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Catalogue complet

The Cambridge Edition of the Works of Ann Radcliffe Hardback Set

Radcliffe A: The Italian; or, The
Confessional of the Black Penitents

The Italian; or, The Confessional of the Black Penitents

How Queer Bookshops Changed the World

Quite possibly the most terrifying novel ever written

The Exorcist

Am I a writer? Where should I get ideas? Is my writing any good? How did my favorite authors make it big? The act of writing is a daunting task for many people, and becoming a "writer" means so much more than putting pen to paper. Dean Nelson embraces the questions that plague writers by turning to some of the best-known authors of our time. With encouragement, advice, and refreshing honesty, writers discuss their own beginnings, struggles, and victories in a manner that will make readers say, "I can do that." In Talking to Writers: The Craft of Fiction, readers will hear from Ray Bradbury about why everyone should write, Alice Walker about writing with courage, Nick Hornby about creating dialogue, Anthony Doerr about getting ideas, and Amy Tan about discipline. Among the many other featured writers are Joyce Carol Oates, Jane Smiley, Don Winslow, Amor Towles, Billy Collins, and more. Bringing together interviews from thirty years of the annual Writer's Symposium by the Sea, Nelson reveal writers' motives, connect dots to their past, acknowledge their struggles, and often begin sentences with, "I've never said this publicly before." The revelations are honest and encouraging, with a good dose of humor, to give writers of every level courage and support necessary to live the writing life.

The Craft of Fiction

Talking to Writers

New Directions in Life Narrative

An exploration of how autobiographical stories of illness, precarity, loss, and trauma are communicated and negotiated into public and digital spaces through webcomics.

Digital and In/Visible Lives in Autobiographical Webcomics

A Gothic Novel of Old Shanghai

The Fourth Princess

Oxford World's Classics

'He must leave to live that we may love' The Tragedy of Master Arden of Faversham is based on the murder of Thomas Arden in Faversham in 1551 by his wife, Alice. The play depicts Alice Arden's increasingly desperate attempts to kill her husband so as to be with her lover, Mosby. It is a collaborative play, but also Shakespeare's earliest 'domestic tragedy'. Complete with explanatory notes, a full chronology, and author biography, Iman Sheeha's introduction explores Arden of Faversham's place within the genres of tragedy and true crime, as well as how the play portrays gender, class, race, household service, and neighbourly relationships. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The New Oxford Shakespeare

The Tragedy of Master Arden of Faversham

GOLLANCZ S.F.

The Rise of Endymion

The first study of creative and cultural afterlives of Gulliver's Travels produced over the past 3 centuries that covers work in the form of illustrated books, comics, graphic novels, films, animations, poetry, plays and pantomimes and much more.

300 Years of Transmedia Adaptation

Gulliver’s Afterlives

A winter storm ravages a small community in New England, but the residents of one street are unprepared for what the snow brings: an ancient curse, an entity that knows both their sins and their regrets and will stop at nothing to consume what belongs to it. When John Stephenson peers out of his window on a Tuesday morning, he sees nothing but clear, gray skies hovering above the houses on his staid suburban street, but the next 48 hours will prove to be a waking nightmare from which John and his neighbors cannot escape. As the first flakes fall, the whispering begins. A woman walking her dog leans into the sidewalk as though something buried beneath speaks to her. As the storm grows in ferocity, each of the residents hear the storm calling. What it says, however, few may survive to repeat. From Shirley Jackson and Bram Stoker Award finalist Rebecca Rowland comes a winter horror novel of cosmic proportions, one in which one neighborhood comes face to face, and ear to ear, with a malevolence as old as the world itself.

Eminence Front

Oxford Studies in American Literary History

A Socio-Institutional History of Literary Value

Literature's Social Lives

'No, no, I am but shadow of myself...' Henry VI, Part I paints a vivid picture of political ambition, civil unrest, and war. One of Shakespeare's most collaborative plays, it was a theatrical hit when it was first performed in 1592. Scenes alternate between conflict at home and on foreign soil: between the growing civil dissention that would lead to the Wars of the Roses and the battles of the Hundred Years' War over England's claim to the French throne. It is an action-packed play, but one that offers a profound meditation on individual sacrifice and heroism, corruption, and the costs of conflict. Amy Lidster's introduction examines the play's historical, political, and theatrical contexts, offering a compelling analysis of the affective potential of theatre, language, and narrative to effect political change and shape our understanding of the history that it dramatizes. The introduction explores the play's use of sources, its position within a trilogy of plays about the reign of Henry VI, and its prominent but conflicted representation of France's defender, Joan la Pucelle (Joan of Arc). The introduction offers a fresh analysis of the vibrant theatrical repertory into which the play emerged — one that was marked by politically invested drama that staged diverse, transnational histories. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Henry VI, Part I

'Hans Castorp filled his lungs with the pure mountain air--this fresh, light atmosphere that was so easy to inhale and held no scent of moisture, no content, no memories...' Thomas Mann's The Magic Mountain (1924) is a social comedy with tragic overtones, providing a portrait of Europe in the first decades of the twentieth century. The novel recounts how an apparently simple North German engineer, Hans Castorp, comes to a tuberculosis sanatorium in Davos, Switzerland, intending to visit his sick cousin, and ends up staying for seven years. He matures intellectually and emotionally, encountering love and death amid a cast of vivid characters who are portrayed with Dickensian humour and sophisticated irony, until he is jerked out of his torpor by the outbreak of the First World War. This translation is accompanied by an accessible introduction by Ritchie Robertson, and detailed notes explaining the many cultural and historical references in the text. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Magic Mountain

The Italian; or, The Confessional of the Black Penitents

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