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Eastlake E: The History of Our Lord as
Exemplified in Works of Art: With That

The History of Our Lord as Exemplified in Works of Art: With That of His Types; St. John the Baptist; and Other Persons of the Old and New Testament

Phänomenologie der Bibliothek: Redescriptions

In Narrationen des 19. Jahrhunderts gab es zahlreiche textuelle Repräsentationen der Wunderkammer. Valerie Ahlfeld zeigt anhand von Adalbert Stifters 'Der Nachsommer', Theodor Fontanes 'Vor dem Sturm' und Wilhelm Raabes 'Das Odfeld', wie diese Denkfigur in einer Zeit transformiert wird, in der sich die Sammlungspraxis in Richtung spezialisierter Museen verlagerte. Dabei verknüpft sie literatur- und sammlungswissenschaftliche Perspektiven und verbindet textanalytische Detailarbeit mit kulturhistorischer Kontextualisierung - ein innovativer Beitrag zur Erforschung der Literarisierung vormusealen Sammelns.

Eine Sammlungsformation in Narrationen des 19. Jahrhunderts

Denkfigur Wunderkammer

Institute for the Study of the Ancient World Exhibition Catalogs

Rodin’s Egypt

From the Renaissance to the present day, this is the history of art told through the female form, with over 80 works of art. A cultural mirror of the times, the female body has captivated both artists and audiences for centuries. But what can we learn from these pieces of art? What are they trying to tell us about the world we live in? And how has that changed over time? Explore the luminous portraiture of Gustav Klimt, astonishing wartime photography from Lee Miller and the ground-breaking performance art of Marina Abramovi¿. Meet Leonor Fini's shepherdess, Barkley L. Hendricks's 'Madonna', Graciela Iturbide's 'Medusa', Toyin Ojih Odutola's adventuresses and Hayv Kahraman's 'army of fierce women'. Discover the idealized female body as envisioned by Sandro Botticelli and the gender non-conforming portraits of Zanele Muholi and Yuki Kihara, as Amy Dempsey looks at how and why the female body has been depicted time and time again, and why its portrayal has often delivered important messages about - and to - the world. With a foreword by writer and curator, Hettie Judah.

The history of art told through the female form, with over 80 works of art

The Female Body in Art

An ode to the quiet joy of collecting more books than we could ever possibly read - and loving them all the same... Drawing on the evocative Japanese term tsundoku - first coined in the Meiji era to describe the growing stacks of unread books that accumulate around devoted readers - this insightful and warmly humorous book reframes what some might see as clutter or guilt as a deeply meaningful way of living. From the tactile pleasure of flipping through pages to the quiet ritual of rearranging overflowing shelves, Tsundoku explores the psychology, culture, and poetry behind the irresistible urge to collect and cherish books. It offers meditations on the joy of choosing and buying books, the rebellion against reading lists, creative ways to organise your shelves, foolproof excuses for sneaking in yet another new title, techniques for remembering what you've read, and the guilty - but glorious - pleasure of re-reading. Above all, this philosophy reminds us that we do not necessarily have to have read all the books we own to love them unconditionally. Feelings of guilt, be gone! Unread books can be even more fascinating because they take us on wonderful journeys, and speak to us regardless, whether we open them or keep them closed. We know that books are a cure for the soul: just touching one, smelling one, or leafing through one makes us feel better immediately.

The Japanese Art of Collecting Books

Tsundoku

WerkstattGeschichte

WerkstattGeschichte ist eine Zeitschrift, in der über Geschichte und ihre Akteur*innen wie über historisches Forschen und Schreiben reflektiert wird. Sie bietet Platz, konventionelle Perspektiven zu durchbrechen und neue Formen der Darstellung zu erproben. Die Zeitschrift bleibt der Sozialgeschichte verbunden, legt aber Wert darauf, die 'große Geschichte' aus alltagsgeschichtlicher Sicht zu befragen. Im aktuellen Heft, herausgegeben von Frank Wolff und Jochen Lingelbach, widmen sich die Beiträger*innen der Interdependenz von Grenze und Gesellschaft. Ausgehend von der These, dass das Geschehen an staatlichen Außengrenzen Rückwirkungen auf innergesellschaftliche Prozesse hat, analysieren sie diese als Grenzinternalisierung gefasste Wechselwirkung.

WerkstattGeschichte ist eine Zeitschrift, in der über Geschichte und ihre Akteur*innen wie über historisches Forschen und Schreiben reflektiert wird. Sie bietet Platz, konventionelle Perspektiven zu durchbrechen und neue Formen der Darstellung zu erproben. Die Zeitschrift bleibt der Sozialgeschichte verbunden, legt aber Wert darauf, die »große Geschichte« aus alltagsgeschichtlicher Sicht zu befragen. Im aktuellen Heft, herausgegeben von Frank Wolff und Jochen Lingelbach, widmen sich die Beiträger*innen der Interdependenz von Grenze und Gesellschaft. Ausgehend von der These, dass das Geschehen an staatlichen Außengrenzen Rückwirkungen auf innergesellschaftliche Prozesse hat, analysieren sie diese als Grenzinternalisierung gefasste Wechselwirkung.

2026/1, Heft 93: Grenzen internalisieren

A Local and Global History of the Book

Textiles in Manuscripts

DKV-Kunstführer

Nur acht Kilometer nordwestlich von Naumburg erhebt sich hoch über dem Winzerstädtchen Freyburg der seit etwa 900 Jahren besiedelte Schlossberg. Der Blick vom Bergfried der mächtigen Bergspornburg reicht weit in die alte Kulturlandschaft des Unstruttales hinein und hinüber zum nahe gelegenen Naumburg. Die Neuenburg, eine Gründung Ludwigs des Springers, und die Stadt Freyburg sind durch ihr reizvolles Miteinander in dieser Landschaft und durch eine gemeinsame lange und wechselvolle Geschichte eng verbunden. Der Name 'Neue Burg' ist vermutlich im Zusammenhang mit dem älteren Pfalzgrafenhof in Zscheiplitz (nördlich Freyburgs) oder der nahezu unbekannten und unerforschten Burg Putelendorf (Bottendorf ) bei Artern zu sehen.

Der Dom zu Naumburg

'Utterly gripping, enraging, entertaining - and important. I can't recommend it highly enough' Jennifer Higgie In 1958, talented and fearless and eighteen years old, Liliane Lijn left her family home and moved to Paris alone to become an artist. Once there, she found an art world filled with the wild energy of creative revolution - peopled and controlled almost entirely by men. Embracing the bohemian spirit of the Left Bank, Lijn built a life for herself in the city, befriending artists, poets and revolutionaries and creating ground-breaking sculptures with light, text and movement, despite being told again and again that there are no great women artists. Liquid Reflections is her sparkling memoir of these years of experiment and adventure. Based on personal diaries from the time, this is a riveting and revelatory portrait of the artist as a young woman. 'A whirlwind of encounters . . . a pioneer in melding art, poetry and science' Art Basel

Liquid Reflections

50 Strange Faces, 50 Great Stories Famous paintings are celebrated for their beauty and depth, but they're also a treasure trove of ridiculous faces. From bewildered angels to screaming cats, stunning paintings are chock-full of weird expressions. In Stupid Faces in Stunning Paintings, Matthijs Van Mierlo takes you on a journey to the strangest corners of the art world, uncovering the stories behind 50 wacky faces-stories about religion, love, vanity, and just one very confused unicorn. Why does Vermeer's The Girl with the Wine Glass look so bug-eyed? Who let Frida Kahlo paint a disturbingly dazed toddler? And why does baby Jesus look like he's about to file your taxes? This is the art history book to answer those questions and more, perfect for anyone who loves a great painting and a good laugh.

A Serious Exploration of Art History's Silliest Expressions

Stupid Faces in Stunning Paintings

Sammlung Moderne Kunst

Pinakothek der Moderne München

The Essential John Berger

John Berger is one of the most passionate and incisive writers on the relationship between art and politics. Whether looking at Vermeer in his studio, or Poussin's poignant meditation death, the contradictions of Rodin's sculpture, Berger was always able to see the threads that bound the individual life, their passion for creativity and the social and political contexts they were working within. The Moment of Cubism, originally published in 1969, is considered to be one of his important collections of art criticism. Also provocative, In the title essay, Berger shows that Cubism was a moment rather than a movement, that came and went without the consent of its key artists - Picasso, Braque. He also makes a case for its revolutionary influence. Alongside portaits and investigations of more classical artists, in advance of his later works such as Ways of Seeing and Understanding a Photograph, Berger is still able to find the political within the image and to help us look at the world in new ways.

The Moment of Cubism

Routledge Research in Art History

Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, 'History and Historiography', 'Subverting the Biographical Model', 'Interviews as Practice' and 'Materiality and Technology', the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration.The book will be of interest to scholars working in art history, museum studies, oral history and historiography.

Theorising the Artist Interview

The History of Our Lord as Exemplified in Works of Art: With That of His Types; St. John the Baptist; and Other Persons of the Old and New Testament

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