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Dempsey Amy: The Female Body in Art

The Female Body in Art

Bollingen Series

Its Mythology and Transformations, Volume 1 (Text)

The Art of Indian Asia

Considers the enduring legacy of California Conceptualism, known for its lax approaches to creating, writing about, and exhibiting art. Moving away from making objects, and turning instead to staging scenes, the artists associated with California Conceptualism--including Eleanor Antin, John Baldessari, David Lamelas, Tony Ramos, Ilene Segalove, and William Wegman--behaved indifferently toward their art, denied making it and knowing what it was about, and displayed a lack of concern for its future. Their casual attitude and aesthetic transformed relationships between artists, critics, and viewers, separating those who could recognize these practices from those who could not. Contemporary artists have continued this trajectory, finding new ways to act casually through their "stance." In the humanities, this term is often taken to mean the beliefs, values, and intentions of authors, and it has offered a useful way to think about how artists position themselves toward their work and audiences. Jacob Stewart-Halevy builds on recent social theory to show how artists, critics, and other members of the art world wield stance to make sense of artworks and their social circumstances, arguing that, through the rise of conceptual art, stance has come to supplement--and in some cases replace--the aesthetic quality of artworks.

Downplaying Art Since California Conceptualism

The Casual

The Art of Collecting Books

Tsundoku

Published to coincide with an exhibition of the same name, Black Gold showcases recent and newly commissioned artworks reflecting on the resilience, struggles, and triumphs of African Americans who lived in California during its early statehood, from the Gold Rush in 1848 to the Reconstruction era.The project highlights figures and events often omitted from California's history, including the presence of slavery and the struggle for legal rights within this "free" state, the successes of Black entrepreneurs, and the experiences of the African American army regiments known as the Buffalo Soldiers.Black Gold brings together an essay by the exhibitions curator, Cheryl Haines; an artist roundtable discussion moderated by Key Jo Lee, chief of curatorial affairs and public programs, Museum of the African Diaspora, San Francisco, CA; new and archival materials addressing California's hidden history of slavery and anti-Black legislation; and texts detailing the contributions of each of the exhibitions artists—including&nbsp;Akea Brionne, Demetri Broxton, Adrian L. Burrell, the artists of Creativity Explored, Adam Davis, Cheryl Derricotte, Carla Edwards, Mildred Howard, Sir Isaac Julien CBE, Tiff Massey, Umar Rashid, Trina Michelle Robinson, Alison Saar, Yinka Shonibare CBE, Bryan Keith Thomas, Cosmo Whyte, and Hank Willis Thomas.Led by the FOR-SITE Foundation, Black Gold will be on view at San Francisco's historic Fort Point from June 4-November 1, 2025.

Black Gold

Biotechne: Interthinking Art, Science and Design

Viruses and Viral Phenomena Across Science, Technology, and the Arts

Viral Behaviors

The Archetypal World of Henry Moore

On Photography and Social Media

The Social Photo

Then And Now

Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.

Texas Then and Now

Routledge Interdisciplinary Perspectives on Literature

This book explores textual and visual representations of breast milk and breastfeeding across a range of literary and artistic genres, beginning with Classical mythology, moving through late-antique and medieval gynaecological texts on wet nursing, and ending with late-medieval hagiographical and mystical literature. It argues that, while the act of breastfeeding and the fluid of breast milk were often categorized as natural and nourishing, their meanings, uses and risks were also debated, problematized, and used to serve specific cultural, political and textual purposes.

This book explores textual and visual representations of breast milk and breastfeeding across a range of literary and artistic genres, beginning with Classical mythology, moving through late-antique and medieval gynaecological texts on wet nursing, and ending with late-medieval hagiographical and mystical literature. It argues that, while the act of breastfeeding and the fluid of breast milk were often categorized as natural and nourishing, their meanings, uses and risks were also debated, problematized, and used to serve specific cultural, political and textual purposes.This volume traces how representations of breast milk were shaped by the shifting projects specific to particular textual and artistic genres, historical and cultural movements, and opinions, fears and desires about the female body, the role of women, and infancy. In this sense, it focuses on the semantic flexibility of breast milk by illustrating the variety of messages it was used to articulate. More broadly, the author explores common metaphors and fantasies about breast milk that coalesce from this broad inquiry – in particular, the construction of the female body as the container of a vacillating economy of fluids of great significance. Although Greco-Roman and medieval representations of breast milk prove this significance to be complex and often contradictory, the notion that this female body fluid had the power to effect profound changes – both psychological and physical – among those who provided it, consumed it, or even witnessed its exchange attests to its enduring value as a material and symbolic medium. This book will contribute significantly to women’s and gender studies and to the history of the body. It will also benefit students and scholars specializing in mythology, the history of medicine, the representation of women in classical and medieval art, early-Christian and medieval hagiography, medieval mysticism, and Marian studies.

From Greco-Roman Myth to Medieval Mysticism

The History and Culture of Breast Milk

Routledge Advances in Art and Visual Studies

This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

Charles Darwin’s theory of evolution bore a decisive influence on aesthetic thought that was nothing if not diverse. From biological models to European paintings, Darwinian theory offered art historians and artists a rich, evocative lens through which to view the world anew. This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

The Darwin Effect

Evolutionary Theory and Visual Culture

Its Mythology and Transformations, Volume 2 (Plates)

Material Culture of Art and Design

A material intervention into Australian art histories, examining overlooked objects that unsettle definitions of nationhood and identity.

Making Material Histories

The Australian Object

The Female Body in Art

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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