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Dempsey Amy: The Female Body in Art

The Female Body in Art

Naturbilder / Images of Nature

Das Buch zeigt erstmals auf, wie die unsichtbare Pflanzenseele in Kunst, Film, Tanz und Wissenschaft Frankreichs dargestellt und mit religiösen und biologischen Konzepten vermischt wurde. Die Bandbreite der Visualisierungen reicht von romantischen Personifikationen im frühen Film über fleischfressende zoomorphe Monster bis zu Ornamenten bei FrantiSek Kupka und Loïe Fuller, die Pflanzenbewegungen zu einem abstrakten Dynamismus stilisierten. Auch der neu erfundene Zeitrafferfilm zeigt das langsame Leben der Pflanzen beschleunigt und schreibt ihnen so Willen und Ausdruck zu. Die Kunst- und Bildgeschichte der postevolutionären anima vegetativa verdeutlicht, dass der vegetabile Animismus Konzeptionen von Natur, Wahrnehmung und Wirkmacht hinterfragt und damit auch den Sonderstatus des Menschen.

Do plants have a soul? This first-ever study examines how the invisible souls of plants were depicted in French art, film, dance and science around 1900, including the way these depictions were melded with religious and biological concepts. The aesthetic and pictorial history of post-evolutionary anima vegetativa shows how plant animism questioned conceptions of nature, perception and power, and, by extension, the special status of human beings.

Florale Animationen in bildender Kunst, Film und Tanz Frankreichs um 1900

Anima vegetativa

Routledge Advances in Sociology

Philanthropy, Art and Society investigates the socio-economic and cultural factors shaping philanthropy, historically and at present, from tax incentives and government policy to norms, values and laws. Critically evaluating the social consequences and impact of philanthropy, the book shows that it is a phenomenon that leads to fundamental changes in the way we think about how to belong, and how we experience the world around us.

Philanthropy, Art and Society sets up, for the first time, the field of arts philanthropy in the UK, shedding light on the variety of ways in which individuals and organisations give their time and money to support the arts. Herrero and Reid evaluate the history of arts philanthropy, its legacy, and its significance in today’s society. They explore the idea that giving to the arts is a form of behaviour influenced by its specific historical, socio-cultural and political context which can profoundly affect its recipients (organisations and individuals) as well as shape the very context in which these recipients operate.First, they investigate the socio-economic and cultural factors shaping philanthropy, historically and at present, from tax incentives and government policy to norms, values and laws. Second, they critically evaluate the social consequences and impact of philanthropy, asking such questions as: <ul> <li>does philanthropy reinforce or mitigate social inequalities?</li> <li>what effects does it have on organisational cultures and structures of recipients?</li> <li>can philanthropy ensure the long-term sustainability of the arts sectors?</li> </ul>The book’s exploration of how philanthropy constitutes society shows that philanthropy is a phenomenon that leads to fundamental changes in the way we think about how to belong, and how we experience the world around us. This book will be of interest to students and scholars of sociology, politics, international relations, economics, anthropology, cultural policy, cultural studies, philanthropy and non-profit studies, entrepreneurial studies, business studies, management, and the non-profit sector.

Philanthropy, Art and Society

Penguin Design

with Hans Ulrich Obrist

Ai Weiwei Speaks

Then And Now

Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.

Texas Then and Now

The Aspen Art Museum's biannual magazine continually brings together pieces by artists, curators and writers alongside reprints of previously published texts that explore specific aspects of contemporary art and foster conversations. Issue VI delves into the subject of family and community.

The Aspen Art Museum’s biannual magazine continually brings together pieces by artists, curators and writers alongside reprints of previously published texts that explore specific aspects of contemporary art and foster conversations. Issue VI delves into the subject of family and community.

Permanent Collection: Issue VI

The Routledge Companion to Contemporary Art Histories and Globalisation

The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus &nbsp; Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.” &nbsp; Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.

The Life of Louise Bourgeois

Knife-Woman

A timely history of immigration, integration, and national identity that reveals the true heritage behind some of the nation's defining artworks.

From Renaissance to Enlightenment

The Foreign Invention of British Art

Insider: How to Get a Job and Earn a Living in the Art World

Black Gold: Stories Untold, published to coincide with an exhibition of the same name, showcases recent and newly commissioned artworks reflecting on the resilience, struggles, and triumphs of African Americans who lived in California during its early statehood, from the dawn of the Gold Rush in 1848 to the era of Reconstruction following the American Civil War. The project highlights figures and events often omitted from California's history, including the presence of slavery and the struggle for legal rights within this "free" state, the successes of Black entrepreneurs, and the experiences of the African American army regiments known as the Buffalo Soldiers.Black Gold brings together an essay by the exhibitions curator, Cheryl Haines; an artist roundtable discussion moderated by Key Jo Lee, chief of curatorial affairs and public programs, Museum of the African Diaspora, San Francisco, CA; new and archival materials addressing California's hidden history of slavery and anti-Black legislation; and texts detailing the contributions of each of the exhibitions artists—including Demetri Broxton, Adam Davis, Mildred Howard, Sir Isaac Julien CBE, Trina M. Robinson, Alison Saar, Yinka Shonibare CBE, Bryan Keith Thomas, and Hank Willis Thomas.Black Gold: Stories Untold will be on view at San Francisco's historic Fort Point from June 4-November 1, 2025.

Black Gold

Unter den hochtechnologischen Bedingungen der Gegenwart wird Materialität in Wissenschaft wie Kunst zunehmend als Agent aufgefasst, der jenseits bewusster menschlicher Wahrnehmung in ökologischen, digitalen oder neuronalen Umwelten angesiedelt ist. In diesem Zusammenhang bezeichnet der Begriff des nonconscious (N. Katherine Hayles) sowohl Formen computergestützter Erfahrung als auch neuronale körperliche Prozesse. Die Beiträge dieser interdisziplinären Publikation fragen nach den Konsequenzen des Nicht-Bewussten als Werkstoff und Vorstellung für ästhetische Praktiken. So öffnen sie insbesondere die an Vorstellungen von Reflexivität und Intentionalität orientierte Theorie, Geschichte und Praxis zeitgenössischer Kunst für neue kritische Lesarten. <ul> <li>Gibt es eine Kunst ohne Bewusstsein? </li> <li>Neue Lesarten von Theorie und Geschichte zeitgenössischer Kunst </li></ul>

Under the present day's highly technological conditions, materiality in science as well as art is perceived increasingly as an agent located beyond conscious human perception in ecological, digital or neuronal environments. In this context, the term nonconscious (N. Katherine Hayles) refers to forms of computer-based experience as well as neuronal bodily processes. The contributions to this interdisciplinary publication enquire into the consequences of the nonconscious as material and imagination for aesthetic practices. In particular, they encourage new critical readings of the theory, history and practice of contemporary art oriented towards notions of reflexivity and intentionality. <ul><li>Is there art without consciousness?</li><li>New interpretations of the theory and history of contemporary art</li></ul>

Beiträge zur technologischen Ästhetik der Gegenwart

Kunst ohne Bewusstsein?

Routledge Advances in Art and Visual Studies

This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

Charles Darwin’s theory of evolution bore a decisive influence on aesthetic thought that was nothing if not diverse. From biological models to European paintings, Darwinian theory offered art historians and artists a rich, evocative lens through which to view the world anew. This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

The Darwin Effect

Evolutionary Theory and Visual Culture

The Female Body in Art

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema