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Zermeño Gonzalez J: The Last Owners

The Last Owners

How the Biggest Heist in History Was Designed So the Victims Would Never Notice

Marvel Age of Comics

Explore the Stories Behind the Legends Naked, bloody, and screaming in pain - this is the Wolverine that faced readers in the story arc Weapon X. This was more than just the tale of how Wolverine got his adamantium skeleton and claws. Legendary creator Barry Windsor-Smith challenged fans' expectations of super hero stories and created Marvel's most brutal and beautiful comic. In 1991, when Weapon X was first published, Wolverine was one of Marvel's most popular super heroes. For Weapon X, creator Windsor-Smith reimagined the super hero origin story as a cyberpunk horror story. A shadowy organization abducts Wolverine in order to create "the ultimate killing machine," and we are plunged into a story of basic, animalistic survival. As Wolverine endures more and more trauma, the lines between reality and consciousness disappear. Illustrated with full-color art from this legendary storyline, Jim Rugg's entry in the MARVEL AGE OF COMICS takes a deep-dive into one of Marvel's most experimental and singular comics, and what many consider to be the definitive Wolverine story.

Wolverine: Weapon X

Lo hemos pasado en grande siendo Swifties, y ahora, esa historia —llena de felicidad, amistad, conexión, payasadas y canciones cantadas a pleno pulmón —está documentada en este tributo a la comunidad de fans y la razón por la que estamos todos aquí, Taylor Swift. Todos sabemos cómo empezó: una adolescente de Pensilvania que se mudó a Nashville y pronto ascendió hasta la cima de las listas de música country. Aquí es donde comenzó la historia de Taylor Swift en 2006, pero también es donde empezó nuestra historia como Swifties. Nuestra historia es un emotivo viaje a través de la historia Swiftie, que muestra la evolución de una comunidad de fans que ha sobrevivido al paso del tiempo. Narrado a través de la lente de las experiencias personales, este libro es una crónica del auge de una comunidad que se ha mantenido ferozmente leal en cada etapa. Desde llamar a las emisoras de radio para pedir Tim McGraw, hasta momentos inolvidables en Tumblr en los que Taylor y los fans parecían un grupo de amigos y sobrevivir a una guerra con Ticketmaster —hemos estado ahí. Hemos aprendido lecciones vitales, intercambiado pulseras de la amistad, dominado las matemáticas de los husos horarios para conectarnos a directos, y creado un lenguaje que tan solo otro Swiftie —o la propia Taylor— puede entender. Pero más allá de todos estos momentos compartidos, lo que verdaderamente nos une es el hecho de que las letras de Taylor parecen haber sido escritas solo para nosotros, como reflejos de nuestras propias historias. Esta comunidad de fans, apasionada y única, ha ganado premios y se ha estudiado a fondo, pero, por primera vez, los fans pueden rememorar y celebrar lo que significa ser parte de esta comunidad que te cambia la vida. Una carta de amor escrita por una Swiftie para Swifties, Nuestra historia es una promesa de que nuestra historia jamás será olvidada.

Cómo el fandom de Taylor Swift nos cambió la vida

The Story of Us, Spanish-language edition

Routledge IAFFE Advances in Feminist Economics

The last two decades have been marked by economic and social turmoil - from the global financial crash and the austerity turn to the Covid-19 pandemic, followed by cost-of-living crises, geopolitical conflicts and heightened political divisions. This succession of crises has destabilised economic and political systems and risks undermining the hard-won, albeit slow, progress towards gender equality in contemporary societies. At the same time, the way we live and work is being challenged by rapidly developing AI and digital technologies, the imperative to accelerate the transition to net zero emissions, and unresolved pressures to transform care systems to support women's sustained participation in waged work. Against this backdrop, this volume offers a long-term perspective on turbulence, grounded on comparative and country evidence from Europe, the USA, Australia, and the Global South. The chapters trace how acute shocks, chronic crises and systemic transformations reverberate through labour markets, households and state policies, reshaping gender inequalities and vulnerabilities and their intersections. The concluding discussion argues that turmoil is evolving into a polycrisis - an entanglement of economic, social, and ecological disruptions - while exposing a critical but neglected dimension of turbulence: the crisis of social reproduction and women's pivotal role in managing the tensions between production and the social reproduction spheres. By introducing a gender perspective into the polycrisis debate, this volume speaks to scholars in socioeconomics and gender studies; policy experts and advisors on gender equality; and activists, educators and the general public seeking to understand and address the challenges to gender equality in turbulent times.

Crises, Transitions and Challenges for Gender Equality

Women in Turbulent Times

For fans of the witty and evocative writing of Anne Helen Petersen and Amanda Montell, a sharply clever exploration of what it means to be a “bad mom” by delving into the world of momfluencers, stage moms, trad wives, and more. We all have an idea what it means to be a good mom: little screen time, kids hitting their milestones, endless patience and understanding, and self-sacrifice on behalf of one’s children. But what does it mean to be a “bad mom” in modern society? Women as wide-ranging as Meghan Markle, Hannah Neelman (of Ballerina Farm), and anyone giving birth over forty, have been labeled “bad moms.” In a world where the rules are constantly changing, it feels like women simply cannot win. With this in mind, in her first book, Ej Dickson takes a sharp, provocative look at one of society’s most polarizing labels: the “bad mom.” What makes a mother “bad,” and why? Through the lens of pop culture and American history, Ej Dickson explores how this trope has evolved—from Victorian “angels in the house” to the infamous Mommie Dearest, from Instagram influencers like EmRata and Mormon momfluencers to fictional icons like The Marvelous Mrs. Maisel. Each chapter dives into a different archetype of so-called bad motherhood—like the Stage Mom, the Tiger Mom, the MILF, the MLM hun—challenging us to rethink our assumptions about femininity, parenting, and societal expectations. Drawing on insightful analysis and interviews, Dickson unpacks why our culture is obsessed with vilifying moms and how issues of race and class shape these narratives. Are bad moms truly “bad,” or do they simply defy norms we don’t fully understand—or fear? This isn’t just cultural commentary—it’s a clarion call. Because if we really take a close look, we might find that some of the women we’ve reviled throughout history are due for a reassessment — and in doing so, moms today may take some much-needed pressure off themselves. One Bad Mother invites moms everywhere to stop chasing impossible standards, reclaim their autonomy, and maybe—just maybe—enjoy motherhood for what it is, not what it’s “supposed” to be. Thoughtful, eye-opening, and downright funny at times, One Bad Mother is a vital exploration of modern motherhood.

In Praise of Psycho Housewives, Stage Parents, Momfluencers, and Other Women We Love to Hate

One Bad Mother

Climates – Cultures – Contexts

Der Idylle wird traditionell der Blick in ein (vergangenes) ideales oder fiktives Goldenes Zeitalter zugeschrieben. Nicht nur in der Literaturgeschichte, sondern auch in aktuellen Analysen arkadisch konfigurierter Texte entsteht daher oft der ernüchternde Eindruck, die Idylle sei auf Eskapismus und Flucht aus dem Alltag festgelegt. Die Beiträger*innen räumen mit diesem Vorurteil auf und zeigen, warum es sich lohnt, gerade die Idyllen zu beleuchten, die diesem regressiven Moment nicht folgen. Dazu arbeiten sie die produktiven Impulse dieser Zukunftsentwürfe für aktuelle ökologische, politische und soziale Krisen heraus und analysieren progressive Idyllen in unterschiedlichen Medien.

Zukunftsentwürfe und futurische Impulse in Literatur und Medien der Gegenwart

Futurische Idyllen

Polycentricity: Studies in Institutional Diversity and Voluntary Governance

Co-production, Institutions, and Governance explores the theory, practice, and transformative potential of co-production across institutional, organizational, and professional contexts. Co-production, broadly understood as the collaborative process whereby citizens, communities, and, in some cases, a variety of public actors jointly design, deliver, and modify goods and services, challenges traditional top-down approaches in both public and private domains. Drawing on diverse social science disciplines, the contributors examine how co-production fosters adaptive, efficient, responsive, and inclusive governance structures. The collection emphasizes both theoretical and applied perspectives, highlighting the ways co-production can enhance private and public value, social learning, and participatory decision-making. Technological, organizational, and institutional shifts over the past decades have increasingly blurred the distinction between producers and users, creating fertile ground for co-production. The case studies and empirical research included in the volume testify the versatility of co-production, from local governance initiatives to large-scale policy interventions, demonstrating its potential to address a variety of complex socio-economic challenges. Additionally, the volume critically examines power dynamics, institutional barriers, and opportunities that lead to co-production, offering practical guidance for researchers, practitioners, and policymakers. By integrating interdisciplinary insights with tangible, applied-level experiences, this volume provides a comprehensive account of co-production as both a conceptual framework and a practical tool for fostering collaborative, inclusive, and sustainable governance. It serves as a reference point for all those seeking to understand, implement, and evaluate co-production in diverse socio-economic settings.

Interdisciplinary and Applied-Level Perspectives

Co-production, Institutions, and Governance

This book summarizes the history, system, and current situation of microfinance in Cambodia, examining how microfinance institutions have evolved from the 1990s to the present day. It then looks at the remaining challenges for financial inclusion, and the future directions for microfinance institutions in the country.The book begins with an overview of the microfinance sector in Cambodia, covering key events, the regulatory framework, and key stakeholders. It evaluates the role of microfinance institutions in poverty reduction, as well as the current state of financial literacy amongst microfinance borrowers. Reviewing key policies such as the 2017 interest rate ceiling imposed by the National Bank of Cambodia, as well as government measures and programmes aimed at improving household financial literacy and protecting borrowers, the book provides readers with evidence-based insights into current developments and prospects in Cambodia's microfinance sector. The role and impact of FinTech on Cambodia's microfinance sector is also explored.Providing a comprehensive picture of the reality of microfinance in Cambodia, this book will interest students, researchers, and policymakers concerned with economic development in Southeast Asia.

Development, Role, and Prospects

Microfinance in Cambodia

Screens change things. They do it obviously. They do it subtly. They do it inevitably. Screens make the far things seem near. They make the near things seem far. They convey the world. They capture it. They distort it. They destabilize it. The premise of this book is that they do the same thing to people.

How We Entertained Ourselves Into a State of Emergency

Screen People

Babu George holds a PhD and is a Professor of Management. A scholar-practitioner whose career spans more than two decades and four continents, he has built and turned around academic programs and published over three hundred peer-reviewed works, alongside more than ten books with reputed publishers. His teaching and research center on strategic management, entrepreneurship, organizational change, and the question that animates this book, how leaders and firms shape the conditions they are so often told to merely accept. He has launched first-of-their-kind programs, forged partnerships with major companies, and supervised doctoral candidates across three continents, work that has repeatedly required treating a supposedly fixed environment as something to be built rather than endured.

The Last Owners

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