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White E: The Loves of My Life

The Loves of My Life

A Sex Memoir

Betrayers Love Song

It's Italy, 19XX, and the Gardino family, which rules a port town, has two candidates for the next boss. One is Gino, a pure-blooded executive who respects tradition. While the other is Dante, a liberal who seeks a new future.

Gino sees Dante as his rival, but Dante always tries to find some reason to get involved, Inadvertently, Gino's "biggest secret" is revealed to Dante. So to keep his secret a hidden, Dante asks...
to hold Gino for one night.

It's Italy, 19XX, and the Gardino family, which rules a port town, has two candidates for the next boss. One is Gino, a pure-blooded executive who respects tradition. While the other is Dante, a liberal who seeks a new future.

Gino sees Dante as his rival, but Dante always tries to find some reason to get involved, Inadvertently, Gino's "biggest secret" is revealed to Dante. So to keep his secret a hidden, Dante asks...
to hold Gino for one night.

Betrayers Love Song, Volume 1

The Instant Sunday Times Bestseller

The Age of Diagnosis

A Life in Music

To Be Or Not To Be

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving. Salted with intelligence and empathy' New York Times Book Review 'A page-turner' New Yorker 'Really shines' San Francisco Chronicle 'Gorgeous' Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together - over dinner, beers, pool games - they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- 'A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend' NPR 'Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths' Los Angeles Times 'A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take' Wall Street Journal 'Schwalbe's memoir shines. Written like a true friend' Daily Mail

PRE-ORDER THE PAPERBACK NOW From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving' NEW YORK TIMES ''Schwalbe's memoir shines...Written like a true friend' DAILY MAIL ------------- in his last year of university, Will thought he knew everyone he cared to know. A per-haired, out gay young man, working at an AIDS helpline in the early days of the crisis, Will found community amongst the theatre students, artists and writers. He also knew who he wanted to avoid: the jocks. Wearing sporty clothes and moving in boisterous packs, the jocks seemed to be a different species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will was brought into a secret society at Yale, aimed to bring together a group of opposites. On his first day, he was faced with Chris Maxey - a physically imposing, loud, star wrestler who seemed to be uncomfortable around Will and embodied everything he disliked and feared. But through months of mandated dinners, and many beers, the two swapped life-stories and forged an unexpected bond that became a ballast in each other's lives for forty years. A real-life The Breakfast Club story, We Should Not Be Friends is a testament to the miracle of human connection, if only we see past our differences.

The Story of An Unlikely Friendship

We Should Not Be Friends

In 2018, India Sturgis - successful journalist, mother and wife - was admitted into the Priory hospital with anxiety so crippling she was deemed a risk to herself. On her slow journey back to herself, it became clear to her that anxiety doesn't discriminate, anyone can suffer from it regardless of external circumstances - but anyone can learn to cope with it too. On her personal journey to uncover the coping strategies that work, India tried every imaginable avenue: antidepressants, benzodiazepines, psychotherapy, group therapy, art therapy, drama therapy, CBT, aromatherapy, mindfulness, meditation, hypnosis, EFT, talking therapy, cranial electrotherapy stimulation, neurofeedback, photobiomodulation, supplements, changing her diet, yoga, cold water swimming and more. She combines this personal exploration with the latest medical and lifestyle thinking from world leading experts to produce a clear-sighted, comprehensive and - ultimately - human look at anxiety. This is what it's like to be in the grip of chronic anxiety - and come out the other side.

How to Eat an Elephant

This biography of Jessica Mitford, fifth of the six famous Mitford Girls, tells the wild and unlikely story of a British aristocrat who became an American Communist, bringing her astonishing self-transformation to life with a riveting, often hilarious, account of trading wealth and status for a life of radical activism. Who could predict that a British aristocrat would so energize American antiwar and civil rights struggles that&nbsp;Time&nbsp;magazine would crown her "Queen of the Muckrakers"?&nbsp;Jessica Mitford, fifth of the six famous "Mitford Girls," was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the less advantaged. Her five beautiful sisters have been subjects of books and movies dedicated to their naughty, glamorous lives.&nbsp;Jessica-known as Decca-ran away to America to forge a wilder rebel's life. As this richly researched book details, Decca broke the Mitford mold-fighting fascism in the Spanish Civil War, becoming an American Communist and pioneering witty, wildly popular journalism, including her blockbuster&nbsp;The American Way of Death, placing her at the heart of social justice battles. Decca relentlessly injected laughter into her politics, encouraging the activists she influenced to do likewise.&nbsp;From famed baby doctor Benjamin Spock to best friend Maya Angelou, her anti-authoritarian irreverence had a profound impact on American culture. Mining extensive, untapped sources, Kaplan's passionate biography of an unlikely life demonstrates that Decca's social empathy was hard-won and self-taught, a model with particular relevance today and a powerful, modern example of female adventure and freedom.

This biography of Jessica Mitford, fifth of the six famous Mitford Girls, tells the wild and unlikely story of a British aristocrat who became an American Communist, bringing her astonishing self-transformation to life with a riveting, often hilarious, account of trading wealth and status for a life of radical activism. Who could predict that a British aristocrat would so energize American antiwar and civil rights struggles that&nbsp;Time&nbsp;magazine would crown her “Queen of the Muckrakers”?&nbsp;Jessica Mitford, fifth of the six famous “Mitford Girls,” was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the less advantaged. Her five beautiful sisters have been subjects of books and movies dedicated to their naughty, glamorous lives.&nbsp;Jessica—known as Decca—ran away to America to forge a wilder rebel’s life. As this richly researched book details, Decca broke the Mitford mold—fighting fascism in the Spanish Civil War, becoming an American Communist and pioneering witty, wildly popular journalism, including her blockbuster&nbsp;The American Way of Death, placing her at the heart of social justice battles. Decca relentlessly injected laughter into her politics, encouraging the activists she influenced to do likewise.&nbsp;From famed baby doctor Benjamin Spock to best friend Maya Angelou, her anti-authoritarian irreverence had a profound impact on American culture. Mining extensive, untapped sources, Kaplan’s passionate biography of an unlikely life demonstrates that Decca’s social empathy was hard-won and self-taught, a model with particular relevance today and a powerful, modern example of female adventure and freedom.

The Fierce, Unruly Life of Jessica Mitford

Troublemaker

My Daughter, Her Transition and Why We Must Remember Her

Her Name Is Alice

A Portrait of John Singer Sargent

Beyond Beauty

A queer scrapbook offers a treasure trove of LGBTIQ+ histories from across Britain and Ireland. Packed with materials, from interviews and newspaper articles to photographs and flyers, the book explores urban, rural and regional queer life since 1945. Commentaries and short essays introduce a changing queer landscape, spotlighting four broad themes: home and family, sex and socialising, arts and culture and politics and activism. The book delves into the meaning and experiences of domesticity and parenting and explores the sometimes unexpected places LGBTIQ+ people met to have fun. It examines the importance of creative work in forming community and identity and shows how people fought injustice and advocated for equal rights. Collecting has been a way for the marginalised to explore and assert identity and community. A queer scrapbook vividly illustrates the diversity of queer and trans lives across the British and Irish isles since the Second World War.

Britain and Ireland Since 1945

A Queer Scrapbook

The Madman's Guide to Stamp Collecting

The Loves of My Life

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