identity over time and how the speaker's position in relation to language might be revised. The poems are tied to themes of work and labor, consumption and waste, family and home, as other shapers of identity and relationships. The act of revising and repeating--slowly--is meant to be a resistance to efficiency, a resistance to being an always-productive body under capitalism."--

SHORTLISTED FOR THE 2023 A.M. KLEIN PRIZE FOR POETRY LONGLISTED FOR THE 2024 RAYMOND SOUSTER AWARDCBC BOOKS CANADIAN POETRY COLLECTIONS TO WATCH FOR IN SPRING 2023 Backward and forward: a double book of mirrored poems about identity in all its forms.This is a book of slow hours, days, and years – how they can collapse into one another, how it can feel like we are living one day repeating itself. From within this collapse, the speaker seeks connection everywhere. They visit their father’s birthplace, Jogjakarta; they listen to a stranger’s phone call at the Motel 6 in Alberta; they linger in the so-called ethnic aisle of the grocery store. From all of these places the speaker is discouraged but tries to imagine a future joyously incomprehensible to the present.Slows: Twice is a collection of revisions and repetitions; every poem in one half of the book has an alternate version, or a mirror poem, in the other half. The poems are tied to themes of work and labour, consumption and waste, family and home, as shapers of identity and relationships. The act of revising and repeating – slowly – is meant to be a resistance to efficiency, a resistance to being an always-productive body under capitalism. "The poems of&nbsp;Slows: Twice&nbsp;collect in resonance, contemplate the construction of selves, with modes of repetition, sequencing, and mirroring, the way language assembles an identity or points to itself as it points away.&nbsp; 'The clouds // disappear the sky sometimes; or they become it.' Storied and cubistic, palindromic and cleaved, Liem’s poems reveal relationships to time, noise, and duration, and the possibility of joy given painful pasts." – Hoa Nguyen, author of&nbsp;A Thousand Times You Lose Your Treasure "T. Liem is one of my favorite poets working in Canada. I welcomed this book into my life like sudden sunlight.&nbsp;Slows: Twice&nbsp;is a book about how urgently we need to read differently. I loved its mischievous relation to form and expectation as well as its burning intelligence. I once described T. as an inheritor of the tradition of language poetry, but what&nbsp;Slows: Twice&nbsp;proves is that T. is less an inheritor and more so an innovator, an inventor in their own right. I read it in one frenzied sitting." – Billy-Ray Belcourt, author of&nbsp;A Minor Chorus "It’s breathtaking to watch words drip from a page into a silver river cutting through a canyon of time. T. Liem sculpts poetry with steady, curious fingers, pushing against the filaments we think hold us together that have been quietly collecting cracks, from buried violence and whispered histories to the fragile connections tying us together.&nbsp;Obits.&nbsp;captured my heart;&nbsp;Slows: Twice&nbsp;now affirms it." –&nbsp;Teta, founder of diasporic Indonesian publication&nbsp;Buah&nbsp;zine "'For everything I was, I am now something else.' Revision of self and world are core to this innovative, unruly book that manages somehow to be at once formally wacky and emotionally clear. These poems seem to ask: if language is a box heavy with histories and inadequacies and which we nevertheless must carry, can language also carry us somewhere, elsewhere, strangely? Rarely have I encountered a book so at home in the unresolved, in the tension between a longing for declaration and a commitment to questions. T. Liem’s work conjures the figure of Janus: god of duality and gates, one face facing an end, the other looking through a new door, right in the eye of a dream." – Chen Chen, author of&nbsp;Your Emergency Contact Has Experienced an Emergency "T. Liem's&nbsp;Slows: Twice&nbsp;is a fascinating exercise in revision and remaking, each repetition of its text accomplishing the arduous task of stretching time and geopolitical fixity. 'asking and repeating/ we are made' declares Liem, and that utterance produces the book's essential maxim, 'language is change/ changed by prosody.' In between these cracks of time, language becomes a miracle suture for love and connection where the hard reality of one's circumstances may produce infinite ruptures. This is a book that peers into the fissure, holding these moments of fracture as still and clearly as possible--a future of proximates." – Muriel Leung, author of&nbsp;Imagine Us, the Swarm

Slows: Twice

The Quiet in Me

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