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Francis M: The Green Month

The Green Month

Picador Collection

Say Something Back &amp; Time Lived, Without Its Flow, Denise Riley's exacting meditations on loss, grief, and life thereafter, are published together for the first time.

Say Something Back and Time Lived, Without Its Flow

Yevgeny Onegin

In a wide range of lyrically rich poems, award-winning poet Jonathan Fink interrogates the perpetual mysteries and resonances at the convergence of national identity, historical influence, and personal experience. In Don’t Do It—We Love You, My Heart, Jonathan Fink interweaves a welcome range of poetic styles including expansive, narrative poems, shorter, lyrical poems, and intricate one-sentence poems that are sustained over multiple pages to deliver his most intimate collection to date. Charting changing national and personal landscapes, Fink’s writing explores such diverse subjects as growing up in West Texas at the conclusion of the Cold War; ekphrastic poems about the paintings of Goya, Leonardo da Vinci, and the Isabella Stewart Gardner Museum art theft; the intuitive language he shares with his infant daughter on a quiet evening before she falls asleep; and the famous story of a suicide prevented on the George Washington Bridge—the jumper stayed by the man who tells him, “Don’t do it–we love you, my heart.” The imperative, urgent compassion conveyed in the stranger’s command thrums through all the poems in this collection, compelling the reader outward to deeper connections and lived empathy.

In a wide range of lyrically rich poems, award-winning poet Jonathan Fink interrogates the perpetual mysteries and resonances at the convergence of national identity, historical influence, and personal experience. In Don’t Do It—We Love You, My Heart, Jonathan Fink interweaves a welcome range of poetic styles including expansive, narrative poems, shorter, lyrical poems, and intricate one-sentence poems that are sustained over multiple pages to deliver his most intimate collection to date. Charting changing national and personal landscapes, Fink’s writing explores such diverse subjects as growing up in West Texas at the conclusion of the Cold War; ekphrastic poems about the paintings of Goya, Leonardo da Vinci, and the Isabella Stewart Gardner Museum art theft; the intuitive language he shares with his infant daughter on a quiet evening before she falls asleep; and the famous story of a suicide prevented on the George Washington Bridge—the jumper stayed by the man who tells him, “Don’t do it–we love you, my heart.” The imperative, urgent compassion conveyed in the stranger’s command thrums through all the poems in this collection, compelling the reader outward to deeper connections and lived empathy.

Don't Do It, We Love You, My Heart

Later Life Letter

"A collection of poems by Traci Brimhall"--

Love Prodigal

Nobody Asked For This

SHORTLISTED FOR THE PRIZE FOR POETRY, 2024 VICTORIAN PREMIER'S LITERARY AWARDS SHORTLISTED FOR THE UTS GLENDA ADAMS AWARD FOR NEW WRITING, 2024 NSW PREMIER'S LITERARY AWARDS 'I keep looking at the stars to see the universe, but the joke is I am the universe.' the body country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. A meditation of wandering and wondering on Country, inviting the reader to understand the complexities and changing forms of self and love. A Wergaia and Wemba Wemba woman, Susie Anderson captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice. To notice the shape of a mouth as it says goodbye; the colour of the sky as you fall in love; the way a steering wheel is turned carelessly after many wines; the crunch of dry ground after drought; the smell of fire on the wind; the movement of ants before rain; the power a word, a dress, a piece of art can give to run towards something new. These are poems that take us across rural and urban settings; from the personal to the universal, from looking inward to mapping the land and always bringing us back to the Country that connects us all. 'Anderson pays attention to the moments that slip through the cracks and hands them straight to you in a way that can momentarily stun' Harper's Bazaar 'The Body Country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. Susie captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice' Wimmera Mail Times 'Powerful' Who Magazine

SHORTLISTED FOR THE PRIZE FOR POETRY, 2024 VICTORIAN PREMIER'S LITERARY AWARDS SHORTLISTED FOR THE UTS GLENDA ADAMS AWARD FOR NEW WRITING, 2024 NSW PREMIER'S LITERARY AWARDS 'I keep looking at the stars to see the universe, but the joke is I am the universe.' the body country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. A meditation of wandering and wondering on Country, inviting the reader to understand the complexities and changing forms of self and love. A Wergaia and Wemba Wemba woman, Susie Anderson captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice. To notice the shape of a mouth as it says goodbye; the colour of the sky as you fall in love; the way a steering wheel is turned carelessly after many wines; the crunch of dry ground after drought; the smell of fire on the wind; the movement of ants before rain; the power a word, a dress, a piece of art can give to run towards something new. These are poems that take us across rural and urban settings; from the personal to the universal, from looking inward to mapping the land and always bringing us back to the Country that connects us all. 'Anderson pays attention to the moments that slip through the cracks and hands them straight to you in a way that can momentarily stun' Harper's Bazaar 'The Body Country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. Susie captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice' Wimmera Mail Times 'Powerful' Who Magazine

the body country

Handbooks of English and American Studies

This handbook aims at giving scholars an overview of the state of research and students a sense of how American poetry - ranging from its first forms evolving from the 17-century settler colonies to its current digital modes - has addressed issues and experiences central to human consciousness as much as to political lives over four centuries of cultural practice.

This handbook offers scholars an overview of the state of research and students a sense of how American poetry – from its first forms evolving in the 17th-century settler colonies to its current digital modes – has addressed issues and experiences central to human consciousness and to political life over five centuries of cultural practice. At the same time, it aims to show how poetry, philosophy, and theory have always been involved in productive dialogues.

Handbook of American Poetry

Leading poet and activist John Kinsella brings together a
major international collection of contemporary and historical poetry that speaks
to the rights and welfare of animals.

The Uncollected Animals is a unique anthology of poetry
based around all non-human animal life, with the welfare and rights of animals
at the forefront. The anthology includes over forty commissioned poems, and
other poems provided by poets specifically for the anthology. These are set
against an historical context of animal-referencing poems that range in time
from ancient Greece to the 21st century. Kinsella’s introduction offers
insights into the eternal relationship of poetry to animals, and the creative
arrangement of the poems yields startling contrasts and alliances that will
draw readers into a powerful relationship with the work.The book includes 160 poems representing some sixteen
countries and many different cultures. Together, this collective utterance
respects and conserves a great variety of perspectives. Writing in a full range
of styles, the diverse voices found inside include poets from Aristophanes,
Blake, Coleridge, Du Fu, Melville, and Wordsworth to Anne Carson, CA Conrad,
Kimiko Hahn, Paul Laurence Dunbar, D.H. Lawrence, Sylvia Plath, Maya Angelou, Rita
Dove, and Marianne Moore, to important young voices, to performer/lyricists
such as Sonic Youth’s Thurston Moore. At all times, animals, their rights, and
their welfare are at the fore, be they invertebrates, bird, mammal, reptile,
amphibian, or fish. In a time of human-induced mass extinctions and rapid
human-induced climate change, this subject could not be more vital and
necessary for all of us to consider, embrace, and act on with empathy.

Leading poet and activist John Kinsella brings together a
major international collection of contemporary and historical poetry that speaks
to the rights and welfare of animals.

The Uncollected Animals is a unique anthology of poetry
based around all non-human animal life, with the welfare and rights of animals
at the forefront. The anthology includes over forty commissioned poems, and
other poems provided by poets specifically for the anthology. These are set
against an historical context of animal-referencing poems that range in time
from ancient Greece to the 21st century. Kinsella’s introduction offers
insights into the eternal relationship of poetry to animals, and the creative
arrangement of the poems yields startling contrasts and alliances that will
draw readers into a powerful relationship with the work.The book includes 160 poems representing some sixteen
countries and many different cultures. Together, this collective utterance
respects and conserves a great variety of perspectives. Writing in a full range
of styles, the diverse voices found inside include poets from Aristophanes,
Blake, Coleridge, Du Fu, Melville, and Wordsworth to Anne Carson, CA Conrad,
Kimiko Hahn, Paul Laurence Dunbar, D.H. Lawrence, Sylvia Plath, Maya Angelou, Rita
Dove, and Marianne Moore, to important young voices, to performer/lyricists
such as Sonic Youth’s Thurston Moore. At all times, animals, their rights, and
their welfare are at the fore, be they invertebrates, bird, mammal, reptile,
amphibian, or fish. In a time of human-induced mass extinctions and rapid
human-induced climate change, this subject could not be more vital and
necessary for all of us to consider, embrace, and act on with empathy.

Poems for Our Nonhuman Kin

The Uncollected Animals

Classics after Antiquity

"The first synthesis and analysis of the translation history of Roman poet Virgil's works into European languages. A wide-ranging interdisciplinary investigation that contributes to western intellectual history and challenges classicists and other literary scholars to reassess the features of Virgil's poems to which the translators respond"--

The first synthesis and analysis of the translation history of Roman poet Virgil's works into European languages. A wide-ranging interdisciplinary investigation that contributes to western intellectual history and challenges classicists and other literary scholars to reassess the features of Virgil's poems to which the translators respond.

A Cultural History of the Western Tradition from the Eleventh Century to the Present

Translating Virgil

A stunning, all-new collection of prayers, poetry, and spiritual practices centring the Black interior world, from the New York Times bestselling author of This Here Flesh and creator of the hugely popular Black Liturgies Instagram account.

A stunning, all-new collection of prayers, poetry, and spiritual practices centring the Black interior world, from the New York Times bestselling author of This Here Flesh and creator of the hugely popular Black Liturgies Instagram account.

Prayers, poems and meditations for staying human

Black Liturgies

Now in paperback! With over 60,000 hardcover copies in print, the astonishing collection about interconnectedness-between the human and nonhuman, ancestors and ourselves-from U.S. Poet Laureate and MacArthur Fellow Ada Limón."I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions-incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from U.S. Poet Laureate and MacArthur Fellow Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

Poems

The Hurting Kind

The Green Month

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Schlagworte

Bibliografische Angaben

Schlagworte

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