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Zermeño Gonzalez J: The Last Owners

The Last Owners

How the Biggest Heist in History Was Designed So the Victims Would Never Notice

'Expertly crafted' AMELIA DIMOLDENBERG'A beautiful siren song to anyone who has ever felt ashamed of their own taste' SCARLETT CURTIS'An ode to both fearless critique and visceral fandom' BILLIE JD PORTERA deep dive into the joy and power of personal pleasures, quirks, obsessions and bad taste, from zine royalty, Ione Gamble.Most of us consider taste to be a primal instinct. We like the things we like and everything we choose to consume, covet or loathe in our day-to-day lives is dictated by this unknowable force ... But at some point, we learn to not fully trust our own taste. We accept that there are people who have better taste than us, so we stop following the flutter of our hearts and attempt to finetune our brain to fall in line with what others consider to be 'good'.The Polyester Book of (Bad) Tasteis an antidote to this ever-creeping homogeneity and bland tastefulness. Edited and introduced by Polyester editor-in-chief, Ione Gamble, this book gathers influential writers from the pages of Polyester to take on the monumental task of defining taste for a generation battling algorithmic content suggestions and ever shortening trend cycles. It is a bible on how to navigate our own likes, dislikes, apathies and adorations.In a world constantly vying for our attention, having faith in your own (bad) taste is more than a small subversion - it's a rallying cry to live our lives unapologetically.CONTRIBUTERS: Ione Gamble, Rene Mati¿, Lauren O'Neill, Catherine Cohen, Seth Bogart, Zarina Muhammad, Tavi Gevinson, Gina Tonic, Misha MN, Katy Cutbirth, Yomi Adegoke, Angela Hui, Sabrina Brier, Kieran Yates, Annie Lord, Nicola Dinan and Ramisha Sattar.

The Polyester Book of (Bad) Taste

"Harry Bucknall leads us through the multicultural history of our island, with its diverse history and extraordinary quirkiness. Up fell and down river, across walls and dykes, from Iona to Dover, you are in safe hands as he steers a course of over 6,000 miles. A Road for All Seasons is a joy." Julie Summers "The kind of travel book that makes you want to lace up sensible boots and set off immediately" - The Halpern HotlistA journey of 6,518 miles, that filled 14 notebooks and encompassed all 4 countries of the United Kingdom, travelling through 42 out of its 95 counties, visiting 23 cities; requiring 75 trains, 60 maps, 26 cars, 16 buses, 9 ferries, 4 tubes, 4 uber taxis, 4 black cabs, 2 DLR, 2 vans, a canal boat, a probation service minibus, an intercontinental articulated lorry, a 1953 Morris Oxford and a pair of size 9 boots ... A tumultuous period in British politics left writer Harry Bucknall questioning whether he really knew the place he called home. Propelled by a growing desire to better understand his island nation, Harry decided to undertake a pilgrimage of sorts; he embarked on a series of four walks across Britain that would mirror the changing seasons, covering a distance of nearly 1,600 miles.From fresh and heady spring through to the gloriously crisp winter months, Harry journeyed across Britain visiting cities, towns and vast swathes of the countryside from Mull to Sunderland and Aberystwyth to Lowestoft, meeting a host of diverse and charismatic characters along the way as he strove to uncover the beating heart of the nation. Uplifting, joyous and charming, A Road for All Seasons is a vivid, social and cultural snapshot of 21st-century Britain. Focusing as much on the beauty of the fertile land as the people who inhabit it, it explores a unique culture, its folklore both past and present, as well as the wealth of the nation's history and heritage. Exquisitely written and filled with delightful people and places, this is Harry's ardent tribute to the British Isles.

A Tribute to Britain

A Road for All Seasons

A history of the technology of supply-chain management from punch cards to neural nets, and how the ambiguity built into that technology helps companies and exploits workersSeeing Like a Supply Chain is a compelling investigation into the hidden networks that drive our global economy. Miriam Posner presents a blow-by-blow account of the technology of supply-chain management from punch cards to neural nets, revealing how the system's built-in ambiguity shields companies from accountability while exploiting workers.Drawing on more than a decade of research, Posner shows how computation converged with the growth of global trade to allow for a lightning-quick, astoundingly efficient supply chain that lets corporations source products without any notion of where their goods are actually being produced. At a time when multinational firms fear the reputational damage of human rights violations in the making of their products, the supply chain's shroud of vagueness is a feature, not a bug. Posner shows how this is technically accomplished-and how the strategic disavowal of information extends through every step of that chain.

The Hidden Life of Logistics

Seeing Like a Supply Chain

Virtuelle Lebenswelten

Virtual reality is a technique of interfacing which connects diverse bodies, objects and spaces, thereby mediating between different art forms and modes of experience.&nbsp;This feature also calls for a methodological interfacing of different disciplinary perspectives. The contributors to this volume examine how VR is employed in contemporary art with regard to its technical potential, its aesthetic qualities, and the imaginations it evokes. They highlight the use of VR as a ¿world within a world,¿ ranging from encapsulated artificial environments to transitions into familiar lifeworlds. By bringing together theoretical perspectives from art history, media and game studies, this volume provides crucial analysis of selected artworks and expands the critical engagement with a contemporary art form and media practice.

Virtual reality is a technique of interfacing which connects diverse bodies, objects and spaces, thereby mediating between different art forms and modes of experience.&nbsp;This feature also calls for a methodological interfacing of different disciplinary perspectives. The contributors to this volume examine how VR is employed in contemporary art with regard to its technical potential, its aesthetic qualities, and the imaginations it evokes. They highlight the use of VR as a ›world within a world,‹ ranging from encapsulated artificial environments to transitions into familiar lifeworlds. By bringing together theoretical perspectives from art history, media and game studies, this volume provides crucial analysis of selected artworks and expands the critical engagement with a contemporary art form and media practice.

Interfacing Art, Games and Everyday Life

Virtual Reality Exhibited

Tradd Street Press

Elements of Economics

Why the consequences of a prolonged period of weaker economic growth will be more profound than anyone dares to predictIn the heady progress of the post-war era, our lifestyles changed, our political systems adapted, and rapid economic growth became the model of every developed economy. But this prevailing consensus is falling apart around us. Growth is now, at best, no more than anaemic. Policymakers dream about an AI revolution and tweak their fiscal rules to accommodate a newly-austere economic reality but, all the while, government debt soars, financial markets become increasingly jittery, and voters lose trust in their politicians.Celebrated economist Stephen D. King asks how our politics will adapt to such persistently low growth. While leaders make fiscal promises based on a future that is unlikely to materialise, nationalism thrives, battlelines are drawn between perceived winners and losers, and the rules-based international order crumbles. The absence of growth triggers invidious political wrangling over tax, welfare, defence and infrastructure, intensifies competition for resources, and leads to social instability.King shows how our new world is governed by them-and-us divisions over limited economic spoils. This is the political economy of plunder.&nbsp;

Winners and Losers in the Low Growth Era

The Age of Plunder

The Sunday Times Bestseller 'Provides a way of understanding what happened to us that preserves the humanity of all parties and points the way forward toward renewal' Jonathan Haidt 'Makes moral and cultural sense of a profoundly perplexing time... This is an essential book' Yuval Levin Painting a clear and detailed picture of the ideas and events that have paved the way for the dramatic paradigm shift in social justice that has taken place over the past few years, Thomas Chatterton Williams provides an incisive, culturally observant analysis of the evolving mores, manners and taboos of social justice orthodoxy. Exploring what has shaped the ways we think about diversity and freedom of expression, Williams unravels the ideology of critical race theory. Examining the rise of an oppressive social media, the fall from Obama to Trump and the twinned crises of COVID-19 and the murder of George Floyd, he documents the extent to which these events have altered the ambient language and culture we use to make sense of our daily lives. Showing how liberalism - the very foundation of an open and vibrant society - is experiencing an existential crisis, under assault from the right and the left, this is an essential and compelling examination of our place in a radically changing world.

The Age of Certainty and the Demise of Discourse

Summer of Our Discontent

Forum Musikvermittlung Ä Perspektiven aus Forschung und Praxis

Wie beeinflussen technologische und kulturelle Entwicklungen im Zuge der fortschreitenden Digitalisierung die Musikvermittlung? Die Beiträger*innen stellen neben Forschungsergebnissen und einschlägigen Diskursen auch exemplarisch ausgewählte Beispiele digitaler und hybrider Vermittlungspraxis sowie digitalitätsbezogene hochschuldidaktische Konzeptionen vor. Durch die Bündelung dieser unterschiedlichen Perspektiven möchte der Band Impulse für eine praxisnahe und forschungsbasierte universitäre Ausbildung von Musikvermittler*innen im Zeitalter der Postdigitalität geben.

Wie beeinflussen technologische und kulturelle Entwicklungen im Zuge der fortschreitenden Digitalisierung die Musikvermittlung? Die Beiträger*innen stellen neben Forschungsergebnissen und einschlägigen Diskursen auch exemplarisch ausgewählte Beispiele digitaler und hybrider Vermittlungspraxis sowie digitalitätsbezogene hochschuldidaktische Konzeptionen vor. Durch die Bündelung dieser unterschiedlichen Perspektiven möchte der Band Impulse für eine praxisnahe und forschungsbasierte universitäre Ausbildung von Musikvermittler*innen im Zeitalter der Postdigitalität geben.

Perspektiven aus Forschung, Lehre und Praxis

Musikvermittlung im postdigitalen Zeitalter

A Telegraph Best Book of 2025.A News Statesman Book of the Year 2025.'David Goldblatt is possibly the best football historian there has ever been'. Dominic Sandbrook'David Goldblatt is the greatest British sportswriter of the 21st century ... Injury Time is an absolute classic.' James Montague, author of The Billionaires Club and EngulfedFootball, history and the state of the nation - and why it matters.Injury Time is a sharp and thought provoking look at contemporary British society through the lens of football; a society shaken by more than a decade of economic, political and social upheaval, whose causes and consequences have proved hard to grasp.Set against the backdrop of Brexit, Covid and today's 'polycrisis' - spanning economic decline, war in Europe, political unrest and climate change - this book argues that football provides an unmatched vantage point for understanding the nation's state of affairs. From grassroots clubs battling for survival to the rise and fall of Russian oligarchs in the sport, the game's tragedies and triumphs echo the larger shifts shaping Britain.With striking examples such as Marcus Rashford's anti-hunger campaign and the uproar surrounding Gary Lineker's tweets, Injury Time underscores football's central role in public conversation. Football, Goldblatt contends, is the ultimate societal bellwether - a reflection of Britain's virtues and flaws alike.

Football in a State of Emergency

Injury Time

Phänomenologie der Bibliothek: Redescriptions

In Narrationen des 19. Jahrhunderts gab es zahlreiche textuelle Repräsentationen der Wunderkammer. Valerie Ahlfeld zeigt anhand von Adalbert Stifters 'Der Nachsommer', Theodor Fontanes 'Vor dem Sturm' und Wilhelm Raabes 'Das Odfeld', wie diese Denkfigur in einer Zeit transformiert wird, in der sich die Sammlungspraxis in Richtung spezialisierter Museen verlagerte. Dabei verknüpft sie literatur- und sammlungswissenschaftliche Perspektiven und verbindet textanalytische Detailarbeit mit kulturhistorischer Kontextualisierung - ein innovativer Beitrag zur Erforschung der Literarisierung vormusealen Sammelns.

Eine Sammlungsformation in Narrationen des 19. Jahrhunderts

Denkfigur Wunderkammer

Chilling, Dark and Disturbing Stories That Defy Logic

The World's Most Haunting Paranormal Stories

For fans of the witty and evocative writing of Anne Helen Petersen and Amanda Montell, a sharply clever exploration of what it means to be a “bad mom” by delving into the world of momfluencers, stage moms, trad wives, and more. We all have an idea what it means to be a good mom: little screen time, kids hitting their milestones, endless patience and understanding, and self-sacrifice on behalf of one’s children. But what does it mean to be a “bad mom” in modern society? Women as wide-ranging as Meghan Markle, Hannah Neelman (of Ballerina Farm), and anyone giving birth over forty, have been labeled “bad moms.” In a world where the rules are constantly changing, it feels like women simply cannot win. With this in mind, in her first book, Ej Dickson takes a sharp, provocative look at one of society’s most polarizing labels: the “bad mom.” What makes a mother “bad,” and why? Through the lens of pop culture and American history, Ej Dickson explores how this trope has evolved—from Victorian “angels in the house” to the infamous Mommie Dearest, from Instagram influencers like EmRata and Mormon momfluencers to fictional icons like The Marvelous Mrs. Maisel. Each chapter dives into a different archetype of so-called bad motherhood—like the Stage Mom, the Tiger Mom, the MILF, the MLM hun—challenging us to rethink our assumptions about femininity, parenting, and societal expectations. Drawing on insightful analysis and interviews, Dickson unpacks why our culture is obsessed with vilifying moms and how issues of race and class shape these narratives. Are bad moms truly “bad,” or do they simply defy norms we don’t fully understand—or fear? This isn’t just cultural commentary—it’s a clarion call. Because if we really take a close look, we might find that some of the women we’ve reviled throughout history are due for a reassessment — and in doing so, moms today may take some much-needed pressure off themselves. One Bad Mother invites moms everywhere to stop chasing impossible standards, reclaim their autonomy, and maybe—just maybe—enjoy motherhood for what it is, not what it’s “supposed” to be. Thoughtful, eye-opening, and downright funny at times, One Bad Mother is a vital exploration of modern motherhood.

In Praise of Psycho Housewives, Stage Parents, Momfluencers, and Other Women We Love to Hate

One Bad Mother

The Last Owners

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