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The Cambridge Edition of the Works of Ann Radcliffe Hardback Set

Radcliffe A: The Italian; or, The
Confessional of the Black Penitents

The Italian; or, The Confessional of the Black Penitents

Tracing the genre through fiction, visual art, film and videogames from the 1980s to the present, this book offers a comprehensive exploration of the intersection between neo-Victorianism, urban spaces and Steampunk. Characterised by its interplay between past and present and its anachronistic retro-speculation, Neo-Victorian-infused Steampunk remixes modern collective memory to produce a re-imagined vision of Victorian London. Investigating how Steampunk's re-calibrated Londons both source from and subvert Victorian discourse about the city, Steampunk London offers a deeper understanding of how a popular cultural memory of the Victorian past is shaped and transmitted in light of present-day identity politics. Covering key themes including retrofuturism, gender and sexuality, colonialism and postcolonialism, it considers such ideas as how early Steampunk synthesizes Victorian urban ethnography; how Victorian urban Gothic shapes shared transmedia memory to challenge reactionary, nostalgic meta-narratives; how Steampunk video games mobilize urban space as an immersive storytelling device with cities open to play; and how Steampunk interprets the modern metropolis as an opportunity for feminist and queer agency. Through examination of Victorian-era writers from Charles Dickens to Arthur Conan Doyle, the book digs into works of fiction and media alike, looking at The Difference Engine, Soulless, and The League of Extraordinary Gentlemen, From Hell, Guy Ritchie's Sherlock Holmes, cyberpunk classic Blade Runner, and Assassin's Creed: Syndicate and The Order 1886. An important intervention in the study of steampunk, Helena Esser demonstrates how the works explored invite participatory consumption and considers the genre's potential- and failures- to interrogate and challenge our relationship with the Victorian past.

Neo-Victorian Urban Space and Popular Transmedia Memory

Steampunk London

Oxford Studies in American Literary History

A Socio-Institutional History of Literary Value

Literature's Social Lives

A winter storm ravages a small community in New England, but the residents of one street are unprepared for what the snow brings: an ancient curse, an entity that knows both their sins and their regrets and will stop at nothing to consume what belongs to it. When John Stephenson peers out of his window on a Tuesday morning, he sees nothing but clear, gray skies hovering above the houses on his staid suburban street, but the next 48 hours will prove to be a waking nightmare from which John and his neighbors cannot escape. As the first flakes fall, the whispering begins. A woman walking her dog leans into the sidewalk as though something buried beneath speaks to her. As the storm grows in ferocity, each of the residents hear the storm calling. What it says, however, few may survive to repeat. From Shirley Jackson and Bram Stoker Award finalist Rebecca Rowland comes a winter horror novel of cosmic proportions, one in which one neighborhood comes face to face, and ear to ear, with a malevolence as old as the world itself.

Eminence Front

The spellbinding debut novel for readers of The Miniaturist and The Yellow Wallpaper

The Woman in the Wallpaper

New Directions in Life Narrative

An exploration of how autobiographical stories of illness, precarity, loss, and trauma are communicated and negotiated into public and digital spaces through webcomics.

Digital and In/Visible Lives in Autobiographical Webcomics

GOLLANCZ S.F.

Endymion

A Journey Round France in the Company of Great Writers

En Route

Bollingen Series

Bollingen Recollections

The Psychic Development of the Feminine: A Commentary on the Tale by Apuleius

Amor and Psyche

How Queer Bookshops Changed the World

Drawing on new archival material, original research, and interviews, this spellbinding book is the first major biography of James Baldwin in three decades, revealing how profoundly his personal relationships shaped his life and work.

Baldwin: A Love Story

Oxford World's Classics

'Hans Castorp filled his lungs with the pure mountain air--this fresh, light atmosphere that was so easy to inhale and held no scent of moisture, no content, no memories...' Thomas Mann's The Magic Mountain (1924) is a social comedy with tragic overtones, providing a portrait of Europe in the first decades of the twentieth century. The novel recounts how an apparently simple North German engineer, Hans Castorp, comes to a tuberculosis sanatorium in Davos, Switzerland, intending to visit his sick cousin, and ends up staying for seven years. He matures intellectually and emotionally, encountering love and death amid a cast of vivid characters who are portrayed with Dickensian humour and sophisticated irony, until he is jerked out of his torpor by the outbreak of the First World War. This translation is accompanied by an accessible introduction by Ritchie Robertson, and detailed notes explaining the many cultural and historical references in the text. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Magic Mountain

'No, no, I am but shadow of myself...' Henry VI, Part I paints a vivid picture of political ambition, civil unrest, and war. One of Shakespeare's most collaborative plays, it was a theatrical hit when it was first performed in 1592. Scenes alternate between conflict at home and on foreign soil: between the growing civil dissention that would lead to the Wars of the Roses and the battles of the Hundred Years' War over England's claim to the French throne. It is an action-packed play, but one that offers a profound meditation on individual sacrifice and heroism, corruption, and the costs of conflict. Amy Lidster's introduction examines the play's historical, political, and theatrical contexts, offering a compelling analysis of the affective potential of theatre, language, and narrative to effect political change and shape our understanding of the history that it dramatizes. The introduction explores the play's use of sources, its position within a trilogy of plays about the reign of Henry VI, and its prominent but conflicted representation of France's defender, Joan la Pucelle (Joan of Arc). The introduction offers a fresh analysis of the vibrant theatrical repertory into which the play emerged — one that was marked by politically invested drama that staged diverse, transnational histories. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The New Oxford Shakespeare

Henry VI, Part I

The Italian; or, The Confessional of the Black Penitents

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