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The Makeup Remover

Yeon L: The Makeup Remover: Volume 1

The Makeup Remover: Volume 1

The real competition is just getting started, both inside and out. . . . After successfully passing the preliminary round of Face-Off Cinderella, wallflower Kim Yeseul feels a bit more confident in herself, thanks to makeup artist Cheon Yuseong's ability to transform her looks. Now, in addition to the show's cosmetic challenges, the duo must face a new obstacle: keeping Yeseul's identity a secret on live TV. To hide her face during broadcasts, Yeseul dons a costume of her favorite bunny character, Toseul. But the other contestants won't let her fly under the radar so easily - especially not Ju Heewon, who's still seething after being rejected by Yuseong. Can Yeseul make it through the next round without being discovered - or worse, sabotaged by another contestant? Volume 2 collects episodes 15-29 of the webcomic The Makeup Remover.

The Makeup Remover: Volume 2

She might have the plainest face in the country . . . and that’s exactly why he wants her. Lee Yeon’s beloved webcomic is now available in English print for the first time. Kim Yeseul has always heard that everyone glows up in college . . . so why does she feel like the least pretty college student ever?! All of her peers look effortlessly put together 24/7, but Yeseul has no idea how to put on makeup or style her hair. With neither the looks nor the confidence to stand out, Yeseul resigns herself to hiding behind her camera as she completes her photography degree. Enter Cheon Yuseong, the most sought-after makeup artist in Korea. He needs a model for an upcoming TV competition series, and he’s certain that Yeseul’s plain face is the perfect canvas to showcase his skills. Yeseul isn’t interested in fame or glory—she just wants to look pretty enough to catch the attention of her longtime crush, Seungwoo. But as Yeseul plunges face-first into the cutthroat world of cosmetics, she begins to question whether appearance really is everything. Volume 1 collects episodes 1–14 of the webcomic The Makeup Remover.

She might have the plainest face in the country . . . and that’s exactly why he wants her. Lee Yeon’s beloved webcomic is now available in English print for the first time. Kim Yeseul has always heard that everyone glows up in college . . . so why does she feel like the least pretty college student ever?! All of her peers look effortlessly put together 24/7, but Yeseul has no idea how to put on makeup or style her hair. With neither the looks nor the confidence to stand out, Yeseul resigns herself to hiding behind her camera as she completes her photography degree. Enter Cheon Yuseong, the most sought-after makeup artist in Korea. He needs a model for an upcoming TV competition series, and he’s certain that Yeseul’s plain face is the perfect canvas to showcase his skills. Yeseul isn’t interested in fame or glory—she just wants to look pretty enough to catch the attention of her longtime crush, Seungwoo. But as Yeseul plunges face-first into the cutthroat world of cosmetics, she begins to question whether appearance really is everything. Volume 1 collects episodes 1–14 of the webcomic The Makeup Remover.

The Makeup Remover, Volume 1

Carolin Anne Schiebel hat alles geleistet, was man leisten kann und ist trotzdem fast unsichtbar geblieben. Bis ein Zusammenbruch sie zwingt, neu anzufangen. Was danach entsteht: ein Festival, eine Community, ein Buch. 
 Zeig dich. Gut sein reicht nicht.
 ist kein klassischer Karriereratgeber. Es ist die ehrliche Geschichte einer Frau, die gelernt hat, dass Leistung allein keine Türen öffnet und was stattdessen zählt. Autobiografisch, direkt, mit konkreten Impulsen für den Alltag.

Impulse für mehr Mut, Sichtbarkeit und Erfolg

ZEIG DICH, gut sein reicht nicht

Origins : Ground. Heart. Mind

Valindromos

Juvelian / Vater, ich will diese Ehe nicht

Der finale Kampf beginnt! Juvelian und ihre Verbündeten machen sich bereit, um zum vernichtenden Schlag gegen den Drachen Fafnir und den Kaiser auszuholen. Doch Fafnir ist nicht zu unterschätzen und in ihrer Not trifft Juvelian eine folgenschwere Entscheidung. Wird sie es schaffen, ihre verborgenen Kräfte zu entfesseln und ihre Familie und das Kaiserreich aus den Fängen des Bösen zu befreien?

Der finale Kampf beginnt! Juvelian und ihre Verbündeten machen sich bereit, um zum vernichtenden Schlag gegen den Drachen Fafnir und den Kaiser auszuholen. Doch Fafnir ist nicht zu unterschätzen und in ihrer Not trifft Juvelian eine folgenschwere Entscheidung. Wird sie es schaffen, ihre verborgenen Kräfte zu entfesseln und ihre Familie und das Kaiserreich aus den Fängen des Bösen zu befreien?

Juvelian - Vater, ich will diese Ehe nicht 08

Verso's Southern Questions

In 1960, as the Algerian War for Independence entered its sixth year, 22-year-old Djamila Boupacha was arrested for allegedly planting a bomb in a university cafeteria. While in custody, she was tortured and raped by French soldiers. Her case would have been buried like countless others had it not been for the efforts of her lawyer, Gisèle Halimi, and the philosopher Simone de Beauvoir to transform it into an international cause célèbre. Djamila Boupacha is the culmination of this campaign to expose the systemic violence of colonial rule. "To protest in the name of morality against ‘excesses’ or ‘abuses,’" Beauvoir writes, "is an error which hints at active complicity. There are no ‘abuses’ or ‘excesses’ here, simply an all-pervasive system." More than a historical document, the book is a profound exploration of morality, complicity and resistance. A classic text of anticolonialism, this is a story that demands to be read—and remembered.

Djamila Boupacha

The pocket MBA for entrepreneurial moms and women of color&nbsp;who want to build a business from scratch, overcome financial obstacles, and shift the trajectory of their life, from a globally recognized entrepreneur, business coach, and digital educator. While starting a new business is hard for everyone—half close their doors within the first five years—it’s even harder for female entrepreneurs. Ellie Diop, founder and CEO of Ellievated Academy, Fully Funded Co., and Mommy to Millionaire, intimately knows the barriers that historically have kept women from economic freedom. She also knows how to overcome them.&nbsp; From starting her business with a single $1,200 stimulus check in 2020, to becoming a self-made millionaire in her very first year, Ellie has mastered the art of life changing entrepreneurial success—and now, with Girl, Start that Business!, she’s ready to share those secrets.&nbsp; The strategies within these pages are battle tested: Ellie has turned thousands of her clients into profitable business owners. And she’s done so by meeting them where they are. Ellie knows many women are starting from zero—no money, no business plan, no customers. What they do have is a great idea, hustle, heart, and street savvy. This non-judgmental, sassy, and whip-smart pocket MBA is what female entrepreneurs need to turn their dreams into life-changing reality.&nbsp; Let’s go, girl, start that business today!

The pocket MBA for entrepreneurial moms and women of color&nbsp;who want to build a business from scratch, overcome financial obstacles, and shift the trajectory of their life, from a globally recognized entrepreneur, business coach, and digital educator. While starting a new business is hard for everyone—half close their doors within the first five years—it’s even harder for female entrepreneurs. Ellie Diop, founder and CEO of Ellievated Academy, Fully Funded Co., and Mommy to Millionaire, intimately knows the barriers that historically have kept women from economic freedom. She also knows how to overcome them.&nbsp; From starting her business with a single $1,200 stimulus check in 2020, to becoming a self-made millionaire in her very first year, Ellie has mastered the art of life changing entrepreneurial success—and now, with Girl, Start that Business!, she’s ready to share those secrets.&nbsp; The strategies within these pages are battle tested: Ellie has turned thousands of her clients into profitable business owners. And she’s done so by meeting them where they are. Ellie knows many women are starting from zero—no money, no business plan, no customers. What they do have is a great idea, hustle, heart, and street savvy. This non-judgmental, sassy, and whip-smart pocket MBA is what female entrepreneurs need to turn their dreams into life-changing reality.&nbsp; Let’s go, girl, start that business today!

The Foolproof Plan to Turn Your Idea into Income and Change Your Life

Girl, Start That Business!

An in-depth exploration of the network of agencies involved in policing child pornography—and what the future of security and care looks like. Facing the Child investigates the technocratic expertise in the policing of child sexual abuse material (CSAM). Mitali Thakor argues that CSAM has come to be framed as primarily a digital problem, to be resolved digitally, thereby unleashing a new form of corporatized policing helmed by global technology companies. Ambitious in scope, this multi-sited global ethnography draws on four years of original fieldwork and interviews with technology companies in the US, the United Nations in Bangkok, Thai and Dutch NGOs, and law enforcement in the US and the Netherlands. The book argues that in the 2010s, a network of technology companies, NGOs, and law enforcement created the notion of a “virtual child” in need of techno-solutionist saving to justify a vast expansion of surveillance technologies. The book examines how pervasive myths of child abuse online were exploited to serve the aims of seemingly disparate groups, from Christian neo-abolitionists to NGOs conducting virtual sting operations. It is this complex relationship between the care and securitization needed to fix the child victim as an object of data, concern, and rescue that the book explores.

An in-depth exploration of the network of agencies involved in policing child pornography—and what the future of security and care looks like. Facing the Child investigates the technocratic expertise in the policing of child sexual abuse material (CSAM). Mitali Thakor argues that CSAM has come to be framed as primarily a digital problem, to be resolved digitally, thereby unleashing a new form of corporatized policing helmed by global technology companies. Ambitious in scope, this multi-sited global ethnography draws on four years of original fieldwork and interviews with technology companies in the US, the United Nations in Bangkok, Thai and Dutch NGOs, and law enforcement in the US and the Netherlands. The book argues that in the 2010s, a network of technology companies, NGOs, and law enforcement created the notion of a “virtual child” in need of techno-solutionist saving to justify a vast expansion of surveillance technologies. The book examines how pervasive myths of child abuse online were exploited to serve the aims of seemingly disparate groups, from Christian neo-abolitionists to NGOs conducting virtual sting operations. It is this complex relationship between the care and securitization needed to fix the child victim as an object of data, concern, and rescue that the book explores.

Surveillance, Care, and the Policing of Violent Digital Images

Facing the Child

Glasses With a Chance of Delinquent

FESTIVAL SHOWDOWN! The school’s culture fest is coming up, and Momose’s classroom have voted to host a cross-dressing café! Ichikura hates the idea, but Momose is looking forward to seeing her boyfriend in a dress! But the good times are interrupted by a red-haired delinquent named Yachiyo. Is he interested in Momose, or does he just want to pick a fight with Ichikura? Why not both?!

FESTIVAL SHOWDOWN! The school’s culture fest is coming up, and Momose’s classroom have voted to host a cross-dressing café! Ichikura hates the idea, but Momose is looking forward to seeing her boyfriend in a dress! But the good times are interrupted by a red-haired delinquent named Yachiyo. Is he interested in Momose, or does he just want to pick a fight with Ichikura? Why not both?!

Glasses with a Chance of Delinquent Vol. 6

Shakespeare Retold

Shakespeare's The Merchant of Venice is brilliantly reinvented by Howard Jacobson, in his merciless, sharp and funny story of revenge, justice and antisemitism. With an absent wife and a daughter going off the rails, wealthy art collector and philanthropist Simon Strulovitch is in need of someone to talk to. So when he meets Shylock at a cemetery in Cheshire's Golden Triangle, he invites him back to his house. It's the beginning of a remarkable friendship...Howard Jacobson's version of The Merchant of Venice bends time to its own advantage as it asks what it means to be a father, a Jew and a merciful human being in the modern world.'Inspired...It does what any good literary subversion should do: deepens and enhances one's appreciation of the original' Guardian'Jacobson's prose has the sort of elastic precision you only get from a writer who is truly in command... There's also deep and sincere soul-searching going on here' IndependentSHAKESPEARE RETOLD: Time travel. Zombies. Power-hungry media moguls. This is Shakespeare as you've never seen him before: nine iconic plays transformed by the best novelists of our time, with covers by Michael Craig-Martin.

The Merchant of Venice, Retold

Shylock is My Name

"ONE OF THE MOST CAPTIVATING BOOKS I'VE READ IN YEARS" - Simon Alexander Ong Your most difficult experiences aren't setbacks. They're the starting points on your journey to harness your Unlimited potential.Once considered beyond help, Lewis Raymond Taylor turned around a life defined by trauma, addiction and incarceration into one of meaning, mastery, and multimillion dollar success.In Unlimited, he shares the secrets behind his journey to lasting success. Packed full of expert insights and inspirational wisdom, Unlimited will show you how to:<ul><li>Turn your inner critic into an inner coach</li><li>Dismantle your limiting beliefs</li><li>Take ownership of your life</li><li>Transform your fear of failure into a need for success </li></ul> You're not broken, you're just unfinished. This book is your next step to greatness.

Turn Your Adversity into an Asset

Unlimited

A rollicking, eye-opening history of the Star Wars franchise: an unrivaled force in popular culture that changed the way Hollywood makes movies—and that is now imperiled by many of the industry forces it set in motion From the premiere of the first film in 1977, the Star Wars franchise not only captured the imaginations of billions of people—and&nbsp;billions&nbsp;of dollars of revenue—but also rewrote the rules of the entertainment industry. Game-changing special effects, must-have collectibles, and the richness of George Lucas’s ever-expanding narrative&nbsp;gave rise to a new Hollywood model in which the boundary between screen and life collapsed. Star Wars wasn’t just a movie, after all: it was&nbsp;an alternate universe, a moral code, a way of life. Over the last half-century, Wall Street Journal reporter Erich Schwartzel explains, the Star Wars franchise has relied on an anti-establishment ethos, the savvy of executives, and the devotion of moviegoers to become a new American myth. But since its fateful acquisition by Disney in 2012, Star Wars has become a cautionary tale of Hollywood excess, and its present status as a corporate holding bears little resemblance to its origins. Drawing on scores of insider interviews and surveying fifty years of American culture and commerce, Schwartzel delivers fresh perspective on the Star Wars story, bringing to life the scrappy creative spirit of Lucasfilm’s early days; the box-office frenzy that rang in Hollywood’s blockbuster era and gave rise to a new industry playbook; and the scores of fans whose lives have been shaped by this singular force. A panoramic narrative of dreams, obsession, and power, Rebels and Empires is the untold history of Hollywood’s most storied epic.

A rollicking, eye-opening history of the Star Wars franchise: an unrivaled force in popular culture that changed the way Hollywood makes movies—and that is now imperiled by many of the industry forces it set in motion From the premiere of the first film in 1977, the Star Wars franchise not only captured the imaginations of billions of people—and&nbsp;billions&nbsp;of dollars of revenue—but also rewrote the rules of the entertainment industry. Game-changing special effects, must-have collectibles, and the richness of George Lucas’s ever-expanding narrative&nbsp;gave rise to a new Hollywood model in which the boundary between screen and life collapsed. Star Wars wasn’t just a movie, after all: it was&nbsp;an alternate universe, a moral code, a way of life. Over the last half-century, Wall Street Journal reporter Erich Schwartzel explains, the Star Wars franchise has relied on an anti-establishment ethos, the savvy of executives, and the devotion of moviegoers to become a new American myth. But since its fateful acquisition by Disney in 2012, Star Wars has become a cautionary tale of Hollywood excess, and its present status as a corporate holding bears little resemblance to its origins. Drawing on scores of insider interviews and surveying fifty years of American culture and commerce, Schwartzel delivers fresh perspective on the Star Wars story, bringing to life the scrappy creative spirit of Lucasfilm’s early days; the box-office frenzy that rang in Hollywood’s blockbuster era and gave rise to a new industry playbook; and the scores of fans whose lives have been shaped by this singular force. A panoramic narrative of dreams, obsession, and power, Rebels and Empires is the untold history of Hollywood’s most storied epic.

Star Wars and Fifty Years of Hollywood Mythmaking

Rebels and Empires

Lessons on Building a Beautiful Life

Still Bobbi

Drawing on over a decade and a half of first-hand experience, leading legal scholar and feminist activist Marilyn Kamuru documents the important role African feminist organizing plays in defining and defending gender-equality policy in Kenya and beyond. Focusing on how constitutionally mandated gender quotas in Kenya's parliament are repeatedly violated by government failures, or outright refusals, to implement them, Kamuru brings out how Kenya's feminist activists--during the drafting of the 2010 constitution and in the years since--fight gender inequality in ways that go more to the heart of the problem than any conventional approach. Kenyan feminists, Kamuru argues, are unique in that they address not only the underrepresentation of women in politics, but also the overrepresentation of men. This distinct framing of the issue, now enshrined in the highly progressive 2010 constitution thanks to their efforts, poses a real threat to male dominance in government, and this is what accounts for its obstinate non-implementation. Kamuru's findings highlight the important questions that African feminism poses to global efforts towards gender equality. How do quotas really impact gender equity? How are they used to limit debates about it? What does the dominance of typical WROs and INGOs in all areas of gender policy say about their own roles in inscribing such limits? And what alternatives are African feminist movements such as WeAre52pc and EndFemicide offering?

Redefining Gender Equality in Kenya and Beyond

African Feminist

The Makeup Remover: Volume 1

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