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"A collection of poetry by Michael Earl Craig"--

In Michael Earl Craig’s sixth book, poems resonate with an inscrutable logic that feels excitedly otherworldly and unsettlingly familiar.Whether he be writing about the cadaver that Hans Holbein the Younger used as a model, Montana as the “Italy of God,” or the milking rituals in Kelly Reichardt’s&nbsp;First Cow,&nbsp;Iggy Horse&nbsp;is a book that articulates the sadness and strangeness of American life with the poetic observations of true satire.

Craig M: Iggy Horse

Iggy Horse

1 &nbsp;THE TRAIN&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;PREPARING FOR SLEEP&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;THE GHOSTS OF CASTLE OWLS PASTFIRMAMENTS&nbsp;&nbsp;SHELTER IN PLACEEND TIMES&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;PEP TALK TO SELF EATING SALAD AT AIRPORT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;THE RETURN OF STANISLAUSCANDLESNUFFER&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;IT WAS ABOUT TO RAIN&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;PREPARING TO PAINT THE BODY OF THE DEAD CHRIST IN THE TOMBCUBES OF ICE CLINKING&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;DOCTOR FAUCI&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHOCOLATE SANTA&nbsp;&nbsp;&nbsp;SOMEWHERE OVER GREENLANDTHE SALESMAN HAD TWO BAGSUNDERFOOT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2&nbsp;COWBOY &amp; PIRATEFIELD TRIP&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;AN ARM MOVING QUICKLY THROUGH A COAT SLEEVE LINED WITH TAFFETASPRINGTIME IN HORSE COUNTRY&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;SPREZZATURAPORTRAIT OF THE WRITER MAX HERRMANN-NEISSEDRIVING HOME&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CALF WORSHIP&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CLOSING TIMETHE BED OF THE PHLEGMONSAINT FINBAR’S, BURBANK&nbsp;&nbsp;&nbsp;MARIKO AOKI PHENOMENON&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;RECOLLECTION&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;THE RED MITTEN&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;EVERYONE KNEW HER AS MARSHATHE HONEYMOON&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;THE BELL IN AN OAK&nbsp;&nbsp;&nbsp;3&nbsp;THE HALF-PACKED SUITCASEFIRST COW&nbsp;I WANTED TO SAYIT WAS TOO LATE&nbsp;CHEMISTRY&nbsp;DANCE FLOORSTANDING AT THE WINDOW&nbsp;IGGY HORSE&nbsp;WAITING&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I’M ASKING&nbsp;&nbsp;&nbsp;&nbsp;BEACH SOUNDS&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;POEM ATTEMPTING TO DESCRIBE AN EMOTIONAL CRISIS&nbsp;&nbsp;JEEPERS&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;THE WISHING WELL&nbsp;&nbsp;&nbsp;WALLACE STEVENS HESITATING BEFORE AN EVENING PLAYING BRIDGE&nbsp;&nbsp;&nbsp;&nbsp;WALKING ALONG THE TIBER

Now in paperback! With over 60,000 hardcover copies in print, the astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselvesfrom U.S. Poet Laureate and MacArthur Fellow Ada Limón."I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions-incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from U.S. Poet Laureate and MacArthur Fellow Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

Poems

The Hurting Kind

"A brilliant, lithe collection making space for the resolve and hope of motherhood amid consumerist dreams and nightmares"--

Making a Living

blush / river / fox

"A tender and provocative collection of poems interrogating the troubles and wonders of both childhood and parenthood against the backdrop of global violence"--

The End of Childhood

A deft, musical debut poetry collection about the disabling effects of illness, rupture, and inheritance—informed both by Yoruba divinatory systems and violent Western medical understandings of the Black body.&nbsp;If I Gather Here and Shout summons Yoruba divinatory rituals into a hospital room. Incantatory verses accumulate alongside personal and historical “figures” of illness and death to illuminate the tensions between legibility and meaning-making that emerge when an ill Black body is processed through a Western medical context. With intimate knowledge of how ancestral memory aches and sings in the body, Funto Omojola invokes a lamenting chorus in the ceremony of survival.

A deft, musical debut poetry collection about the disabling effects of illness, rupture, and inheritance—informed both by Yoruba divinatory systems and violent Western medical understandings of the Black body.&nbsp;If I Gather Here and Shout summons Yoruba divinatory rituals into a hospital room. Incantatory verses accumulate alongside personal and historical “figures” of illness and death to illuminate the tensions between legibility and meaning-making that emerge when an ill Black body is processed through a Western medical context. With intimate knowledge of how ancestral memory aches and sings in the body, Funto Omojola invokes a lamenting chorus in the ceremony of survival.

If I Gather Here and Shout

Nocturama

The New Carthaginians

NATIONAL BESTSELLERThe #1 bestselling and beloved poetry anthology, now in paperback!“Whoever you are, you will find yourself and your own world in the expansiveness of this collection.” &nbsp;–Margaret Renkl,&nbsp;New York Times“A lovely book to take with you to read at the end of your next hike.” –Los Angeles TimesPublished association&nbsp;with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.&nbsp;&nbsp;In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about “nature poetry,” illuminating the myriad ways our landscapes—both literal and literary—are changing.You Are Here features fifty previously unpublished poems from some of the nation’s most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author’s local landscape—be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop—offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what “nature” and “poetry” are today, inviting readers to experience both anew.

Poetry in the Natural World

The Lyric Poems of Xin Qiji

If a Mountain Lion Could Sing

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery 'My life always stops for a new book by him' JHUMPA LAHIRI 'A generous, moving book' GUARDIAN Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a 'mongrel', someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière’s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem: Reading the lines he loves he slips them into a pocket, wishes to die with his clothes full of torn-free stanzas and the telephone numbers of his children in far cities Poetry – where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

A Year of Last Things

"A collection of poems by Stephen Kuusisto"--

Close Escapes

Penguin Archive

90 classic titles celebrating 90 years of Penguin Books Now you slip away in sleep. Your boat is sea-mist, dreaming, by the shore. Spain's most beloved poet, Federico García Lorca brilliantly captures the beauty and brutality of the twentieth century. His creative imagination transcends his own experiences - be it from the perspective of an ant, a gypsy nun, or Socrates - to meditate on death, love and honour, and to interrogate the decay and pretence of his society. Lorca's poetry excites, moves and disarms.

Cicada!

Iggy Horse

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