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Lane P: The Quiet in Me

The Quiet in Me

Poems

"The Punishment is the latest addition to the oeuvre of prolific Kwantlen writer Joseph Dandurand, whose stunning previous collection, The East Side of It All, was shortlisted for the Griffin Poetry Prize. In The Punishment, Joseph Dandurand's now-familiar storyteller's voice wrangles trauma, grief, forgiveness and love. His poems illustrate the poet's solitary existence. With scenes of residential school, the psych ward, the streets and the river, Dandurand reveals an arduous journey: one poet's need to both understand his life and find ways to escape it. Through poetry, he shares with us all his lovers. He shares the streets. He shares what he sees: the great eagles and small birds; his culture and teachings; the East Side; self-pity; the deception of love; the deception of hate; sasquatches; spirits; and his people, the Kwantlen. At root, The Punishment is about survival. Dandurand's poems will show you disease. They'll show you cedar. They'll show you music. They'll show you shadows. They'll show you forgiveness, and they'll show you punishment."--

The Punishment

A luminous collection of wonder, wildness and the capabilities of love in the face of destruction, from one of poetry's sharpest up-and-coming voices

'Bravo' Ocean Vuong

Find Me As the Creature I Am

The third installment of this best-selling anthology. A perfect companion for your hiking bag, travel pack and camp chair. This collection of stories, essays and poems includes work from more than thirty writers about wildlife, wilderness and the environment. 


Selected and edited by: 
Mara Panich (author of Blood is Not the Water) || Poetry 
Tyler Dunning (author of A Field Guide to Losing Your Friends) || Non-fiction 
Daniel J. Rice (author of The Unpeopled Season) || Fiction 


Includes the work of: 
Chris La Tray, author of One-Sentence Journal
Irene Cooper author of Committal 
Mark Gibbons, Montana Poet Laureate 
Michael Garrigan, author of Robbing the Pillars and River, Amen 
Todd Davis, author of Coffin Honey and Native Species 
Scott McMillion, author of Mark of the Grizzly and editor of Montana Quarterly 


Plus, work from Logan James Campbell, Valerie Innella Maiers, Daniel P. Hoffman, Dazar Frihet, and many more.

Riverfeet Press Anthology

Awake in the World, Volume 3

"The Noh-influenced libretto of Shadow Catch recounts the dreams - or are they dreams? - of the Runaway, a teenage boy who ends up one night in Oppenheimer Park in Vancouver's Downtown Eastside. Here four troubled spirits from the park's past appear to him: the Maple Tree Spirit from K'emk'emelâaþy whose grove was decimated by loggers, a member of the brilliant Asahi baseball team whose players were sent off to Japanese internment camps, the keeper of a 1920s brothel who is haunted by the tragic death of one of her women, and a roughneck policeman from the 1930s who gave in to corruption. This is a story not only about characters from Vancouver's historical and cultural past, but about the journey and transformation that must take place in order to confront one's greatest fears and regrets. Each of the four acts in this sparse, poetic libretto were set to music by composers Dorothy Chang, Benton Roark, Jennifer Butler, and Farshid Samandari. Replete with contextual material, this book includes brief histories of the Asahi baseball team, the Battle of Ballantyne Pier, and an Indigenous history of Vancouver's Downtown Eastside."--

Shadow Catch

The Great Poets

A gorgeous collection of the poetry of Jane Austen, voted all-time best writer, author of Pride &amp; Prejudice and Emma

Poems both inspiring and witty from the author of 'Pride and Prejudice' and 'Emma'

Jane Austen

<ul><li>This is Clark Coolidge's most famous book, the one everyone references, long out of print after a 2nd successful publication with Sun &amp; Moon Press in 2000. (The book was originally published by The Figures Press in 1986)</li><li>Clark Coolidge is associated with the New York School and writers 
Ted Berrigan, Ron Padgett, Anne Waldman, Bernadette Mayer, and Larry 
Fagin. </li><li>He is also linked with the Language Poets including Lyn Hejinian, Ron Silliman, and Michael Palmer.</li><li>In Gizzi's preface, he mentions the many authors who consider Coolidge to be their favorite poet, including John Ashbery, Michael Ondaatje, &amp; Bernadette Mayer.</li></ul>

The Crystal Text

Winner of the Prix des libraires, the Indigenous Voices award, the Prix littéraire des enseignant.e.s de Français, and the Coup de Cœur Renaud-Bray, and finalist for the Prix Alain-GrandboisDual-language editionThe poems in Uiesh / Somewhere are rooted in Innu Elder Joséphine Bacon's experiences of moving between the nomadic ways of her Ancestors in the northern wilderness of Nitassinan and the clamour of the city. Wherever she is, Bacon is attentive to the smallest details of her environment, from the moon and the stars, the Northern Lights, and the falling snow, to the sirens of fire engines and the noise of a busy bar night. From her quiet centre, she listens to the voices of the Old Ones, whose stories are alive within her, and reflects on the beauty and the pain of her long life.

Uiesh / Somewhere

"Some Problems with Autobiography, Brian Brodeur's fourth collection, grapples with the porous and fragmentary nature of midwestern American identity in poems that range across prosodic forms and hybrid genres. By turns self-mocking, meditative, and tragi-comic, this book explores the perils of digital technologies, ecological uncertainties, and the inadequacy of language to convey our collective distress, asking how much pleasure and hardship the human heart can bear. Brodeur's narrative poems feature a dramatis personae rare in contemporary poetry, including a Syrian refugee enrolled in a writing workshop, the wife of an accused serial killer shopping defense lawyers, a horny psychoanalyst confessing a dream, and a carpenter working for the Department of Education during New York City's first lockdown. From dramatic-monologue sonnets and narrative sestinas to discursive lyrics cast in Rubâaiyâat stanzas and Alcaic strophes, Some Problems with Autobiography brings ancient modes into startlingly contemporary contexts"--

Some Problems with Autobiography

"Backward and forward: a double book of mirrored poems about identity in all its forms. This is a book of slow hours, days, and years--how they can collapse into one another, how it can feel like we are living one day repeating itself. From within this collapse, the speaker seeks connection everywhere. They visit their father's birthplace, Jogjakarta; they listen to a stranger's phone call at the Motel 6 in Alberta; they linger in the so-called ethnic aisle of the grocery store. From all of these places the speaker is discouraged but tries to imagine a future joyously incomprehensible to the present. Slows: Twice is a collection of revisions and repetitions. Every poem in one half of the book has an alternate version, or a mirror poem, in the other half. Lines, words, images, and forms are reused and reflected in a kind of palindrome, so the book can be read from front cover to back cover, or vice versa. In this way, Liem considers how language shapes identity over time and how the speaker's position in relation to language might be revised. The poems are tied to themes of work and labor, consumption and waste, family and home, as other shapers of identity and relationships. The act of revising and repeating--slowly--is meant to be a resistance to efficiency, a resistance to being an always-productive body under capitalism."--

Slows: Twice

The universe makes a sound-is a sound. In the core of this sound there's a silence, a silence that creates a sound, which is not its opposite,but its inseparable soul. And this silence can also be heard. -Etal AdnanThe Griffin Poetry Prize is among the world's most significant prizes in literature. Awarded each year to the most outstanding volumes of poetry published worldwide, the prize recognizes works written in, and translated into, English. This anthology, edited by Gregory Scofield, offers a selection of poems from the 2023 shortlist, together with the judges' citations.

A Selection of the Shortlist

The 2023 Griffin Poetry Prize Anthology

"Feminist poems both serious and absurd that question our obsession with productivity instead of with care. Continuity Errors questions the privileging of work and productivity over rest and care from an ecological and feminist perspective. These lyric, prose, and persona poems situate themselves within the domestic sphere of childbirth and childcare where different voices--many fantastical or historical--and registers--from corporate euphemism to earnest confessional--explore preoccupations around what roles innovation and maintenance play in our lives. In Manifesto for Maintenance Art 1969!, Mierle Laderman Ukeles wrote, "Maintenance is a drag; it takes all the f*cking time (lit.) The mind boggles and chafes at the boredom. The culture confers lousy status on maintenance jobs = minimum wages, housewives = no pay." In Continuity Errors, moments of reflection are disrupted with splashes of levity, absurdity, and raunchiness that ask the reader to consider how labor and play make up our days."--

Continuity Errors

First collection of visual work by renowed Canadian poet Phyllis Webb *A Dream in the Eye presents colour reproductions of the paintings and photocollages of renowned poet Phyllis Webb. A Governor General's Award-winning poet and a member of the Order of Canada, Webb was a major Canadian cultural figure from the 1950s through the 1980s, publishing ten collections of poetry and prose and co-founding the CBC Radio program Ideas (in 1965). When "words abandoned" her in the early 1990s and she was no longer able to write, she took up photography, photocollage, and eventually painting. Webb's visual work - a surprising "late style" (the work of an independent artist in her sixties, seventies, and eighties) - is in many ways a response to and extension of concerns explored in her poetry: the natural world of the West Coast, global political strife, the artist's struggle to express themself. All of this is explored in her more formalist collages and expressive, abstract paintings. In addition to Webb's seventy-four paintings and eighty collages, A Dream in the Eye includes introductory material by the book's editor Stephen Collis and art historian and curator Laurie White, as well as supplementary material including some of Webb's own reflections on her visual work, an essay by Betsy Warland, and a selection of poems written in response to Webb's paintings by her long-time friend Diana Hayes.

The Complete Paintings and Collages of Phyllis Webb

A Dream in the Eye

The Quiet in Me

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