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Thomas D: Selected Poems / B

Selected Poems

The Book of Jonah

Picador Collection

Say Something Back &amp; Time Lived, Without Its Flow, Denise Riley's exacting meditations on loss, grief, and life thereafter, are published together for the first time.

Say Something Back and Time Lived, Without Its Flow

Classics after Antiquity

"The first synthesis and analysis of the translation history of Roman poet Virgil's works into European languages. A wide-ranging interdisciplinary investigation that contributes to western intellectual history and challenges classicists and other literary scholars to reassess the features of Virgil's poems to which the translators respond"--

The first synthesis and analysis of the translation history of Roman poet Virgil's works into European languages. A wide-ranging interdisciplinary investigation that contributes to western intellectual history and challenges classicists and other literary scholars to reassess the features of Virgil's poems to which the translators respond.

A Cultural History of the Western Tradition from the Eleventh Century to the Present

Translating Virgil

Oxford World's Classics

One of the most diverse and maverick intellectuals of the early modern period, Margaret Cavendish is known for critiquing a wide range of early modern cultural and philosophical beliefs. In this edition Lisa Walters brings together popular works such as The Blazing World, alongside lesser-known poems and prose pieces, like The Ambitious Traitor.

One of the most diverse and maverick intellectuals of the early modern period, Margaret Cavendish is known for critiquing a wide range of early modern cultural and philosophical beliefs. In this edition Lisa Walters brings together popular works such as The Blazing World, alongside lesser-known poems and prose pieces, like The Ambitious Traitor.

The Blazing World and Other Writings

'A master of language' HILARY MANTEL John Burnside's last collection of new poems gathers around a single theme - mortality - and draws on his faltering health and earlier glances with death, creating a powerfully moving exploration of memory, forgetting and the seven ages. Here, as always, there is a clear-eyed curiosity; a sense of wonder at the beleaguered natural world and its endless mutability - its hidden beauty, often suddenly disclosed - and a deep faith in its old gods. Burnside was always as much a spirit-guide as a poet, and here, in the Empire of Forgetting, we are never far from a fresh alertness to the world, to epiphany - a sudden, spiritual manifestation. There is a sense, too, in these last poems, of a man having found a 'dwelling place' - a sense of rest and peace and settlement with the world. A state of grace. 'Among the best writers of his generation, fully voiced and perfectly pitched... He now leaves behind a body of work that will only grow stronger as new generations discover it' ANDREW O'HAGAN 'A titan of literature.... His passing leaves a gap not only in our literature, but in our ability to exist in the world. He increased the possible ways of our being' KATHLEEN JAMIE

The Empire of Forgetting

'Powerful, capacious and profound' OCEAN VUONG'A book you won't soon forget' ILYA KAMINSKY'Astonishing' TERRANCE HAYESLONGLISTED FOR THE 2025 DYLAN THOMAS PRIZE

Forest of Noise

A vivid and musical rendering of the poetry of Catullus, whose passionate verses have captivated readers for centuries &nbsp; “Catullus’s verses still ring true, reminding readers that the habits of the heart haven’t changed in millennia.”—Publishers Weekly &nbsp; In the fourteenth century, a manuscript surfaced in Verona that had been lost for more than a thousand years: the poems of Catullus (c. 84–c. 54 BCE), considered by many to be one of the greatest poets who ever lived. These poems, with their beauty, wit, tenderness, and heartbreak, are still as alive and moving today as they were two thousand years ago. &nbsp; They are dense, subtle, witty, ardent, fearless, deeply uncensored, nasty (sometimes), petty (sometimes), and always beautiful. It’s especially his love poems that have earned readers’ admiration over the centuries; the joy and the savage self-inflicted torments that he underwent in his “miserable, disastrous love affair” have been shaped into poems that for honesty and emotional power have few parallels in world literature. &nbsp; Stephen Mitchell, who is known for bringing ancient texts to vibrant new life, has now translated Catullus’s poems for a new generation of readers. These are the first translations of Catullus to reimagine his rhythms in English and thus to let contemporary readers hear the formal beauty of his verse as well as its content, which Robert Lowell calls “much more raw and direct than anything in English.”

Catullus

Foretokens

"Black Surrealist. Poet. Artist. Jazz trumpeter. Member of the Beat Generation. Life-long wanderer. Pan-Africanist. Black Power agitator. Author of his own "poem-life." Ted Joans (1928-2003) was all of these things, and yet none of these labels adequately capture the beauty and complexity of his life and work. In the over 30 books of poetry and prose he published in his lifetime, Joans makes visible links among key artistic and political movements of the 20th century that are seldom discussed together: Surrealism, the Beat movement, Pan-Africanism, and Black Power. Drawing on interviews and deep archival research, this critical literary biography explores Joans's life as told through these relationships and through his remarkable creative output, which often explored his life and its connections to wider aesthetic and political experiences of the 20th century"--

Black Surrealist. Poet. Collage artist. Jazz trumpeter. Painter. Member of the Beat Generation. Life-long wanderer. Pan-Africanist. Black Power agitator. Author of his own “poem-life.” Ted Joans (1928-2003) was all of these things, and yet none of these labels adequately capture the beauty and complexity of his life and work. 

The proportions of Ted Joans’s life are legendary. Born in Cairo, Illinois in 1928, as a young man he distinguished himself as a Surrealist painter. In the early 1950s, he moved to New York’s Greenwich Village, where he opened the first Black-owned art gallery in the city, developed new styles of painting, and began reading his poetry in coffeehouses just as the Beat Generation was coalescing. A well-known raconteur and bon vivant on the Village scene, he threw elaborate parties (art events that prefigured the Happenings of the later 1950s), exhibited his “jazz action” paintings, and published poetry and collage books to acclaim. But at the height of his success, Joans left the States for Europe and Africa, and set up bases of operation in places such as Paris, Copenhagen, Tangier, and Timbuktu. He would spend the subsequent decades in constant movement around the globe, an itinerant poet, interdisciplinary artist, and self-styled “Surrealist griot” who was especially attuned to the magnetic power of chance encounters. He published some 40 books and booklets, and wrote much more that is still unpublished, including novels, autobiographies, and a comprehensive guide to Africa—all the while cultivating what he thought of as his greatest artwork, his own “poem-life."

Drawing on interviews and deep archival research, including discussions of Joans’s vast body of unpublished—and previously-unseen—work, Black Surrealist explores how he swam in streams of literary and artistic thought seldom discussed together: Surrealism, the Beats, Négritude, and Black Power, among them, while always remaining a true original. Ted Joans’s poem-life and body of work are unlike any other in the 20th Century, and Black Surrealist, illustrated with over 70 images, many never before published, is the first book to reckon with this singularly important poet-artist, and to show how and why his creative spirit lives on.

Selected Poems

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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