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Nelson Dean: Talking to Writers

Talking to Writers

The Craft of Fiction

Bollingen Series

The Psychic Development of the Feminine: A Commentary on the Tale by Apuleius

Amor and Psyche

Routledge Corpus Linguistics Guides

Research and Practice

Corpus Linguistics for Forensic Linguistics

Very Short Introductions

"Best known for Moby-Dick, Melville crafted novels, experimental fiction, and poetry that confront economic inequality, slavery, science, and democracy's fragility. This VSI traces his dramatic journey from privilege to poverty, his adventures at sea, his meteoric rise to fame, and his fall into obscurity after challenging social and artistic conventions. It examines how he reinvents himself as a poet and how his genius gains recognition only after his death. Melville's restless ambition and bold imagination shape a literary legacy that remains vital today"-- Provided by publisher.

Herman Melville A Very Short Introduction

Anthem Studies in Gothic Literature

Nuclear Gothic investigates the previously unexplored congruities that lie between gothic forms and modes and nuclear cultures and techno-sciences; it aims to read Western nuclear fictions in relation to their Japanese counterparts and through a cohesive critical framework that examines atomic processes, nuclear fictions and specific historical and cultural moments.

Textual and Cultural Fusions

Nuclear Gothic

From the International Man Booker Prize-winning author of Can't and Won't and The End of the Story - a crystalline collection of literary essays for fans of Susan Sontag and Joan Didion 'Among my most favourite writers. Read her now!' A. M. Homes The visionary, fearless Lydia Davis presents a dazzling collection of essays on reading and writing, exploring the full scope of possibility within existing forms of literature and considering how we might challenge and reinvent these forms. Through Thomas Pynchon, Michel Leiris, Maurice Blanchot, Lucia Berlin, Joan Mitchell and others, he author considers her many creative influences. And, through these lenses, she returns to her own writing process, her relationship to language and the written word. Beautifully formed, thought-provoking, playful and illuminating, these pieces are a masterclass in reading and writing.

From the International Man Booker Prize-winning author of Can't and Won't and The End of the Story - a crystalline collection of literary essays for fans of Susan Sontag and Joan Didion 'Among my most favourite writers. Read her now!' A. M. Homes The visionary, fearless Lydia Davis presents a dazzling collection of essays on reading and writing, exploring the full scope of possibility within existing forms of literature and considering how we might challenge and reinvent these forms. Through Thomas Pynchon, Michel Leiris, Maurice Blanchot, Lucia Berlin, Joan Mitchell and others, he author considers her many creative influences. And, through these lenses, she returns to her own writing process, her relationship to language and the written word. Beautifully formed, thought-provoking, playful and illuminating, these pieces are a masterclass in reading and writing.

Essays

Shakespeare and Adaptation

Negotiating Cultural Value

Shakespeare and Comics

Gothic Legacies

Takes stock of the extraordinary range of book-based adaptations of Mary Shelley's Frankenstein, comprising reimaginings, sequels and coquels following the novel's original publication up to the 21st century.

Literary Adaptations

Frankenstein Retold

Examining the rise of Irish crime novels in the twenty-first century, Maureen Reddy argues that writers such as Ken Bruen, Benjamin Black, Tana French, Niamh O'Connor, Cormac Millar, Stuart Neville, Brian McGilloway, Declan Hughes, and Declan Burke are collectively working through the problem of defining Irishness and grappling with deep anxieties about a society that is rapidly changing in the face of a globalized, late capitalist culture.

Although several Irish writers produced crime novels before 2000, most of these books were set outside Ireland and brought out by non-Irish publishing houses. This situation changed radically in the early years of the twenty-first century when numerous novels and series set in Ireland and written by Irish authors were published and began generating strong sales at home and abroad. Maureen Reddy examines this phenomenon, analyzing the conditions that gave rise to it and the commonalities among the novels. Reddy places what she calls Hibernian Noir in the context of the social and economic conditions in Ireland from 1998 to 2012 and relates that period to the post-World War I United States that gave rise to hardboiled detective fiction. As Reddy shows, Irish hardboiled fiction participates in the genre’s tradition of placing previously marginalized individuals in positions of narrative authority. At the same time, Reddy argues that writers such as Ken Bruen, Benjamin Black, Tana French, Niamh O’Connor, Cormac Millar, Stuart Neville, Brian McGilloway, Declan Hughes, and Declan Burke are collectively working through the problem of defining Irishness and grappling with deep anxieties about a society that is rapidly changing in the face of a globalized, late capitalist culture.

Contesting Irishness in Crime Fiction

Noir and the Irish Nation

The essential companion to Toni Morrison's work, written by Namwali Serpell, 'one of the most innovative and intelligent writers today' (Financial Times)A giant in American letters, and one of our most beloved writers, Nobel laureate Toni Morrison has inspired generations. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Serpell puts it, 'she is our only truly canonical black, female writer-and her work is complex.' In On Morrison, Serpell brings her unique experience as both an award-winning writer and a professor of literature at Harvard University, to illuminate Morrison's masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her oeuvre-her fiction, poetry, dramatic works, and criticism-with contextual guidance, archival discoveries, and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant black American authors of all time, but also on how to read great works of literature. Stylish, edifying, and electrifying in its intelligence, this dialogue on the page between two artist-readers is literary criticism at its very best. 'Stunning reconsiderations of Morrison...incisive, tender, and also honest and unsparing' HANIF ABDURRAQIB, author of A Little Devil in America

On Morrison

It's a long journey from a writer's mind to a finished book - and a lot needs to go right along the way. But isn't it more interesting when things go wrong?With an expert Penguin editor as your guide, dive into the dark-side of the book world: a secret history fizzing with scandals, rivalries, cock-ups and con jobs. We'll discover how the tiniest of typos can have oversized consequences, unearth horrifying examples of bad taste and worse style, and peek into tales of forgeries and feuds as dramatic as any thriller. We'll unredact the most egregious cases of censorship, expose hoarders and thieves, and ask: is AI really an existential threat to the literary universe? Or are we our own worst enemies?

When Words Go Wrong and Other Bookish Misadventures

Rogues, Widows and Orphans

The first collection to provide an overview of the well-known psychoanalytic theory of the death drive in literary and cultural theory, this book features contributions from a range of prominent scholars working in the area of literature and psychanalysis. After its Freudian theorization, the death-drive has been re-interpreted by various psychoanalysts (including Melanie Klein, Jacques Lacan, and Slavoj Zizek), philosophers (Jacques Derrida, Gilles Deleuze, and Jean Baudrillard), political theorists (Judith Butler), queer theorists (Laurent Berlant, Lee Edelman), and posthumanist thinkers (Rosi Braidotti). This volume brings together some of the leading thinkers and theorists about the death-drive as a psychological, aesthetic, and theoretical principle in literary and cultural theory, examining texts by writers such as Plato, Henry James, and Ezra Pound.

Philosophy, Literature, Theory

The Death Drive

Promethean Horror in Modern Literature and Culture

A Book of Monsters

Talking to Writers

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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