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The Image of the European in African Art

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

The Extraordinary Life of Gala Dali

Surreal

Kurdish Studies

"This book focuses on the cultural and intellectual activities of Kurdish migrant women through artistic and aesthetic forms of production in Belgium, France, Germany, Sweden and the UK. Using in-depth interviews with over 40 Kurdish women artists, Ozlem Galip examines how artistic, literary and cultural productions, incorporating the fields of film, theatre and music, are articulated within the structures of nation states, leading to the interrogation of the impact of western and local knowledge, patriarchy, the nation-state and globalisation. Galip also analyses how European policies affect the development of cultural engagement of Kurdish migrant women, and how such engagements help these women to integrate into European society"--

Intellectual and Cultural Production in Europe

Art, Gender and Migration in the Kurdish Diaspora

Cultural Histories of Theatre and Performance

Culture and Experiment in the Irish Free State

Performing Modernity

Bollingen Series

The Collected Essays of Erich Neumann, Volume 1

Art and the Creative Unconscious

Rethinking Art's Histories

Psychoanalysis, Politics and the Art of French Feminism

Counterpractice

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Material Culture of Art and Design

A material intervention into Australian art histories, examining overlooked objects that unsettle definitions of nationhood and identity.

Making Material Histories

The Australian Object

The Essential John Berger

The Moment of Cubism

Routledge Worlds

The Malagasy World integrates the archaeology of Madagascar within linguistic, historic, and genetic inquiry and presents and synthesizes the most up-to-date knowledge from across these fields, with an emphasis on archaeology and material culture.The volume explores the complex questions of origins, settlement, and Indian Ocean history, interweaving linguistic, genetic and material evidence. Attention is given to the role of Madagascar as an important site for exploring the ancient exchange of foods and animals between Africa, South Asia and South East Asia as well as for understanding the flourishing medieval trade that took place across the Indian Ocean, alongside the introduction to the island of practices informed by Islam. Diverse and elaborate mortuary practices and megalithic traditions that are found throughout the nation currently and historically are examined along with the co-evolution of people and landscapes, the emergence of socio-political complexity in different parts of the island, the material poetics through which claims to sovereignty were articulated, and the effects of these changes on local communities. Finally, the changing context of the Western Indian Ocean in the last 500 years after the arrival of Europeans is investigated, particularly early colonial encounters, and the uneven effects and consequences of the trade in enslaved people.The Malagasy World is aimed at archaeologists, anthropologists, historians and linguists interested in Africa, the Indian Ocean and environmental history.

The Malagasy World integrates the archaeology of Madagascar within linguistic, historic, and genetic inquiry and presents and synthesizes the most up-to-date knowledge from across these fields, with an emphasis on archaeology and material culture. The volume explores the complex questions of origins, settlement, and Indian Ocean history, interweaving linguistic, genetic and material evidence. Attention is given to the role of Madagascar as an important site for exploring the ancient exchange of foods and animals between Africa, South Asia and South East Asia as well as for understanding the flourishing medieval trade that took place across the Indian Ocean, alongside the introduction to the island of practices informed by Islam. Diverse and elaborate mortuary practices and megalithic traditions that are found throughout the nation currently and historically are examined along with the co-evolution of people and landscapes, the emergence of socio-political complexity in different parts of the island, the material poetics through which claims to sovereignty were articulated, and the effects of these changes on local communities. Finally, the changing context of the Western Indian Ocean in the last 500 years after the arrival of Europeans is investigated, particularly early colonial encounters, and the uneven effects and consequences of the trade in enslaved people. The Malagasy World is aimed at archaeologists, anthropologists, historians and linguists interested in Africa, the Indian Ocean and environmental history.

The Malagasy World

Crime and Criminology in South Africa provides a comprehensive analysis of criminological theory, the criminal justice system and prevalent forms of criminality (namely gender-based violence, racially motivated and xenophobic crime, property crime, organised crime and corporate crime) in South Africa. In addition, the book aims to contribute to the revival of theoretical criminology, which currently receives little systematic attention in South Africa.Crime and Criminology in South Africa will be key reading for undergraduate and postgraduate students, as well as researchers in the field of criminology and criminal justice.

Crime and Criminology in South Africa provides a comprehensive analysis of criminological theory, the criminal justice system and prevalent forms of criminality (namely gender-based violence, racially motivated and xenophobic crime, property crime, organised crime and corporate crime) in South Africa. In addition the book aims to contribute to the revival of theoretical criminology, which currently receives little systematic attention in South Africa. The book is split into three parts: Part One contains an analysis of criminological theory; Part Two examines specific forms of criminality that are prevalent in South Africa; and Part Three evaluates criminal justice agencies and processes, as well as the position of victims in the criminal justice system. It also includes chapters on restorative justice processes and crime prevention.Crime and Criminology in South Africa will be key reading for undergraduate and postgraduate students, as well as researchers in the field of criminology and criminal justice.

Crime and Criminology in South Africa

A major reevaluation of a towering figure in twentieth-century art and the relationship of his sculpture to the crisis of nationalism in modern Europe &nbsp; Figures of Crisis examines the neglected decade of artwork that separates the surrealist experiments of Swiss artist Alberto Giacometti (1901–1966) from his iconic postwar sculptures, revealing the connection between a famous artistic crisis in modern art and the crisis of national identity in modern Europe. In 1935, Giacometti abruptly abandoned his early abstract objects and devoted himself to sculpting portrait busts and minuscule figurines, many no larger than a fingernail. Joanna Fiduccia reimagines this fragmentary and inconspicuous body of work as the pivotal phase in his career, which registered the erosion of interwar democratic values and the searching questions this period posed for the future of modern sculpture. &nbsp; Challenging previous explanations of Giacometti’s return to figuration, Fiduccia argues that his figures gave form to the experience of social breakdown during the rise of fascism through their turbulent surfaces, unsettling generality, dramatic reduction of scale, and compulsive repetition. This fresh account, told through the philosophical, political, and aesthetic thought of Giacometti’s time, shows how ideologies of nationalism generated the problems of selfhood at the heart of modernism.

Alberto Giacometti and the Myths of Nationalism

Figures of Crisis

The Image of the European in African Art

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