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Thomas D: Selected Poems / B

Selected Poems

Encounters in Poetry with the Natural World

Earth Prayers

Autobiography of Death

An astonishing new collection from the Poet Laureate of Punk and the Bard of Salford, Dr John Cooper Clarke.

Dr John Cooper Clarke's dazzling, scabrous voice has reverberated through pop culture for decades, his influence on generations of performance poets and musicians plain for all to see. In WHAT, the original 'People's Poet' comes storming out of the gate with an uproarious new collection, reminding us why he is one of Britain's most beloved writers and performers. James Brown, John F. Kennedy, Jesus Christ: nobody is safe from the punk rocker's acerbic pen – and that's just the first poem. Hot on the heels of The Luckiest Guy Alive and his sprawling, encyclopaediac memoir I Wanna Be Yours, the good Doctor returns with his most trenchant collection of poems yet. Vivid and alive, with a sensitivity only a writer with a life as varied and extraordinary as Cooper Clarke's could summon, WHAT is an exceptional collection from one of our foremost satirists.

WHAT

Hermaea. Neue Folge

Das Buch befasst sich mit der Frage, wann und wie in deutschsprachigen literarischen Texten zwischen 1750 und 1930 auf die Literatur des Mittelalters Bezug genommen wird. Dabei wird auf quantifizierbare Größen in Form von Publikationszahlen zurückgegriffen, wodurch erstmals intersubjektiv nachprüfbare Ergebnisse zur Häufigkeit von Mittelalterbezügen in der Literatur vorliegen. Auf diese Weise zeigt die Studie, dass Mittelalterbezüge in der deutschsprachigen Literatur nicht epochenspezifisch sind, sondern vielmehr über den gesamten Untersuchungszeitraum hinweg kontinuierlich literarisch Bezug auf das Mittelalter und dessen Literatur genommen wird. Damit sind Bezugnahmen auf das Mittelalter aus quantitativer Perspektive auch nicht epochenprägend. Der Zusammenhang von Minnesangrezeption und Romantik wird im letzten Teil der Arbeit anhand des lyrischen Œuvres Friedrich Haugs näher untersucht. In der bisherigen Forschung wurde Haug lediglich als Epigrammatiker betrachtet und sein Schaffen dem Klassizismus zugeordnet. Seine literarische Rezeption mittelalterlicher Lyrik zeigt jedoch eine Nähe zur Romantik, die Haugs Briefe an Ludwig Uhland belegen. In der Analyse von Haugs Lyrik wird deutlich, dass seine Minnesangrezeption auch an ältere Rezeptionstraditionen anknüpft.

Das Buch befasst sich mit der Frage, wann und wie in deutschsprachigen literarischen Texten zwischen 1750 und 1930 auf die Literatur des Mittelalters Bezug genommen wird. Dabei wird auf quantifizierbare Größen in Form von Publikationszahlen zurückgegriffen, wodurch erstmals intersubjektiv nachprüfbare Ergebnisse zur Häufigkeit von Mittelalterbezügen in der Literatur vorliegen.
 
 Auf diese Weise zeigt die Studie, dass Mittelalterbezüge in der deutschsprachigen Literatur nicht epochenspezifisch sind, sondern vielmehr über den gesamten Untersuchungszeitraum hinweg kontinuierlich literarisch Bezug auf das Mittelalter und dessen Literatur genommen wird. Damit sind Bezugnahmen auf das Mittelalter aus quantitativer Perspektive auch nicht epochenprägend.
 
 Der Zusammenhang von Minnesangrezeption und Romantik wird im letzten Teil der Arbeit anhand des lyrischen Œuvres Friedrich Haugs näher untersucht. In der bisherigen Forschung wurde Haug lediglich als Epigrammatiker betrachtet und sein Schaffen dem Klassizismus zugeordnet. Seine literarische Rezeption mittelalterlicher Lyrik zeigt jedoch eine Nähe zur Romantik, die Haugs Briefe an Ludwig Uhland belegen. In der Analyse von Haugs Lyrik wird deutlich, dass seine Minnesangrezeption auch an ältere Rezeptionstraditionen anknüpft.

Ein ›scalable reading‹ von 1750 bis 1930 mit einer Fallstudie zur Mittelalterrezeption Friedrich Haugs

Literarische Beziehungen zum Mittelalter

Penguin Modern Classics

It is only James Joyce's towering genius as a novelist that has led to his comparative neglect as a poet. And yet his poems not only occupy a pivotal position in Joyce's career, they are also magnificently assured achievements in their own right. 'Chamber Music' is an extraordinary début, fusing a broad swathe of styles with characteristically sharp irony and joyful verbal exuberance. 'Pomes Penyeach' confronts painful personal issues of adultery, jealousy and betrayal and so paves the way for the more detached and fully realized treatment of these feelings in Joyce's masterpiece, Ulysses. Also included here is 'Ecce Puer', written for his new-born grandson, as well as juvenilia, satires, translations, limericks and a parody of Samuel Taylor Coleridge.

It is only James Joyce's towering genius as a novelist that has led to his comparative neglect as a poet. And yet his poems not only occupy a pivotal position in Joyce's career, they are also magnificently assured achievements in their own right. 'Chamber Music' is an extraordinary début, fusing a broad swathe of styles with characteristically sharp irony and joyful verbal exuberance. 'Pomes Penyeach' confronts painful personal issues of adultery, jealousy and betrayal and so paves the way for the more detached and fully realized treatment of these feelings in Joyce's masterpiece, Ulysses. Also included here is 'Ecce Puer', written for his new-born grandson, as well as juvenilia, satires, translations, limericks and a parody of Samuel Taylor Coleridge.

Poems

'Gayl Jones's work represents a watershed in American literature . . . her truth-telling, filled with beauty, tragedy, humour and incisiveness, is unmatched' Imani Perry Two epic poems brimming with intimacy, history and revolution, from the acclaimed writer of Palmares and Corregidora. When the Portuguese attack Palmares, Brazil's last fugitive slave enclave, Almeyda and her husband are separated as they flee from the destruction. Amid the flight and re-enslavement of the inhabitants, their narrative emerges. Two powerful poems give voice to the lovers: Almeyda's passionate lament for Anninho, whom she believes has been killed, is combined with his response as he searches for her. Their story is one of longing - for each other, for freedom - and for revolution. 'A once-in-a-lifetime work of literature, the kind that changes your understanding of the world' Yara Rodrigues Fowler on Palmares 'Page after breathtaking page, her prose is intricate, mesmerizing, and endlessly inventive' Deesha Philyaw on Palmares 'Jones's writing powerfully blends narrative and lyricism' Margo Jefferson

By the acclaimed writer of Palmares and Corregidora. When the Portuguese attack Palmares, Brazil's last fugitive slave enclave, Almeyda and her husband are separated as they flee from the destruction. Amid the flight and re-enslavement of the inhabitants, their narrative emerges. Two powerful, epic poems give voice to the lovers: Almeyda's passionate lament for Anninho, whom she believes has been killed, is combined with his response as he searches for her. Their story is one of longing - for each other, for freedom - and for revolution. 'I want to stay here, Anninho.' 'There won't be any way you can stay here. When they catch us, they'll take you back.' 'The men they kill, the women they take back.'

Song for Almeyda and Song for Anninho

Poetry of how we shape what is lost or past, and how it shapes us. &gt; O'Donoghue's informal, even playful tone is that of a poet disarming themselves as well as their reader. He is neither plaintive nor nostalgic but confronts the possibility that what you are most attached to can be, in the end, what ties you down. The poems also enact the reluctance to return that arises out of a fear of finding yourself locked out.

The Anchorage

Ecstasy is the major new collection from Alex Dimitrov whose poems such as 'The Years' and 'Someone in Paris, France is Thinking of You' in the New Yorker have gone viral. In Ecstasy, Dimitrov explores the sensation of ecstasy in all its forms: romantic, sexual, drug-induced and spiritual. Beginning in Manhattan and finally taking us across America, London and Paris, Ecstasy is a revelatory exploration of sex, God, parties, New York, drug culture, and old school Americana. Dimitrov is an iconographer of contemporary life, able to pin profound and timeless meaning to exact time and place, much in the way that religious imagery in churches tell of universal and placeless experience. These are poems that steal attention from their reader and hold it, with fierce and hypnotic possession.

Ecstasy

Eloquent and uncompromising, Swell explores the triumphs and hardships of the journey to new motherhood - through pregnancy, miscarriage, birth and beyond In the consultation room I stared at the purple flowers in their purple vase and imagined my insides: an ocean, a cave, a storm. Maria Ferguson's second poetry collection is a raw and powerful documentation of one woman's experience of becoming a mother. Against a backdrop of the sounds and sensations of daily life, she longs for her own mother's embrace, observes as her body changes and charts a course through loss and wilting house plants toward recovery, empowerment and renewal. Tender, direct and winningly witty, Swell distils the poet's complex feelings surrounding family and domesticity, exploring the contending weight and levity felt as she contemplates a thrillingly unfamiliar new chapter. Ferguson is a poet as alert to the absurd as to the shattering, and these are large-hearted poems, full of life and thought. Together, they invite the reader to join them in a search for self-acceptance, for freedom from shame, and for a path to stability in increasingly uncertain times.

Eloquent and uncompromising, Swell explores the triumphs and hardships of the journey to new motherhood – through pregnancy, miscarriage, birth and beyond In the consultation room I stared at the purple flowers in their purple vase and imagined my insides: an ocean, a cave, a storm. Maria Ferguson’s second poetry collection is a raw and powerful documentation of one woman’s experience of becoming a mother. Against a backdrop of the sounds and sensations of daily life, she longs for her own mother's embrace, observes as her body changes and charts a course through loss and wilting house plants toward recovery, empowerment and renewal. Tender, direct and winningly witty, Swell distils the poet's complex feelings surrounding family and domesticity, exploring the contending weight and levity felt as she contemplates a thrillingly unfamiliar new chapter. Ferguson is a poet as alert to the absurd as to the shattering, and these are large-hearted poems, full of life and thought. Together, they invite the reader to join them in a search for self-acceptance, for freedom from shame, and for a path to stability in increasingly uncertain times.

Swell

Gothic Fantasy

The ideal gift for lovers of Shakespeare to enjoy the intrinsic beauty of the Bard's prose and poetry. Part of a beautiful three-set edition, with the works laid out in all their glory: clear, accessible and unfettered by fussy notes. An attractive and timeless collection that will appeal to all: The Comedies.

Based on the First Folio of John Heminges and Henry Condell

William Shakespeare Complete Works The Comedies

Highway Cottage

The ideal gift for lovers of Shakespeare to enjoy the intrinsic beauty of the Bard's prose and poetry. Part of a beautiful three-set edition, with the works laid out in all their glory: clear, accessible and unfettered by fussy notes. An attractive and timeless collection that will appeal to all: The Histories.

William Shakespeare Complete Works The Histories

Selected Poems

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