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"A collection of poetry by Michael Earl Craig"--

In Michael Earl Craig’s sixth book, poems resonate with an inscrutable logic that feels excitedly otherworldly and unsettlingly familiar.Whether he be writing about the cadaver that Hans Holbein the Younger used as a model, Montana as the “Italy of God,” or the milking rituals in Kelly Reichardt’s&nbsp;First Cow,&nbsp;Iggy Horse&nbsp;is a book that articulates the sadness and strangeness of American life with the poetic observations of true satire.

Craig M: Iggy Horse

Iggy Horse

1 &nbsp;THE TRAIN&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;PREPARING FOR SLEEP&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;THE GHOSTS OF CASTLE OWLS PASTFIRMAMENTS&nbsp;&nbsp;SHELTER IN PLACEEND TIMES&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;PEP TALK TO SELF EATING SALAD AT AIRPORT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;THE RETURN OF STANISLAUSCANDLESNUFFER&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;IT WAS ABOUT TO RAIN&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;PREPARING TO PAINT THE BODY OF THE DEAD CHRIST IN THE TOMBCUBES OF ICE CLINKING&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;DOCTOR FAUCI&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHOCOLATE SANTA&nbsp;&nbsp;&nbsp;SOMEWHERE OVER GREENLANDTHE SALESMAN HAD TWO BAGSUNDERFOOT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2&nbsp;COWBOY &amp; PIRATEFIELD TRIP&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;AN ARM MOVING QUICKLY THROUGH A COAT SLEEVE LINED WITH TAFFETASPRINGTIME IN HORSE COUNTRY&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;SPREZZATURAPORTRAIT OF THE WRITER MAX HERRMANN-NEISSEDRIVING HOME&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CALF WORSHIP&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CLOSING TIMETHE BED OF THE PHLEGMONSAINT FINBAR’S, BURBANK&nbsp;&nbsp;&nbsp;MARIKO AOKI PHENOMENON&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;RECOLLECTION&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;THE RED MITTEN&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;EVERYONE KNEW HER AS MARSHATHE HONEYMOON&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;THE BELL IN AN OAK&nbsp;&nbsp;&nbsp;3&nbsp;THE HALF-PACKED SUITCASEFIRST COW&nbsp;I WANTED TO SAYIT WAS TOO LATE&nbsp;CHEMISTRY&nbsp;DANCE FLOORSTANDING AT THE WINDOW&nbsp;IGGY HORSE&nbsp;WAITING&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I’M ASKING&nbsp;&nbsp;&nbsp;&nbsp;BEACH SOUNDS&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;POEM ATTEMPTING TO DESCRIBE AN EMOTIONAL CRISIS&nbsp;&nbsp;JEEPERS&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;THE WISHING WELL&nbsp;&nbsp;&nbsp;WALLACE STEVENS HESITATING BEFORE AN EVENING PLAYING BRIDGE&nbsp;&nbsp;&nbsp;&nbsp;WALKING ALONG THE TIBER

"A collection of poems by Yuki Tanaka"--

Chronicle of Drifting

This eloquent literary collection from Ellery Chapsaw reflects on her time as Natalie Snyder in the long-running soap opera As the World Turns, uncovering a different, darker reality behind the camera through poems and personal essays.
Within the soundstage of a Brooklyn television studio on E 14th St., a young girl believes her acting career is all bright lights and playing dress up, but her messy reality is in stark juxtaposition to the glittering world of the tv cameras. Capshaw takes an unflinching look at growing up inside the three walls where life begins, ends, and lingers for the cameras, while real life with all its troubles keeps on going.
Confronted with the challenges of fitting in, defining identity, and enduring the tragic loss of her real life father, Three Walled World unravels the ghosts that remain—those around us and the ones within.

Three Walled World

"A collection of poems by Jim Harrison"--

The Theory and Practice of Rivers

Now in paperback! With over 60,000 hardcover copies in print, the astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselvesfrom U.S. Poet Laureate and MacArthur Fellow Ada Limón."I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions-incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from U.S. Poet Laureate and MacArthur Fellow Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

Poems

The Hurting Kind

blush / river / fox

NATIONAL BESTSELLERThe #1 bestselling and beloved poetry anthology, now in paperback!“Whoever you are, you will find yourself and your own world in the expansiveness of this collection.” &nbsp;–Margaret Renkl,&nbsp;New York Times“A lovely book to take with you to read at the end of your next hike.” –Los Angeles TimesPublished association&nbsp;with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.&nbsp;&nbsp;In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about “nature poetry,” illuminating the myriad ways our landscapes—both literal and literary—are changing.You Are Here features fifty previously unpublished poems from some of the nation’s most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author’s local landscape—be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop—offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what “nature” and “poetry” are today, inviting readers to experience both anew.

Poetry in the Natural World

Radiant poems from the bestselling author of Memphis

Magic Enuff

"A brilliant, lithe collection making space for the resolve and hope of motherhood amid consumerist dreams and nightmares"--

Making a Living

Penguin Archive

90 classic titles celebrating 90 years of Penguin Books 'I am Black because I come from the earth's inside now take my word for jewel in the open light.' Impassioned and profound, the poems in Coal showcase Audre Lorde in all her dazzling elegance and multiplicity. Mournful, celebratory, politically conscious, this early collection is a testament to Lorde's beloved and hugely influential lyric voice, which faithfully captures the complex interiority of the self. These timeless poems resonate down the years.

Coal

Little Passenger

"Winner of the Jake Adam York Prize, this collection of poems seeks answers about how to live meaningfully in a world saturated by white noise"--

Winner of the Jake Adam York Prize, this collection of poems seeks answers about how to live meaningfully in a world saturated by late capitalism.“The question isn’t / what exists,” writes Sarah V. Schweig in her engrossing and prize-winning collection, “The question is what doesn’t / die with us?” Positioned from within the morass of modern-day living, The Ocean in the Next Room searches for the hard, abiding particles of truth buried beneath our frenzied consumer culture. Stillness. Sunsets. The circadian rhythm of trees. These poems guide us to look past branding, content-creation, and relentless jargon to find meaning in those layers of the world that operate without human intervention.In verse that is at once inventive and innately familiar, Schweig unpacks the urge to make art, life, and connections even at the risk of becoming further entangled in the Anthropocene. Profound and clear-sighted, this collection urges us to lift our gazes from our screens and really look at the world around us. If we measure our attentions and sharpen our intentions, if we “try again to write / the true things,” we might spy something real on the horizon.

The Ocean in the Next Room

They Bloom Because of You

Iggy Horse

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