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The Makeup Remover

Yeon L: The Makeup Remover: Volume 1

The Makeup Remover: Volume 1

She might have the plainest face in the country . . . and that’s exactly why he wants her. Lee Yeon’s beloved webcomic is now available in English print for the first time. Kim Yeseul has always heard that everyone glows up in college . . . so why does she feel like the least pretty college student ever?! All of her peers look effortlessly put together 24/7, but Yeseul has no idea how to put on makeup or style her hair. With neither the looks nor the confidence to stand out, Yeseul resigns herself to hiding behind her camera as she completes her photography degree. Enter Cheon Yuseong, the most sought-after makeup artist in Korea. He needs a model for an upcoming TV competition series, and he’s certain that Yeseul’s plain face is the perfect canvas to showcase his skills. Yeseul isn’t interested in fame or glory—she just wants to look pretty enough to catch the attention of her longtime crush, Seungwoo. But as Yeseul plunges face-first into the cutthroat world of cosmetics, she begins to question whether appearance really is everything. Volume 1 collects episodes 1–14 of the webcomic The Makeup Remover.

She might have the plainest face in the country . . . and that’s exactly why he wants her. Lee Yeon’s beloved webcomic is now available in English print for the first time. Kim Yeseul has always heard that everyone glows up in college . . . so why does she feel like the least pretty college student ever?! All of her peers look effortlessly put together 24/7, but Yeseul has no idea how to put on makeup or style her hair. With neither the looks nor the confidence to stand out, Yeseul resigns herself to hiding behind her camera as she completes her photography degree. Enter Cheon Yuseong, the most sought-after makeup artist in Korea. He needs a model for an upcoming TV competition series, and he’s certain that Yeseul’s plain face is the perfect canvas to showcase his skills. Yeseul isn’t interested in fame or glory—she just wants to look pretty enough to catch the attention of her longtime crush, Seungwoo. But as Yeseul plunges face-first into the cutthroat world of cosmetics, she begins to question whether appearance really is everything. Volume 1 collects episodes 1–14 of the webcomic The Makeup Remover.

The Makeup Remover, Volume 1

NEW YORK TIMES BESTSELLER • From the #1 New York Times bestselling author of I’m Glad My Mom Died comes “a thorny examination of power, lust, shame and rage” (Los Angeles Times) from “a writer able to capture some of the darkest parts of human nature with unflinching honesty and devastating humor” (NPR) “Unapologetic and undeniable . . . If there was ever any doubt whether the narrative command that Jennette McCurdy displayed in her bestselling memoir I’m Glad My Mom Died might translate to fiction, let it henceforth be put to rest.”—Elle Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of all: Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

NEW YORK TIMES BESTSELLER • From the #1 New York Times bestselling author of I’m Glad My Mom Died comes “a thorny examination of power, lust, shame and rage” (Los Angeles Times) from “a writer able to capture some of the darkest parts of human nature with unflinching honesty and devastating humor” (NPR) “Unapologetic and undeniable . . . If there was ever any doubt whether the narrative command that Jennette McCurdy displayed in her bestselling memoir I’m Glad My Mom Died might translate to fiction, let it henceforth be put to rest.”—Elle Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of all: Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

A Novel

Half His Age

It's Not too Late to Build Toward a Better Future!Rick Caruso has earned a reputation for being a problem solver--somebody who's not afraid of facing big challenges. From his appointment to Water Commissioner and later Police Commissioner in Los Angeles to his bold real estate ventures, Caruso made the decisions he felt were right, even in the face of staunch adversity. In Its Not Too Late, Caruso shares the lessons he learned from his experiences while offering us all a path forward to a better future. At a time when more importance is placed on choosing sides than actually getting things done (let alone done right), Caruso offers refreshing perspective and will teach you how to let go of false divisions, and instead to embrace the search for actual answers and solutions.Togetherness, brotherhood, sisterhood, faith in each other, respect for each other, the ideals preached in almost every faith on Earth are the way forward, no matter how difficult the climb in front of us may seem. And ultimately, the only way we will get back on that path is for each of us to step up, with integrity, in whatever small way we can: for our kids, for our communities, for our country, and for each other.

It’s Not too Late to Build Toward a Better Future!

The Power of Finding Steadfast Solutions

It's Not Too Late

Das 'ICH!' erwacht hundertfach: Über 200 ungehaltene Reden ungehaltener FrauenDie Zeiten sind grau. Kriege, Autokraten, Machtspiele dominieren die Nachrichten. Und immer wieder die Sehnsucht nach Hoffnung. Und die geben Frauen sich jetzt selbst. Sie ergreifen das Wort, sind ungehalten und viele. 'ICH!' ist Hoffnung und Warnung zugleich. Weil die ungehaltenen Reden eine Welt der Vielfalt offenbaren, die reich und unkontrollierbar ist. Ein Triumph der Toleranz, Offenheit und Neugier. Bereits zum vierten Mal erscheinen 'Neue ungehaltene Reden ungehaltener Frauen'. Und wieder sind die Themen so verschieden wie die mutigen Frauen selbst, die mittlerweile bei Frauenvollversammlungen, Frauentagen, Veranstaltungen von Frauenreferaten, in Museen etc. reden. 2025 wurden mehr ungehaltene Reden eingereicht als jemals zuvor. 24 Reden befinden sich in diesem Buch. Immer mehr Frauen erheben ihre Stimme und zeigen: ICH! bin da! Und auf einmal ist es nicht mehr grau. Weil aus vielen Hoffnungsschimmern ein kraftvolles Leuchten wird.

Das »ICH!« erwacht hundertfach: Über 200 ungehaltene Reden ungehaltener FrauenDie Zeiten sind grau. Kriege, Autokraten, Machtspiele dominieren die Nachrichten. Und immer wieder die Sehnsucht nach Hoffnung. Und die geben Frauen sich jetzt selbst. Sie ergreifen das Wort, sind ungehalten und viele. »ICH!« ist Hoffnung und Warnung zugleich. Weil die ungehaltenen Reden eine Welt der Vielfalt offenbaren, die reich und unkontrollierbar ist. Ein Triumph der Toleranz, Offenheit und Neugier. Bereits zum vierten Mal erscheinen »Neue ungehaltene Reden ungehaltener Frauen«. Und wieder sind die Themen so verschieden wie die mutigen Frauen selbst, die mittlerweile bei Frauenvollversammlungen, Frauentagen, Veranstaltungen von Frauenreferaten, in Museen etc. reden. 2025 wurden mehr ungehaltene Reden eingereicht als jemals zuvor. Immer mehr Frauen erheben ihre Stimme und zeigen: ICH! bin da! Und auf einmal ist es nicht mehr grau. Weil aus vielen Hoffnungsschimmern ein kraftvolles Leuchten wird.

Neue ungehaltene Reden ungehaltener Frauen | DAS Buch zum Weltfrauentag 2026

ICH! Neue ungehaltene Reden ungehaltener Frauen

The majestic palace atop the tallest peak of the Hornacis mountain range, and an unseen gaze-are they an enlightening beacon or the lure of a malevolent being? A magic mirror corrupts a young girl. The Hanged Giant's eye flashes crimson. Not even a true seer can trust their eyes. Death descends, calamity encroaches, and a hidden scheme unfolds in silence. Above the gray fog, the Fool lowers his head, listening to the discord of fate...ABOUT THE AUTHORCuttlefish That Loves Diving (Ai Qianshui de Wuzei) China Literature Platinum Writer Famous web author Mao Dun Literature Prize Newcomer Award: Best Newcomer in Web Novels President of the Sichuan Province Web Authors Association Signature works: Lord of Mysteries, Catalog of Destruction, Throne of Magical Arcana, and more.

The Clown, Part II

Lord of Mysteries, Vol. 2

Mechanical Marie / Mein Hausmädchen ist (k)ein Roboter?

Alarmstufe Rot! Marie hat ihrem Boss Arthur ihre Gefühle gestanden - und Arthur ist vor Glück aus dem Häuschen! Leider hält er Marie immer noch für ein Roboterhausmädchen. Damit nicht auffliegt, dass sie in Wahrheit ein Mensch ist und ihn die ganze Zeit getäuscht hat, sieht Marie nur eine Lösung: Sie muss einen Systemfehler mit Amnesie vortäuschen! Ob das gut geht?

Alarmstufe Rot! Marie hat ihrem Boss Arthur ihre Gefühle gestanden – und Arthur ist vor Glück aus dem Häuschen! Leider hält er Marie immer noch für ein Roboterhausmädchen. Damit nicht auffliegt, dass sie in Wahrheit ein Mensch ist und ihn die ganze Zeit getäuscht hat, sieht Marie nur eine Lösung: Sie muss einen Systemfehler mit Amnesie vortäuschen! Ob das gut geht?

Mein Hausmädchen ist (k)ein Roboter?

Mechanical Marie 04

A shattered world. A new generation of heroes. The war for Earth-2 begins. In the wake of unspeakable tragedy, a new age of heroes rises on a parallel Earth unlike any you’ve seen before. Earth 2: The New 52 Omnibus Vol. 1 collects the epic saga from acclaimed writers James Robinson and Tom Taylor, reimagining the Justice Society in a world ravaged by war, ruled by fear, and on the brink of total annihilation. From the emergence of Flash, Green Lantern, and Hawkgirl to the rise of a mysterious new Batman and the arrival of Val-Zod, the pacifist Superman, this sweeping omnibus chronicles humanity’s last hope against the forces of Apokolips. With unforgettable stakes, explosive reinvention, and emotional depth, this is not just another Earth—it’s the fight for its very soul. Collects DC Universe Presents #0, Earth 2 #0-26, Earth 2 Annual #1-2, Batman/Superman #1-4, Earth 2 Feat Desaad #15.1 and Earth 2 Feat Solomon Grundy #15.2, Earth 2: World’s End #10, and Earth 2: Futures End #1.

A shattered world. A new generation of heroes. The war for Earth-2 begins.

Earth 2: The New 52 Omnibus Vol. 1

An unflinching portrait of a generation fighting for change in Iran, Afghanistan, and Ukraine In The Fire, acclaimed journalist Cecilia Sala takes readers on a gripping journey through some of the world's most volatile regions, from Eastern Europe to the Middle East. Through the eyes of people like Kateryna, a Ukrainian soldier; Assim, an Iranian student at the forefront of the "Woman, Life, Freedom" protests; Nabila, a queer Muslim kickboxing champion; and Zarifa, a political activist in Afghanistan, Sala offers an intimate portrayal of those fighting for a better life. By immersing herself in their daily lives and political battles, Sala crafts a poignant narrative that captures the human dimension of some of the world's most intense conflicts. The Fire is a testament to the courage of a generation at the forefront of global change.

Voices of a Generation in Iran, Ukraine, & Afghanistan

The Fire

Laneka, Deidre and Karen, three HBCU besties turned professional career women, enraged by the systemic injustice plaguing their community, band together to form a vigilante squad that targets White Supremacists deemed to have circumvented the justice system and gotten away with protected murder. Serving up grisly justice in increasingly creative ways, the vigilante posse becomes front-page news while always staying one step ahead of the law. It’s liberating, it’s addictive and it’s kinda fun – until a copycat killer emerges. They Choose Violence asks what happens when you go down the dark, unforgiving road of revenge? What happens when the only path forward is escalation? There’s no turning back now – for anyone.

They Choose Violence

Während tapfere Jedi-Ritter in der Schlacht gegen die Nihil um die Verteidigung des Jedi-Tempels auf Banchii kämpfen, muss Jedi-Meister Yoda einen Weg finden, die Jünglinge zu beschützen, die diesen Planeten ihr Zuhause nennen. Doch der furchterregende Marchion Ro, das Auge der Nihil, hat andere Pläne für den Jedi-Meister, und setzt dafür seine bisher schrecklichste Waffe gegen die Verfechter der Gerechtigkeit ein ...

Während tapfere Jedi-Ritter in der Schlacht gegen die Nihil um die Verteidigung des Jedi-Tempels auf Banchii kämpfen, muss Jedi-Meister Yoda einen Weg finden, die Jünglinge zu beschützen, die diesen Planeten ihr Zuhause nennen. Doch der furchterregende Marchion Ro, das Auge der Nihil, hat andere Pläne für den Jedi-Meister, und setzt dafür seine bisher schrecklichste Waff e gegen die Verfechter der Gerechtigkeit ein ...

Ein mitreißendes Abenteuer mit Jedi-Meister Yoda

Star Wars: Die Hohe Republik - Am Rande des Gleichgewichts (Manga): Vorahnung

Die Braut des Dämons will gegessen werden

Ein denkwürdiger Ausflug: Heimlich folgen Mashiro und Herr Shuten ihrem Freund Komamaru in die Menschenwelt zu einem kleinen Jahrmarkt. Dort stürzen sich die beiden ins bunte Treiben, probieren Köstlichkeiten und drehen Runden auf dem Karussell. Selbst Herr Shuten hat Spaß - und kann den Blick kaum von Mashiros glücklichem Lächeln abwenden ...

Ein denkwürdiger Ausflug: Heimlich folgen Mashiro und Herr Shuten ihrem Freund Komamaru in die Menschenwelt zu einem kleinen Jahrmarkt. Dort stürzen sich die beiden ins bunte Treiben, probieren Köstlichkeiten und drehen Runden auf dem Karussell. Selbst Herr Shuten hat Spaß – und kann den Blick kaum von Mashiros glücklichem Lächeln abwenden …

Die Braut des Dämons will gegessen werden 11

Human Rights Law in Perspective

This book conceptualises the European Court of Human Rights' judgments on Islamic dress as manifestations of the fascist impulse in modern human rights law. The author argues that human rights are thus not an antidote to fascism but are constituted through a fascist inflection and implicated in circulating fascism in the everyday. The inability of human rights to say 'no' to laws regulating and criminalising Islamic dress in Europe engenders an institutional Islamophobia in the law and Islamic dress debate in Europe. The author interrogates the historical emergence of human rights, through a methodology of interdisciplinary, theoretical oscillations between feminism, decolonial, phenomenological and neo-Marxist thought to establish the rights/fascism dialectic. She argues that beyond exclusion and erasure the ownership of rights discourse enables the exploitation of racialised and gendered bodies for the maintenance of material and epistemological privilege with a white, Christian, male norm. It is this moment of ownership, where rights are both propertied and property, that constitutes the rights/fascism dialectic. The author goes on to argue that the rights/fascism dialectic operates at the heart of the Islamic dress debate in Europe to create the impossibility and instrumentalisation of Muslim women's bodies in European public space. The book challenges shifting legal justifications by exposing the functioning of capital, colonialism, patriarchy and power at the European Court of Human Rights in key cases such as Sahin v Turkey and SAS v France. Theoretical insights of the rights/fascism dialectic are applied to the law and Islamic dress debate in the multicultural UK, assimilationist France and at the ECtHR. The conclusion is that the Islamic dress debate in Europe manifests the gender and racial differentiation and instrumentalisation that is essential to the maintenance of human rights and the modern, capitalist state in which rights are enmeshed.

This book conceptualises European Court of Human Rights’ judgments on Islamic dress as manifestations of the fascist impulse in modern human rights law. The author argues that human rights are thus not an antidote to fascism but are constituted through a fascist inflection and implicated in circulating fascism in the everyday. The inability of human rights to say ‘no’ to laws regulating and criminalising Islamic dress in Europe engenders an institutional Islamophobia in the law and Islamic dress debate in Europe.

The author interrogates the historical emergence of human rights, through a methodology of interdisciplinary, theoretical oscillations between feminism, decolonial, phenomenological and neo-Marxist thought to establish the rights/fascism dialectic. She argues that beyond exclusion and erasure the ownership of rights discourse enables the exploitation of racialised and gendered bodies for the maintenance of material and epistemological privilege with a white, Christian, male norm. It is this moment of ownership, where rights are both propertied and property, that constitutes the rights/fascism dialectic. The author goes on to argue that the rights/fascism dialectic operates at the heart of the Islamic dress debate in Europe to create the impossibility and instrumentalisation of Muslim women’s bodies in European public space.

The book challenges shifting legal justifications by exposing the functioning of capital, colonialism, patriarchy and power at the European Court of Human Rights in key cases such as Sahin v Turkey and SAS v France. Theoretical insights of the rights/fascism dialectic are applied to the law and Islamic dress debate in the multicultural UK, assimilationist France and at the ECtHR. The conclusion is that the Islamic dress debate in Europe manifests the gender and racial differentiation and instrumentalisation that is essential to the maintenance of human rights and the modern, capitalist state in which rights are enmeshed.

Rights and Fascism in Europe

Law and Islamic Dress

Overgeared

Grids Rückkehr nach Winston wird groß gefeiert. Nur kennt noch niemand diesen unscheinbaren Schmied. Doch das wird sich ändern, denn schon bald werden die Hochzeitsglocken für die Herrin Irene und Grid läuten!

Overgeared 07

The Makeup Remover: Volume 1

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