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Hunt T: The Principles of Written
Discourse

The Principles of Written Discourse

Utah State University Press

The first book to explore writing center (WC) and writing program (WP) administration in HBCUs, Our Charge to Keep nuances ideas of ethical tutoring, explores Black college students' beliefs about using Black Language in academic writing, provides new theories about tutoring, and gives insights into infrastructure and challenges facing WC and WP administrators in HBCU settings. Many writing center directors have taken up the challenge to interrogate the impact of systemic racism on writing center theory, research, pedagogy, praxes, and daily operations, but the focus has largely been on predominantly white institutions (PWIs). As a result, writing center theory and research has unintentionally excluded the practices of everyday HBCU writing centers-their pedagogies, praxes, theories, and research. This edited volume rectifies this marginality by centering the epistemologies, practices, and wisdom of HBCU writing administrators, theorists, and practitioners. Chapters examine antiracist pedagogy, first-year writing challenges, the role of the larger HBCU community, and more. Our Charge to Keep is a collection of writings that ultimately demystifies the administration of HBCU writing centers and inspires critical curiosity about them. Dr. Wonderful and Kendra Mitchell frame and showcase the resilience of HBCU writing center directors in combating the residual impact of systemic oppression and point the way forward for PWIs to shift toward new HBCU-centered perspectives on how to institute true antiracist policies and initiatives.

Writing Center and Writing Program Administration at Historically Black Colleges and Universities

Our Charge to Keep

<ul><li>WRITE YOUR BOOK IN 2026!: Packed with tips, exercises to keep the creativity flowing, quotes about writing, encouraging words, and inspiring stories about authors, this calendar will help you make this the year you sit down and write. </li><li>BANISH WRITER’S BLOCK: This essential calendar provides a steady guide to help you achieve your goals—or at least be productive and have fun trying—with regular writing prompts and monthly check-ins to help you track your progress. </li><li>NOW PLASTIC-FREE!: Page-A-Day® Calendars are environmentally friendly! Printed on responsibly sourced paper and 100% recyclable, with sturdy cardboard backers. </li></ul>

A daily calendar just for writers, with tips, writing prompts, quotes, and more to inspire all year long.

Writer's Year Page-A-Day® Calendar 2026

A Field Guide to Effective Writing

How Writing Works

WINNER OF THE CRAFT CATEGORY, THE MEMOIR PRIZE 2025If you want to get your manuscript published, read this book.&nbsp;There's no secret handshake or golden key in these pages, but Imagine a Door offers a more equitable and empowering prize: information delivered with gentleness. Author and publisher Laura Stanfill started working on this project in 2016, ultimately interviewing more than seventy-five authors and industry experts, including Wendy Chin-Tanner, Tove Danovich, Omar El Akkad, Erin Harris, Ari Honarvar, Juhea Kim, Dan Lazar, Fonda Lee, Emme Lund, Daniel A. Olivas, Rosanne Parry, Keith Rosson, Amy Stewart, Sonja Thomas, Addie Tsai, and Lidia Yuknavitch.&nbsp;Is a writing routine worthwhile? How do you pinpoint the why behind your storytelling? What exactly is distribution? Can we reframe success in a less capitalistic way than defining it by sales numbers? While prioritizing genuine community over platform building, Imagine a Door intersperses case studies, sidebars, and checklists with personal stories about writing, revising, and the emotional complexities of sending your work into the world. Foreword by Beth Kephart, author of Handling the Truth.

A Writer's Guide to Unlocking Your Story, Choosing a Publishing Path, and Honoring the Creative Journey

Imagine a Door

A creative masterclass for aspiring and established writers alikeAfter decades of writing award-winning books on subjects ranging from poetry to art to liturgical seasons, celebrated author Marilyn McEntyre turns her attention to the vocation that has shaped her life. Start with a Word: On the Craft and Adventure of Writing is a literary masterclass that eschews drills and formulas in favor of close readings and refreshingly playful advice.A veteran teacher, Marilyn understands that the best writing instruction doesn't come from rigid rules or rote approaches to filling the blank page. Instead, she demonstrates how the writers whose works we have enjoyed can become our tutors. She calls us to move beyond asking "What does this text say?" to a more revealing question: "How does this text work?" This shift in perspective--from passive consumption to active apprenticeship--transforms how we encounter literature and how we create it.More than a how-to manual, Start with a Word is an invitation into a way of being that honors both the precision and the mystery of words. It offers short lessons on essential elements of literary craft, close readings of passages from a range of works, writing prompts, and, above all, encouragement for authors to find their unique path into work only they can create. "Reading and writing keep alive in us the desire to be precise, lively, surprising, generous, inviting, challenging, wise. They make us want to be good, if only in the sense that choosing exact and appropriate words is a matter of choosing the good. . . . I don't think you can be an excellent writer without developing some virtues, if only fidelity to a practice that honors the gift of language."

On the Craft and Adventure of Writing

Start with a Word

Business and Professional Writing: A Basic Guide, Third Edition

Bringing together essays from neurodivergent and disabled writers, and writers with chronic illnesses, this collection explores the impact of these experiences and the struggle against such biases within the field of creative writing. Whilst neuro-divergent and disabled writers publish world-class poetry, prose, and drama that moves readers and wins awards, they face many difficulties accessing these achievements - difficulties which often go unnoticed, unmentioned, and underappreciated. Visibility, insight, alternative approaches, and thorough research are all needed to create more inclusive writing environments. This book confronts these issues head on, calling for diversity in the creative writing field, community, and industry, and more equitable spaces in adjacent arenas from academia to publishing. Broken into four sections, this anthology focuses on creative writing programs, classrooms, the community, and its people, combining narrative, research and practical contributions to the field to offer a mix of practical strategies, personal and pedagogical interventions, critiques, and craft meditations that explore teaching, transformation, evolution, embodied craft, visibility, belonging, injustice, otherness, and views from the outside. With essays and excerpts written by authors and educators from across seven countries, who are each impacted by a wide range of disabilities, including ADHD, autism, blindness, dyslexia, dyspraxia, stroke aphasia, cerebral palsy, bipolar, fibromyalgia, and rheumatoid arthritis, this collection informs, deconstructs and re-imagines to reform and revolutionize normative structures within writing institutions and communities.

Disability, Illness, Neurodivergence, and Ableism in Creative Writing

Divergent Writers

It's not just what you say, but how you say it.Good communicators know this, but it's often easier said than done. Teachers, leaders, and speakers are often left bewildered, wondering why the content that was so carefully planned and delivered seems to fall flat with the audience. The art of communication requires more than the transfer of information; it both connects with and engages the hearer. To communicate well, speakers must understand both their audience and themselves.Speaking by the Numbers offers a strategy that combines communication principles with Enneagram wisdom to help leaders, pastors, and teachers understand how to convey content in ways that both inspire and connect with their audiences. Using the Enneagram wisdom of triads and stances, communicators can learn insight into the ways that various Enneagram numbers receive and process information. Sean Palmer draws from his extensive experience as a public speaker to develop communication strategies that lead to connection, transformation, and mobilization of audiences. Providing real examples of speeches and messages he has given, Palmer shows how he uses the Enneagram to craft a message that connects with his audience. A healthy marriage of Enneagram wisdom and communication skill can help us speak with clarity into the heart of where people live, love, and experience life.

Enneagram Wisdom for Teachers, Pastors, and Communicators

Speaking by the Numbers

“Conversational essays on wonder . . . A&nbsp;meditation on what gives life meaning. . . . A loving sermon on the rewards of children’s books.”&nbsp;―Kirkus Reviews Make Believe is bestselling children’s author Mac Barnett’s rallying cry for art and imagination, and a celebration of the power of storytelling in all our lives. It’s anincisive, intimate, and timely invitation to approach children’s literature not only as an art form worthy of deep study and criticism, but as a portal into the lives of the children.&nbsp;Incisive, intimate, and timely invitation to approach children’s literature not only as an art form worthy of deep study and criticism, but as a portal into the lives of the children. And at a time when we are faced with a national literacy crisis,&nbsp;he&nbsp;champions the profound joys of literature and the importance of reading for pleasure. What if children are a great audience for art? What if they are in fact better equipped to engage deeply with stories than adults? What if humans’ ability to appreciate art is, if not innate, awakened early in childhood? Well, then we’d better do our best to make some good kids’ books. Written with humor and academic rigor, Make Believe&nbsp;reads like a letter from your smartest and funniest friend. &nbsp;

On Telling Stories to Children

Make Believe

Skills for Scholars

A playful and irreverent argument for—and practical guide to—writing in a rich and extraordinary style When it comes to literary style, the commonplace wisdom of composition classrooms, newsrooms, and editorial offices has long been that less is more. Students are taught that the best prose is that which eschews ornamentation and rhetorical flourish. But what if sometimes more is more? In Praise of Purple Prose playfully and cheekily contests a century worth of convention that rejects the baroque and byzantine as “purple prose,” making the case that fun and joy in language can be as important as concision and comprehension. Part style guide and part manifesto, the book rewrites the rules on writing. Ed Simon encourages writers to embrace the extraordinary, to call upon the classical rhetorical devices, and to relish in the richness of description and the erudition of allusion. He demonstrates that serpentine syntax, eccentric diction, and idiosyncratic punctuation, when used judiciously, can express the complexity of experience, bring out the pleasures of language, and help readers develop a unique voice in a world where AI threatens to make everyone sound alike. To illustrate its arguments, the book features examples of extraordinary prose from dozens of writers, including John Donne, Virginia Woolf, Joan Didion, Salman Rushdie, Marilynne Robison, and Zadie Smith. Playful and provocative, In Praise of Purple Prose will leave readers with a new appreciation for fancy prose and inspire writers to draw on all of the liveliest and most powerful resources of English in their work.

A Guide to Writing with Elegance, Opulence, and Indulgence

In Praise of Purple Prose

A playful and irreverent argument for--and practical guide to--writing in a rich and extraordinary style When it comes to literary style, the commonplace wisdom of composition classrooms, newsrooms, and editorial offices has long been that less is more. Students are taught that the best prose is that which eschews ornamentation and rhetorical flourish. But what if sometimes more is more? In Praise of Purple Prose playfully and cheekily contests a century worth of convention that rejects the baroque and byzantine as "purple prose," making the case that fun and joy in language can be as important as concision and comprehension. Part style guide and part manifesto, the book rewrites the rules on writing. Ed Simon encourages writers to embrace the extraordinary, to call upon the classical rhetorical devices, and to relish in the richness of description and the erudition of allusion. He demonstrates that serpentine syntax, eccentric diction, and idiosyncratic punctuation, when used judiciously, can express the complexity of experience, bring out the pleasures of language, and help readers develop a unique voice in a world where AI threatens to make everyone sound alike. To illustrate its arguments, the book features examples of extraordinary prose from dozens of writers, including John Donne, Virginia Woolf, Joan Didion, Salman Rushdie, Marilynne Robison, and Zadie Smith. Playful and provocative, In Praise of Purple Prose will leave readers with a new appreciation for fancy prose and inspire writers to draw on all of the liveliest and most powerful resources of English in their work.

A radically liberating collection of essays, ideas and approaches to writing and teaching poetry

Do It Wrong is a short, snappy series of provocations and suggestions designed to help poets think outside the box and foster creativity.

It’s a permission slip to take a path others reject, to do the counter-intuitive thing, to embrace the weird.

It's a guidebook designed to bring poets together, to question our assumptions, and to move past the “business as usual” educational models into the new, the strange, and the “wrong.”

And it's a playful, purposeful contribution toward the building of stronger, more resilient writing communities.

For readers of Beth Pickens’s Make Your Art No Matter What and Austin Kleon’s Steal Like an Artist, Derek Beaulieu distills 20 years of experience teaching creative writing into a joyfully mischievous manifesto on how to write and teach poetry with meaning.

How to Be a Poet in the Twenty-First Century

Do It Wrong

The Principles of Written Discourse

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