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Dorta I: I don't Think I'm Straight / LF

I don't Think I'm Straight

Poems to read, to write and to share

Yale Drama Series

The seventeenth winner of the Yale Drama Prize, a deeply personal celebration of trans identity and the magic it takes to define yourself in our world &nbsp; After one night together in the desert, Grace uproots their life to chase after Brahm, a person who is slowly becoming a cactus. Not known for having a green thumb, Grace tends to Brahm and the seeds of their own doubt. Can the desert be a place for love to grow, or are they both just waiting for rain? This deeply personal play aims to provide nourishment to those hiding in the shadows and create a space of recognition and magic for all. &nbsp; Of this year’s prizewinning play, Yale Drama Prize judge and award-winning playwright Jeremy O. Harris says, “In this time of immense political and social upheaval when it feels as though hopelessness is a cloud that hangs heavy over all our interactions, this dry spell hit me like a cleansing rain.”

this dry spell

The debut novel from the beloved comedian and presenter

Common Courtesy

Unti Nonfiction

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

Iron Widow

The Number 1 New York Times Bestseller

Heavenly Tyrant

The Essex Sisters

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving. Salted with intelligence and empathy' New York Times Book Review 'A page-turner' New Yorker 'Really shines' San Francisco Chronicle 'Gorgeous' Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together - over dinner, beers, pool games - they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- 'A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend' NPR 'Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths' Los Angeles Times 'A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take' Wall Street Journal 'Schwalbe's memoir shines. Written like a true friend' Daily Mail

PRE-ORDER THE PAPERBACK NOW From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving' NEW YORK TIMES ''Schwalbe's memoir shines...Written like a true friend' DAILY MAIL ------------- in his last year of university, Will thought he knew everyone he cared to know. A per-haired, out gay young man, working at an AIDS helpline in the early days of the crisis, Will found community amongst the theatre students, artists and writers. He also knew who he wanted to avoid: the jocks. Wearing sporty clothes and moving in boisterous packs, the jocks seemed to be a different species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will was brought into a secret society at Yale, aimed to bring together a group of opposites. On his first day, he was faced with Chris Maxey - a physically imposing, loud, star wrestler who seemed to be uncomfortable around Will and embodied everything he disliked and feared. But through months of mandated dinners, and many beers, the two swapped life-stories and forged an unexpected bond that became a ballast in each other's lives for forty years. A real-life The Breakfast Club story, We Should Not Be Friends is a testament to the miracle of human connection, if only we see past our differences.

The Story of An Unlikely Friendship

We Should Not Be Friends

Poems

The Negroes Send Their Love

Chosen Family

The Boys&nbsp;meets&nbsp;Starter Villain&nbsp;and&nbsp;Assistant to the Villain&nbsp;in Natalie Zina Walschots's electrifying, sharp, violent, and hilarious sequel to the highly acclaimed novel,&nbsp;Hench,&nbsp;in which the Auditor must confront the near-impossible in order to right the many wrongs in the superhuman industry...or cause more of them. She's not picky. Anna, better known to superheroes as the Auditor, has carved out a name for herself. Any hero unlucky enough to cross her path knows her potential and powers. Surely, success should taste sweet: she has an incredible job with lots of perks, and her boss will&nbsp;literally&nbsp;annihilate anyone who crosses her, and her greatest enemy, the former hero Supercollider, has been utterly defeated and literally ground to a pulp. But Anna still has her sights set on a greater work: destroying the Draft, the organization that makes, trains, and manages the world's most powerful superheroes. These "heroes" have shown time and time again that they do more harm than good, and now is the time to stop the damage at its source. Yet all is not well for the Auditor and her fellow evildoers. Her employer, Leviathan-the world's most feared supervillain-is not coping well with Supercollider's defeat at someone else's hands. Moreover, her unlikely ally and unexpected friend, Quantum Entanglement, has vanished without a trace, leaving Anna to examine all the ways they deceived each other. Tension and uncertainty fill the air, and fear that this moment of triumph is about to crumble looms over all of them. Anna soon finds herself facing down an opponent unlike any she's taken on before-not another superhero, but someone like her...someone much more dangerous: the Draft's Chief Marketing Officer. This isn't a test of physical prowess, but ideas, and as the fight spirals deeper and deeper, with new foes popping up every day-she'll need more than just her superpower-data research-to keep ascending through the supervillain ranks. It's guerrilla ad warfare, and the Auditor might have finally met her match.

The Boys&nbsp;meets&nbsp;Starter Villain&nbsp;and&nbsp;Assistant to the Villain&nbsp;in Natalie Zina Walschots’s electrifying, sharp, violent, and hilarious sequel to the highly acclaimed novel,&nbsp;Hench,&nbsp;in which the Auditor must confront the near-impossible in order to right the many wrongs in the superhuman industry…or cause more of them. She’s not picky.Anna, better known to superheroes as the Auditor, has carved out a name for herself. Any hero unlucky enough to cross her path knows her potential and powers. Surely, success should taste sweet: she has an incredible job with lots of perks, and her boss will&nbsp;literally&nbsp;annihilate anyone who crosses her, and her greatest enemy, the former hero Supercollider, has been utterly defeated and literally ground to a pulp.But Anna still has her sights set on a greater work: destroying the Draft, the organization that makes, trains, and manages the world’s most powerful superheroes. These “heroes” have shown time and time again that they do more harm than good, and now is the time to stop the damage at its source.Yet all is not well for the Auditor and her fellow evildoers. Her employer, Leviathan—the world’s most feared supervillain—is not coping well with Supercollider’s defeat at someone else’s hands. Moreover, her unlikely ally and unexpected friend, Quantum Entanglement, has vanished without a trace, leaving Anna to examine all the ways they deceived each other. Tension and uncertainty fill the air, and fear that this moment of triumph is about to crumble looms over all of them.Anna soon finds herself facing down an opponent unlike any she’s taken on before—not another superhero, but someone like her…someone much more dangerous: the Draft’s Chief Marketing Officer. This isn’t a test of physical prowess, but ideas, and as the fight spirals deeper and deeper, with new foes popping up every day—she’ll need more than just her superpower—data research—to keep ascending through the supervillain ranks.It’s guerrilla ad warfare, and the Auditor might have finally met her match.

Villain

A history of Black poets in Washington, DC, reveals how they have reflected and transformed American cultural discourseWashington, DC, has long been home to a dynamic and vibrant African American literary community, despite often being overshadowed by the literary worlds of New York and Chicago. In No More Worlds to Conquer, the local poet Brian Gilmore uncovers the buried legacy of Black poets in Washington. He traces the literary life and politics of Black poets in the nation's capital since Paul Lawrence Dunbar, showing how well-known American poets, such as Sterling Brown and Jean Toomer, were mentored in DC by poets like May Miller and Georgia Douglas Johnson and making the case for the city as a center of American literature.Gilmore draws on meticulous research, personal interviews, and his own deep knowledge of the local literary community to connect generations of writers and document a poetic community that transcends Washington. He reveals the intricate intersections, networks, and influences that have shaped the city's poets and how they have influenced American poetry for a century.More than a historical account, No More Worlds to Conquer is a personal exploration that bridges the past and the present. Gilmore, who was born and raised in DC, illuminates this history and reflects on his own place in its literary tradition. This multigenerational account will resonate with poetry enthusiasts, local DC scholars, and anyone interested in the rich traditions of African American literature.

The Black Poet in Washington, DC

No More Worlds to Conquer

I don't Think I'm Straight

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Bibliografische Angaben

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